slum science was formed in 2003 by uk producer danny white who released the gs delight ep on daz saunds resident records london label. collaborations with dan ruck & eddie leader saw the slumsters have subsequent releases on deep future, icon, greenhouse, jackin tracks and black cherry gaining fans along the way from heads like mark fafina and derrick carter.

shaun reeves, one member of the visionquest power force, teams up with good friend and industry veteran alexi delano for the next release on the label with two solid cuts that are deeply mystifying and hypnotic while packing plenty of groove for the dance floor.

drop that records is the continuation of the concept label b.l.a.t.t. . it is more striped down in his appearance and even more focused on the dancefloor. the sound will move between reduced & dubbed out house & techno music. on each release you will find some forgotten specials a vinyl record could entail. drop that_001 features 2 tracks by mint 4000 and a live jam by sevenmint, a long term livepa collaboration between seven (rg25) & mint 4000. music can say more then words, so listen and enjoy.

vinyl only - no digital! limited to 300 copies for the world.
return of the killer deep house producer petr serkin from moscow, 4 tracks deep percussive house, very much in the tradition, pure deep, lush dubbed out hypnotic sounds, all four solid tracks that will warm up any self-respecting dancefloor!
already support from andre lodemann, laurent garnier, derrick carter, lovebirds, joel alter, danny krivit, martin nowakowski, moodymanc, rob mello, red d, debug magazine (germany) and more ...

championed by a certain mr d. carter for an age and a staple of derricks sets, both in its original form and as the accapella layered atop of a variety of oddities.

limited edition of 500 copies on white coloured double 12 inch vinyl.

slamming disco edits, huge dj support: dimitri from paris, late nite tuff guy, leftside wobble, ashley beedle, get down edits ...
cutting his teeth on the uk bar dj circuit with gigs six nights a week, as well as being a member of production duo casio social club, henry greenwood has nurtured an understanding of the vital ingredients required for a killer dance floor groove. from the early days of breaking both the pause buttons on his family stereo system (whilst crafting his first reworks) to spinning alongside derrick carter at londons disco-flavoured club night slide, henry is carving a razor-sharp niche in the ever-evolving re-edits movement.

mannequin records is simply elated to present the debut 12 inch ep from phantom love, a mysterious kosmische act from southern europe. emerging from the majestic and fiercely sun-trapped lands of the old continent, phantom love takes you along a dazing journey through a spectral yet dreamy haze of spacey psychedelia.
limited edition of 300 copies with artwork by giandomenico carpentieri. strongly recommended to fans of brian eno, klaus schulze, john carpenter, carter tutti, stellar om source, harald grosskopf, tangerine dream, beak, zombie zombie.

strictly rhythms vol.9 , vinyl part 2 of 2... incl tracks and rmxs from black magic, masters at work (maw), jacques renault, subb-an...

bristol-based behling & simpson come correct for apple pips with two slices of cavern-deep, slo-mo tripped out bass-led housey doings… these chaps have been making waves in the last year or so with their mixture of bass music, deep house, boogie and discoid with a characteristic bristol edge of not caring for the rules. with killer releases on bristol house dons futureboogies own label and a stonking re-edit of faith evans getting plays from peeps like modeselektor, derrick carter, untold, mosca, jackmaster and many more they continue to forge out their own groovy path through the bass scenes myriad styles… >where the ohs< glides along on a rolling, endlessly chugging beat, with glacial synth sweeps, dubbed out finger clicks, treated vox and sub bass stabs slowing cutting through the mix…perfect slo mo house styles for fans of prins thomas, todd terje, mark e, andrew weatherall etc

manic street preachers originally gained a loyal following and cult status with their combination of androgynous glam punk imagery, outspoken invective and songs about alienation, boredom and despair. the bands later albums retained a leftist politicization and intellectual lyrical style, while adopting a broader alternative rock sound, especially after the mysterious disappearance of lyricist and rhythm guitarist richey edwards in 1995. >everything must go< is the manics fourth album and was released in 1996, now back on 180 gram audiophile vinyl.

inspired by artists such as mr g, baby ford, ricardo villalobos, derrick carter & rhythm & sound, anthea has created a sound somewhere lodged between house and techno, that is deep, warm and bassline fueled.
and if the original was note dope enough this package comes complete with two heavy weight remixes from two in demand high flyers: dan ghenacia & subb-an.

says mr saturday night about their first release … this is mister saturday night, a party thrown by justin carter and eamon harkin. with a love of great music and a passion for building community, the mister works to create an experience that is truly fun and engaging for everyone involved. we find just the right space, install our very own sound system, make it feel like home and present music that we love all night long.

manuel sahagun is considered one of the exciting new talents in the house music scene. he started in 1998 experimenting with his computer and exploring djing as a hobby, playing around with sounds that went from house to techno. influenced by artists like dj dan, derrick carter and dj sneak, he acquired a taste for funky and deep house. starting professionally in 2001, manuel positioned himself quickly as a house music reference among argentinean djs.

including derrick carter remix !!

limited red coloured vinyl edition with excellent house / chicago house classics

!! vinyl only release , 300 copies only !! > modern underground music< is a collection of tracks culled from many corners of the underground. hopefully the first in a series. i want to feature a cross-section of genres, with a slew of new artists you might not be familiar with. i guess i could go the easy route and sign tracks from c2, cvs, etc. but thats not really what b/c is about

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

the classic music company by luke solomon & derrick carter continue to play the game under their own conditions. as a label it never died it just retreated for a while in order to come back stronger. all hail the king because the king is back. long live classic!

edit king leo zero returns with something very special to kick off a new run of no frills dancefloor bombs that have been tried and tested over the summer on a packed worldwide dj schedule from stockholm to tokyo and beyond. first up is an intensive slice and dice exercise on probably the best track from definitely the best band in the world: the clash. leo takes their most disco friendly outing >the maginificent dance< famously spun by mr levan at the garage - and with the more dubby rare levan version he homes in on looped 1 bar sections, skating along to create a new arrangement - added to the brew are bootleg recordings form the clashes infamous live show at nycs bonds ballroom, and even some baseline demos digitally siphoned from people practicing guitar along to the clash on youtube!….. we are left with is an epic labour of love edit that has already found its way into the a-listers record boxes - from derrick carter to laurent garnier who are all spinning this solid as a rock dub disco bomb. on the flip we have a classy house re-work of al hudson & partners >music< which sticks a chi-town kick and snare up its rear end along with some serious sub bass, and in the middle things get all wobbly with some trademark leo zero space echo rides and before we are quickly warped back-in and onto the floor… big with a load of top jocks too including severino of horse meat disco fame.

big with: sven väth, reboot, dubfire, josh wink, monika kruse, sascha dive, tobi neumann, karotte, gregor tresher, butch, nick curly, derrick carter... welcome dj sneak on his first full ep on cécille records, after the 2009 summer hit >some more< on the somero 09 sampler on cécille. the puerto rican born is no doubt one of the founder of chicago house music alongside derrick carter, green velvet and many more, he is for sure a living legend. since over 25 years hes playing and producing his own unmistakable sound. people like ricardo villalobos, luciano and many many others playing his releases since decades. the fallin beats ep gives you 3 different tracks, one of them >operation sneak 2011< is an reedit of one of his classics from 1993. >babylon fallin< comes with a great emotional hookline and >musica de parada< shows the easiness an flawless of his rhythmic sound

one of the standout tracks from the 2nd album by andy butler & co. gets the rework treatment from the legendary derrick carter, man of the moment tensnake, andy does his own club mix and stopmaking me...

geminis >tribute ep< is quite simple – label boss phil weeks has handpicked four of his favouritetracks by the legendary spencer kincy, originally released on the infamous cyclo label in the late 1990s, and gives them a fresh lease of life on robsoul. its serious house music for the heads – apure chicago flavour in the vein of cajmere/green velvet. massive feedback by : maya jane coles, anthony collins, derrick carter, federico molinari, franck roger, robert owens, manuel tur, jason hodges, da sunlounge, djulz, charles webster, deetron, joshua, pete dafeet, mr v, dj heather, miles maeda, jay tripwire, rob mello, stuart patterson, chris carrier, catz n dogz,

new series focusing on some of skints back cat some serious names here

exclusive dj support comes from none other than gilles peterson, whos already played >its now< on his bbc radio 1 >worldwide< program.

remixes from derrick carter aka maestro, mr. houze and jordan fields

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

minority boss hector moralez teams up with life long friend oscar miranda for a belting 3 track ep on minority. >last of an era< has a killer bassline and a hypnotic vocal that will keep the floor moving all night. >for realz< is on the deeper tip and the boys uses spacey keys & trippy vocals to devastating effect. last but not least is >about time<. this sounds like derrick carter style beats meets a mood ii swing style bass line, nuff said. boom!

deluxe edition double 180gram vinyl, double cd, 2 booklets, 1 speakeasy. includes interpretations & remixes of all eleven tracks by thom yorke, carter tutti, devendra banhart, alan vega, melvins and more!

lost my dog s miami sampler contains a taste of what you can expect from lmd over the next few months with four corking tracks from giom, bleep district, yse pres. frank h carter iii and roland nights (vernon & dacosta remix). dj support from: ashley beedle / mark farina / halo / dj heather / miguel migs / lil mark / dj mes / swirl people & more..

part 1 of cr2s miami samplers for 2010 includes >i want you< & the massive future anthem by vision factory & nina hall >music brings you back< (buzz chart no. 2) & new cuts from mendo & damien j carter.

for this 24rd release, this various artists propose one track by wally callerio ever seen on dufflebad or shaboom for example. this track is one favorite tune of derrick carter since many years. luca bear, italian dj producer seen on bretzel records delivery a powerful tek-house track. a limited release for your ears.

dks aka da lukas with a remake of the classic tito puente sample made famous by todd terry aka the gypsyman! dj support: atfc, dj chus, derrick carter, onionz, fedde le grand, riva starr, tom middleton, richard grey and many more...

encer kincy was giant in chicagos house music revival - part of the second wave of younger djs and producers that took the music of the early 1980s, rubbed it up and dropped it in places like 500 west cermak, medusa’s and the vault. a lot of people who are now superstars of the scene - mark farina, sneak, derrick carter, and dozens of others - were a part of that movement, too. spencer released a number of tracks on relief, planet e, cajual, peace frog - labels representing the classics of that era - and he usually recorded under the name gemini. as a dj, he operated in his own space - i’m sure he could play for a room, and sometimes did, but the unrestrained madness of a spencer kincy dj set had to be heard over several hours to appreciate. he could blend a sleazy disco track into hard acid, downtempo into a punishing armani track, jazz into detroit techno and so on. it wasn’t technically brilliant or tricky, but the selection was exquisite. a number of figures from his era still list him as an influence. his productions, viewed as a whole, are so much like his sets: going softer than many dared to go, and going much harder than just about any dared to go. simple jack tracks! respected by the standards of the industry of the time, and you certainly couldn’t go anywhere in chicago without hearing derrick, sneak, mark, lego, gene, jevon, diz, johnny or the other djs beating them. and so many of them have a timelessness - a little piece of eternity stuck like some bit of wax between the grooves

these portraits in words and music will hang in the halls of your mind, taking shape as their features are described against backdrops of familiar and characteristic music

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

saved records continues their busy release schedule towards the close of 2009 with one of their strongest packages to date, a release from marc ashken and matt tolfrey. between them, the duo have released tracks on respected labels such as cocoon, perc trax, crosstown rebels, viva, and matts label leftroom. for their saved release, the duo present >babygirl<, an amazing deep house track, which is layered with deep twisted vocals and is sure to destroy the dance floors over the christmas clubbing period and right into 2010.
alongside the original on the a-side is a remix from none other than legend derrick carter. known for being one of the best underground house djs and producers on the planet, derricks incredible remix keeps the deep, grooving feel that the original possesses and includes the vocals which he has edited to great effect. alongside his sharp use of hi-hats to keep the track flowing, the track drops into and back out of the bass line to create a great end product.
on the flipside, the second remix comes from amsterdam based artist, daniel sanchez. the bla bla label owner delivers an amazing take on the track, presenting a much more stripped down and ambient result, perfect for warming the night up with.
the >babygirl< package is a must for all deep house djs.

superhero by the glass, the second single off their upcoming album, is a pop leaning dancefloor track with an infectious hook. remixes come courtesy of uks luke solomon, founder of classic recordings with derrick carter, and all round house music champion. lukes mix is an old skool rave dub with pulsing percussion, trippy synths and a wonderful retro bassline. esl recordings ursula 1000 plays up the hip hopelements in the original production with 80s electro feel, shimmering hats and a 90s ravey vibe. finally newcomer bit thief brings an amazing nu house remix to the table with an incredible conga heavy mix which includes tenor sax honks and much much more… the glass are on tour in the usa in september and europe in october and december!!!

johnny cash cover!!

joss moog drops his 1st solo ep on minority after having successful previous outings on robsoul. fat mamma is a jacked up chicago track that will be doing the rounds with the likes of derrick carter & mark farina. rhodes trip is armed with deep chords and slick beats and is reminiscent of room 25. everything inside has all the right ingredients to kick start a party, tough beats, smooth vocal stabs and a killer bass line. joss finishes the ep off in style with a big jazz bass line, groovy keys and a hypnotic sax that would work the dance floor at any time of the night.

hailing from adelaide, australia sonny foderas story is starting to gain momentum, having started producing music at a young age he has established himself as one of australias premier deep jackin house djs and producers, artist/remixer. having played along side the likes of chuck love, john larner, derrick carter, the littlemen, audio jack, james curd to name a few, sonny fodera is renowned for his consistently high quality dj sets. as a producer/remixer, sonny fodera continues to exploit his raw musical talents and ever expanding skills with this smokin new release on guest house!!!

minimono comes back on bosconi with a pure chicago monster house record! an eclectic three tracker ep melting all influences from filter house to techno and disco..something in between sneak and derrick carter sound with more of an electronic funky appeal as minimono has always used to.. summertime vibes just to let you wonder!

eklo 011, his first single on the label, after his famous >close to me< from the hooksey series, boris horel bring us here his idea of modern house music, a real trip in his mind with his wellknown skills, fat groovy beats, weirdy voices and some chemical hooks that bring his art to a high level of creativity and originality. a1, >how do i look like< is an attempt to mix my love for both old school and new school house music. looking for this kind of >95 tunnel< sound and feeling , but with a modern twist on the form and a more summerish vibe. the pitched vocals helps to push the track towards a weird sliding sensation ,adding a catch to the almost liquid bassline. a2, seuil remix, is something more darky and stripped down, full of analog grooves, sub and crunchy basses, he turns the track in something more deep and afterhour feeling… b, paranoia pantomime , the long side, great old school feeling >a la carter<, rolling shinning hats, fat grumbling basses lead the track...add to this some weird effects and some sexy catchy voices, here is the horels reciepe to bring u back some old feelings from your ravy times. essential debut ep for this new eklo artist. essential 12inch

originally released in 2003 on derrick carter/luke solomons classic label! includes freaked out freaks rework!!

2003 release by style of eye on the classic label run by derrick carter and luke solomon.

new offering from the raw fusion label, by soulparlor, with the hint of house we loved and love still influenced by cajmere, derrick carter, ron trent and our chicagoan heroes... including killer remix from recloose!!

under his dj bang alias, here comes the new offering from legendary dj derrick carter... pure chi town house of highest order, a kind of back to the old skool with the modern twist in sound... killer track of this coming summer!!!

after trademarq ,broken wagon remixes (bza010), with remixes by derrick carter & marko militano, bananza is back with fresh new release from joshua iz, enjoy!

more bump house of the highest order from chi town. with production and remixes from j.t. donaldson, derrick carter, james curd and dan x