• 3rd release from positive centre on ocs
• 9 track lp of superb, dub inspired techno
after a pair of well-received eps and a string of immersive live shows over the past year, berlin based producer mike jefford prepares the release of his first long player under the positive centre moniker, entitled * in silent series*

father & son aka gerry franke & max graef from berlin - 2 generations of musicians bringing their style of music together.

on his third album, the pennsylvania snake-synth-charmer deepens his approach to aural depravity. ultima ii massage widens a jagged swath through the dudes own weird catalog, each disparate track damaged to the point of contributing to some sort of greater, lurching frankenstein-like state.
pressing on yellow coloured & marbled double 12 inch, download code included.

giallo disco journeys further east with the release of baskin. our first original soundtrack written by turkish composer volkan akaalp for the short film by enfant terrible can evranol (to my mother and father). baskin tells the story of four cops discovering a nightmare of lovecraftian proportions during a routine investigation. this incredible soundtrack is an eastern twist on the works of fabio frizzi, industrially corroded by early 90s r&s records. shot independently in istanbul, turkey, during the height of the gezi riots baskin has been described as disgusting. disorienting. brilliant by horror director eli roth. comes with a full colour sleeve and two exclusive remixes on the b-side by giallo disco heads vercetti technicolor and antoni maiovvi. things are about to get weird...

from a small town called florence, alabama, gene the southern child has been quietly releasing music under the radar for years. florence is part of an area known as “the shoals,” which houses the legendary fame recording studios and is also the hometown of w.c. handy “the father of blues.” hailing from this rich musical history, gene’s unique style is smooth southern hip-hop, incorporating poetry, blues, and soul.

foto continues with its 2014 release schedule with 3 tracks from label boss ooft! dub 4 daze gets the delay units set to long to create a trippy house number, whilst on the flip enter the dragon is a more direct jam targeted at the floor with plenty of stabs and hihats. rounding things off father father pitches things down for the erection section.

italian producer my dry wet mess, aka giovanni civitenga, is a name that has resonated in the world of left field/beats since its exciting fledgling years. though his father is the bass player for ennio morricones orchestra and a studio guitarist on numerous italian records, from a young age gio was drawn towards hip hop. at the age of 14 his father gave him a sampler and an atari, his beatmaking experiments grew boundless. having released albums on daedleus magical properties imprint and flying lotus brainfeeder, it is a great pleasure for fine grains to present his debut vinyl release – the *laptop lapdance ep*. it comes equipped with remixes from ikonika, dam mantle & auntie flo.

great reissue of this early 80s boogie classic from sandy kerr. with production duties undertaken by sandys father, prolific soul writer/producer george kerr alongside sugarhill hip-hop/electro artist reggie griffin, and engineered by bob blank, this is a superb chugging uptempo boogie/rap cut based on a sample from uk band i-levels club hit *give me* which came out the same year. as well as filling floors across the us it was a big underground favourite in the uk for djs such as greg wilson. released on small south carolina label catawba, this 12 inch features the killer in-demand dub chimental version on the flip as well as sandys smooth rapping a-side. dont miss!

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

after many things, released in 2008, and from africa with fury: rise in 2011, a long way to the beginning is the third album by seun anikulapo kuti with egypt 80, the 14 musicians big band hes been leading since the death of his father fela kuti in 1997.

on this tremendous 4-tracker detroit deephouse grandmaster rick wade meets bigbait founding father peter clamat. the latest bigbait bomb is exposing two different generations of groove science and philosophy to each other - forming a synergetic dancefloor orgasm built upon pure dopeness and deepness.

george morel. the man behind that name stands for warm and soulful house sounds for decades, not only for being one of the hottest djs around the world, but hes also a multiple gold and platinum receiving artist with the help of his excellent production skills. now hes back once more on alex flatners label circle music - with a new underground hit.

it has been four long years since noahs last album, blind alignments, was released here on thoughtless, and much has happened since: extensive tour dates, numerous singles and collaborations, a lingering break-up, a move across the atlantic, 80 releases here on preds thoughtless imprint, tests of new music technology, and the sudden death of his father, all this and more transpired as his latest full-length effort, third culture, took shape. traversing these highs and lows, the result breaks new ground for pred, building on the dub-inflected techno and house that fills his discography, yet reaching far beyond anything we have heard from him before.

it is 2013 and in this release we hear a totally new approach to sampling. a vinyl release of two artists. fitz ambro$e (cape breton island) residing intokyo, & ohbliv of richmond, virginia(usa). fitz ambro$e sound has unique influence from 90s hip hop and 80s soul, he is also affiliated with cosmopolyphonic collective in tokyo. from the record archives of his father, ohbliv developed the charm of sampling. the record is a 14 track collage of beats from two uniquely talented artists who transcend their individual musical roots. as if competeing with each other both leave the remnants of sampling material, and the method in which they cut and chop is truely an interesting work.

the fantastic 1995 compilation of madonna ballads, including *take a bow, *crazy for you*, *live to tell* and the collaboration with massive attack on *i want you*. a rare and classic release now reissued on 180 gram vinyl.

mr. afro bionic djinji brown brings us an eclectic palette of grooves and sounds that breathe deeply from the soul of music. djinjis corner cleverly reaches though his diverse influence creating an ep that is deep, primal and soul filled. his gift lies in the ability to take music to the edge, stretching beyond the limits of any one genre. as a tribute to his father, jazz artist marion brown, he used a song title taken from marions album titled afternoon of a georgia faun written in 1970 in honour of the birth of his son

the brand new studio album by black sabbath on heavyweight 180 gram double vinyl in gatefold cover.

limnited edition of 500 numbered copies. raspberyy coloured double 12 inch vinyl in gatefold sleeve.

nearly three years after the release of his debut album lucky shiner, gold panda returns with his second album half of where you live, to be released on ghostly international and his own notown label (uk). the album is the product of a period spent touring the world multiple times around, absorbing influences and probing potential new avenues of creative exploration.
comes as dfouble 12 inch vinyl plus download code.

krasnodar, located around 1500km due south of moscow is where aleksander tochilkin (kott) calls home. from this city, deep in the south of the giant russian state, kott crafts and creates even deeper cuts of house music.
this, his debut ep for italian imprint dabit, is made up of three original tracks and remix by dave scott. *physics* is firmly rooted in the classic house ethos, chopped vocals and glorious strings build an impressive backdrop for the swinging hats and off beat snares. it is hard to listen to this track without thinking about the sun.

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.

following on from the release of david ks well-received sneakers & playground ep, the unnerving pairing of nico & pherox (aka tim querengaesser) return with a record that is veiled by in a dark and mysterious shroud. nico (previously known as verena) is a young and fresh female artist, influenced from an early age by the classical work of her father (who worked as a music composer), whilst pherox is a more familiar presence in todays deep clubbing landscape, having released on mupa, catenaccio, dumb unit, stock5 and his very own label, slash. on this ep, the pair explore a broad palette of sounds, taking in italian horror film-esque chords, chopped and screwed vocal samples, rolling basslines, soothsaying vocals, drawn out fog horn stabs. this is deep music, flavoured by the nocturnal, tinted by the eighties, and ultimately full of originality.

golden age thinking was previously a three part, split lp but the three tracks featured on golden age thinking were to be an additional footnote to the project before the complete lp was released as a whole package digitally in june this year. written just before martin passed away in late-2012 the tracks featured on this, the 12 release, are the sort of timeless house music the duo shared a deep love of and the decision to release them was taken by giles and martins father.

vorhang auf für das dritte album der ralfe band! auf son be wise verbindet das projekt um oly ralfe erneut seinen schraegen folkpop mit maroden untertoenen und verfuehrerischem laerm

vinyl only
2 classic ciara rnb vocals, refixed by behling & simpson in their trademark chunky slow house style. following their extremely well received edits of faith evans love like this and julio bashmore father father on boogiefuturo, the production duo from bristol - known for their records on futureboogie, 2020 midnight visions, applepips and outernational - finally release their long-awaited refixes of ciaras classic tunes like a surgeon and goodies. strong early support from jackmaster, who used surgeon in his 2012 mastermix, as well as x-press 2, midland, redlight and eliphino, has led to a steady wave of requests for these edits for over a year, resulting in this limited vinyl-only release

dj spoko was born marvin ramalepe, raised in the rural town of tzaneen in northern south africa, where he says there was no first or third class—all the same. he started producing on a pc at age 12, after moving with his brother kelly rams ramalepe to atteridgeville, a 99%-black township outside the mostly white city of pretoria – to find their father. they lived in an area called ghost town, near atteridgeville s cemetery, where as the neighborhood s premiere producer, young spoko earned the nickname ghost. the title of his new ghost town ep

sino is proud to present delaze . delaze is a multi faceted music producer. coming from a culturally diverse and deeply rooted music family, becoming a music producer of varied taste was an inevitable path. his father was a well known radio host in the city of brasilia back in the 80s. it was there where delaze discovered his love for music. being surrounded by his dads massive vinyl collection enabled delaze to appreciate the classics. for his first ep, sino selected three tracks. bloody samba as the title suggest is inspired by the heat of brazilian carnaval. aint hot is deep and funky oscillating between techno and house. discoordination goes disco.

we are very proud to present to you this amazing debut album from a master of the breaks and bass: spktrm. limited edition vinyl release.

dj sureshot, eine hälfte des hip hop-produktionsduos sharpshooters aus seattle, liefert mit >elegant aggression< nun das nach diversen singles heiß erwartete studioalbum.
auf dem album verbindet er harte hip hop-beats mit jazz, funk, reggae und rock instrumentierung und hat dazu sänger und rapper ans mikrophon geladen.
als gäste sind coultrain (platinum pied pipers), ohmega watts (ubiquity), myron & e (now again), noel ellis (sohn von rocksteady-legende alton ellis), the mighty pope (der erste afrokanadier auf einem majorlabel in den 70ern) und einige andere dabei.
für fans von aloe blacc, mayher hawthorne, daptone, truth & soul und ähnlichen künstlern und labels.
auf dem 3. vinyl finden sich 9 instrumental-versionen von tracks des albums.

after all efforts were put into jacob korns debut album during summer 2012 uncanny valley strikes back with namesake jacob stoy and his very first solo ep after his s51 for the uv010-compilation. everything starts with redensart, a sunny piece of music with a sneaky bassline and easy synth pads that come across like a warm rain shower: its house in the end but feels like so much more. hauswart is an impressive example of how one can create a whole atmosphere of sound within two minutes. its short but feels so comfortable that you really like it to go on and on forever. start is maybe the most conventional deep house track on the ep and seduces with catchy synth chords and thrilling drums. finally gegenwart brings things to a jazzy end with tipsy synths and tripping percussions. the artwork comes from none other than jacobs father olaf stoy, who is a painter, lyricist and porcelain designer still working in jacobs hometown rabenau near dresden.

aerostaff records is a moscow underground music label by airat naryshkin. the famous russian cult magazine ptuch called airat naryshkin >the father of russian electronic music<. airat really unites cultures and generations – soviet union, different times and stages. airat is famous in musical circles as a musician of different styles. as airat himself puts it his >way of life consists of his own music works, professional music playing and meeting good-natured people<.

auf >breakthrough< verschmilzt kalifornisch-inspirierter psych mit einflüssen aus aller welt. durchdrungen von ominösen und verzerrten tönen sowie entfesselten drums ist >breakthrough< vielmehr als eine sammlung von beats - hier fusionieren elektronik, psychedelic-pop, funk/soul, hip hop und dubstep zu etwas eigenständigen und aufregendem neuen. gastaufritte von gonjasufi, adrian younge, dimlite, daedelus, samiyam oder computer jay machen >breakthrough< zu einer reise der kreativen verbundenheit und einer stammes-zeremonie mit einem gefühl von gemeinschaft, welches den stellenwert der kollektiven erfahrung für the gaslamp killer wiederspiegelt. mit >breakthrough< gelingt the gaslamp killer eines der spannendsten debütalben in 2012!
2 x 12 inch vinyl im klappcover, inklusive code für freien mp3-download des albums.

122 bpm is the story of how a father and his son changed chicagos dance music scene in the 1980s and went on to take the world by storm, leaving an impression that will last forever with just a couple of 12 inch releases the world would soon know as house music. nemiah mitchell jr. and vince lawrence couldnt have known what their contribution to house music would become. their story provides the missing chicago link between soul, disco, new wave and then house, between the radio and club djs and their audience, between the old generation and the new generation. this is the story of the first house records ever made - long before trax or dj international were even dreamt of. the compilation includes numerous unreleased tracks and beyond hard to find house tracks made in chicago in the early to late eighties from the catalogues of mitchbal records and chicago connection records

shortly after the controversial album >self portrait< dylan released >new morning<, which expands on the laid-back-country-rock of john wesley harding (movlp246) by adding a bit more rock & roll.
in the us >new morning< reached #7 going gold and in the uk it even bumped led zeppelin iii from the number one position. being one of the most versatile albums of mr. dylan, this 180 grams audiophile vinyl pressing is a beautiful expansion of the music on vinyl catalogue!

kruse & nürnberg feat. karina junker - home by six: the hamburg duo kruse & nürnberg return with another sure-shot in their trademark groovy and reduced house sound. designed for the most discerning dancefloors, the subliminal, sultry vocals of karina junker are twisted around an infectious jam. smooth rhodes flutters indulge the funk within and the result is an unmissable spring-time frolic.
matthias meyer - levant: father of >tout va bien< and >infinity< brings his latest deep-charge to the table with >levant<. playful, filtering drums and percussive fills work a complex groove into the foreground while a gently growing melodic theme builds. its a real summertime beauty that once again firmly plants meyer on the map. ebbing and flowing like the fresh breeze, dont be surprised to hear this one at many an open air this season!

ben sun kicks off the ep with some glorious grass roots house vibes. after releases on wolf music and under the shade melbournes francis inferno orchestra s make their debut for vr with classy, lo-slung but urgent take on deep house. legendary australian dj hmc joins in with some p-funk flavoured starr trax and last tyson ballard with some warm, spacious sunday-vibe piece of house music that is my house . touched by the magic that is linkwood for the mixdown, it s an infectious piece that draws a fitting end to a superb ep. another great release on this cool label.

classic reggae !!

madonnas 1989 album >like a prayer< remastered and re-issued on heavyweight 180 gram vinyl.

a good feeling starts if the first drumsounds of >feel so good< find your way from the boxes in the space. the head own style drawers belonging open in the half dozen and argue about the most correspondent blueprint. house? in any case. disco? unfailable to hear influence. electro? also not to dismiss this. dub? the father of the whole atmosphere. cosmic? also this is a part of the authoritative ingredients in the here available circle of the sounds. and the dance floor suction strengthening cow bells are anyway a tight of a track element of all last music generations! quintessence is, here two artists have poured your wide motley collection in influence in the form of a single track, have condensed and with it have interlocked at least 40 years of dancefloor history in fresh kind with each other.

the debut palace brothers album was released in 1993 when much american music was going through a particularly bombastic period. in contrast >there is no one what will take care of you< sounded like a field recording, as though a tape of back porch confessionals recorded by alan lomax as an example of high southern gothic style, had been newly discovered and released.

in heaven s hail, father s fog, son s storm, spirit s sun at posted stance, standing post in holy blazer, stained jeans, woeful boater amongst the crows, in the image of man anybody better than nobody aubery telemachus, son of odysseus and penelope, whose name in greek means far from battle , which perhaps reflects his peaceful nature and hermitic lifestyle.

alex and bill met 16 years ago when bill signed one of alex s first productions (is this the rhythm? by rhythmnvibe) to a new york label he was running. alex, whose father lives in the us, was a regular visitor to the states and they sent many happy hours together hanging out at the sound factory bar and comparing maw dubs. when bill returned to the uk in 1996, they had a few sessions together making house music, though neither of them can remember why they never finished anything or, indeed, what became of the tracks. fast forward a few years and they finally got back into the studio to make sweet music together under the moniker hotel motel. since then they have created a rich seam of work that some have already described as, like salvador dali with his pants down being fellated by deirdre barlow. few would disagree.

nice price deal !!! incl the mega track >in a blink of an eye< - pure euphoria! decks tipp.. it would be to easy to categorize satori as a techno producer. of course there were the clubhits with his partner in crime el mundo, there were long hot nights, exuberant dancefloors, pounding beats and pure ecstasy. but the person behind satori has another side, a side that also wants to pour his personal impressions into sound. meet in to void, a remarkable debut in every sense. forget about those dancefloors for a moment, the place where satori left his mark so clearly these last years. place yourself in the person djordje petrovic, born form a serbian father and south african mother, raised with balkan music, afrobeat, jazz and world music in all shapes and sizes. someone who educated himself in playing guitar and piano and also wants to showcase this other side of his music. produced in the moments in between his sessions with el mundo a series of tracks came about that characterize satori most accurately. deep, sensitive and worldly, but mostly compelling and utterly beautiful. in to void is a musical moodboard, an emotional blog if you like, where thoughts and impressions by djordje petrovic force themselves to you in a hypnotic trip, subtle but irresistible.

a sly pair of cheeky bangers slope their way out on very limited edition white label vinyl on new imprint boogie futuro.

mother focus is their 1975 studio album which marks a departure from the progressive rock style that dominated the band s prior work, to a poppier, often disco influenced direction. it is focus last studio album that features the notorious jan akkerman on guitar.

>celebration, florida< casts scenes of dreamy characters and stories interwoven like a block of primetime tv. among the tales: a young woman who sets off to find a secret paradise, a teenager who enters a boxing gym in catskill, ny, a late night host recounting his rise to fame to his honeybee while traveling in a private jet, shady degenerates who get lost in a mystery concerning a honda civic, a young girl who crimps her hair and spies her dead father driving down the road, a wall street scandal hits a little too close to home, and even a trip through space to find long forgotten hollywood parties and hopefully make it back there in time to walk down the red carpet. the felice brothers are: ian felice, james felice, christmas, greg farley, and david turbeville.
comes with code for free digital download of this album.

mule music happy to announce the joe claussell remix of kuniyuki >all these things<. we have been waiting almost 4 years…. we have asked him when we were going to make the remix package kuniyuki-remixed. now finally his remix is arrived! joe claussell invited his favorite instrument player and let them re-performance the original version of kuniyuki. the remix is 22min which is composed of 7 parts.the first half is quiet and beautiful,then after the speech of martin luther king during the break,then emotional second half come. we think this great remix is one of the best work of joe claussell. on b side,kuniyuki made self ambient version. the painting of record sleeve is by kuniyuki father! so dont miss this beautiful record.

fantastic limited reissue of this amazing self-titled afro-funk lp from ghanaian singing and percussion star sidiku buari. originally released in 1975, this super-rare album features an all-star cast of top funk instrumentalists playing alongside buari and boy does it show! blending heavy african rhythms with funky disco grooves, the arrangements and the playing are incredibly tight and the album is chock-full of killer tracks including advice from father (sampled by everyone from kenny dope to groove armada) and ku ka maria with its intense funky breaks and awesome drumming from legend bernard ‘pretty’ purdie, which made these tracks huge on the b-boy/breaking scene also. other stand-out tracks include the wonderful disco-tinged afro monsters karam bani and iro le pa plus the cool laidback groove of them yebtheget. top class!

this is it! 2 tracks from the forthcoming/work in progress/almost finished rub n tug longplayer. this is original rub n tug music put together with a lot of love & help from our talented group of friends...
rub n tug have pulled together quite the all-star team from the many life members of the party itself - among them american alt guitar hero matt sweeney of bonnie prince billy and zwan fame. as well as his cousin spencer, a major figure in new yorks art world. justin vandervolgen of! & tbd is the man on bass. for some native rhythms rnt call on rene lopez a native of nyc who s father was ray barrettos trumpeter (acid), its in his blood...