poland s father and son records and tapes present first proper outing from label boss maciek sienkiewicz - three heavily edited tunes from different periods of popular music history. -the white sheik- turns an obscure 80s eastern bloc groove into a full-on modern disco stormer, while -no shit sherlock- is 70s brazilian fusion redux. finally, the title track turns first few notes of one massive pop hit from 02 into hypnotic, entrancing journey in the vein of terry riley or philip glass. fantastic cover art designed especially for this release by renowned contemporary artist paulina olowska.

one modest man known as das komplex has been steadily producing music for almost a decade now in his quiet hometown of koszalin in western pomerania region of poland. it could have stayed like this if not for maciek sienkiewicz (veteran dj and promoter, one of the pioneers of polish electronic music scene), who picked some tunes for his new label fasrat. as the artist himself prefers to stay out of the spotlight, let the music speak for itself: from sun-drenched, guitar-driven like a fish (remixes coming from some key players in modern disco/balearic scene), through futuristic disco of -narkoleptyczni troche- and hazy deepness of nowadays, towards epic, over 13 minutes long, jazzy, dreamy, but no less energetic -siren-. elegant, original, infectious grooves for club play and home listening alike. limited edition with cover art by acclaimed contemporary painter aleksandra waliszewska

some fine quality house from japanese producer tominori hosoya on this new japanese label. fresh and playful tracks from the tokyo underground. allready charted 1 on brothers vibe chart.

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

its not exactly a dance album, although there is music you can dance to on it. its more filmic in nature.

tracks from the father-son duos debut album big strick and from generation next. from start to finish, smooth and heavy chords rain down from the gospels of house with fiery bass lines and thundering kick drums.

following on from a full-length album of grainy, synth-laden house on mathematics, and equally unique eps on thug and lies, simoncino makes his debut on creme organization with five suitably esoteric house offerings.

big strick drops a soulful house number, while gh bangs out a big big groove. then they team up for a melodic dance track. simple chords, groovy baseline and knocking drums.

repress 2013 !! excellent deep / detroit house vinyl, incl. rick wade remix !!! dj support already from - dj wild, ray okpara, motorcitysoul, luna city express, dj t, system of survival, gerd, le loup, ekkohaus, osunlade, cottam, 6th borough project, tucillo, lewie day (tornado wallace), huxley & ethyl, nic fanciulli, lauhaus, waifs & strays, jimpster, wild kats, james johnston, willie graff. plus many more

machen wir uns nichts vor, wir haben es hier mit einem stolzen vater zu tun. und eigentlich muss man mindestens alben von sting und den dire straits in seinem plattenschrank haben, um zum vati rock dazuzugehören. solch ein vater ist snaevar njáll albertsson aber gar nicht. dad rocks ausrufezeichen steht eher für das gegenteil eines vaters, der seine kinder mit musik aus seiner generation plagt. snaevars inspirationen kommen aus der gegenrichtung: sie erwachsen aus seinen engsten beziehungen, wie der zu seiner kleinen tochter. pathos, ironie und modernes vater-sein bringt der isländische musiker nun auf seinem inzwischen zweiten album >mount modern< zusammen.

black redemption-10-jah is the father / fred locks +there will come a day / fred locks (mighty massa dub/japan !!

the dazzling maiden release for futureboogie recordings comes from one of its creators, julio bashmore, an artist who represents a vividly bright and unshackled future for uk electronic music. fusing a classic soulful house sound with a hint of chi-town and future garage, >father father<, is a welcome introduction.
an instant classic thats full of warmth, >father father< wont fail to capture the heart of those that experience the piercing originality at the centre of its modern soul. from its soaring melodic chords, spacious percussion and crisp hi-hats to the silky vocal talents of fellow bristolian javeon mccarthy that lift >father father< to anthemic heights, the title track is a enraptured sonic treat.

deep house, techno, electro, breakin stuff with detroit influences.. ltd backstock from 1998

the father father remix takes you on a hypnotizing trip inside your bleeding soul. worgull isolates two single lines of oezlem cetins soulful sermon and creates a deep and dark dub version with many references to detroit and old school chicago. a future classic which shares the same vibes as henrik schwarz rework of walk a mile in my shoes. on the flipside is a nice reinterpretation of are we? by tony nwachukwu (attica blues), another friend of the karma boys, which features michelle amadors sweet vocals over a minimalistic detroit flavoured techno jazz excursion keeping the odd waltz time signature of the original and flipping the tune into an atmospheric future shuffle

fantasic deep minimal tech funk bomb !!!

bmb in full force here with number 5 in the series ... pretty cool freakin techno !!!

nice price

nice price

nice price

soul jazz re-issues the winstonÕs 1969 album Òcolor me fatherÓ, the source of the most sampled drum break in music history - the amen break.

mischung aus prog, funk, new wave und elektropop

deep house family affair

farbige 3lp strong limited & numbered !

the second album from katherine priddy, pressed on transparent green vinyl.

live - ltd 1500 nummeriert farbige 3lp !

an hommage to adam green by regina spektor, father john misty, devendra banhart, the libertines, jenny lewis, sean ono lennon, frankie cosmos, the lemonheads and many more.

incl. their 70s mega hit when you re in love with a beatuful woman & sexy eyes !

incl artists like johnny cash & roy orbison

new album

masterpiece!

rasmus hedlund presents his third full length album on the ljudverket label. the diverse tonal range of the cuts showcase further experimentations in dub. the title ‘far’ has a deeper meaning stating some personally reached milestones and also being the word for father in hedlund’s native language swedish.

metal