new split 12 from detroits soiree featuring disco house tracks from drive train and todd edwards-esque garage / house from melodyman.

2019 repress! 1980s west african disco crossover from the international soleil band from guinee, west africa.

two jean carn seminal hits combined for rsd. was that all it was is a big hitting disco exploration with hints of jeans gospel choir background coming to the fore. the flip houses the classic dont let it go to your head covered on many an occasion since it s release back in 78.

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

back in !!! megasmash aus dem jahr 2002…heavy plays by dj hell & sven väth …and amongst others !!

excellent electro space disco traxx by legowelt, dmx krew, volga select (aka ivan smagghe / black strobe)

energetic nu disco italo stuff

metallic coloured double vinyl indie edition !

the mighty international chrome returns in 2023 with a stacked 12” that sets a blueprint for what to expect from the label over the coming months as it continues to discover the possibilities of where electro and other club styles can go.

reimagined version of manic street preachers’ 2001 album “know your enemy”. remixed and reconstructed to form two separate albums: “door to the river” & “solidarity”. deluxe edition 180 gram double vinyl in gatefold sleeve.

british rock with disco guitars

two versions of a huge soul / disco classic back on 12 inch vinyl.

auf dieser compilation sind eine reihe internationaler künstler vertreten, von den italienern amarcord und dem italo-disco-frontmann marcello giordani bis hin zu den leipziger künstlern und musikern new hook. der kalifornische underground pacific labelmaster cantor, robert e. livingood und der mexikaner alf champion steuern tracks von jenseits des atlantiks bei und vervollständigen das lineup der veröffentlichung.

repress - pursuing their explorations in the vast corridors of international funk and disco music, favorite recordings and bruno patchworks hovart present us voilaaa. with this first single composed of 2 tracks that clearly reveal the afro-disco inspiration of this new experience, favorite also expands its new series of disco 12inch singles recently launched with several fine reissues, but this time with one of its special homemade production recipe. under the imprint of the label and after their long years of collaboration in the achievement of projects such as the dynamics, mr president, mr day, patchworks galactic project, or taggy matcher, the insatiable french producer therefore returns to his first love and specialty, disco music, staring this time at the african and caribbean influences. indeed, as everywhere in the 70s and 80s, funk and disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of disco, and the instinctive, deep, sometimes rough nature of african music, sounds like a perfect balance. aiming to find back this energy and specific sound, patchworks quickly began producing a few tracks, using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and diy effects pedals and boxes. with a very dynamic music scene around him in lyon, where there is no shortage of artists with african origins, he decided to surround himself with singers from the region, even if it means to accompany them on unusual musical paths. a more than successful bet with a result surprising of authenticity, as it’s unveiled by these first two titles alongside sir jean and pat kalla, both from a musical background as rich than different. with an album planned for the end of the year, that promises to be as explosive and magnetic, patchworks and favorite recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors loyalty, to the spirit of their mythical ancestors

dreamy back-room disco from multi-instrumentalist brijean murphy (of toro y moi and poolside) and producer doug stuart. regular pressing on black vinyl.

second album from the international teachers of pop on limited bubblegum pink vinyl.

wenn es in den letzten beiden jahren einen newcomer in der clubszene gab, der weltweit für ganz große furore gesorgt hat, dann war dies john talabot aus barcelona. auf seine zweite single my old school , erschienen beim münchner vorzeigelabel permanent vacation, konnte sich die internationale dj-elite einigen. die tracks von john talabot sind ungeschliffen, sie basieren auf hypnotischen loops, die von einer mächtigen kickdrum vorangetrieben werden. in den vielseitigen tracks des spaniers treffen sich vielfältige einflüsse wie afro beat, detroit techno, chicago house, cosmic disco, northern soul oder auch flamenco. unter john talabots fans finden sich größen wie james murphy oder Âme. verglichen wurde er bereits mit leuten wie james holden, four tet oder caribou

80s disco feel! repress

the new label fuego international, run by the parisian duo eliott litrowski and christophe amor (krijka), is hitting the desert with it’s first release: hysteric “summer in cairo”!
the great italo-disco archeologist has selected, flipped and reinterpreted fine pieces of music across different genres to bring your collection into a whole new universe! great fun on the dance-floor, with precise and detailed work from the australian producer for his new release.
the record will be available in a limited number of 300 copies in a papyrus style package.

a classic slice of philadelphia funk from peoples choice, officially remastered and reissued for 2018. here we go again is a definitive, feel-good disco stomper combining a full frontal bassline, infectious keys and staccato guitar licks that effortlessly build and build throughout the track. cries of here we go again ring out at it s peak epitomising the feeling that this groove could last forever. keeping up that perpetual good time groove the b side houses the mighty jam, jam, jam (all night long). a track doused in the funk, from the rugged vocals to the addictive hooks, it ll worm it s way into your head for weeks.

lybes dimem is a project by visual artist and musician lukas rehm. with elaborate beat structures and the use of error, the music plays with cognitive phenomena and abstraction while maintaining an emotional refuge. lybes dimem is presented in formats ranging from spatial sound experiences to synesthetic shows complementing the auditive layers with visualizations of realtime data, computer graphics and moving image. lukas rehms installative art, and compositions have been internationally presented and awarded with multiple emerging arts prices. syncleft chronem is the first album released by lybes dimem in both digital and vinyl for-mat and accompanied by a moving image artwork. the title reflects the projects interest in the potential of difference, cognitive frictions and exertion: sync variability in the processing of auditive and visual signals, syncleft the synaptic cleft, which is a crucial empty spa- ce in biological neural networks, chronem the chroneme as a theoretical unit to measure the time of an articulated sound. mathematically clean sounds juxtapose patterns and transitions familiar from the realm of organic acoustics. multi-layered noise textures ex- plore the simulated space. a tem- porary continuity is provided by percussive and melodic elements, right until the next escalation, eventually awaiting a concluding resolution. the visual language explores different phenomena and techniques of cognition inspired by the rhetorics of big science (computer graphics, discontinuity of material, pop cultural references).

uppermost will be releasing his upcoming album on march 23, 2018 with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord

favorite recordings proudly presents le premier disco sans toi, new single ep by andre solomko, pursuing a collaboration that started more than 5 years ago. born in ukraine in 1965 and now based in finland, andre solomko is primarily a rich and engaging personality, but above all, a brilliant saxophonist, composer and engineer, whose contagious passion cannot leave anyone indifferent. after beginning a meteoric career in ussr, fate led him to finland, where he started the adventure vinyl jam, a label / studio / group. it resulted in two self-produced albums that will capture the attention of some international collectors, including pascal rioux (founder of favorite recordings). between 2012 and 2014, they released 2 albums together, où es-tu maintenant ? and le polaroid, hailed by many tastemakers and meeting notable success in japan. this new single also results from a long and solid partnership, led by a shared and deep passion for analog music and vintage grooves. announcing a new album planned for 2018, the ep unveils two new compositions with disco flavors. andre’s backed again by a team of great musicians and vocalists, such as mr day and lili wagner on “le premier disco sans toi” (the first disco without you), or charlotta kerbs on * moonbeach disco*. and if not really the first, this disco journey fits perfectly with andre solomko’s jazz-funk style and sense of melody, showing another facet of his many talents.

nach siebenjähriger auszeit meldet sich das britische reggae-oktett pama international mit dem brandneuen album -love & austerity- zurück, begleitet von den sängerinnen jewels vass (mad professor, zion train) und anna uhuru (abstract orchestra). den kern des albums bilden 8 songs in verschiedenen versionen zwischen rocksteady, explosiven dubs, studio-one-like discomixes, southern soul-balladen und einem killer-orgel-instrumental, inspiriert von jackie mittoo. cd mit 12 tracks, lp mit 8 tracks plus download-code für alle 12 tracks.

making a splash with rs019 is a newcomer called mallard. discovered by bradley after being front and centre for almost every rs dance since 2016, the south london based producer and multi-instrumentalist makes a serious first impression with his debut ep ‘verte’.
currently studying jazz double-bass at trinity school of music, mallard’s productions demonstrate a keen ear for groove with a level of musicality rarely heard in electronic productions. at just 20 years old, he has already developed a unique sound palette and prodigious production style set to make him a name we will only hear more of in the years to come.
this ep, at once varied in tone and tempo is held together by a strong sonic identity and an overarching artistic vision: from the morphing polyrhythmic percussion of ‘surface’ to the shifting, heady pattern of ‘aquitaine’ via the psychedelic breaks of ‘untitled’ we are taken on quite the trip.

australias superbreak crew return with their 2nd release this time bother j teams up with aston agassi for a funky 4 tracker. superbreak has released a number of singles on their own self-titled imprint, and have set their sights on breathing new life into dusty obscure soul funk disco and boogie nuggets. superbreak s dj style reflect their productions, the all action, diversity and the constant surprises at every turn, is where its true strength lies, combining slo-mo boogie, groove laden disco, quality house, 70s funk rock and party funk/boogie and always adept at reading the crowd thanks to combined decades plus experience behind the decks, they pride themselves on getting the crowd moving, whether they re into boogie bombs, sleazy deep house, party funk or deep house/disco.

curses launches a new imprint under safer at night focusing on all things dark and slow. ombra international is a vinyl only series inviting artists from different cities from around the globe to contribute their rock & roll/post-punk influenced slo-mo disco and cold wave sonics. ombra intl 002 is a 4 tracker bringing together cannibal ink (madrid), dawn again (sydney), k-effect (toledo), and curses (berlin).

comprising of australian artists mark groves (dead boomers, von einem et al.) and david coen (sow discord, dim, hans harms, whitehorse). “go to hell, you bastards!” is seeping’s debut release.

fantastic triple 7 inch vinyl box + 16 page fanzine “the melodies melozine” on sam shepard / floating points reissue label - including one of current most sought after 7 inches around - a future collectors item!
melodies international are happy to announce the long-awaited reissue of three of the most desired records from the modern soul scene. privately recorded in the detroit area between 73 and 78, and scarcely distributed since, the rare aged in harmony 7-s have become highly sought after and much revered by soul enthusiasts around the world. the unique vibrations emanating from these very special records have resonated at the heart of the melodies label since it s conception, originally prompting the birth of the internationally acclaimed -you re a melody- party and forever inspiring generations of soul collectors to dig that little bit deeper. all originally written, arranged and produced by arnold moore, the six recordings bring together strings, vocals, guitars, synths, horns and drums for the perfect marriage of textures, each track contributing it s own individual energy to the warming aura which surrounds the whole collection. there s something about these compositions that draws you closer to anyone in your vicinity - trust me. after lovingly remastering these gems in conjunction with their creator, melodies are proud to present the masterpieces together as a set for the very first time, accompanied by the second edition of the label s very own melozine, which features an exclusive interview with arnold himself, amongst much, much more…

on silicon tare, the sci-fi story that seth haley, who records as com truise, began on the galactic melt lp and continued on the wave 1 ep takes a dark turn. at the conclusion of wave 1, the protagonist, earth’s first synthetic astronaut, successfully makes contact with the far-off wave 1 colony but, once he does, things get fuzzy. he falls in love, there is a war coming. a story that began in hope and dreams of discovery ends on an uncertain note. change is in the air.

mr scruff & ge-ology remixes
manchester s very own mr scruff and nyc crate digger ge-ology remix moscow s lay-far! now that s what we call a truly international release. it s kind of a dream release for us at local talk as both scruff and ge-ology have been on our we wanna get them on local talk plastic list for quite some time. starting off we find scruff going for a slight disco(ish) rub where analogue synths bumps around with a dark but musical basement feel...but still jazzy! on the flip our man ge-ology who is riding high on the hype from his release on theo parrish s sound signature label goes on a deep and spaced out electronic house venture that is so edgy it hurts. its that good good shit basically...enjoy!

pursuing their explorations in the vast corridors of international funk and disco music, favorite recordings and bruno patchworks hovart present us voilaaa. following a first 2 tracks single acclaimed this summer and clearly revealing the afro-disco inspiration of this new experience, here comes voilaaa’s first album, titled *on te l’avait dit*. the double 12 inch vinyl comes in gatefold sleeve.

colorful in your face disco tinged filter happy house with grubby acid lines, raw chords and swinging drums.

thanks to a string of acclaimed re-edits and re works, superbreak is one of the rising names in the global disco scene with their amazing dj sets

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated >philadelphia international classics: the tom moulton remixes<. tom moultons involvement with philadelphia international spans the entire 40 years of their existence with many of his early mixes unaccredited in the era before the 12 inch disco disc. in 1977 pir released the ground-breaking historic original double lp philadelphia classics which featured 8 of tom moultons greatest pir mixes. the album has subsequently been reissued several times and is rightly hailed as a must have classic for any serious music lovers collection.

needwant proudly presents a blissful slice of disco tinted house courtesy of ghostly international favourite mark e with his new we could love release that features the iconic voice of robert owens.

from mountains and forests in nagano, hideo kobayashi arrived on the san francisco club scene and was inspired by west coast flavored deep house sounds, his name was cemented through his projects such as children of the drums on chez music and nagano kitchen with jerome sydenham on ibadan records.having spend hectic schedule for djing most weekends with local and international djs, he discovered his ability for bringing out the deeply aggressive side of tech house earn him a spot a tour every year since he was on tour in europe enthusing every floors on 2007. then he drew on these global experiences for his 1st album zero on 2009, assimilating and incorporating his significant balance of underground and overground touches.that led him into busy days for remixing works and releasing quality sounds on op dance music labels such as defected, kingstreet sounds, renaissance, ibadan and apt. international

discolight! pilocka krachs put your hands up in the air tune is getting remixed. wow! remixes by acid pauli, hrdvision, hannah holland, patric catani.

elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party. coverart by: emiliocaccaman (ita)

brill groovin disco / edits ... played by: b-jam, checktheguns, jkriv (deep & disco), ltj xperience, disco dirtbox

studio one women is the latest in the series of studio one compilations released by soul jazz records. ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they are all here from the queens of the jamaican music scene. studio one women features a wide mix of classics and obscurities from the finest female voices in reggae. until now most of these tracks have only ever been available as extremely hard to find jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they d cost you a small fortune! marcia griffiths and rita marley (here with her first group the soulettes) are two of jamaicas most famous female singers hugely popular today. both these artists became internationally famous as the i – threes (along with judy mowatt), bob marleys backing singers alongside the wailers. also featured are hortense ellis, sister of alton who cut many smash hit on the island and jennifer lara, a lady who had a long career with studio one, singing on countless sides until she sadly passed away earlier this year. studio one is the greatest label in the history of reggae and is the foundation of all reggae music. it is where virtually every world renowned jamaican superstar started out, bob marley and the wailers included. under the guidance of the legendary clement >coxsone< dodd the musicians at studio one recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in jamaica today.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched

huuge 1981 disco/funk/soul classic!!

infectious disco bomb from the last days of disco. steve mac on remix duties for 3 quality new versions. a must have record

the next scandinavian discoteer taking us unto a trip into deep space-disco galaxies. two magnus international goodies and a remix by space captain prins tomas make up for another bumpin full pupp release. >> played by dominik eulberg !!! wow