incl rai scott remix, heavyweight vinyl

32 classics from nick drake, reinterpreted by 32 talented artists.

available on vinyl for the first time since its original cd-only release in 2007. regular pressing on black double vinyl, housed in a gatefold sleeve with download code included.

the 2016 album from drake on double vinyl in gatefold sleeve.

available on vinyl for the first time since its original cd-only release in 2007. limited pressing on forest green double vinyl, housed in a gatefold sleeve with download code included.

reissue

guest appearances from the weeknd, rihanna, kendrick lamar, birdman, nicki minaj, rick ross, lil wayne, and andré 3000. double vinyl release, housed in a gatefold sleeve.

ambient atmospheric sound

the 2015 album from drake on double vinyl, housed in a gatefold sleeve.

the new #1 album from drake on double vinyl, housed in a gatefold sleeve.

drake white’s debut album spark shot to 1 on the itunes top country albums chart upon release. drakes emotional ballad makin me look good again won him the 2017 british country music association award for international song of the year. with strong support from bbc radio 2, chris country (leading uk country radio station) and critics across the board as well as an avid fanbase, drake’s return with his second album and a new tour is highly anticipated. this exclusive vinyl with blue and transparent marbling on the disc will be made available exclusively in the uk for record store day.

the sound of the autumn is a really minimalistic techno sound from paul sim. his sound is real berlin sound. he is one of the first artists of delude records. his experimental and minimal techno is just faboulas. so here comes the new and first vinyl release drake with 3 big driving minimal techno tracks.

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

fof kick off 2011 with a nod to the past in the form of justin drake (peace division) and kevin griffiths- (tsuba) -the devil-s eyes-, a deliciously grimy jackin- groove, coming on like a low slung mid 90s house production a la schatrax. we enlisted the talents of christopher rau for the first remix. as many of you know christopher has had an impressive 2010 culminating in his critically acclaimed lp -asper clouds- for the always excellent smallville label. chris cleverly uses elements of the original, intertwined them into an altogether quirkier, more optimistic deep house groove with a definite injection of -fun-: to round off the package, new talent bleak takes the reigns, providing a peak time techno stomper. bleak-s debut single will be released on hamburg imprint -sudden drop- sometime in early 2011 and promises to mark bleak out as a name to look out for.

8 bit continues their quality release schedule with a interesting 12 inch from tsuba owner kevin griffiths and peace divisions justin drake. the 2 producers deliver a cool 3 track 12 with the fantastic alternate version from >nightmoves< on a1, and >bom bom< and the track two on side b

support from andre rozzo, alex jones, so inagawa, jamie jones, matthew styles-harris, laurent garnier, steve lawler, nic fanciulli. luna records is a new uk based label from respected club promoter/ dj/ producer paul bowen, the man behind middlesbroughs infamous >riff raff< events. the label is set to release music from some pretty well established artists with an emphasis on stripped back chunky house music and in that vein the debut single sees the much hailed german producer chris lattner step up get the imprint firing in the right direction. lattner has been djing for the best part of two decades, initially gracing the decks at hannover techno parties before word of his talent spread, seeing him strike out to play across germany. he has hosted a radioshow for australias pulse radio, worked as a booking agent for lessizmore and has had releases on labels such as einmaleins musik and wba. his passion for electronic music has shone through in everything he has done and led him to produce some great records, to which can now be added the luna debut >memory<. this single release kicks off with lattners original of >memory<, a solid tech driven slice of house with heavily effected vocal samples and a simple floor shaking groove. this is understated underground house music at its best, deep chunky and highly effective. first of the two remixes comes from ex-peace division man justin drake, who builds on the vibe of the original, thickening out the drums and layering some heavy filters over the sythn stabs to great effect. a straightforward and highly effective arrangement provides everything that is needed in this excellent reworking. finally we have a remix from bearweasel, who have been providing choice cuts in house music over the last year via labels such as tsuba, supernature, bloop and murmur. for their >lazy dub< they take things back to basics and turn in a slab of deep and dubby house with an emphasis on razor sharp percussion and earth moving bass. this is a superb debut from a label that is sure to become a major fixture in 2010.

incl. huge dj sneak rmx !! dj support from raresh, 2000 and one, d’julz, robert dietz, nick curly, ekkohaus, dorian paic, nima gorji, livio & roby, joris voorn, shinedoe, lauhaus, alex niggeman, simon baker, slam, alex flitsch, moodymanc, agnes, miss jools, steve lawler, okain,..

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. the results of nick drakes solo sessions were as harrowing and stark as anything by robert johnson or charley patton. enclosed in an inner world of psychological distress, drake recorded pink moons dispatches from a private hell that was simultaneously terrifying and beautiful. both the lyrics and the melodic motifs are pared to the bone here, their simplicity making them all the more immediately striking. the most nakedly emotional and disturbing moment is probably parasite, a visceral but mysterious account of a disconsolate soul roaming through the world in search of succor, with drake taking the starring role, ultimately offering, take a look, you may see me in the dirt. this was the end of the road for nick drake in more ways than one, but just the beginning for the scores of songwriters subsequently inspired by his bleak but beautiful visions.

rockin electrofied techno tracks with a more bleepy hypnotic neil landstrumm remix !!!

as twilight falls, the mysterious count (and half of peace division) drake returns with the 6th episode in his promo only ny series, the a-side kicks off with a quirked out moroder-esque electro / italo disco work out with stomping beats and female spoken word vocal snippets, the flip is a funked up electro bomb built around a sample from evelyn 'champagne' king's 'love come down', complete with synth stabs and vocodered vox

2xlp black vinyl with white splatter, printed inner sleeves, widespine jacket

the ultimate halloween-themed novelty rock n roll soundtrack featuring vintage sides from the 1960s and audio of 3 horror movie trailers.

from the most affordable studio on chicagos west side comes a document of unknown and remarkably eccentric soul music, all produced in late-night sessions after day jobs and family dinners had ended.

two duos duthoit/hautzinger and drake/zerang explore traditional and contemporary melodies.

ambient / drone

for the second release on the cartulis sub-label, alt delivers a va with some of the hottest producers around.

cool soundclash !

140 gram vinyl double 12inch

reissue of the 2010 nicki minaj album on black double vinyl, housed in a gatefold sleeve.

six track vinyl

the london philharmonic orchestra plays the greatest tracks from video games.

spanish doom-metal band the holeum with their 2nd album.

lil baby and gunna team up for “drip harder”.

limited box-set with album on double vinyl (gatefold sleeve) and double cd plus bonus cd (box-set only) plus risky sets baseball cap.

a legend is back on gold coloured double 12 inch! featuring afrika islam, lil wayne, busta rhymes, hardy hard and more!

the solo debut album from migos member quavo on double vinyl, housed in a gatefold sleeve.

radio slaves reissue label, r-time, returns with an in demand re-release of his timeless remixes of peace division’s legendary blacklight sleaze (ft pleasant gehman). originally released on nrk in 2006, ‘blacklight sleaze landed at a time when peace division (justin drake & clive henry) was lauded as one of most bankable acts in house music having notched up a truly remarkable catalogue that helped define the genre from the late 90s onwards. later that year, the pleasant gehman spoken vocal led cut was treated to a series of remixes from radio slave, another act who had firmly developed a similarly revered status in the scene. these futuristic remixes, now fully re-mastered and sounding better than ever, take blacklight sleaze to another level with thundering kicks, a pitch-perfect arrangement and tightrope balance between foreboding house and bone-shaking techno. a huge anthem at berghain, these remixes have been a favourite weapon in the record bags of many techno djs, not to mention a regular fixture in nina kraviz and rodhads sets now seems the perfect time for more blacklight sleaze

limited 5 year anniversary edition on transparent double vinyl.