the berlin based event series disconnekt goes vinyl.

dsc welcomes back boris bunnik, this time under his conforce moniker. two contrasting tracks are the offering. heavy thump introduces kernal of truth. angular melodies are painted on glass as a complex composition unfurls under the strain of galvanized percussion. the aquatic -oasis- occupies the flip. notes gentle lap a shoreline of burbling bass and distant percussion. echoes are submerged, folded in on themselves, as absorbing ambience envelops. two wonderfully different sides to the conforce sound.

ten years of deep explorer. the celebration started with the capsule remixes 10inch that was released 2 months ago, now is closed with this far & beyond, a double pack vinyl where the brothers and heads of the label (dubbyman & above smoke) make their own selection of exclusive material into groove and dark deepest house tunes from artists worldwide.

pole jam vinyl is a brand new vinyl record label brought to you by two well established labels in the digital domain: pole position recordings and glam jam artists. glam jam artists is the imprint of german producer satin jackets (dikso / house of disco). along with welsh based label pole position recordings their aim is to their bring their trademark glossy, deep and blissful nu disco & deep house sounds to vinyl with a real emphasis on quality, original new music. this new supercluster label pole jam vinyl is about to get turbo-charged with more horsepower than the calgary stampede! their debut lap around the track is an all russian affair, with both contributing artists having already established themselves in the digital music world. pole jam vinyl thought it was high time they got the chance to shine in the physical world too. with their debut, fuel injected joint venture, each team provides two slick-tyred, finely tuned masterpieces eagerly awaiting the green light to demonstrate what life is like at 33 revs per minute.

2004 classic compilation by the rulers of the deep!! includes tracks by mood ii swing, miguel migs, blakkat!! very special price!!!!!

adilr has given us an album to fully envelop you with listening techno of the highest order.

raw but sophistaced deep techno, clearly schooled in the classics, lands courtesy of dublin’s 393 records. label owner philip galvin jnr opens proceedings with two effortlessly grooving cuts. “sub osc” is powered by purring 101 bass & chiming synth tones & “lapping” lets it’s ear wiggling sequence modulate underneath lush pads. on the flip, the parallel cranks up the energy levels with the acidic thud of “voyager” before closing the ep with the dreamy & rolling breakbeat cut, “ascender”.

great longplayer on deeptrax

detroit techno stuff

four deep techno excursions from fabrizio lapiana.

rhythm büro goes deep on its secoind v/a release.

the third and final instalment of the lap top less dance trilogy, featuring an outersphere collab between lipelis and capablanca, a deep and freaky tiago remix, and a dancefloor stomper rework by odopt.

07042016 (live at st.paul s anglican church, athens) is the debut album of modal analysis, brought by the greek experimental band of mmmd (also known as mohammad). nikos veliotis and ilios are currently performing as the mmmd duo, with further focus on deep monolithic sounds, low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments (cello & electronic bass) and software. the release carries parts of the mmmd live performance at st.pauls anglican church in athens, recorded on the 7th of april 2016. the concert was hosted by fasma festival, on the opening day of its 2016 edition.

long awaited 4th white v.a. compilation from polish party makers p!l. lapse erase plus brazilian duo my girlfriend make up the a-side with some raw summer crackers. what follows is something really uplifting- russian marco lazovic, italian slim steve and ukrainian zolaa. all delivering ultra deep vibes on the flipside. vinyl only. don’t sleep!

framework recordings is back with a very special, limited run vinyl ep that features five fantastic artists in oliv, o’hana, blurred, fred and ground16, and deep house doesn’t come much finer. first up is the low key oliv, part of the heady party collective bedford crew. his ‘submarine cruise’ is an effortlessly atmospheric dub house track. sandy shakers, balmy pads and an astral lead synth line all ooze underground class. o’hana is another emerging producer with an already well formed sound. his gorgeous ‘lune’ is another prime bit of deep house with analogue kicks and hits, subtle vocal samples and cavernous pads that melt into the horizon.
blurred are a young italian pair from labels like lapsus, safe music and hotfingers and keep up the cultured dub house vibe with more deeply enveloping grooves and dusty hits. the chords here are smeared in the background and sure to find favour with the more intimate dance floors out there. then it’s to impressive new swiss artist fred for ‘mw.’ it’s deep and house-y again, but this time it drives forward on huge kicks, with acid lines and icy hi hats bringing the energy while yawning synths soften the edges. closing out a tasteful package are swiss pair ground16 with ‘3rd street.’ cosmic in nature and with wide open pads, this house groove is another analogue beauty with warmth, smart vocal snippets and dreamscape pads. these are timeless deep house cuts that are deceptively simple and superbly executed.

rod modell returns as deepchord for his first solo release on astral industries since inaugurating the label with his sought-after ‘lanterns’ ep. consisting of two stunning long-form pieces split on one side each, immersions¿ captures the emotive, halcyon sound that rod has long become synonymous with. opening with glistening ambient textures, ‘immersion i’ grows into an 18-minute piece of deep rolling dub techno. on the other side ‘immersion ii’ paints pristine soundscapes of soft, lapping waves, underpinned by submerged pulsations that rise to the surface to continue its deep space explorations. two highly refined and inspiring tracks that sit on the apogee of this sound.

clandestino head joe morris is next up on wonder stories, imparting the kind of sun-kissed discoid meditation the label and its listeners lap up. morris is sounding confident and cool on cloud nine, using vintage drum machine patterns and fuzzy synth lines to impart a sweet-natured groove that reaches skywards. contrasting the blissed out original, max essa brings a little more bite to the table with his shimmering electro-disco version, while coyote preaches his balearic vision on the b1 remix. label boss aimes keeps things smooth and steady with a deep house version of cloud nine for all dancefloor dreamers to get lost in.

mihai popescu kicks off a new label, steppin motion records, with two of his own brilliant tracks. the romanian artist has been a key part of the scene since 2012, releasing on labels like soulsity, rora and bass culture. he has a slick electronic sound that is here for all to here on these two new cuts.

steppin motion is a record label based in paris and managed by swoop. it aims to promote music as an art, as something beautiful that gets your body and soul in motion. this first ep is in two parts, showcasing both sides of the label: the first part is the most dance oriented, whereas the second part will be more soul / beauty oriented. the amazing artwork comes from vesod, who is an italian street-artist painter from turin.

selfsuficient is first and is ten minutes of slippery house music with lovely chords and melodies all making for a warm and infectious groove. it is colourful, loose and rhythmic stuff that oozes a futuristic sense of soul. neasteptat is deeper, with rubbery drums and woodpecker like sounds all weaving round each other to cast a spell on those who hear it.

these are two terrific tracks that connoisseurs of minimal house are going to lap up.

omplimenting the long-awaited release of sophomore lp, song for alpha, daniel avery presents the projector ep. taking its title from one of the album’s spectral highlights this additional trio of original productions expands on avery’s regenerated sonic vision. leaning further towards the rhythmic and propulsive intent behind his recent, marathon dj sets, the record serves to delve further still into his unfolding, ever-deepening sound. following the lead of ‘projector’ itself, the record transitions into the first exclusive cut, ‘shadow mountain’. soft in texture and bathed in ethereal feedback, a glitching, transfixing synth line gradually reveals itself as the spine of the piece. throughout ‘glass’, an intimate, breathy vocal sample contrasts with a more industrially tinged base of heavily processed drums. influenced by song for alpha’s embrace of the small hours, “the light emerging from the darkness”, both tracks conjure an almost overwhelmingly tender atmosphere, rich in the hazy strains of rave history. on the more experimental rehbgbv4367, the seams of avery’s influences lap against one another in a steady crescendo of beautiful yet beatless noise, dissipating into ambience. expanding on the delicate core ideas at the centre of his creative ethos, the ep invites listeners on a further excursion of transient, psychedelic bliss.

argentinian veteran jorge savoretti has been djing for more than 20 years, and his first release for esperanza records traces back to 2005. in this time laps he has produced 2 albums, 20 eps and a great number of remixes, on labels such as raum musik, visionquest and ilian tape. his debut on cadenza is a crisp breeze of graceful music for dancing. side a starts point-blank with bou gei bouncing shuffle, driving bass line, lively cymbals, sparkling band-passed chords, summing-up jorge s true dedication to nightclubs and nightlife. with no reprieve, ruth suspicious pads lurk behind a funky swinging rhythm spruced up by a continuous surfacing of snare rolls and giggly stabs. on the b side, sensu dub explores without hesitation darker textures and resonances, leaving no concessions to leave the dancefloor. finally u-fonk #04.01 dives into sweating hotblooded late-time hours, with am hypnotising deep-toned coil, soaked of greasy riffs and gloomy fumes.

re-release eines absoluten warp-katalog-highlights: das legendäre * the other people place* album (2001) von james stinson, eine hälfte der detroiter formation drexciya, der kurz nach veröffentlichung verstarb. * lifestyles of the laptop café* , mit seiner atemberaubender schönheit, wärme und emotionalität, gehört zu den beeindruckendsten meilensteinen des detroit techno-genres und inspirierte spätere deep house-werke von omar s, jus-ed und moodymann sowie moderne uk/us bass-künstler wie actress und kyle hall. schwarzes doppel-vinyl mit download-code.

mattia aka lapucci releases his first ep on understate:ment. five highly sought after cuts that symbolise modern electro: sleeky pads and machine based vocals accompanied with crisp drums. space grooves with an unmistakable mattia sound will give you a trip deep inside the heart of mannheim, frankfurt & berlin.

anagram label follow up their phasing faces releases with remixes from efdemin, lapien, ryan james ford and terrence dixon under his population one moniker this december. released earlier this year, phasing faces was a two-part series featuring anetha, elad magdasi, mathame and maukook, not to mention label founders sinfol and octual. anagram have now tapped up four reputable names for a heavyweight remix package, dial regular efdemin, fast rising mdr and answer code request act ryan james ford, dutch producer lapien aka one half of delsins artefakt, as well as renowned detroit artist terrence dixon appearing as population one. ostgut tons efdemin opens the package with his immersive remix of sinfol trembling, incorporating pulsating drones, echoing effects and ethereal synths. anethas acid train then gets reimagined by shut founder ryan james ford - the canadian combines thudding kicks with mesmerising atmospherics as metallic percussion skips throughout. adding further depth to the release, rekids and mistress recordings artist lapien remixes elad magdasi two floors to generate a smooth aesthetic complete with serene nuances and soulful vocal coos before rush hour and metroplexs population one ties everything together with a deep house reinterpretation of octual dark sky.

the label of the post-autonomous kindergarden from berlinÆs east cross awakes after a long beauty sleep. weÆre back behind the decks with a lineup that is carving out contemporary techno. finnish producer samuli kemppi, from helsinki, has accompanied us since the beginning of our club. musically, he stands for a minimalist, crystal-cut sound hailing from galaxies far, far away. fabrizio lapiana is a long-time friend of the house. his sounds are able to expand even the smallest dance floorsùhe sculpts spacious soundscapes and sends dancers on a deep dive into dark and melancholy travels. we are particularly excited about the presence of our resident akmÛ, who comes to us with energetic release after his first ep on connwax. he will be bringing his steadfast love of detail and sly playfulnessùelements present in all his dj-sets. with these three numbers, the ://about blank 002 has compiled the best of the mdf soundtrack. next stop after powernap: lobby and garden. rave on!

only vinyl! dedicated to my family my supporters and all the music lovers. the third chapter come from four different artists a new talent federico brasi, jordan magee, our belong lapucci and yakine. four different styles that follow the same line, 4/4 beats, deep and acid bass, space melodies and straight groove.

while bringing the antidigital s four-fold path to completion, v.i.t.r.i.o.l. squares the symbolic structure of the series by focusing with conceptual precision and musical elegance the heaviest of elements within the alchemic cycle: water. both adaptable and erosive, essence and abyss, the paramount fluid is an archetype of metamorphosis. constantly attempting to overtake every obstacle towards the gravitational center, pervading and transmuting the earth by transforming itself, water eternally conquers the depths where it still serves as origin, nest and nourishment of life. like a torrent, v.i.t.r.i.o.l. tells and embodies the sublimating descent of water, taking shape as a pouring of micro-tonal falls, opening passageways through a radiant narration of deep intimate soundscapes. framing a sequence of almost religious experiments in circuit manipulation and digital-processing of the resulting electrical sound-fields, the short album signs the important inspirational contribution by drøp to dromoscope antidigital project. enchanting second outcome by sound designer giuseppe bifulco, v.i.t.r.i.o.l. resonates clearly of a post-modern electronic shamanism, a fascinating musical vision interpreting sound as a physiological trigger and music itself as a therapeutic instrument, a path for an interior empty-set (ø) capable to free consciousness from rational domain and reconnect it to deeper natural truths. like a map for the descent, v.i.t.r.i.o.l. engraves its own name and structure with one of the most substantial hermetic aphorisms ever, -visita interiora terrae rectificando invenies occultum lapidem-, dropping a hint and pointing a destination for the healing research of the truth: the unknown interiors of the world, the subterranean unveiled inner self.

selected advent deal. 2017 repress!!! one of the two the other people place releases (the warp full length and this 12). drexciyan involvement in this classic release is obvious. one of the deepest and intense tracks with such a warm positive vibe. flipside contains a track by mystic tribe. (not very mystical of course for those who know the history of detroit techno. unique track from a unique project... and there are not many projects with tribe in its name. their release on retroactive is one detroit techno collector items). one of those records that get you through the day. classic!!! re-issue on the clone aqualung series with new artwork.

weird, loud and doomy tracks by (sb)51. some of the best and darkest stuff we have heard all year so we are proud to drop that in your lap on the verge of the new year. this is the digital version. there is also a tape available from clone.nl - either way you are getting some hard hitting analogue sounding slabs of experimental techno with kicks as deep as the ocean.

mysterious producer kian t is a crazy guy living in a lonely house on a top of a hill somewhere in italy. surrounded by a collection of rare old synths and vintage samplers, a little dog and the best red wine of italy. kian is making beats all day long. that’s his life. he started his career on toy tonics last year and now is back with an own ep - full of that fucked up, jazz influenced cut & paste house sound that is taking over the house world since last year. similar to his friends rhode & brown, fouk, nachtbraker or the guys around oye records in berlin he loves to create this special way of sampling old jazz records and using rare vintage synthesizers instead of digital computer sounds. just listen to a normal deep house records of the last years and compare it with the sound of the kian. using these old synths makes a big difference. you can hear it on every of his tunes: there is no cheap sound here everything is fat and has a very warm, personal, always easy to recognize sound-aesthetic: courtesy of the four synthesizers he uses: the korg polysix, the sequential prophet600, a roland juno 60, and the legendary oberheim matrix 6. and courtesy of the way he mixes his tracks: not in the laptop - but the old way: on a fat old mixing desk. thats why he has that massive sound.

as we welcome another talented artist to our family we asked viken about the first part of a two part release and he told us it s really important to understand that this ep is a series of pictures telling a story. combining the names of all the tracks one gets this interesting and dreamy sentence, on a blue road a white shadow feels the winter. to translate these pictures into music, i needed a very particular sound. since i am a huge fan of jazz music i took one of my favorite records, used a lot of samples and reworked them in my own way. from the technical aspect, i decided to reconnect with my first love: analog machines. i love working with sound textures. i stayed away from my laptop and all my vst/plugins as i felt the need to compose these tracks in an unusual way: i wanted the sound to be really pure. that s the reason why this process was so essential for me. for me, this ep is the first one to sound like this. this is the first of two releases from a deeply talented soul. a patient collage of house, jazz, acid squiggles and deep emotion. played and loved all summer long by lee burridge at all day i dream, these tracks will stay with you through winter and into next summer.

only vinyl. dedicated to my family, my supporters and all the music lovers. the second chapter come again from lapucci (mattia lapucci). this time are delivered to destination jazzy melody mixed to break beat drums construction, swing kick drums coupled to experimental pads and atmospheric spacey sounds, punch dance straight rhythm combined with deep and acid bass line to define another time one complete ep.

the excellent field label embarks on a new mini trilogy of eps that will -present a magical journey through modern-day trance.- first up in the series is artefakt with their three track effort the final theory. dutch producers robin koek and nick lapien make up artefakt, and between them they excel at moody voodoo music on labels like delsin. they open this latest ep with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. it is suspensory, dreamy music that works on the head as well as the heel. moving horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. last but not least, solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. this is heavenly stuff that cannot fail to get inside your head and heart.

london modular alliance is the raw and unpredictable music project from the uk’s best known, dedicated modular synth shop london modular. its members simon lynch, phil ventre and gavin pykerman met through a shared passion in modular synthesisers. impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. from the hushed environs of the tate modern and v&a to vast sweatboxs such as fabric, bloc, freerotation, weather and berghain, london modular clearly have a flair for all things modular. this year sees a return to bloc weekender as well as new adventures at festivals such as dekmantel. they create an intense live show with a huge setup of self-assembled modular gear. every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. with the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. no laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. overall lma tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. a clear break with the capture-all mentality of the internet age.

for their third release, hard beach entertainment dug deep into detroit history and unearthed the enigmatic dj scsi whose only release to date came out in ’97 on d-bass. never released before, these four cuts have been fished out from dj scsi’s own archive, uncovering some of the finest electro/ghetto house from the d. massive!

label head enzo siragusa returns to fuse for his first full ep since 2012 with the sanctuary ep kicking off with double dove, a hyper-kinetic slab of phunked up tech weaponry. the cavernous bass makes for a real warehouse vibe whilst silken pads lap upon the senses for an audio overload. the flipside s solo takes things into deeper realms, a tripped out vocal effect being the track focal point, custom made for early hours sessions whilst the eps vinyl only track gemini does away with any headier pretences and delves straight into the heart of things with a thumping kick and sense of purpose.

dub-ito is a new label born from the long time friendship of the southern italian duo claudio mate and francesco mazocco (defrag). the funny name of the label is a mix coming from playing with a few words from different languages while talking about music, giving a unique outcome. straight uncompromised beats meet proper dub-techno landscapes, with a special deeper remix version by fabrizio lapiana.

3 pieces of pure deep techno mixing the cello of french musician frederic petit and the tones of jerome moussions synthesizers. for fans of innervisions, a:rpia:r etc

after his appearance on 2014s selected comp lapien & giselle return for a foray into the ether. fred p, known for letting tracks age til maturity, put this one up for 2 yrs & its spot on to the minute. pure envelope-pushing deepness suited for the spm fam.

christian löffler has already released two critically acclaimed albums, forest in 2012 and young alaska in 2014. both of which received major recognition and support. his next ep york, forthcoming on 2020vision narrowly avoided disaster after the laptop containing the demos was lost. after much perseverance, copies of the tracks were found and the ep came together. perhaps it was this fated start to york that imbues it with such a euphoric and stunning poignancy. either way, löffler has proved himself to be a compelling producer and after years of creating and releasing music he has become recognised as one of the best in the business. york complies with the consistency of his deep and emotive approach to production, making&#8232,,,,,,him synonymous with both a lightness of touch and a melancholia rarely heard in other producers.

third child is a new project aimed to mix sounds micro-house and house music ..very influenced by the sounds of artists such as:three angles, zavor, sammy dee, cabanne, and many others. ep of 4 tracks including remixes of sonartek producing for kismet records, sono vivo, baile musik, little helpers, get physical music, hypergroove, sonartek are known for and are distinguished by their obsessive research for analogical sounds towards the creation of deep atmospheres.

ltd nice price bomb
tigersushi presents dye debut ep. dye is french, young and passionate. this ep was recorded in his bedroom within a few sleepless nights. a few analog synthetisers, drum machines and an mpc. no laptop, no midi. old school techniques for futuristic minimalistic electro. raw like a sushi. it s ghetto and it s deep. dopplereffekt meets sound stream in a razor blade fight.

this is the second episode of d.a.n.c.e. (detector for advanced neutron capture experiments), an overview on the introspective side of dance, composed of six various artists releases. on a side fernandez manetta with a big room, fat, acidic techno track. on b side synthek shows his classy and deep vision of techno, fabrizio lapiana proposes a cut with a prevailing bass-line and metallic percussion.

mr assister - more commonly known as the drummer that james blake sings for - unleashes his debut double b-side release on 1-800-dinosaur, the london based label and club-night of which he is a founding member. the seismic lead track bala has received rapturous feedback from the likes of jamie xx, jd twitch, martyn, gilles peterson & pearson sound etc and was made on a laptop in mr as kitchen without much knowledge of the software he was using at the time. prior to bala he came up with the deeper, headier house workout reggae drums on the tour bus, using samples of drums from reggae songs.

selected pulls together material from mostly unfamiliar names like deepjust aquabeat, bassik grooove and bobby o donnell, alongside a couple of established heads like ryo murakami, aybee (as orion 70) and fred p himself, whose > n.y. (selected dub)<, a reshape of an old jazz tune, rounds out the compilation. > in the early days it was difficult to afford more than one or two records..< i would buy compilations because the value was greater and i was exposed to artist that i might not have known about otherwise,< he says. >when i think of compilations i think of mix the vibe, soul of science, trust the dj and of course dj-kicks. i learned a great deal from these series over the years and developed my own ideas based on what i love to hear thus selected was born. released soul people musics new sub-label, boards.

repress - aller guten dinge sind drei. shuko & f. of audiotreats sind wieder da. im rucksack haben sie den dritten teil der cookies & cream -serie. seit der letzten cookies & cream lp ist vor allem bei platin-produzent shuko wieder viel passiert. der gebürtige mainzer, der im letzten jahr mit produktionen für talib kweli und für die platinalben von 1995, sowie sexion d assault glänzte, konnte auch dieses jahr wieder edelmetall in seinem studioflur auhängen. es enstanden produktionen für den rap-shooting star cro, die nr. 1-Überraschung des sommers, genetikk und das jbg2-album der gangstar-rap supergroup kollegah & farid bang, dass in der ersten woche mehr als 80.000 einheiten über selfmade records verkaufte. außerdem enstanden kollaborationen mit dem westcoast-mc blu für eine weitere jakarta records veröffentlichung als limitierte 10inch und beiträge auf dem aktuellen ra the rugged man album. f von den audiotreats hat in der vergangenheit für künstler wie chima, dendemann und joy denalane produktionen beigesteuert. cookies & cream 3 fügt sich nahtlos in die reihe der beiden vorgänger lps ein. soulfull und feingliedrige hip hop-beats als instrumentale, die auch auf albumlänge funktionieren. ein deutscher beitrag zu der z.zt florierenden beatscene, die weltweit die aufmerksamkeit der major labels erweckt. die vinylversion des albums ist auf 300 kopien limitiert.

the third release on townhousemusic contains tracks from label matador lohouse and the guest this time are giovanni randisi from tsuba rec in cooperartion with jonathan lapointe, bendejo a new face from viennna and gblanco from italy. from deep to tech house - enjoy this strictly limited vinyl!

deep techno action on par wax. supported by: samuli kemppi, chris liebing, speedy j, inigo kennedy, reeko, developer, milton bradley, nx1, tadeo, ascion, claudio prc, deepbass, tommy four seven, tom bonaty, victor martinez, frabrizio lapiana, audio injection, juho kusti, go hiyama, mattias fridell, arnaud le texier, dj emerson, tea, angel molina, exium, jeff derringer, ness, mark morris, erphun, max m, mike wall, merino, mark morris, liss c, paul boex, peder, and others....

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.