banoffee pies records return to their black label imprint with new label signees on part 2 of their second release with bpbl02.2. a three track journey through auto tune outer space with jay anderson on the a1, a minimal exploration from s ii p on the a2, through to an 11 minute tripped out rain forest track from peshka of ukraine with expertly sampled voices from the rivers of hanoi in bp style. music for pondering and thought. moody feelings direct from banoffee pies hq. farewell my princess. x

the story of the great roots reggae harmony trio black uhuru is one defined by many unexpected twists and turns. in its best known form, led by michael rose and with founding member duckie simpson and the black american female vocalist, puma jones, the group would enjoy the greatest popularity of any act in the wake of bob marley’s untimely death in 1981, but the origins of the group lay in the turbulent waterhouse district during the mid-1970s. duckie first formed the group as uhuru, the swahili word for unity, with garth dennis as lead singer and don carlos to join him in harmony, after cutting an adaptation of the impressions’ “romancing to the folk song” at dynamics, “time is on our side” at randy’s for clive chin, and “slow coach” for raymond “benno” anderson, dennis drifted into the wailing souls and don carlos went solo, leading duckie to recruit rising waterhouse vocalist michael “tony” rose as lead singer, and errol nelson from the jays for harmony. their debut album, love crisis, was produced, voiced and mixed at king tubby’s studio by prince jammy and remains and outstanding example of jammy’s roots reggae production phase. the song “hard ground” vamps on a similar theme to marley’s “talking blues”: rose sings of a life of everyday hardship, with destitution and homelessness the pervading factors. on the extended dub portion and dub the instrumental cuts that follow the alternate vocal take of this enthralling 12-inch ep, you can hear the non-standard instrumentation that helps make the work so innovative, with winston wright’s harpsichord melody emphasising the hopelessness of rose’s emotive lyrics, the commanding rhythm and understated bass and guitar from robbie shakespeare and chinna smith completing the picture.

r&s proudly presents warmth the extraordinary new album from critically acclaimed new york based duo blondes aka sam haar and zach steinman whose ten tracks of mesmerising, ever shifting rhythmic workouts percolate alongside contemporaries such as levon vincent, joey anderson and donato dozzy.

emotional rescue starts its 5th year by shining a light on one of europe s best underground 80s label in spain s auxilio de ciento. their terra incognita volumes i and ii collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. released in 1985 and 1986, the volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from london to amsterdam and dusseldorf to glasgow. here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. starting with denis mpunga & paul k s esoteric criola, a fusion of fourth world ideals and poly-rhythmic funk. the music of mal, bene gesserit and la caida de la casa usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. the inclusion of hector zazou with bony biyake and their contribution komba, is a fitting continuation from their cult noir et blanc lp before, things continue with us avant-artist danny alias and his humorous big brother -response- to laurie anderson s superman o. image pour image loose indie-pop and the inclusion of seminal beast of burden lead again to a zazou contribution, this time in his collaborative stranger in a new light, before the compilation eclectically ends with the dadaesque lakota and the post punk dub of instead of s closer, angels

ltd to 200 copies pressing.
supported by: christian varela, richie hawtin , steve stoll, terrence dixon, aubrey ,angel molina, slam, pacou, tun nel, warren fellow , noemi black, kerstin eden, gotshell ,chris fortier, g- man, dave simons, maceo plex, gigi gallo, sintek , sutter cane, nadja, lind , anderson noise, lo shea, m.i.d.i. advanced human (dj hi­shock),tom laws.pete bones ,orde meikle ,st honore ,alexi delano ,bodyscrub ,paul loraine ,joseph capriati ,anthony castaldo , archivone, fundamental interaction, kill ref, anders hellberg ,dustin zahn,luigi madonna..

awesome moody cut of this classic tune, first time on 7inch and with previously unreleased dub! monster roots cut from the naggo morris era of the heptones, who cut an album & more for channel 1 in the late 70s. this tune was released on lp only, and like a handful of great roots produced by channel 1 in the 70s, the dub cut was available only on dubplate via the dub room at 29 maxfield avenue. a tremendous moody interpretation of this classic roots anthem, with some unique brush work by the drummer at the start to add to the mystical feel. the dub mix is suitably sound system style, heavy and raw. happy love / wackies love we all need / roots. us10 digikiller gladstone anderson holy mt. zion / holy chil. us10 digikiller joe morgan forward ever / you let me. us12 digikiller joe morgan stop them / warrior us12 digikiller paula clarke / singie sin. i want to go home / if i us10 digikiller. all label related items 2017 rush hour - please mail all your feedback, questions a

“frozen refrains” ist das fünfte studio-album von dem elektroakustischen komponisten bérangère maximin. es erscheint auf dem label atlas realisations des new yorker produzenten craig leon (ramones, blondie). zuvor hat bérangère maximin bereits alben auf den labels tzadik, sub rosa und crammed discs veröffentlicht. seine kompositionen sind stark von der musique concrète beeinflusst. er nutzt naturaufnahmen und geräusche und verarbeitet diese stark verfremdet in seinem werk. das album ist von abstrakten sound-scapes geprägt, in den melodie- wie soundfragmente kurz aufblitzen. für fans von: pierre henry, brian eno, luc ferrari, laurie anderson und pole.

the one and only joey beltram delivers a remix of jungle love with a techno electrifying spinoff complete with strong drum basslines and favoured by the industry s best. matt sassari gets deeper and darker than ever in this classic techno must have. audio kode is a beast calling to the signatory sound of de-noize with driving techno, heavy drums and bass, and raw heart-stopping beats that have appealed to richie hawtin and the likes. joey beltram s remix reached beatport s top charts at #47 and stayed there for almost a month, boosting both audio kode and de-noize records. support from joseph capriati, richie hawtin, marco carola, danny tenaglia, paco osuna, monkidj, dmc worldmagazine and plenty more!! matt sassari s track met with early success reaching #29 on beatport s top 100 in techno and climbed to #19 traxsource s chart, staying there for over a month. support from richie hawtin, romanolito, marco carola, paco osuna, joseph capriati, skober, hollen, dformation and more.. richie hawtin played this track on his livestream several times and at space ibiza opening party during hawtin s enter event. this was followed by plays by notable djs during the summer festivals and numerous related tweets to richie hawtin and tons of support by his followers. track fully supported by more including skober, hollen, dubfire, dj boris, danny tenaglia, nicole moudaber, tocadisco, mark antonio, meat katie, anderson noise, angy kore, tom laws, tiga and more

180 gram vinyl includes 12x24 art print poster + 320kbps mp3 download.
the debut solo full-length by violinist and sound artist jessica moss (thee silver mt. zion, black ox orkestar, vic chesnutt, carla bozulich). recorded by radwan ghazi moumneh (jerusalem in my heart, suuns, matana roberts, eric chenaux) riyl: sibelius, laurie anderson, sarah davachi, benoît pioulard, loscil.

play what they want features the vocal talents of laurie anderson contributors include, yo la tengo, mary lattimore, quince contemporary vocal ensemble, phil manley, brandee younger, brandon lopez, sam yulsman and ben lanz while colpitts’ previous albums have expanded on the possibilities and limitations of drums and percussion, this new album redefnes the project crossing the boundaries of jazz and modern contemporary classical having played in spiritualized, white hills, boredoms and marnie stern to name a few, john has made many tv appearances including jimmy fallon and is viewed as one of new yorks most acclaimed percussionists lp pressed on virgin vinyl housed in a spot uv gloss varnish jacket and includes a free download coupon.

brand new 2017 recut finally available on vinyl for the first time. 2xlp+mp3 in full original coverart. the legendary movie soundstrack based out of kingston, jamaica in april 2008, telling the story of the original vocalists and musicians involved. the sixteenth release on the moll-selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. it documents the recordings being made for this very album at the tuff gong studios, kingston, jamaica in april 2008, telling the story of the original vocalists and musicians involved. excerpts from an all star reunion concert staged in kingston and older archive material complete the picture. never before in the history of jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. the album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain bob marley. under the musical direction of ernest ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer errol brown in duke reids employ at the treasure isle studio in the sixties - and freshly arranged by lynn taitt

the original motion picture soundtrack from “fifty shades darker” as double vinyl in gatefold sleeve.

die doppel-lp im klappcover ist in limitierter auflage für kurze zeit wieder erhältlich! -music is the rod- kommt mit den 24 besten tracks des sängers, mit fotos und ausführlichen liner notes von bridgett anderson, der ehemaligen managerin von garnett silk, und anthony rochester (seinem partner für das songwriting), sowie zitaten der verschiedenen produzenten: bobby -digital- dixon (digital b), donovan germain (penthouse), chris chin (vp), courtney cole (roof international), richard -bello- bell (star trail), sly dunbar (taxi), danny browne (main street), richie stevens (pot of gold) und phillip smart (tanyah).

when tresor founder dimitri hegemann stumbled into a former bank vault in east berlin on march 13th 1991, he had little idea that the space he had unlocked would fast become one of berlin s most influential and enduring techno clubs. “we didn’t know what would happen 10 months later,” he says. “we signed a lease for a year. which eventually got renewed for another three months, and another three months…”
as tresor celebrates its 25th anniversary with this work of artists from the us, germany, china, france, austria, italy and the uk, it is worth dwelling on how the cultural conditions that birthed detroit techno – economic neglect and broken industry – were mirrored by the disused bunkers and impromptu parties of post-unification east berlin, where techno found new, vigorous expression.
the triple vinyl release includes a download code.

omar has a totally unique, individual style and sound still marks him out as a future thinking and utterly unrivaled artist, who has collaborated with so many legendary names that it would be foolish to deny his worldwide reputation - who would dare contradict the likes of stevie wonder, erykah badu, carleen anderson, angie stone, common and fellow fans and followers like maxwell and jarrod lawson?
following on from 2013’s album the man, 2016 sees his new long player further cement this undeniable reputation. love in beats is omars 8th studio album of his long, illustrious career and may just be the most eclectic & varied to date. somewhat more electronic in it’s conception and sound than it’s predecessor, love in beats incorporates soul, caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz, spoken word and also features collaborations with us soul legend leon ware, blue note pianist robert glasper, grime mc ty, guadeloupe born singer jean-michele rotin, and uk soultress natasha watts, the floacist and mayra andrade, the cape verdean born singer who lives and records in paris.
co produced by scratch professer, omars grammy winning brother, this collection should create excitement worldwide, the sounds are varied - but all have omars’ unique fingerprint on them, style and substance beautifully merged!

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, producing am i wrong? on anderson paak s debt album and touring the globe with disclosure as their opening act. bastard jazz has commissioned pomo to be next in line for the fourth volume of their tempo dreams compilation series, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as lindsay lowend, aloka, exmag, syre, daniel crawford, fvlcrvm and more. touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum n bass, tempo dreams vol. 4 takes it s rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

after mathematics, bio rhythm and la beauté du négatif, american artist deviere is back on parisian label unlearn. lobster theremin artist and unlearn affiliate royer is on remix duty. water drums (a1), a deep and spacey cut reminds a joey-anderson-esque imagery for a moody and introspective club experience. strong yet subtle in the low end, this one is for the big sound systems. royer’s demi-monde remix comes up as a more housy interpretation, mixing dubby inspirations with lo-fi aesthetics. reminiscent of kyle hall’s early works on moods and grooves, rising (b1) is an upfront dancefloor track suited for peak time euphoria. speak into existence (b2) is probably the most accessible track of the ep, oscillating between acid-yet-warm feelings and solemn preacher-preachin’ vibes.

santonio echols releases his first vinyl ep on chapter two recordings santonio echols is part of the first wave of producers out of detroit. his sound is a combination of techno to deep house, and fans have been patiently awaiting this projects release. he has teamed up with legendary orlando voorn and moire patterns to create vol. 1 on chapter two recordings. for the vinyl release side a will have the first track back 2 basics featuring mike anderson. it is a special remix by clemens neufeld produced by santonio echols. the second track will be walk away solely produced and mixed by santonio echols. side b will feature two tracks get up produced by orlando voorn, and jun produced by moire patterns. this vinyl ep will be available this month.

nice triple track deep house - vinyl only release

nice price deal !!! celtic twins with fat pyscatron and jamie anderson remixes!

nice price deal !!! supported by nick warren, timo maas, darko esser, steve porter, mark brown, d.ramirez, anderson noise, dj tee.
bit027 is by 2 italians (who do it better as we already know anyways ...) mario masullo & glitches who deliver a pure particle riot on their >pimps ride free< ep. the kids (mario masullo from rome and glitches peepz from naples) without a doubt know what they are doing on this strong as it gets 3 track ep. the message is raw driving techno with an orchestral feel and an overall extra ordinary hypnotizing mood that really breaks away from the norm and will leave the dancer behind thirsty for more. while the a-side is more on the techy driving side of things, combining orchestral sounds for creating a very quite unusual vibe, b1 goes even deeper in hypnotizing your ears and fucking with your brains, real phsychotic dancefloor madness is the key here. b2 then heads back to the melodic side of the game, without forgetting to keep a strong eye on an intense dance-floor aspect here also. melodies so sweet and clean keep flirting with your ears on this one and its just all so well put together, that it manages to keep an minimal feel, eventhough its filled with so many ideas and great sound details, that it simply leaves us behind speechless and answers the question why our new pimps, sure ride for free at the same time ...

having worked with the likes of don cherry and laurie anderson, there s little doubting the credentials of ramuntcho matta. emotional rescue have tapped him up for some truly outernational jams that sport african percussion, skronky jazz tones and an engaging minimalism that s hard to resist. the fretless bass and exotic animal cries of -ecoute- are especially appealing, while the squelchy sound design in -o clapo- may well do funny things to all who hear it. it s a startlingly original record that serves as a perfect introduction to a lesser known figure in leftfield music with a great heritage behind him.

zweiter tribute-sampler für den legendären, britischen soul-club blackpool mecca. mit 12 legendären northern soul-perlen und raritäten aus den playlisten von ian levine und colin curtis aus den letzten 45 jahren. mit bobby womack, lou courtney, the charisma band, diane jenkins und the boogie man orchestra.

joey anderson, markus suckut & wa wu we remixes!

nice price deal !!! 3rd and last release for adsr music comes with 2 cruisers by digital motion and an epic jamie anderson remix.

ein paar jahre nach seiner letzten platte war es für suff daddy nun an der zeit sein neues gruppy dumb studio einzuweihen. tief verwurzelt in seinem klassischen suff daddy-sound, entstand ein album, das sich in die entwicklung von suff daddy als producer und mensch nahtlos einfügen lässt. er ersetzt das becks und den schnaps als inspirationsquelle und berieselt sich fortan durch die eindrücke, die er auf seinen reisen durch europa und australien sammeln konnte. weniger chopped samples, dafür mehr synthies. weniger hip hop, dafür mehr handgemachte musik. nachdem er 2015 seine dj-shows erfolgreich aus deutschland auf ganz europa verlagern konnte, u.a. mit einem boiler room in london, durfte er auch anderson.paak bei seinen deutschland shows als support begleiten. auf dem album sind unter anderem sein bandkollege dexter (betty ford boys) aus stuttgart und mayer hawthorne aus los angeles vertreten. der einzige up-tempo & vocal track auf dem album ist sicher einer der ungewöhnlichsten für suff daddy. dexter und suff daddy hingegen ergänzen sich mit ihren ganz speziellen basslines und drum sounds, so ergibt sich der bewährte sound gepaart mit dexters brachialem habitus. diesen winter wird suff daddy zum ersten mal mit einer liveband auf der bühne stehen. termine folgen.

the third coffee pot release blurs the lines between techno and house. trippy, groovy, intense. hand stamped, vinyl only!support from slam, radio slave, the black dog, dj emerson, jamie anderson, someone else, hermanez, f.e.m., marcos in dub, signal deluxe, benjamin damage, josh wink, musumeci, fluxion, nastia, luciano esse, pezzner, etap kyle, fluxion, luca agnelli, marco bailey, luigi madonna, carlo lio, 2000 and one, van czar, baikal, ron costa, pascal feos, mr. ties, hydergine, f.e.m., jorge savoretti, karim shraoui, signal de luxe and more

am anfang war der beat: souveräner erster langspieler von kaytranada, mit zahlreichen gastbeiträgen von anderson .paak, vic mensa, little dragon, syd, craig david, goldlink, alunageorge, badbadnotgood und mehr.
das doppel-vinyl erscheint im klappcover, album-cd inklusive.

club lonely s first 12 inch coming from san francisco drum machine freak vin sol. vinyl only wild chicago trax for club destruction. west coast producer and clone affiliate vin sol has been steadily banging the box creating his twisted takes on house, techno and whatever weird ass grey area that exists between the two. his sound is uncompromising, carefully crafted trax for the dance floor hinging on raw and stripped back grooves with relentless movement. this sentiment is also expertly conveyed in his dj sets and mixes.with his production getting support from both techno and house heavy hitters like marcel dettmann, larry heard, seth troxler, richie hawtin, len faki, scuba, joey anderson and boddika.

the bubbling beanie wearing beat producer, kaytranada, pops up on xl. anderson .paak guests on glowed up and the combination is fire. limited edition 12” of album tracks glowed up with lite spots as the b-side. full album out early may 2016.

rushmore is a 1998 soundtrack to the wes anderson film of the same name. the songs mostly blend raw, adolescent urges and insecurity with an awkward grace, composed primarily of popular music from the 1960s. continuing with its soundtrack initiative, ume will be reissuing this classic soundtrack back on vinyl for the first time in years.
the 1998 wes anderson film, rushmore, starred bill murray, jason schwartzman, olivia williams, seymour cassel, and luke wilson. the soundtrack was scored by mark mothersbaugh and also features music by the kinks, cat stevens, the who, john lennon, zoot sims, faces, and more.

ok, so the much anticipated return of primate recordings darker sibling, primevil recordings has now happened, and monkey funk pt1 was met with great dj support from the likes of marco bailey, tom hades, cristian varela, axel karakasis, lars klien, anderson noise, maxx, roman zawodny, donnell knoxx, to name but a few.

repress 2015 ... the second series of yygrec comes from dj qu, who leads the us underground house scene with jus-ed, fred p, levon vincent. in the mid 90s dj qu came to japan as a world soul member together with house dancer brian footwork green, marjory and joey anderson (who was featured as the first series ofyygrec).
the 2 new tracks by qu unleashes yet another underground vibe with a dark, mysterious, composed simple touch. more than anything, the uplifting rhythm unique to a former dancer will surely capture and fulfill your senses.

this is the very awaited debut of the canadian electronic darkwave solo act of jimmy anderson aka expect delays. a mini album of 5 tracks analogically remastered specially for vinyl. minimal synth melodies and ethereal compositions combined with technopop and soft ebm. imited to 300 copies with 350 gram sleeve (metallic ink impression) – transparent grey vinyl

with 100% beats by madlib, bad neighbor is the brainchild of med a cornerstone in stones throws history and blu the voice behind modern classics like below the heavens who instantly clicked a decade earlier on tour with emanon. the album is an exclamation point on the idea that began with the burgundy ep, expanded to include dam funk and mayer hawthorne on the buzz ep, and continued until contributions from anderson.paak (dr. dres compton), hodgy beats (odd future), and the one-and-only mf doom made bad neighbor ready to launch. the double 12 inch vinyl includes a download code.

so the much anticipated return of primate recordings darker sibling, primevil recordings, is finally with us. this, the first of 3 various artists eps, will hopefully have you all drooling with excitement, and waiting for the next instalments of this classic label with baited breath. as with the primate releases, the ep features friends both old & new, but with a more sinister or funky take on proceedings, and each track is sure to move any dancefloor that likes its funk dark and edgy. brand new & exclusive tracks from nicolas bacher, sascha zastiral, and michele pinna, with a fabulous remix from stanny franssen of the track *jump room from greencross & miss electric kick off proceeding.
dj support: cristian varela, mark eg, misstress barbara, john warwick, anderson noise, louk ...

strong arm steady mc and sa-ra producer collaborate on new album for stones throw. 14-track album neighborhood wonderful is produced by shafiq husayn, featuring thundercat, anderson paak, chace infinite and others. double vinyl comes in gatefold sleeve with download code included.

part 1 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with moby, tangerine dream, air, vince clarke and many more. the double 12 inch release comes in gatefold sleeve).

limited to 500 copies with downloadcode included. continuing his work with memory not only as a subject but also as a process, michael anderson has culled many of the sounds on this record from the past. but this is not a record of rehashed material or remixes. rather, drekkas music is made through continually delving into an archive, digging up and repurposing old recordings, live performances, and forgotten snippets of the voices of out-of-touch friends.

a collection of some of the rawest funk ever committed to plastic, vintage 45 s that no serious collector should be without

repress 2015 - the oscillat music label kicks off the marabouda ep, featuring a killer set of deep house grooves from sam. from the opening title tracks, with its breathy chords and jazzy keys, which reference classic chicago house with a uniquely modern flavour, through the joey anderson-like weirdness of -storm refuge- and pumping rhythms of -decoy-, the producer demonstrates his killer ear for classic deep house textures. a must-check release from a label to keep tabs on.

180 gr vinyl as soon as the first sunset of the year forms on the horizon, barrott s thoughts always go back to his beloved sketches project and he now returns with four new tracks for ep 3, again with beautiful artwork from stevie anderson.

smoking hot next level cosmic house/techno tracks for the real headz. kessel vales debut release on tantaafl planets after the great joey anderson release and delivers pure class for the dancefloors that understand! this one is gonna melt minds around the globe. ltd supplies!

convey is a project in the draft overdraw, is a fusion of young artists supported by established artists.

dj spider, dj qu and joey anderson collaborator dakini9 is back on new york’s plan b recordings with a hot solo ep, and the girl means business. four tracks of raw, gritty house music from the street: “find myself” features danny watts on the vocals and a wavey, dubbed-out collection of sounds, “wali” is similarly contorted and grey-scaled albeit for the lonesome piano keys travelling across the arrangement. over on the b-side there’s the head-nodder that is “potentiation”, a punchy and direct dub-house chugger, and the stumbling groove of “strawman”, the oddest and most daring of the four cuts.

support by: tony humphries, tensnake, dimitri from paris, miguel miggs, glenn underground, ashley beedle, sean mccabe, danny krivit, paul trouble anderson, cj mac, faze action, ted patterson, robert owens, ross allen, richard earnshaw, david harness, hot toddy, ridney

saber, an off shoot of chicago s seminal trax imprint dig deep into their vaults and find 7 tracks from armando gallop and his chicago bad boys! armando presents this varied ep with tracks from roy davis jnr, corey rodgers, dean anderson (trax) and e. turner (trax, dj international). a wide range of styles from heavy acid house, techno to looped filtered excursions. 7 tracks to choose from.

giovanna und mario sind nicht nur geschwister, sie sind zwillinge. und sie sind das elektropop-duo mynth. ihre spezielle geschwisterliche verbindung färbt auch auf ihren sound ab. es ist ungefähr so, als würde der eine die sätze des anderen beenden, nur mit musik. mynths debut-ep -polar night- wurde im andauernden dunkel eines norwegischen winters im jahr 2014 geschrieben und produziert. die musik versucht, die melancholische stimmung dieser nicht enden wollenden nacht musikalisch einzufangen: sphärische snythesizerflächen, schleppende beats, darüber eine weiche stimme. einflüsse liegen irgendwo zwischen jessie ware und nine inch nails, portishead und laurie anderson. das 10 inch vinyl erscheint inklusive downloadcode.

phase insane is proud to present el carton, the first collaboration between the madrilenians gale talk andunkle fon. this massive work will not leave anybody indifferent, as it is really unusual having music as original as the one they bring us. gale talk and unkle fon bring us two huge dark techno tracks produced over really deep melodic and groovy elements. these songs generate a massive effect in the dance floor as they are based in very hypnotic sounds which make listeners get into the groove from the very first moment. if this looks great, it becomes better when you listen the fantastic remix of el carton produced by the brooklyn based duo loud neighbor.
support early supported by richie hawting, maceo plex, joseph capriaty, paco osuna, anderson noise, cicuendez, franco bianco and many more.