chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

no need to introduce jonas kopp anymore. the argentinian made his curle debut in 2008 and has been a regular guest with releases and remixes ever since. desire will be his third full ep on the label!

while a series of projects are slated for release under the dirt tech reck banner, the first is the electric street orchestra. its inspiration is from those who are called street people. forgotten people from a forgotten city. it has also steeped in the detroit tradition of ignoring the notion of genre and taking a broad range of elements and inspiration to create something that is both new and familiar. bringing together a constellation of detroits sonic masters. dtr-01 takes urs mad mike and agent chaos, house music king theo parrish, hip hop/house percussionist dez andres, and rock/funk master guitarist duminie deporres, and joins them through the lens of jeedo’s vision of the future

there are a number of theories as to how, in the mid-20th century, african music made its way to colombias vibrant port city of barranquilla, todays mecca of caribbean tropical music flled with the chaos of loud music, frenetic taxis, delicious sancocho soup aromas and a charminglycolourful aura. some maintain that a man named boquebaba remains responsible. others claim that seafaring traders and merchants imported the frst sizeable amount of african vinyl.

having spent most of 2012 so far further establishing itself as a global bastion of forward thinking electronic dance music, the rwina label is changing things up a little with an ep from young dutch producer jameszoo.
on faaveelaa jameszoo displays the kind of brazen ingenuity that youth affords by drawing inspiration from dancehall before finding its edge to craft an entirely new take on the genre and using that to paint a colourful sonic picture of what he imagines a favela might look like. sounds mad? it is, in a good way. by his own admittance the picture he paints is also a bit messy, yet there is beauty in chaos. as for the inspiration, it can sometimes be hard to hear at first though anyone familiar with jamaicas dancehall tradition will recognise the instantly catchy quality of faaveelaas riddims.

another deception of abstract passions to the dancefloor, >cant hide< is a radical dancefloor experience of rhythms and messages from the past to the present of todays chaos! driven techno beats guide the listener trough 60ties science fiction filtered funk licks into the climax. on the b side you find a chaos of reanalyzed sounds from our sun system brother jupiter,the roland tr727 is here live jammed and launched inside warm pads and electrified bass-lines.

over the past few years, while many on the planet have been searching for meaning amongst the chaos, aussie nu-disco/electro duo philosophy of sound have found their footing in music, steadily building a following for their own brand of conscious electronic music. get yourself ready for their hotly anticipated >fragile disco< ep, which comes pressed on transparent red vinyl and includes a code for free mp3 download of this release.
if you like electronic music with brains, get amongst this.

we welcome the rabauken crew ! not only doing famous club & boat partys in north rhine-westphalia (germany) the guys now drop their own vinyl imprint. 001 coming directly from the >head of the chaos< sebastian phillip with two driving & acidish techno tunes. remixes are coming from the rabauken members moritz ochsenbauer & danito and from m.in (desolat, cecille, get physical)

limited to 200 copies on heavyweight 180 gramm vinyl in 5mm full color sleeve!

secret circuit, having been knighted by tastemaker tim sweeney by releasing their first 12? on his beats in space imprint, seriously run the voodoo down with this intense jam:jungle drums, spellbinding exotic chants once obstinately nesting in your head once you heard them, cheeping, bleeping and tweeting dub noises messing with your sense of orientation, gyrating guitar chords in a my bloody valentine style and between all this wonderful sonic chaos a slightly latin jazz tinged piano breaks its way. a beautiful maze of a track where you easily can get lost in for the rest of this summer. on the flip portugals tiago accentuates the cosmic rock vibe throwing in an aggressive guitar riff that sounds very much like chicagos im a man and prins thomas chucks the looser jam-like first part of the original over board and bundles the psychedelic elements to a breathlessly, constantly intensifying pressure cooker.

marius bubat and georg conrad aka coma combine pop and house, techno and indie rock with an eclectic approach, creating highly recognizable music with an emotional impact. even though emerging just a short time ago, coma have already seen their share of travelling, with a recent appearance at sxsw 2012 and even a journey to vietnam. it was there the boys teamed up with norwegian dj charlotte bendiks, as they fought their way through the chaos of hanois traffic.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores—and exposes—another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newmans trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s >sizzled sally< for a more refined and subtle breed of deep house.

2methyl (aka 2methylbulbe1ol) is an up and coming 26 year old audio heavyweight from the east of france. at first a fan of post-hardcore, grindcore and noise rock, his discovery of venetian snares and xanopticon opened new boundaries for him to explore, resulting in his own distinctive, crushing sound. he uses music as a form of narrative, leading dance floors through intriguing cyberpunk, industrial soundscapes. 2methyl s releases to date include 2 ep s on rotator s ruff recordings imprint, and another one on komodo dragon records. he shared stage with eight frozen module, niveau zero, sinister souls, counterstrike, reso, dope d.o.d, luke viber, shitmat.with his new ep on overclockheadz rec., 2methylbulbe1ol dives deeper into his approach of dubstep,a blend of metallic heaviness, mechanic pianos dull melancholia and the humming of sub-bass reminiscing the hyper technological sounds of neuro-funk. 3 dystopian visions of an hyperspace haunted by fantasies of civilization, 3 requiems for mankind sung by orphan automatons. to complete the whole, a stripped-out version of golem by hecq, a mastering by angelos liaros (mobthrow), splendidly-sleeved by the old accomplice okiko.

the third and last format:b vinyl-package is adjusted! subject matter still is the current album restless which has been taken on by big name artists of the international surroundings of the two. in pole position a1 this time is the italian uto karem. he took a shot at piano man and hits the keys just like we are used to from format:b. with his version of socks & sandals the dutch dj madskillz comes around the corner. its his second pounding release on formatik records after his carnival chaos ep. a debut however is given by the also italian artist fernando tessis who keep his eyes upon warped and who went into the remix battle with trumpets and timpani giving no less attention to his demonstration of his garland of corn on b2.

forthcoming on dench recordings, release 001 will come from the studio of pusherman.

reptile youth is a riot, a dream and a 21st century fuck you dadaism movement. - mads damsgaard having already earned a devotional following after a series of intense, raucous and explosive gigs across europe and asia, the release of their debut single ‘speeddance’ will let the rest of the world in on the reptile youth secret. formed in denmark in 2009 by vocalist mads damsgaard kristiansen and bassist esben valløe, and previously known as reptile and retard, the band toured extensively in 2010 and 2011 to rapturous acclaim from audiences and critics alike. their live shows have border on barely contained chaos, their dominance of the stage inspiring a fervent following among those in the know. danish producer kasper bjørke, acting as a&r and executive producer for the band, is the man ensuring the transfer of this volatile energy to reptile youths releases.

nice price deal !!! following the success of their debut >worldwide takeover< ep and >send me< single on jus like music in 2011, paper tiger join forces with mind on fire records for their first full vinyl release. the illuminated ep features three superb paper tiger productions – delight dub, illuminated and modern dynamics, and is topped off with remixes by wisent from lucky me, who returned the favour with a paper tiger remix on his forthcoming ep, and upcoming uk producer blacksmif who was recently soundclouds artist of the day, and has his debut solo ep >and the sun rose out< dropping in march on synchronicity records. with a limited run of only 300 copies, featuring full artwork by onefiveeight artist james hayes, the record drops on 27th february, before the band take to the road in preparation for a summer of festivals.

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

us native and techno newcomer 785 blasts onto the scene with a stellar debut 12inch. kansas native 785 debuts with his first 12inch ever on jerome sydenhams apotek records. it is clear this evasive sound engineer has a special gift to craft techno from sources others may have never dared to tap. the a-side mada theory is a display of pure techno diversity with slight nods to dub, ambient and the upper class of minimal. a record whose beauty may lay in it simplicity until one witnesses the complex chaos it causes on dance-floors. the flip, east box, gets a tad more mechanical utilizing drilling kicks and a host of atmospheric sounds sliding in unison with machine rhythms, coagulating into some hardened molten tech-funk. both tracks have that special something that makes them standout.what has he employed that others havent? a phenomenon well have to wait to decode until he unleashes his next pack of roving beats.

after almost 2 years of serving slices of their idea on cutting edge house music on a solely digital basis, the belgian silverback recordings now releases its first vinyl… on >ep 2< polish producer the phantom demonstrates he is a master at creating a soulful, genre-bending, futuristic blend, whilst paying homage to rich chicago, uk garage, and detroit traditions, to name but a few. highly acclaimed and limited to 300 12 inch copies. support by ikonika, hackman, canblaster, french fries, teki latex, round table knights, dubbel dutch, brenmar, lol boys, blackwax, optimum, chaos in the cbd, lil silva, martelo, …

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

the first phase in the breath-taking new musical project from hadamard, who of course we know from earlier projects via bunker, transient force, mighty robot and more recently featuring on compilations via our friends at solar one music. as we enter hadamards universe of the jupiter cycle, we hear a synthesis of straight-up electro coalesce with spellbinding ambient and experimental futurism, to create an overall bladerunner-esque environment. from the offset of our journey, approach,dramatically defining the musical landscape with its soundtrack-like and impending atmospherics,entry point,a stealthy, sneering electro fiend expect no mercy here magnetodisk is unpretentious, energized electro, providing a slightly more upbeat pause between the more serious overtones of offerings from ion electro straight from the core of jupiters volcanic moon whilst outpost jupiter and transition to chaos are most definitely someplace far, far in the future, as this piece can only leave the listener possessing a sense of introspection regarding the technological evolution of our generation. a stunning variety of styles on this limited edition vinyl project for last known trajectory.special limited edition pack includes the first in a series of collectable posters.

10 years of killing sheep records and still no one can touch them, the original cross over dnb / hardcore label delivers this years definitivednb / hardcore release. tymon melds the genres with ease and even manages to pull off an epic dubstep drop amongst the chaos of massive kicks and snares. the dj producer rinses old skool breaks over the top of a pounding kick drum, plenty of intelligent drum choppage action.

ltd red vinyl

creativity is born from chaos. when you allow yourself to give up control, unexpected and beautiful things can happen. after the success of >the face of the planet< and >dont stop, the subs bring you their newest single, the title track of their latest album >decontrol<.
its a slow, sleazy & sexy song that builds and builds toward its apotheosis: we want your mad soul, we want decontrol.
>decontrol< is backed by some amazing remixes from d.i.m., aquarius heaven, & black strobe

collaborating in art, music and science since 1999, recently founding the label magazine and the collective cologne tape, this is nevertheless the first time barnt, crato and jens- uwe beyer appear together as one formation, simply called magazine. if you combine their recent releases - barnts stunning debut ep >what is a number, that a man may know it?<, cratos acclaimed and mysterious >30.6.1881<, j-u beyers incredible sound work on his highly respected last album (with jaki liebezeits drums off chaos) and add the cologne tape recordings you can get an idea of the formations cosmos — but you are not quite there ...

split ep by klangkultur ost (kko) and minupren.

brian eno und nick cave sind ihr bereits verfallen und die düster rockenden haudegen von grinderman hat die musik der londonerin so fasziniert, dass sie anna calvi als support auf ihrer jüngsten europatour eingeladen haben. dort konnte anna calvi ihr beeindruckendes talent als meisterin morbider musikalität und dramatik und ihre phänomenale bühnenpräsenz beweisen. wie aus einem tarrantino-film entsprungen, steht sie auf der bühne mit ihren rot geschminkten lippen und ihrer gitarre, aus der hochmelodische klänge perlen. boleroesk entwerfen schlagzeug und gitarre immer gewaltigere spannungsbögen, verlieren sich aber nie endgültig im melodischen chaos. denn über ihnen thront und regiert calvis hypnotische stimme.am 14. januar erscheint das gleichnamige debütalbum von anna calvi bei domino, das sie mit rob ellis (u.a. pj harvey) in london und frankreich produziert hat. es ist ein überraschend selbstsicheres debüt, das ihre talente als songwriterin, gitarristin und sängerin auf zehn songs gleichermaßen beeindruckend vorstellt.

ahead of a shake it summer residency at amnesia in ibiza, alongside his dj/production partner layo, bushwacka releases his first solo ep of 2011 - the two-track west side / energy ep. westside - this monster is very personal to bushwacka! inspired from the sound of the biggest german techno dj on the planet, sven vath, and the musical magic he wove on the decks over the last ten years in ibiza, bushwacka! has drawn his feeling from this and countless memorable nights there and created a massive dancefloor weapon that has been tweaked and tested around the world. westside creates chaos and euphoria in equal measures and is pure peak time magic. energy is a very different breed of music, again influenced from parties, but this time his own - the morning sessions, the after hours, the dawn chorus - deep, sexy, melancholy, but tough and naughty - this is serious underground tech acid get down dirty music.

there. is. nothing. better. than. a. clear. blue. sky. after the storm. taken literally, the track listing for barems debut lp represents that fleeting moment when nature puts its house in order, when calm and clarity triumph over chaos. of course it also works perfectly as a metaphor for those fuzzy moments of self-reflection while sprawled on a hotel bed after another mind-blowing night at the controls, or while taking stock of a musical journey thats about to culminate in a debut album for the internationally renowned label that motivated you to start making music in the first place. this is the vinyl version of barems debut album, with five specially edited tracks for all vinyl-lovers

aconito records presents a new, limited-edition, vinyl only, collaborative release: the achromorphe, a unique vision of a bleak, industrial future ruled by mechanical chaos.
the record is brought to order with label head nax_acids introduction of crackling electricity and mechanical gasps, a beat-less soundscape that reveals a growing chorus of wretched, moaning drones.

the final chapter has begun, with 5 massive hardtechno tracks from: thomas nordmann, rob stalker, droidbeatz, lost souls and madelephant.

the aliens dropped their first tune >exterminate< and >their here< to critical acclaim setting the dub step forums and dance floors alight. the guys now come with their second release and drop two brutal dub step bass heavy steppers on us. there is a lot of chatter about who the aliens are with names of a number of top dubstep artists in the frame. however it doesnt really matter who is behind this release as the music clearly speaks for itself. these new tunes have been causing chaos on the dance floor with their destructive basslines and nasty switches and being supported by the cream of the dub step scene including kromestar, skream, n type, hatcha, walsh, f1 and the aliens.

skinnerboxes first bpitch 12 inch >anapol< is the culmination of about seven years of performing experience. iftah gabbai and olaf hilgenfeld casually juggle colourful house, jazz and funk elements like its their second nature. and the metamorphosis from anarchistic improv chaos to form and structure in no way impinges on the level of energy in their music - in fact, just the opposite is the case, as the newly discovered sense of auditory space in the tracks allows them to significantly concentrate each tracks power.

pluseins no. 004 features three tracks of mike wall and tex rec, both individually outstanding artists and together at the same time one of the truly interesting production teams of our time. over the last years, mike wall has become known worldwide as one of the most popular german techno artists. a big remix get mike wall from logotech. his career has been developing at breakneck-speed since his first releases in 2008. heavily supported by many renowned artists in the electronic music business, their individual productions and collaborations have never failed to thrill their audience. their music has been described as deep and hypnotic, energetic and gliding, artistic and experimental. pluseins is very happy to release three absolutely faultless and haunting tracks of this highly promising production team. prepare for cutting edge techno by mike wall and tex rec, somewhere between creative chaos and futuristic genius.

sampler 1 of 2 from in flagrantis new album. predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. succeeding 2006s wronger than anyone else and 2009s brash & vulgar, in flagrantis sasa crnobrnja and alex gloor have left behind their vintage porn-chic sensibilities and instead turn to yesterdays trashed goods for inspiration. >flea markets and recycling parts of our production are really at the center of this album,< said the now london-based crnobrnja. >i like things to be old and run-down,< added alex gloor, who still resides in basel. >so i let myself be inspired by one of my favorite places to spend time: 1970s- 80s new york city.< among four killer tracks, >prelude to chaos< reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade.

the process of receiving and listening to demos is akin to the proverbial needle in a haystack - poorly labeled cd’s or mp3’s are handed out indiscriminately like flyers for strip clubs in times square (circa 1970). “i really think you are going to like this,” or “all nude girls,” and “dj ‘x’ played this at space,” or “24 hours live sex show…!!” but in the end, just like the harsh reality of a stripper in daylight, the demos fall well short of anything mildly interesting and certainly nothing you would bring home to mom… until madato… from the first group of tracks he sent it was clear that a nice guy from naples had sent us the needle we had been looking for. “naples may not be a place one would consider to be particularly inspiring, from its outside appearance, chaos, and plenty of junk on the streets - it takes a deeper gaze, beyond, and into madato’s dream world. madato is always looking at what’s beyond the waste. inside his dream box you might find laura palmer making out with ian curtis, charles bukowski writing a fairy tale, or perhaps john nash singing along to bauhaus songs…” file under: trippy disco inspired dance music, not defined by a genre but more of an attitude. post-punk undertones mixed with psychedelic sensibility

2003 double vinyl lp by french techno pioneer scan x.

after the huge success of the catalogue number 005, formatic records has carved the next dance board. the beginning of the new year gives thanks to the constructing dj madskillz- presenting the bottom of a noble carnival-wagon, which drills itself through the castle walls of lethargy like a trojan horse. behind it the client in person jumps out of the bellies strong vehicle and brings the format:b remix, making even more tumult in the- without a doubt from luck traced- party bodies. the communal phenomenon that dj madskillz describes as >carnival chaos< is also being picked up by ramon tapia, who (as usual) bits the celebrating horse from behind making it spit fire in front during peak-time. a movement with pyrotechnical potential in the yet young post new-years-eve-2010-era. cheers!

nice price deal !!! as 2010 draws to a close, low res records makes one last shot at the buzzer with a veritable milestone of mayhem - the 23rd enigma in the shape of a new and long overdue dj adjust record. >release the sharks< is four tracks of abusive speaker therapy constructed in the spirit of recreational headbanging most would call haptic technology for heshers. possessing the demonstrative power of potential that pokes at the ear pupils, the new adjust record is a leaning tower of rhythmic inconsequentials that cast a dark shadow over the deliberate composition of controlled chaos.

donovans are back with >freakshow / krosscut<, >freakshow< is some kind of a cathedralistic anthem, with which they often start their dj set as this particular track can face any big tune, combining quite slow syncopated bassdrums, a killer melody, getting in your brain... >krosscut< is more a classic track from donovans, done on purpose for the dancefloor, ultra efficient, a bit fidget, naughty, the kind of nu techno we like here in citizen records ! fukkk offf & chaos in the cbd (duo from nu-zealand) are in the story too! fukkk offf gives some of his technoid skillness on >krosscut< a bit >à la fukkk offf<, then chaos in the cbd proposes us an old school house remix, using the current production tools, this will give all the music lovers a remembrance from the old days (this remix is already played by teki latex & many other frenchy!) >the french duo comes back with a bump-house bomb, hysterical breaks, extatic horn & powered bass, you got all< tsugi

the future disease lives up to its name: a maelstrom of driving bass, otherworldly screams, and speaker destroying kick drums inch us ever closer to satronicas prophecies of doom and destruction! with this 4 track ep, satronica cements his position as one of the worlds premier hardcore industrialists. this monster delivers a bone crushing collaboration with hardcore legend unexist along with two tracks of pure unadulterated satronica madness! and if that isnt enough, witness a body hammering remix by industrial technos new dominator - waldhaus! satronicas tracks have recently been featured within the worlds best known hardcore compilations on labels like thunderdome, moh, neophyte records, and traxtorm. he is dj-ing and bringing his massive live show to the worlds premier hardcore festivals like q-base, dominator, and e-mission. the mission is clear: freedom for the masses from the soul killing pollution of commercial music! industrial strength records is proud to present innovator & scholar of chaos - satronica! for your listening displeasure!

after several well received releases on terror traxx it was time for these two talented youngsters to show their skills on the ever expanding rotterdam records imprint.the a-side offers bastards , a guaranteed floor filler which will cause complete chaos on all dance floors with its crushing kicks and catchy melody.this is mainstream hardcore at its best!! drugprogram starts of the b-side. another topnotch hardcore bomb produced together with up and coming man emphasis!slammin kickdrums, cool sample use and a splendid melody make sure this track will definitely be picked up by all the major players in the game.finally crushin bonez to finish of this ep, another cool track which is a bit more aggressive than the other 2.be sure to watch this 2 geezers as we expect to hear more from them in the future!!

big record alert! great full length e.p by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu (restoration/sabotage) and lucretio (restoration/mixworks/deepmoves).
>nyx< is an invocation to the primordial goddess of the night summoned with soul and machines, nyx, rather than chaos, is the first principle.
all tracks are recorded live on dusky tape with no computer involved.

incl dj mutante, the mastery aka scratch deal a and anarchi3

after the release of lindstroems critically acclaimed solo album where you go i go too, in 2008 and 2009s collaborative album with prins thomas, ii, norways maestro of disco returns once again. this time he teams up with sultry vocalist christabelle, to bring us real life is no cool, an edgy pop album of structured chaos and hypnotic beats.

lurking in the back of every transportation vehicle there allways is someone who is up to no good... someone who vandalizes other peoples property & wrecks havoc everywhere he goes. their called lowlifes... bullies of the city... scum of the earth! they dont give a shit about anybody else. just thinking where they re at now and how they can raise hell in any possible way. matt-u has stood up and offered his dope ep as a meaning of destruction upon the non believers. the a side deliveres chaos unlike we ever seen before. people pulling and hitting each other, turning themselves into scum of the night... not giving a shit about the rest. flip it over to b1 for heads up - it ll be the last time anything happens unnoticed. keeping the scum people focused and ready for action. take cover keeps everything in check, the announcer warns people of this terrible threat thats gripping itself among the crowds. so run like crazy if you want to be safe. this is not a drill!!