the new nachtstrom techno-banger on red transparent vinyl - limited to 300 copies!
played and supported by dave clarke, speedy j, audio injection, the advent, chris liebing, gary beck, mike humphries, virgil enzinger, hi-shock, ralph mirto, knobs, blood & tears, bcr boys, matt k and many more!

dj roc, known to his mother as clarence johnson, was born and raised on the southside of chicago better known as the low end. the crack in >crack capone< refers to his style of production. like an underground chemist, dj roc produces variant strains of chicago juke music, the crack referring to the synapse snapping, potentially ankle cracking manipulation of rhythms and the sampling, hijacking and ultra-rhythmic micro-editing of black american pops dominant forms into a style thats been developed and tested on the streets of chicago.

support: chris liebing, paco osuna, heron, virgil enzinger, sasha carassi, emerson, blood and tears, alex bau, mark morris ...

the new nachtstrom techno-banger on red transparent vinyl - limited to 300 copies!
played and supported by dave clarke, speedy j, audio injection, the advent, chris liebing, gary beck, mike humphries, virgil enzinger, hi-shock, ralph mirto, knobs, blood & tears, bcr boys, matt k and many more!

plakat rec. pres. the flight >from fra to lej<. on this flight makes d-part and dave simon with >lakai< incredibly noise! boom boom. ,-) marset created on the b-side a groovy techy sound with crazy german children vocals. this flight rocks! played by edgar de ramon, someone else, blood and tears, kid dub, homebase, brothers vibe....

new label tribal groove emerges from the same southampton school of talent we can be thankful for the likes of james talk & james zabiela. tom budden provides the 1st release.

brilliant. full radio support from me (laurent garnier)

strut re-kindle their involvement with one of new yorks most revered djs and re-edit pioneers, danny krivit, with a fresh album of essential new, rare and classic re-works, past and present. mp3 download code included.

some fresh blood on ior from newcomer craig bratley who delivers a slow motion slab of electronic funk. remixes from burnt island casuals + 6th borough project.

the future disease lives up to its name: a maelstrom of driving bass, otherworldly screams, and speaker destroying kick drums inch us ever closer to satronicas prophecies of doom and destruction! with this 4 track ep, satronica cements his position as one of the worlds premier hardcore industrialists. this monster delivers a bone crushing collaboration with hardcore legend unexist along with two tracks of pure unadulterated satronica madness! and if that isnt enough, witness a body hammering remix by industrial technos new dominator - waldhaus! satronicas tracks have recently been featured within the worlds best known hardcore compilations on labels like thunderdome, moh, neophyte records, and traxtorm. he is dj-ing and bringing his massive live show to the worlds premier hardcore festivals like q-base, dominator, and e-mission. the mission is clear: freedom for the masses from the soul killing pollution of commercial music! industrial strength records is proud to present innovator & scholar of chaos - satronica! for your listening displeasure!

mugwumps geoffroy and kolombo have been on a continuous roll since we heard them last year on kompakt with their genre defying breakthrough 12inch single >fears inc.<. these belgian sensationalists have had a series of monstrosities including maxis on endless flight, cocoon recordings, gigolo, throne of blood and the hit >everything remains/parser< on the legendary r&s imprint. we missed them and if you can tell from this single, its obvious they did too!

nice price deal !!! support by stephan bodzin, paco osuna, konrad black, someone else, edgar de ramon, homebase, blood and tears, roland m.dill, nudisco and many more....

the massacre teams up with qualkommando, bonehead, mutante and corrosive and they go massive aggressive!

fine irish punk drinking music by mr. irish bastard. slainte!

supported by:2000 and one, adam beyer, bart skils, booka shade, dj madskillz, dubfire, marco bailey, marco carola, oxia, pete tong, riva starr, sebastien leger, solomun, yousef. >carambolo< is a true kaiserdisco tune, working with vocals and merry go around sounds, but special for this track is its drumming in the in-between of beats!&#8232,,,,we have lost count of the numerous small drum digits they have added, but you can be sure the kaiserdiscos have done it with full dedication and passion and the music seems to flow out of them like the blood and sweat circulating through the veins of the dancer.&#8232,,,,we dont want to forget the scream of an indian at some stage in this track...

stalwart is bringing you fresh blood for its 17th release. el prevost aka lincoln prevost, is a london based producer who started is carreer in music as a sound engineer at londons matrix studio. becoming a big fan of the underground house scene through the years, he decided to start making music, looking for new directions in sound shaping and manipulation to produce strange new sonic elements and radically altered drum patterns. once again, a great package for you to choose from!
early dj support from: danny krivit, dj spinna, rocco, jellybean benitez, marlon d, aaron ross, ralf gum, master kev, jihad muhammad among others.

remastered re-issue on heavy 180 gram vinyl of this 1985 breakthrough-album by the cure..

dark rockin hardcore three tracker by hellsystem vs dj d

mauro picotto returns with the first selection of tracks from his eagerly anticipated new album >2010<. on >delicious< we are treated to the melodic mauro. warm, sweeping synths, bright keys, breakdowns, gentle grooves and soft vocals are all present here. next one is >arrival<, a groovy track with a real landing airplane sound, recorded at ibiza airport. turning to the dark side, we have >cold blood< and >2010<. icy, precise and industrial sounds are paired with forceful beats and devastating snare rolls. a superb selection and one that wets, dare we say drowns, the appetite for the rest of the album!

weapon x strikes back with 4 brand new high quality hardcore tracks on the mighty enzyme records imprint!!where my party people at is mainstream hardcore at its best and will definitely get the party started with its uplifting melody and slammin kicks.for the haterz uses the same ingredients as where my party people at, so no further explanation needed.the flipside starts off with i come for blood which is bit rougher than the tracks on the a-side.distorted kicks, cool arrangement, spooky vocals and it s non-stop energetic drive make this track one off the highlights on this release.finally bad boy, another mainstream bomb which already receives full dj-support by all the hardcore jocks in the scene. enzyme records does it again!!

20 % deal

new black acre special armed response unit returns with a party rocker celebrating an era the artist is too young remember and the a&r was too high to remember.
pumpin like reeboks: an adrenaline soaked dose of pure nosebleed speed garage rave crossbred with dubsteps bassonics and 90s b-boy swagger. raffertie hits his stride with his most accessible & anthemic work to date. pounding 4x4 kicks bounce off cylon bass cannon blasts and crashing 808 claps battle rave sirens for dominance of the air space. clipped vocal edits and pinpricks of distorted noise are littered though out this blood pressure raising carnival ride as a constant reminder that this is party music with intellect.

f?nf selbst eingespielte songs des neu-schotten.

with a well-earned remix refill, cocoon recordings is taking a bow before the belfast-born dj and producer phil kieran, whose >shh< album from last year, like rarely another album release, was able to proof how fresh, futuristic and complex modern techno can sound.

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

for the penultimate part of reklusives vol.1 we continue our theme of mixing established artists with fresh blood and for this part loco & jam, alex d elia & nihil young and simon stokes all return to rekluse after successful solo releases with the label in 2009.
reklusives vol.1 is fergie and henry vons new compilation series launched to celebrate rekluses first birthday. so far they have been joined by james dutton, psycatron, electric rescue and clement meyer and we are only half way through...

release #16 from the vendetta-series, pleasing crowds and djs alike!

dj support from cream with andy mac (radio city), a trax, laidback luke, fake blood, tepr, ali b, crookers, drop the lime, dj craze, bongorock, nadastrom, tittsworth, dj fame...

the new thokadee import from istanbul! phat minimal techno house with jazz elements and a remix by tholli and langmisch! first pressing is a limited 500 copies edition in white vinyl.

an essential collection of fela kuti’s most popular and controversial tracks.

get the curse music is proud to present its debut release, midnight madness ep. perfectly embodying get the curse s approach to club music, this release is a one way ticket into the heart of dancefloor darkness with clement meyer at the helm. already supported by andrew weatherall, maetrik, ivan smagghe or sei a, this is an essential addition to the collection of djs into dark and spooky tunes that leave no dancefloor indifferent.
already support by oliver huntemann, stephan bodzin, gregor tresher, toi neumann, deetron, agoria, slam, secret cinema, speedy j, d julz, kiki, samuel l session, chloe, brodinski, nic fanciulli ...

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

the first ever album retrospective of one of new yorks most revered of all producers, bob blank, this album traces the history of his independent studio, blank tapes, one of the citys most important creative dens during the vibrant arts scene of the mid 70s to mid 80s.

100% not played by richie hawtin !!! 2 years after bamboo great stuff a&r rainer weichhold is back with his next proper own release. this time in cooperation with friend namito from berlin and two great remixes from juan sanchez from amsterdam and kaiserdisco from hamburg. played by sébastien léger, gregor tresher, saeed younan, thomas schumacher, fake blood, marc romboy, oxia, gorge, paolo mojo, axwell, brodinksi, popof, mike monday, dj madskillz, tim green, mastiksoul, groove armada, david tort, tiger stripes, h*o*s*h, wally lopez, joseph capriati, andré galluzzi, martin eyerer, zombie disco squad, ramon tapia, jim rivers, edu imbernon, mason, oliver klein, chloé, malente, john acquaviva...

the new rico puestel ep combines striving, restrained, overturned, uncanny or quirky cool techno music. rico is always keeping a clear line due to his individual touch of positive tension, funkyness and soul. played by josh wink, oscar, paco osuna, tim green, timo jahns!, alec troniq, danilo vigorito, dj misk, franco bianco, black vel, blood and tears, sascha kösch aka bleed (de:bug), glan

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks

next smasher from danjel esperanza on his own imprint meleon. check it out!
early played by:
patrick lindsey, paco osuna, bukkador & fishbeck, oscar, haito, ron flatter, sebastian roya, blood & tears, wehbba ...

arms goes japan! on the seventeenth cut we present a mindblowing japanese line up, which will take you straight to the land of the rising sun. we welcome the talented newcomers asagaoaudio and kyoudai itsumo, both part of the new wave of japanese industrial techno producers. beside fresh blood we also present some experience on the black gold. takaaki itoh and go hiyama have been partners in crime on stage for a while now and its about time they share the same vinyl on arms. prepare for some cutting edge, razorsharp dark metallic rhythms and sonic structures straight from japan.

the 8th album by mouse on mars, released in 2004. a whole universe of electrofied breakbeat beauty & madness, bridging the gap between an uncountable number of styles.

the new strike on the enter label comes by pierre deutschmann and contains mixes by bjoern nafe, lars wickinger and timo huehner!!! this one is phat!!!! support by andy kohlmann,ascii disco,tolis q,frank sonic, homebase, timo jahns,bjÖern stolpmann, dj misk,glanz and ledwa,black vel, blood and tears, edgar de ramon and richie hawtin!!!

contexterrior is pleased to present the debut collaboration from italian producers alessio mereu and andrea ferlin, three immaculately produced techno cuts as slick as melting ice, with eerie voices woven so deep into the mix, you’ll wonder whether you’re actually hallucinating them. mereu is known for his material on labels like cmyk and toys for boys, and is also half the duo bunkers whose “holding back” and “barajas” have made the rounds in the clubs these past several months. ferlin is known for his past releases on freak n’ chic, boxer and mindshake, and is also half of duoteque. his productions have found their way into a number of commercially released mix cds including those by magda, triple r, damian lazarus & matthew styles. from the creepy title track, circling around like a shark that smells blood, to the serene yet bouncy “boxis”, to the tribal touch of “walking on the forest path”, the deep thoughts ep offers a variety of tracks perfect for mediation on the dancefloor.

de maxx sampler vol 27 including steve aoki feat. zuper blahq, fake blood, joe & will ask feat. saintsaviour, dizzee rascal and didier sinclair

turning and turning in the widening gyre
the falcon cannot hear the falconer,
things fall apart, the centre cannot hold,
mere anarchy is loosed upon the world,
the blood-dimmed tide is loosed, and everywhere
the ceremony of innocence is drowned,
the best lack all conviction, while the worst
are full of passionate intensity.

surely some revelation is at hand,
surely the second coming is at hand.

makaton on token: a secret form of punishment

wonderful 1970s p.c.p inspired 20 track. compilation featuring a highly charged mix of psych funk, prog, afro, glam, cosmic, rock and disco. some very rare pieces on here such as the cosmic reggae inspired 360 degrees, the groovy psych prog of the creative craniums and the raw prototype psych funk of kid rock (not that one). others will be better known to lovers of a more progressive dancefloor such as soundforce and diabolic man which has long been a big spin for dj harvey and lovefingers alike.

without much need for introduction, archipel welcomes the talent of minus niederflur who bring with them the darkly blinding >lumen ep<. a lumen is a unit used to measure the perceived power of light and this ep is most definitely very powerful and certainly can be perceived as such. this is where the line between something as intangible as light is crossed and becomes tangible as one would feel an intense and warming heat which goes so far as to manifest itself as something with mass. title track >lumen< is the focused, convex lens, knife edge point of light which focuses a small portion of the suns energy so densely it could initiate many a blaze. >masse< is as dense as the most solid of gems and radiates dark light like heavy water and is sure to corrupt any geiger counter within its radioactive reach while >flor< stacks itself as high and wide as it can go, building further and further upon itself, and just as one would think it could build no further, it rotates itself back to within and further densifies, an inescapable sort of density of which one is eternally locked pleasurably within. >flucht< raises one into the blackest skies of night and flies hour after hour through blood orange clouds filled with the atmospherically scattered light from what was temporarily civilization below but is now just a memory shaded in the delight of being closed within the phosphorescence of late night fog.

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

heavyweight vinyl. in this light and on this evening, the new album from editors, represents a significant step forward for the band following the huge successes of debut album the back room and the number 1 follow up an end has a start. there have been many changes to life in editors since an end has a start broke the band worldwide and established the then birmingham based four piece as one of the uks most prominent bands of recent times. bassist russell leech and guitarist chris urbanowicz are now resident in new york while singer tom smith has become a father. these changes added to the sense that in this light and on this evening is the start of a new chapter for editors and the band came together in london for the recording sessions with producer flood at the start of 2009 with a determination to push their sound into wholly new territory.

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.