rrose is a recording artist for sandwell district, eaux and stroboscopic artefacts labels - james tenny was an electronic & computer music pioneer and one of americas greatest composers short info: rrose has found her own niche in the american techno underground. her hypnotic tracks incorporate ideas from ambient and minimalist music as prominently as they do the history of dance music, operating in the same fruitful cross-section between techno and the abstract as many other further records releases. the vinyl ep includes a postcard and download code.

lht 009 is here with the second installment of jamie blancos unknown reason as the a side, the original mix which creates a moment of late night drama for dancers, fx mchn makes a welcome return with his trademark dark eerie sound, rolling mutating crispy beats and weird vocal samples, then its a newcomer to lht, old friend of the label dan clark as in his late night audio production guise utilises the vocal skills of a local hackney girl and adds them to a proper shuffling beat and super deep bassline, and finally mainstay facade brings us one of his best pieces of work yet with a stunning slow analogue house workout that goes way deep with added dub delay fx warm chords and arpeggiating bassline

the hotly tipped glasgow based imprint presents a selection of live edits from the burrell connection, driving drum sequences with atmospheric synth lines creating a nicely balanced club record that can be enjoyed from your living room

this release marks a new beginning for berkovi, better known for his tougher music man, force inc, djax and harthouse releases over recent years. after haunting the bside of one release too many, a reboot into a more beloved and emotional techno template is obviously reaping dividends. according to the man himself, this is no trend following phenomenon: i ve always produced deeper music, more often than not even years ago was always pushed to b sides of eps or remixes but now it s the main thing i want to do, techno with soul. after releasing a lot of more melodic material on labels such as eevonext and an album for trapez a few years ago i want to return to solely concentrating on this style for my music and live sets

the dutch pinkman label is back with a new ep from xosar, who debuts on the label and covers release number 10. xosar is the berlin based, american born producer who has excelled on lies and rush hour with a unique, experimental sound that draws heavily on the hardware she uses as well as a live, freeform approach to arrangement. here she comes correct once more with two new cuts of mystic techno.

nice price deal !!! optimo remixes vinyl only. the illustrious jasper james graces leftroom with the superb ztrk1 single, complete with two vinyl-only optimo remixes by jd twitch!

yahshu is seeking something he has never heard before, bringing influences into his work from a huge spectrum. created using a combination of live strings, samples and synths, the three tracks on somebody elses dream invite the listener to witness a conversation of sound, as if one sound was asking a question and another answering it. what that conversation is, well let the listener decide. the ep was originally written 10 years ago but has since been developed and refined, finally coming to life through rysunku. yahshu is also the founder of rysunku. somebody elses dream is the first release on the label. rysunku releases innovative sound work in very limited numbered vinyl editions. somebody elses dream artwork by artist connie prantera and design by renowned art collec- tive tomato

the audible doctor has produced records for 50 cent, smoke dza, joell ortiz (slaughterhouse), consequence & john legend, onyx, astro, fredro starr, bumpy knuckles, sadat x & a.g., emc (masta ace, punchline, wordsworth & stricklin), reks, tragedy khadafi, evitan (dres of black sheep & jarobi of a tribe called quest), neek the exotic, homeboy sandman, blacastan, j-live & many more.
pressing on blue colored & multicolor marbled vinyl.

the 7th release on bond is the second release in petter bs series called *roots*. the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is music by djs for djs. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

after three years, ascion and d.carbone return with *substructures*, their most experimental release to date on their label 3th. the a-side of this record holds two droney offbeat tracks, *ram expedients* and *lo-fi fields*, combining a rare/abstract and genuine mix of middle-eastern electronics, cyberpunk and uk warehouse techno. the b-side contains the tracks that are responsible for the nomenclature of this release: *substructures one/two*. being more oriented to genres such as idm and rave techno, they are characterized by powerful beats and cutting edge ambients and vocals. both tracks have been recorded during one of their live performances in london 2013.

gatefold cover , shrinked wrapped
continuity is the past and the past is only a memory, where the time is no more than a word. dubits new album tells his story and your story. this is the world in which we live ...

tobias schmidt is back and at the very top of his game with these three amazing tracks that all channel the spirit of the label to a t and have been smashing up dance floors during his live sets and at the hands of those with advance copies! massive.

for its 52th release, be as one has picked the rising italian talent marco faraone, with a 4 tracks ep, that showcases different takes of marco’s approach to techno. the ep title track restrictions opens the 12inch with a dark, fast-paced groove and hypnotic vocal, a real treat for the authentic techno players. with day 20 marco ravels into the dub techno forest, with classic dub elements that set the tone to a deeper mood. voices from the sea follows up with a more festive approach, a big room anthem that keeps the dark vibe on the release. for the vinyl heads, an exclusive treat for the 12inch its early morning, getting a due vinyl pressing after being featured exclusively on the 2013 live compilation by shlomi aber

automat and max loderbauer open proceedings on the new selekt label quite masterfully with an auspicious 4 track ep - verstärker / hall / kompressor / echo. how did this come about? automat, busy recording their second album, came across max loderbauer in the neighbouring studio. they got along swimmingly and started working together straight away. everything played live, no overdubs as automats bass player georg zeitblom confirms - first take, no shake. the studio was stripped down to basics. no computers though: a tape machine, guitar amplifier, analogue eqs, rehearsal space: re-rewind, the crowd say bo selekter!

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

earth motherns ninth release is signed by js & andee aka rks. the label owners offer their vision of techno and house music made of machines, synths and samplers live sequenced.

san francisco producer charlie yin has made quite a name for himself turning bedroom beats into dance floor staples as giraffage. his beloved r&b remixes and vibe-laden solo tracks have won early praise from pitchfork, the fader, xlr8r and other tastemakers, all while he seals the deal live with lush, bass-driven performances at low end theory, boiler room and gigs around the globe. we are happy to have him join the fools gold fam. limited pressing on multi-color vinyl.

the second release for danny wards (dubble d/moodymanc) well cut records features an ep from balaphonic. a project which fuses organic live instrumentation and musicianship with deep and modal dancefloor sensibilities. adventures in lagos is a long evolving and deep building hypnotic afro groove featuring spoken word samples of fela kuti and street sounds taken from 1970s lagos.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

after the frenzy heat of miami, quantize keeps the fire coming with this release. neil pierce scorches the spring with a soulful groover that sizzles in lyrics & production. neil is on fire and on this release he teams with mike patos to re-introduce/re-produce a classic from mtume. seldom do you hear live bass (john turner) on dance records, and you will appreciate the authentic musical production in this. when you add in vanessa freemans effortless performance on this with vocals that demonstrate that she is the perfect vocalist to re-sing a classic, you are ready she sings of desire and of love with soulful class and delivery.

2016 repress , this is right up the alley of those who digged theo parrishs dance of the drunken drums: a hipnotic piano chord pattern sets the tone, while jerry the cat provides smoking live percussion and a walkin jazz bass bops effortlessly. the flipside dives even deeper into jazz territory with a jazz trumpet improvising over quirky percussion sounds.

supported by ben klock, dvs1, marcel fengler, minilogue, joel mull, claude young, roman lindau, dustin zahn, speedy j, paul mac, alan fitzpatrick, laurent garnier and many more. we are very proud to present ray kajioka’s debut album “en route”. most of the album was premiered in rays live-set during our 20 years of kanzleramt celebration at berghain. others have been shaped and tested over 10 years to find the right frame to release on an album. our mastering engineer, who is recovering from surgery, said >the album is very therapeutic< and >the work on rays album helped me heal<. this is proof to us, that rays magic on >en route< can uplift your soul, especially in spring.

hot off the back of the their successful inaugural release from quenum & cesare vs disorder, the young barcelona label continues to drive forward with their mission to move people by drawing from an expansive and expressive universe of melodic and rhythmic sounds. the result of this is a carefully curated, limited edition of vinyl release, and next in line is a brand new ep from russian producer and dj, tripmastaz.

capsule labs music groups debut release is a 4 track house ep from label boss gil t (om, drop music, deeper shades). taking off with the lush sounds of flight 107, a smooth synth journey, nicely descends to get down lowť. the afro cuban house beat sets a nice groove for the live jazzy vibraphone stabs of this classy track. the b side is a real bonus. the private driver really cruises and lastly, not so low is a chunky finisher remix of the title track, all done in house. locally farmed variety of true analog precision by gil tamazyan. each release has its own plastic drop card with a string being held in place with a limited pressing metal foil sticker individually numbered 1-500 on the back side of the jacket. heavyweight virgin vinyl.

nächste ausflugsrunde der bombtist jungs. diesmal mit dabei, attuk, tuga diver aka ze mig l, beni, jason leach und lief rayn

tvir is a vinyl only label based in ukraine. translated from ukrainian tvir means composition. its first release comes from kim, a collaboration of two ukrainian musicians: vyacheslav gura and dimitry zharkikh. their objective is to write music of the highest quality in search of their own new unique sound via experiments with live instruments. they are also known as excellent vinyl only djs, participants of many festivals and events in ukraine and beyond. kims sets are similar to their productions with their own story and unique atmosphere.

die vier neuen tracks von clark setzen dort an, wo er letztes jahr mit seinem vielgelobten, selbstbetitelten album, das viele für seine bislang beste arbeit halten, aufhörte: eine eigenwillige vision von club-techno mit außergwöhnlichen exkursionen in warme, subtile, stets unvorhersehbare sphären. luxuriöse 12 inch im gestanzten 4-farbcover mit bedruckten innentaschen.

behind the next release on meant records are italian duo boot & tax, a relatively new pairing made up of claudio brioschi and cristiancroce. here they serve up three great originals baced with a stellar remix from alien alien. before now, boot & tax have released two extremely well received eps on jd twitchs optimo trax and have also recently had their music licensed to erol alkans fabric live 77, so the pair are really on the up.

during 1993 and 1994, between shifts at selectadisc, blagging studio time from diy and looking for a new girlfriend, nail spent time at home with some borrowed equipment a tr-808, tb-303, boss delay pedal and a knackered spring reverb, plus his own korg ms10. recording live & straight to cassette, these acid-soaked sessions were given the name sentipede, after a friend at the time saying one of the tracks made them feel like they were being eaten alive by a giant creepy-crawly with lots of legs. selected from four d90 cassettes full of tracks, 99:wave presents the imaginatively titled one, with just 8 tracks over two slabs of grey vinyl.

the mainz based label klamauk° are very proud to announce the upcoming release of the debut lp by roman rauch, which will be dropping on vinyl and digital in march 2015. romans pedigree as a producer is second to none and he has enjoyed long term collaborations with labels such as philpot, endless flight and also klamauk°. his focus has always been on dusty samples, slowed down grooves and weighty rhythm sections and his first excursion into the longplayer format is a tour de force. the 7 track (+ 3 fx shorts) mini lp draws on romans influences ranging from cut­up hip hop, years of digging for samples and also more dancefloor tendencies. roman weaves his way from slow­mo, broken beat excursions to more heads down deep house music that has equal levels of groove and intensity.

mindtours and freerotation boss steevio releases his first album for 10 years on his own imprint. the album was recorded live during practice for recent gigs on steevios modular synthesizer, and is entirely improvised. animistas follows on from his modular techno series, and the recent collaboration with move d, juju and jordash, and soulphiction (as the high-on-wye quintet) on the new freerotation label, and continues his progression into deeper, jazz tinged techno territory.

after their debut on vakant we present you cw/as next offering, day of riddance. feeling right at home on parachute with its lack of genre-defining ties, the record features 3 road-tested live extracts alongside remixes from stroboscopic artefacts head honcho lucy and ilian tape boss dario zenker. cw/a is the live project from long-time friends and studio partners thomas (avatism) and francesco (clockwork) originally a live amalgamation of their solo material, it eventually evolved into a broader, more dynamic improvisa- tion-centric performance focused on experimenting around the outskirts of techno, jungle and electronica. we hope this release gives you an insight on both our vision and cw/as: a barrier-trashing wall of sound that goes from live settings into the studio and back.

the next release on the invariants contains three edits of tracks from the deep. the a side contains a chicago leaning version of middle eastern esotherics and a more techno dub version of the same track. on the flip are black metal synths combined with 90s strings in a live jam recorded slightly in the red. comes with two locked grooves to serve as a vessel for drumless tracks

• finally out ! the 4th outing for this well established uk artist
• hand stamped sleeve
• a darker take on the uk techno / bass sound.

for june records sixth release, the vampire of sacramento returns with a live techno four track ep. a sequel to trenton chases full blown manic episode taking place inside the manor asylum.

we have compiled some of the best scorching ska sounds that came out of w.i.r.l vaults, and it still sounds as fresh today as the day it was recorded - hope you enjoy the set!

following their critically acclaimed solo album iii, badbadnotgood return with wu tangs ghostface killah for a full length album including guest spots from mf doom, danny brown, elzhi and soul trap mc tree.
sour soul is the collaborative album from the toronto based jazz/hip-hop band and staten island rap champ ghostface. inspired by 1960s and 70s music – taking inspiration from the recording techniques and production of that era, and eschewing sampling in favour of live instrumentation, bbng with producer frank dukes have created a dramatic, cinematic musical staging for ghostfaces vivid storytelling.
pressing on heavyweight 180 gram black vinyl, cd-copy of the album included.

over the past two decades, french producer and live performer, terence fixmer, has continued to evolve as an artist while maintaining his influential stance in international techno culture. with his last solo album, comedy of menace, already five years behind us, his continuous evolution has led him to produce his most introspective album yet. with this 10-piece composition fixmer is able to tell a story from start to finish, with powerful, deep, dark, pulsating tones that are essential to his musical approach.
first record pressed on black, second on white vinyl.

james freud is not the deceased singer of the australian new wave band the models. james freud is not a young art-school dropout with an affinity for electronic music. james freud does not live in berlin - he seems to come out of the blue and it is hard to say whether his production is analogue or digital, whether it is sampled material or sound design. because of the strange maturity of his work the tracks seem to come from both the past and the future. thanks to the digging-qualities of dj good news (who runs the hamburg poem-label) a selection of james freuds oeuvre is now brought to light through the 12inch 5-track extended play - to cut a long story short: mental futurism is wise optimism.

the long live japanese djs, sigeojd and supermaar aka dj maar teams up as fake eyes production. this is their debut ep from their newly launched label fake eyes recordings. the 2 tracks with chaotic vibes from underground tokyo!

vinyl only release, ltd to 500 copies
i didnt mind what she called me, what anybody called me. but this was the room i had to live in. it was all i had in the way of a home. in it was everything that was mine, that had any association for me, any past, anything that took the place of a family. not much: a few books, pictures, radio, old letters, stuff like that. nothing. such as they were, they had all my memories and no one could disturb this private peace.

live recorded techno cuts! vinyl only

transit records kyotos 4th vinyl is here. it includes two different types of floor killer tunes from japan. the a side track is composed by well-known japanese producer hiroshi watanabe, also known as kaito. the track has very beautiful melody that was made by the artist live in tokyo, japan. the b side track is by ryoma sasaki who runs this label. also, he did djing at world-famous clubs such as tresor berlin, has excellent dj techniques. the track is an unique uplifting house, suitable for peak time.
supported by fabrice lig, julien chaptal, keith worthy, laurent n., lex, phil weeks, rennie foster, satoshi fumi, scotty a, slok, tagträumer²…

acido ahora is a multidisciplinary open format creative outlet with a special interest in acid house and revolution. unrepentant hedonists creating a tear in the fabric of reality. acido ahoras first specially packaged, limited edition vinyl release comes from jonah sharp (spacetime continuum) and dj spuns (rong music) new project, the loose control band. recorded live on the occasion of the bands first show at the first acido ahora party at cloud 9 in berkeley, california.

celebrating a landmark anniversary for arguably the most influential house music label of all time, strictly dj t.: 25 years of strictly rhythm is a new mix album celebrating the rich musical history of the legendary imprint.

equally dabbling into djing/live act or sound art installations (for renowned institutions in paris and rome, among others), ben is also building up a definite career in production that first took off with an ep on minibar and a remix of carl craigs classic bug in the bassbin on planet e.

screen printed by house of traps * triple vinyl!
ah, yes! finally some real flavours to sink our teeth into. the nose is truly a work of art. first the classic peaty smoke but so distinctly understated. confident in it s maturity. the salty pineapple citrus is next coupled with a refined lemon- lime toffee tartness. and finally a whiff of fresh cucumber sprinkled with the loveliest of white pepper. oh, yes. this is what we’ve been waiting for! the creamy mouthfeel is laced with intense black peppers but then mellows out to give you honey, lemon and chocolate with a dash of tobacco. the long peppery finish is fruity with a hint of limestone. these are the classic flavours that made linkwood one of the top distilleries and expressions should be on your list of malts to try before you die.

a1: -deep roads- the idea of perfection has never been so close. with its persistent succession of drums and embracing bassline the first track of the ep kicks in with analog pure sounds. a2: -got me- it is recorded with maria bergson on vocal. 100% pure sexy club banger. b1: -what u want- alex calls den on board to create something extraordinary. the result is a creature that will take your body and shake it all night long. drums and bass recorded live, analog. b2: -got me- (rick wade remix) nothing better than an exotic and tribal version of got me by the master of house mr. rick wade.

talented producer and live artist pezzner is next up on the visionquest imprint to deliver a stunning four track musical soundscape in the form of the island fantastic ep.