seasons is produced by carlos nino and features many great are sts from the l.a. region such as dwight trible, the life force trio, miguel atwood-ferguson and mark de clive-lowe. artwork made by machine.

music from the eastblock jungles is the product of an artist who forged a sound in complete isolation, with visa problems leading him to entrench himself in the middle of nowhere in his native russia, continuing in the uk rave tradition of his essex-spawned idols, the prodigy. the album: years in the making, it features a massive stockpile of new material, as well as proxy classics both renowned (raven) and unreleased (abyss).

the infamous blackula return once again, bringing their unique brand of macabre, twilight music fusions to bearfunk!

the selftitled six-track ep by san francisco based artist dominga has a great flowing mood between shoegaze, indie, electronica and rock. listening to >dominga< is like drinking a great cocktail at the beach, mixed out of synth, psychedelic, electronic, stoner, a little breeze of velvet underground, sampling, distortions, even a bit pop, bass, orchestra, krautrock, soul and last but not least a small touch of wonder & lennonÉ
á cd in handcrafted cardboard-slipcase
á foldable double-sided poster (size ca. a3)
á printed and assembled by noorden/cologne
á including download-code for flac/mp3/etc.

uk promoter arkitekt has commissioned robert dietz to helm its first mix compilation.

the album features guest appearances from areal artists sid lerock (aka pan/tone), undo and stiggsen as well as electro-blues guitarist and singer k_chico.

hotly anticipated does not really do justice to the level of excitement the release of reptile youths debut album is generating among fans and critics alike. those in the know are expecting the danish duo to deliver a defining moment of 2012 - injecting their off kilter brand of highly-charged electro-punk-pop into the worlds consciousness - and reptile youth arenÕt in the business of disappointing. reptile youth was formed by mads damsgaard kristiansen and esben vall¿e in 2009. it was their intense period of gigging through asia and europe that earned reptile youth their radically evangelical fan base, while also prompting a string of superlative-laden reviews hailing the youth as the saviors of rock n roll. hype aside, the incredible energy generated by kristiansen and vall¿e and their extended live line up have made the arrival of this debut album a red letter day for their clued up followers

great combination of olivers crisp angular techno & zizis vocals & the lo-fi but intricate use of electronics.

the new teenage bad girl album is full of energy and obvious hits such as keep up with you (stardust from the 80 s), the rock-orientated black hole, the electro-break of fight night or the dance-house tonton funk. but there are also the synthetic and melancholic eponymous slow backwash, a minimal discoid ballad like heart zero beating (tangerine dream 2.0) or even the hedonistic and poppy hip-hop tune x-girl, the bandÕs next single.

it s been quite a year so far for x-press 2 not only are the legendary dance floor vanguards at the pinnacle of the international dj fraternity, they remain all round purveyors of the uks finest house music, and with that to start the new year off nicely the eclectic duo are set to release their eagerly anticipated third studio album offering the house of x-press 2.

recorded in jamaica with the cream of reggae s session men at channel 1, dynamic and aquarius studios, mixed at king tubby s.

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

after what seems like a thousand years of blood, sweat, tears, and a lot more blood, your zombified disc disciples at finders kreepers unveil one of their most essential collections yet. this musical mausoleum of malformed freak funk and dreadful discoth�que pop has been resurrected from the maligned cinematic subculture of bombays bloodthirsty horror film industry and witnesses the cognoscenti of the bollywood pop scene at their most creative, destructive and experimentally effective. tip!

das dj koze prophetische qualit�ten besitzt, ist nicht erst seit dem tag bekannt, als er sich erstmals unter seinem guru-pseudonym swhaimi zu beat meldete. denn schon vor einigen jahren orakelte er beispielweise �ber die s�ngerin dominique dillon de byington alias dillon: >sie singt angenehm unperfekt und wahrhaftig. sie hat charakter. ich finde sie gut. sie hat eine sch�ne zukunft vor sich.< jene kommende zeit, die der weise hanseat der jungen k�nstlerin aus berlin bereits damals prophezeite, ist nun herangebrochen, denn dillon hat sich in den letzten jahren oft an ihr klavier gesetzt und hinrei§end leise lieder geschrieben, die jedoch unbedingt ganz laut geh�rt werden sollten. >this silence kills< wurde co-produziert von tamer �zg�nenc (mit) und thies mynther (phantom / ghost, stella)

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

you know the story by now, a string of super singles, a number one in the nialler9 irish song poll of 2010 (which turned them into temporary jerks kidding) and a constant string of live dates around the country have made squarehead one of the better bands in ireland and now, we re finally at the debut album chapter. its been a long time coming. squarehead initially recorded their debut album back in september and december last year with shane cullen in k9 studios and save for a couple of extra tracks and re-recordings of old favourites mother nurture and fake blood, the band have patiently been sitting on it since. yeah nothing is a dozen tracks of no-nonsense slacker indie pop, a fuzzy collection of lo-fi rock n roll inspired by surf-pop, old school rock n roll and bright guitars.

multi-platinum, grammy award-winning rock band red hot chili peppers will release their upcoming tenth studio album, im with you, on warner bros. records on august 30th, 2011. recorded at east west in los angeles and shangri-la in malibu, ca, im with you was produced by rick rubin, who has produced the bands previous five albums, 2006s stadium arcadium, 2002s by the way, 1999s californication, 1995s one hot minute, and 1991s blood sugar sex magik. the album was mixed by andrew scheps and greg fidelman. im with you is the bands first new album since the two-set stadium arcadium.

the first in a new series from roots records, bringing in guest compilers to pick the choice sounds from the hit sound and midnight rock catalogue. first up is the legendary barry ashworth from the dub pistols, picking artists like anthony johnson, king tubby, barry brown and jah thomas. for fans of soul jazz, blood & fire and greensleeves records.

3 cd deluxe edition

planet mu pr�sentiert die erste musiksammlung aus der chicagoer >footwork<-szene. footwork ist hyperrhythmische, abstrakte tanzmusik, die sich bei 160bpm einpendelt und meist aus samplestuecken und phrasen bestehen, die in repetitive rhythmen und formen gedreht werden, waehrend synkopierte strukturen aus dem drumcomputer auf fette sub-basslinien treffen. bisher gibt es nur einige 12s und selbstgestaltete mix cds, die im underground kursieren.

dubstep-star shackleton liefert auf seiner fabric-cd ein 80-min�tiges set aus unver�ffentlichtem (!) eigenmaterial, gespickt mit einigen seiner besten tracks f�r perlon, skull disco & hotflush. insgesamt 22 tunes feinster britischer bass music in einem superben flow machen diese ausgabe zu einem der deepesten, intensivsten und besten glanzst�cke aktueller elektronischer musik!

say it�berzeugt mit der einzigartigen stimme und dem lockeren sound der born ruffians. die 10 neuen songs atmen die farbenvielfalt, energie und jugend ihres gefeierten debutalbums red yellow & blue(2008) ein und erklimmen damit neue h�hen. das sympathische trio aus toronto experimentierte mit minimoogs und saxophon und f�gte die neuen erfahrungen m�helos in seinen sound ein. in den vergangenen zwei jahren supporteten sie hot chip, caribou und die hidden cameras auf tour, und s�nger luke lalonde lieh caribou f�r sein neuestes meisterwerk swimseine stimme. h�chste zeit also wieder f�r ein eigenes statement namens: say it!

dj roc shows off his brilliant high-speed sparse manipulations of rhythm, space and sound as in the dancehall.then there are tracks that mix smooth soul with double-speed like i cant control the feeling, to tracks which have more of a classic juke feel like get buck jones and dj roc symphony. the album is full of brilliant production and original ideas.

das album traegt den passenden titel >history of modern< und andy mccluskey selbst sagt,es sei das beste album seit dem omd-klassiker >architecture and morality< und wenige werden dem widersprechen koennen.produziert wurde >history of modern< von omd und gemixt von mike crossey, einem der angesagtesten produzenten englands (arctic monkeys/blood red shoes/razorlight)

including highway to hell, thunfderstruck and all the big ac dc tracks...

kode9s grasp on the throat of bass music in 2010 is almost unparalleled. his trend setting record label, hyperdub, is in its sixth year of viral contagion, hes become a published author on the theory of sound abuse and sonic frequencies being used as weaponry in his book >sonic warfare< and his production work has mutated from an almost simplistic marriage of beats and sine waves into a fusion of dancefloor ebonics and discordant synths!

apologies to de la soul, but today, five is the magic number. dan curtins >lifeblood< marks the fifth artist album in mobilee®s ever-growing catalogue. it also happens to be his ninth album, and his first fulllength in three years, which we think is ample cause for celebration.

das album enthaelt tonnenweise funk, die vocals sind staerker als je zuvor, es rockt, es poppt, es wird suess, wuetend, hart, soulful und soft, oft innerhalb eines einzigen songs. es ist das endergebnis eines grossen kuenstlers, der seine mitte gefunden hat. die limited edition enth�lt eine zus�tzliche enhanced cd mit 5 bonus tracks plus making of videoclip (7 min) zur entstehung des albums.

the needle-drop fuzz that cues sam amidon s fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians.

as the fifth member of bedroom community, dan�el bjarnason promises to share his bewitching alchemy with our troupe and our listeners.

filthy disco and bomb blast basslines starring fake blood, example, gossip, fatboy slim and many more

following the massive success in february 2009 of herves debut compilation >ghetto bass<, he is back, this time profiling his label cheap thrills with the first album release from the label.

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name.

with temporary pleasure smd is creating the first ever-human augmented reality music and visuals mixer. >>augmented reality (ar) is a new medium, which mixes real-world and computer-generated images (virtual reality), making it look like virtual objects exist in the real world. this installation reflects the concepts behind the record - its brief, fun, and how could we resist the chance to augment the reality of the general public? its a technology that the people are going to love!<< smd says.

feat. black thought###doom, m.o.p., blu & phat cat, frank n dank

alongside italics great affinity for electronic dance music in its multitude of forms, from techno to house to disco, they have always harboured a love for pop (attitudes), as exemplified by the likes of prefab sprout, steely dan, orange juice, scritti politti, japan, pulp or scott walker. the fourth coloma album is a song cycle with recurring harmonic and rhythmic themes. lyrically, loves recurring dream is a narrative chronicling the phases of a romance, which symbolically runs over the course of a year. in the twelve songs, singer rob taylor follows the progress of the seasons from spring, summer and autumn to winter, with the implicit promise that a new spring will follow. in its entirety, loves recurring dream is a modern concept album featuring classic song writing and bold production, combined to create profound popular music

debut album by the subs!incl. the singles >kiss my trance<,>papillon< and >music is the new religion!

top selection is topradios weekly radio show with the upcoming groove & dance hits. top selection is known to be the first show where future hit records from bob sinclar, frank ti-aya, paris avenue... were presented to the belgian public. the first top selection compilations were top 10 in the ultratop compilation chart for weeks. top selection 7 looks very promising again, featuring th� hot grooves of tomorrow... today. all the tracks on the compilation will get massive radio support on the entire topradio network in the next weeks.

with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. with the transitory state, he finally unleashes his highly anticipated debut cd. two separate albums in one package - a double whammy with benchmark club tracks on cd1 and an electroacoustic concept album on cd2. cd1 features some of todays most significant underground anthems, including sleepy hollow and lunatic fringe - both voted top 10 tracks of the year in the polls of groove, resident advisor and de:bug mags, seriously crossing boundaries with heavy dj support all accross the board from richie hawtin to carl craig to laurent garnier to gilles peterson. the entire collection ranges from the lush afterhour bliss of prefecture to the dark modernism of blood to peak time frenzy with the bribe. all tracks have been carefully edited exclusively for this release by the artist and six appear on cd for the first time ever, thus adding brand new and previously unreleaed tracks and parts. cd2 contains the album voices of the dead which will also be released as a ltd. edition 5x7? vinyl box set. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the bibliotheque nationale de france for the imeb phonotheque public collection.

great longplayer