nice funky remixes for this french vocal track check the greg di mano remix

genre übergreifendes werk! strong

with upcoming releases on top class labels like american standard, sleazybeats and ene tokyo, edinburghs lord of the isles ventures forth with the debut 12inch on his own limited edition imprint little strong recordings. what you get is three excursions into deeper territories. the a sides >hot blob< is a slice of detroit inspired wonkiness designed for dancers. with a seriously seductive bass line, acidy techno flourishes, underground keys and soulful ghostly voices, the track heads off into the deepness with all the class of a planet e classic. on the flip side, deep house track >tell your soul< pitches that perennial question (and sample) which asks >what is house music ?< across a frozen lake of reflecting and melting keyboard maneuvers, with a definite nod to larry heard, this psychedelic shimmering beauty is made for afternoon drifting. last up >this way< is the gem at the end, built for early morning sub club styled revelry, this stuttering, sub aquatic jam is strictly for the heads. deep, churning and soulful in the right way. with this ep, lord of the isles offers us a glimpse into the mighty depths of his personal catalogue and its very deep indeed!

composer and arranger, since child develops a mastery of sound and sense of musicality that over time has developed into complex forms, in a continuing evolution that tends to the roots of house music, landing on most funky and soul grooves, giving a strong significance both instrumental and electronic parts. for the first time on soundzrise, daniel reworks -tell me mama-, a traditional song of american country style in a new version ready for this new season. a captivating and happy funky groove that enhances the original vocal line creating a perfect mood to dance on the floor!

b-stock! boax with damaged corner. vinyl is unaffected & mint. strong remix longplayer from stephan bodzin - boavista album, incl remixes from boris brejcha, roman flügel, agents of time and and and ... 6lp box set, 180gr vinyl, 4c print + glossy varnish

get physical presents: cocada is a brand new compilation put together in cooperation with the brazil music conference, and is compiled and mixed by local and long time star leo janeiro. all bar one of the 14 tracks is exclusive, and all come from exciting brazilian talents, making for a great window into the scene. Ôcocada is a word that evokes strong childhood memories for all brazilians. it is a delicious coconut sweet which, says the label, is a little surprise in the middle of an ordinary day that makes you appreciate all the good things of brazil. as such, it is a perfect name for this selection which features tracks from big and emerging names alike. under the name cocada well be launching music and organizing workshops and parties, in order to bring greater visibility to the electronic music being produced in brazil and throughout latin america, says get physicals managing director roland leesker. our desire is to create an international platform both for emerging underground producers and well-known artists, a&r manager matt plessis adds. cocada is very sweet and we want to give the world an opportunity to taste some of those powerful delights that have been produced in brazil,. among the albums more established producers is hnqo, who runs the playperview label and has released on hot creations. his track Ôsorrow is a moody cut with a shapeshifting lead synth that brings a zoned out feel.

milky clear coloured vinyl

strong remix longplayer from stephan bodzin - boavista album, incl remixes from boris brejcha, roman flügel, agents of time and and and ... 6lp box set, 180gr vinyl, 4c print + glossy varnish

soul jazz re-issues the winston�s 1969 album �color me father�, the source of the most sampled drum break in music history - the amen break. remastered audio, exactv reproduction original sleeve design, 4 bonus tracks plus exclusive one-sided 12 inch dubplate featuring a specially extended break mix of �amen, brother�.

we celebrate 30 years of mayday - strong limited 4xlp in gatefold sleeve!

2021 new recut!! max 2 per customer , ricardo villalobos with his first 3x12inch production being recording artist and actual record label programmer. sed might be a one time venture working completely solo , but one thing can be already said: its one to remember. 4 tracks right of his recent fabric compilation plus 3 new bonus tracks. each recording stands uniquely on its own but also works yet again in a subtle context with all other tracks. an artistic statement as well as pure dancefloor mayhem! one of the strongest packages that we received in a long time

dj dan has been a pinnacle of the dance music scene in america since the early 90s and has toured around the world with the likes of carl cox, dj sneak and pete tong to name a few. dans label imprint instereo is played by many top djs around the world and dan has chosen some of his strongest releases for vol. 3 of the slammin trax series.

strong hi-tech atmospheric techno with warped and heady energy personify the music of the underground rebels. heed the call of the far east end: seoul-based ameniia records has been pushing south korean artists onto the world stage since 2013 and one of their firm rising stars who has been building a steady momentum is back on the imprint � polarfront.

we could say that with this sixth studio album anthony joseph is back to his roots. indeed, it was recorded on his native island of trinidad. but it is more of a continuation, of a culmination. as the caribbean music has strongly infused the music of anthony since its inception. this album entitled people of the sun is a tribute to port of spain (pos), this bubbling port, meeting place of many cultures and a door open on south america. this energy is found throughout the album with many stars of the island (3 channel, brother resistance, ella andal, boogsie the king of steel pan) and pays tribute to rapso, a mixture of protest poetry and soca / calypso created in the 80�s. as always the verb remains in the spotlight with anthony joseph.

baianasystem are from bahia, the state with the strongest african cultural heritage in the country and a motherlode for brazilian music. baianasystem manifest and champion the sound of the black atlantic, deep and future connections between africa, brazil and the caribbean, from the roots of samba to global bass culture.

reform, the tuscan techno duo, make a return to etruria beat to follow up the success of 2017s �checkmate ep, remixed by amelie lens and their recent ep on second state with a huge new offering - unconventional spaces. reform present three fresh originals, backed by a massive rework from etruria boss luca agnelli. unconventional spaces is a melodic and timeless work, perfect for a magic sunrise closing set. luca delivers a heavier rework, creating a special atmosphere with powerful chords that drift back and forth. just this is characterised by a raw triple stab, a vocal laid down by the guys themselves and an emotional and mysterious break. closing the ep is span, which is composed of bouncing tom samples, straight hats and a moogy bass that develops throughout the arrangement, a perfect peaktime number and strong finalé.

next up on francis harris exceptional imprint scissor & thread comes a collaboration with american producer, dj aakmael. aakmael has built a reputation for some of the deepest, rawest house music sounds coming out of the states, releasing well-received tracks on the likes of freerange records, release sustain, kolour dogmatik and ndatl. returning to scissor & thread, aakmael and label boss harris cook up an intoxicating vibe across this 5 track ep. each shares a track and work together on the fifth, while also remixing each others solo cuts. first up aakmaels deep muzik- a quintessential nod to its self-proclaimed mission statement. skittering drums, a shuffling groove, deep keys, and chords make up this essential opener. franks (aka francis harris) all that light mix shows another side, finding pockets of space and developing the fizzing percussion to produce an equally affecting piece of dancefloor bliss. sharing production duties from the outset on mercy of means, the guys slip into an easy mid-tempo groove with plenty of depth - the rhythm rolls along and offers the perfect basis for some sublime melodic touches. franks part song also hones in on the subtle deep grooves. bumping, slightly filtered and saturated drums provide the main body, with beautiful washes and keys finding their way through, aakmaels remix beefs up the groove somewhat, making the snares snap harder and kick hit a little stronger, but the essence of the tracks melodic atmosphere remains perfectly in place.

arktapes whispers in its cuts from the southern american continent. fine spaced out and atmospheric jams, strongly grounded in deadly grooves. a sweeping homage to the roots of our music genre, with a taste for novelty.

nicolas lattansio, aka shit, was raised in temperley, a small borough in the city of buenos aires, argentina. in 1996, he had his first encounter with electronic music and has been inseparable ever since. hes in love with the beats and the dance floor. his tracks are played by the likes of djs pareja, alejandro paz, carisma and mijo. hes the founder and resident dj of te re cagamos la fiesta and tokyo, the festival. he defines his music as indie techno, with strong beats, vocals and plenty of attitude. without a doubt, shit is one of the most powerful projects in the neighborhood. the solo en la pista ep shows shit s veritable force in the blooming indie-techno scene growing out of mexico and south america, and the remix with mexico city s ali x x ximena (former azari iii) is an extremely strong dance floor track that has proven itself upon many floors and festivals from burning man and beyond over the course of 2017 in preparation for it s public launch this year.

orient meets occident. collector edition of jaime zenamon�s debut album from 1984 available now! zenamon studied guitar and composition in israel, spain, portugal and in various south american countries. he a was student of abel carlevaro and worked as teacher at the berlin music university (hdk) from 1980 until 1992. the album was recorded at christopher franke�s (tangerine dream) studio and features udo hanten from the cult krautrock project you. similar sound compared to cluster, neu!, kraftwerk but with stronger esoteric world music influences. nandu muley playing the santoor, a 100 string music instrument which was already used by assyrian musicians for the production of their hits some thousand years ago :) originally released on polydor in 1984 the album get�s re-released for the first time by private records in 2015. remastered from the original master tapes at 24 bit. really rare recordings, especially the 12� is one of the most valuable and sought after german electronic records of the 1980�s.

berlin based jens dohle is a man of many talents. an accomplished composer and arranger for theatre productions across europe, classically trained multi instrumentalist, explosive live drummer for ye:solar, munk, hot coins, sado opera. longtime collaborator with danilo plessow aka mcde and noema from african shakedown fame. remixer for jazzanova and 4 hero. there s not enough room here to list his amazing work. 2018 ushers forth a new identity to his already enviable c.v with his first ep as james dole (a jokingly anglicised version of his birth name). the 3 tracks here all showcase his ability to create a strong mood and use great splashes of melody and rhythm but without ever losing the groove. written during a period of introspection in deepest, darkest berlin, each one tells a different story. ex is a moody monster of a track. it builds and builds into a pounding nightime symphony with a kind of epic-ness which hints at many years spent mining the highs and lows of music, love and life. big room yet with a gut wrenching soul beneath the slightly flamboyant majesty. made in east berlin and well road tested in the cities debauched nightclubs. fantasia shows off mr doles jazz and broken beat background with rolling, funky drums sashaying with hip hoppy live jazz keys. then those signature euphoric yet melancholic synths appear halfway through the track to create an emotionally halcyon mood. wibes. the ep closes with grande. super melodic yet cinematic with amazing synth work and a sophisticated arrangement showcasing james s well trained musicianship and artistry. an opus of melody and longing built for italian arthouse films about unrequited love. dj support from - midland, honey soundsystem, sandrino, jimpster, ame, dvs1, shadow child, joe goddard, red rack em, futureboogie, soft rocks, domenic cappello, downtown party network, danny russell

the 20th volume of our flagship eccentric soul series has all the boxes checked: guntoting, skip-tracing record producers, child stars, rip-offs, the worlds greatest bail bondsman, swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. helmed by the ojays bobby massey, saru was a creative vortex that pulled cuyahoga countys greatest talent in, making a strong case for cleveland to contend with detroit, philly, and memphis as americas soul music�s capital. includes obscure and unknown sides from the out of sights, the elements, pandella kelly, david peoples, sir stanley, the ponderosa twins + 1, ba-roz, bobby dukes, and of course, the o�jays.

new york�s p.leone debuts on rekids special projects with four vinyl-only techno cuts this february. debuting on spencer parker�s work them records in 2016, p.leone has since launched his own imprint entitled e-missions alongside label partner caiazzo. moving to berlin last year, the american producer has quickly earned himself a name within the german capital, making regular appearances at the likes of tresor and ://about blank, and now joining respected berlin-based label rekids as part of their vinyl-only series. metallic echoes, robust kicks and breakbeat percussion lay the foundation for �rose petal breaks�, before �noon service� demonstrates crystalline synths and futuristic effects. on the flip, thudding drums and energetic claps form �hold me down� until the ominous �sometimes i feel strong� concludes the package with rattling components and a cacophony of intricacies.

the numero groups dive into the deep end of americas private press continues. having battled the witches and wizards of darkscorch, the outlaws of cosmic americana, and traveled alongside ladies from the canyon and their lonesome heroes, its time to take it easy. with pop musics volume knob adjusted for deflation in the early 70s, softness begat smoothness. crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. a sound that was buoyant, crisp, defined. sometimes classified as west coast and, later, yacht rock the compass points of our private yacht expedition are the blue-eyed harmonies of hall and oates, the cocaine-dusted fender rhodes of michael mcdonald, and the combover strums of james taylor. here, at the glassy apex of rocks softer side, 20 strong swimmers are gathered together. an album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

a landmark album from late 60s brazil! this is the first � and the wildest � album by this legendary group that was one of the founding forces of the tropicalia movement � a brilliant musical statement that easily ranks with some of the most groundbreaking late 60s american work by the velvet underground, captain beefheart, or the stooges! the music is a wonderful blend of 60s rock and early mpb � hard-driving with plenty of guitars, but also produced with beautifully baroque touches that echo through simultaneous albums by caetano veloso and gal costa � both of whose 1969 albums are strongly resonant with this one. in fact, caetano contributed a number of tracks to the album, including -panis et circenses-, -bat macumba-, -trem fantastma-, and his great -baby-, which is done fantastically here. great stuff all �round!

an incredible album from brazilian rock legend raul seixas � easily one of the most important artists to emerge after the tropicalia generation � and a singer with a sound that�s as striking as his image on the cover! the album�s got an explosive blend of styles � everything from psychedelic samba to country rock to easy rock tunes � all bound together by the strong sense of presence that helped seixas elevate to become one of brazili�s most controversial rock stars of the time, all with the kind of legacy you might expect from the cover image! the sound is great � very different than what american and anglo groups were doing at the time, although with sly nods to their modes from time to time � and titles include the english track -how could i know-, plus -as minas do rei salomao-, -mosca na sopa-, -cachorro-, -al capone-, and the strange electronic -introducao-.

infinite density � the new album by the berlin based, cuban-american artist blush response � is a fantastical exploration into the depths of industrial and ebm techno in collaboration with techno frontman adam x�s infamous imprint, sonic groove. influenced by the progressive noise of autechre, front line assembly and skinny puppy the producer has previously released with aufnahme +wiedergabe and ant-zen, as well as getting his hands dirty with programming work for the industrial pioneers fear factory, rhys fulber as well as latin pop singer cristian castro. infinite destiny takes a firm grip on situationally influenced content, pulling every corner of berlin into its belly for a challenging and unique sound � a sound that�s able to maintain functionality whilst simultaneously exposing loose wires of wild flangers and disturbed sampling. these erratic waves are expressed through the productions infinite density, aum shinrikyo, survivor guilt and dead still air, showcasing the most alien meta-bodies of blush�s sound. as an appropriation on contemporary acidic sound, the sonic motions of serpentine and tryptamine delve into explorations within the acid genre. rhys fulber�s string contribution on painkiller initiates a whirlwind rhetoric of distortion. panic stricken, no solace and tessellate focus on strong industrial pads that carry the density of each track whilst infinite dread�s ebm back bone hits hard with heavy arpeggiation. crucial to its form, the album showcases new experimental sound that repurposes algorithms of today�s dancefloor dogma. blush response exposes these paradigms through mutated build-ups and drops. however, his innovative �modular synth heavy� sound design obscures the flow in a way that permeates the concrete arenas his productions are designed for � in true berlin style.

the second ep of samuel rohrer�s range of regularity album presents two more striking reinterprations. these new remixes provide an intriguing parallax view of the original tracks, using the percussive eclecticism of the parent lp as a starting point from which to journey into sonically vibrant, feature-rich territories. the production specialists on hand for this project include burnt friedman and ricardo villalobos. villalobos, has already formed a strong working relationship with rohrer�s ambiq trio, lends his talents to both of the eps. (ror remixes i - amel-ep716). nonplace label boss friedman, as well, has carved out a unique space for himself within the electronic world, logging several decades� worth of releases that with dub-wise production sensibility, skewed humor, and riots of tone color. though each individual remix has its own character, they are all united in their ability to provide a quick cure for fatigue with the common �loop�: though not improvised, they are strung together from fleeting phrases that evolve as if they are taking on a life independent of their creators. burnt friedman�s own dramatic interpretation of �microcosmoism� pairs up his consciousness of deep bass and analog inventiveness with rohrer�s continually transforming sound objects, making for a flowing and wordless narrative that simply dares listeners to stop paying attention. feeling more like a collaboration in �real time� than a remix proper, friedman brings his characteristic �mad scientist� wit to the proceedings and delivers an energetic piece that simply glows in the dark. this is complemented nicely by villalobos� remix of �microcosmoism�. it carries the energy level of the 1st ep over to a new disk, while heavily experimenting with feelings of emotional ambiguity. at some points aggressive and at other points merely curious, this mischievous collage of attitudes feels as inspired by the questing jazz of sun ra as it is by continental techno. contemplative keyboard runs, enthusiastic spring-like percussion and malfunctioning machine chatter all coalesce to make this a most fascinating piece of multi-purpose electronic music.

ian tocor is a smiling ambiance man, into ambient ,deep, dub and techno, half of outlander wax theory and drnchd bands, he signed his first vinyl on the american label love what you feel in 2014. played by fred p, this ep oscillates between a dub house in lace and a deep and colorful deep house. it has been found on the first compilation of simple music experience with a dreamlike journey called -blue- or on label vastechoses, the latest project built with his friends sevyce and lostsoundbytes, adventurous music, intrepid grooves and editions of all kinds are on this platform with evocative name.in short, music is for ian an outlet, deeply anxious to provoke in various forms links between moving bodies, his dj sets are as rough and strong as they are surrounded by sensitivity.

u-roy was a true reggae pioneer, dubbed the originator for good reason. bursting onto the jamaican scene in the early 1970s, he pioneered the vocal approach called �toasting,� which in addition to bringing jamaican music into a new era, was also heavily influential on an american vocal style also in its infancy: rapping. following up the record store day 2017 release of u-roy�s classic dread in a babylon, traffic entertainment group now brings us a very welcome reissue of the vocalist�s 1976 full-length (and fourth) album, natty rebel, which has been out of print for more than 30 years. produced by tony robinson (known for his work with big youth, lloyd parks, the gladiators and many more), the album�s 11 cuts range from bouncier and sometimes even disco-tinged grooves � �have mercy,� �go there natty� and the album lead-off, �babylon burning� � to the classic roots stepping that drew fans to the legendary jamaican vocalist over his long career � including �so jay jah say� and �natty kung fu.� at its core, this is a deep journey into the heart of rasta living, spoken by one of jamaica�s most underrated dub and roots legends, and it�s one of the strongest full-lengths in his expansive catalog. whether you are experiencing u-roy for the first time, or replacing your decades-old original lp, diving into this reissue of natty rebel is one hell of a way to spend an afternoon. or, if you�re not careful, a week or two.

for the fifth instance in their reissue series, echovolt records brings us four lush house gems by one of the most influential italian producers. carlo troja aka don carlos. don carlos started as a dj in the late 70s and debuted as a producer towards the end of the 80s with the cult single alone , which pretty soon became one of the anthems of the international deep house scene. inspiration ep focuses on some of his finest productions from the mid 90s that were only available on his rare aqua vinyl promo ep. this releases makes an effort to capture don carlos unique approach on classic house with lot of afro-american jazz sounds and ambient influences, that created a timeless deep jazzy house with a strong mediterranean twist on it!

the playground is proud to present it�s 10th release by john tejada & arian leviste, two long standing & revered american figures who have been producing together for over 2 decades. tejadas signature sound mixed with levistes musical background makes them a strong team. they deliver a well rounded four track ep that spans from the minimal sounds of empathy for sensors to the driving energy in -rock the transport .

andy skopes debuts on inperspective with 2 absolutely storming amen laced tracks. we are so pleased to have finally finished our teddy bear trilogy and these tunes continue in the same strong, progressive vein of the first two from infamy and earl grey.
who are you is a slick amen roller with intense atmospheres, tight chopped drums and a thunderous bassline. certainly a track to get the floor moving!

santiago leyba makes his vinyl debut on the label following the rooms tape released earlier this year. recorded simultaneously, life, money, work shows the new york-based artist by way of albuquerque, new mexico, portraying the different characters one might have in a broken mind. sketching a strong criticism of america by means of disorienting vocals and slow-paced d.i.y. electronics, santiago finds him performing alter-egos of sorts � ranging from forlorn ballad singing, to more guttural and strained barking seeking to describe a conflict in maintaining a unified persona. paid labor, sex, and consumer goods. how america tells you to grow up when there is nothing left but complacency and oppression through economic and social means. it all goes down to the shortcomings of humanity, the tangled webs we weave, the impossibility of justice and fairness, and the pressure those things put upon ourselves.

coming hot on the heels of samuel rohrer�s range of regularity album are two eps of striking reinterpretations. these new remixes provide an intriguing parallax view of the original tracks, using the percussive eclecticism of the parent lp as a starting point from which to journey into sonically vibrant, feature rich territories. the production specialists on the first ep include ricardo villalobos and vilod, the collaborative duo with max loderbauer. villalobos, has already formed a strong working relationship with rohrer�s am- biq trio, lends his talents to both of these new eps.

unearthed by groove archeologist betino errera, this black gem was cut in paris in 1980 by american vocalist robert helms. his french career being rather confidential with releases under his own name as well as bobby helms or simply bobby, the lay down girl album remained a well-kept secret for decades despite the fact that it contained two very strong disco-funk tunes.

after some releases on several interesting label in the techno scene, reform make return to etruria with their strong new ep called �checkmate-, which includes two remixes from the soma talent charles fenckler and the belgian amelie lens . first original is a melodic track characterized by hypnotic synths which interchange everytime in the arrangement and also dirty and powered drums. amelie version�s express exactly her style, giving to the tracks something magic with the vocals added, making a very true and enigmatic game of chess. second original instead is dominated by a strong pad, which fill up the mix, blowing up in the break and giving an epic feeling to the ensemble. charles�s remix is techno with no excuses: raw powerful and groovy, is the perfect end for this pack, giving a much more underground touch to the release.

lagartijeando is the name of producer, musician and dj mati zundel. born, raised and currently living in a small town on the outskirts of buenos aires called dolores. from a very early age, he was musically curious- experimenting with percussion, charango, guitar, bass, voice, and beyond. strongly influenced by his travels through latin america, mati s signature psychedelic dance tracks latch onto everything from traditional folk sounds from the bolivian altiplano to the jungle beats of brazil. mati hypnotically fuses his traditional influences (with an emphasis on shaman chant and charango loops) with contemporary electronic beats, creating a sound that once left npr speechless.

during the last ice age glaciers slowly carved away the landscape creating mineral rich sediment. for hundreds of thousands of years melt water carried this fine-grained sediment downstream to parts of north america. in some areas strong winds carried this sediment and deposited it forming a network of ridges and dunes. these deposits of loose silty wind-blown, or aeolian, sediment are called loess. flash forward to the present, and the duo of clay emerson and ian pullman may seem to have gone the way of the glaciers and all but disappeared. instead, their signature loose aural silt has been slowly and methodically accumulating and now makes up their new full-length pocosin. others may have no point of reference and pocosin is a welcome introduction to the sound of loess, in a mere blink of an eye from when they began.
limited clear vinyl with download code included.

after mathematics, bio rhythm and la beauté du négatif, american artist deviere is back on parisian label unlearn. lobster theremin artist and unlearn affiliate royer is on remix duty. water drums (a1), a deep and spacey cut reminds a joey-anderson-esque imagery for a moody and introspective club experience. strong yet subtle in the low end, this one is for the big sound systems. royer�s demi-monde remix comes up as a more housy interpretation, mixing dubby inspirations with lo-fi aesthetics. reminiscent of kyle hall�s early works on moods and grooves, rising (b1) is an upfront dancefloor track suited for peak time euphoria. speak into existence (b2) is probably the most accessible track of the ep, oscillating between acid-yet-warm feelings and solemn preacher-preachin� vibes.

2016 clear coloured vinyl edition ... played by dvs1, answer code request, ben sims, rolando, nick höppner, blawan, radioslave, zadig, heiko laux, franck roger, josh wink&#8232,,,...
a new re- issue is coming from merv! two old and lost tracks from merv from 1995 and 1998 are coming in a new re- issue! while deepchord in america, or the thule- crew from island have been inspired from the basic channel blueprint sound coming from berlin, tempted a small group of artists their own interpretation! the new and sounding like a manifestation from basic channel-sinewy, full of energy, strongly cauterized in mind, wanted to get rediscoverd! in the year 1995, arose * melted vein*! hypnotized, slowly but full of strength it became back to the theme. merv educed their own variation- their own soul. you can hear it by the track * dust*, from 1998 the further development! pads and melodies, from different galaxys, mixed with ascending chords, kept together with the 909. two tracks, two epic tracks- the pure merv- magic! both of them have been re-masterd at the traditionally berlin mastering studios d&m!

coloured vinyl edition ... played by dvs1, answer code request, ben sims, rolando, nick höppner, blawan, radioslave, zadig, heiko laux, franck roger, josh wink&#8232,,,,,,...
a new re- issue is coming from merv! two old and lost tracks from merv from 1995 and 1998 are coming in a new re- issue! while deepchord in america, or the thule- crew from island have been inspired from the basic channel blueprint sound coming from berlin, tempted a small group of artists their own interpretation! the new and sounding like a manifestation from basic channel-sinewy, full of energy, strongly cauterized in mind, wanted to get rediscoverd! in the year 1995, arose * melted vein*! hypnotized, slowly but full of strength it became back to the theme. merv educed their own variation- their own soul. you can hear it by the track * dust*, from 1998 the further development! pads and melodies, from different galaxys, mixed with ascending chords, kept together with the 909. two tracks, two epic tracks- the pure merv- magic! both of them have been re-masterd at the traditionally berlin mastering studios d&m!

recently appearing on the mighty crosstown rebels with a remix of shaun j. wright & alinka �face the truth�, sought after duo audiojack are back serving up a solid two-track release in the form of �turya�. turya is built for serious heads down sessions fusing subtle acid pads with soaring synths and sonorous spoken words. the hypnotic quality of the teacher�s words beguiles and entrances the dance floor, allowing people to lose themselves in them and its evolving groove. �event horizon� is a different beast altogether, with a heavy drum and bass vibe, a four-four format, and a classic -amen- break beat style. in 2015 audiojack launched their sunday social free party at veto club in their home of ibiza, which after a strong season will continue this year. their first essential mix recently dropped on radio 1 and a string of highly successful releases and remixes on labels such as hot creations, tsuba, 20/20 vision and their own gruuv has solidified their place in the dance music elite. it�s safe to say that 2016 is proving to be a big year for the talented duo.

repress killer !! villalobos and brito doing what they do best - ultra flow south american style - verrry strong release!

dieses nun wiederveröffentlichte live-album von o.v. wright wurde 1979 aufgenommen und erschien erstmals 1989 bei dem legendären label hi records, jedoch nur im cd-format. nun ist das werk erstmal als vinyl-version erhältlich. mit dem hit -eight men and four women- landete o.v. wright in den top 10 der amerikanischen billboard-charts. die aufnahme entstand im hotel nakano sun plaza hall in tokio.
die vinyl-lp erscheint inklusive downloadcode.

anyone familiar with the music of sinisa tamamovic knows the man is an expert in techno floor fillers.... the tracks here are no exception, valentina and confused reside in the world of bold, unrelenting grooves constructed with little more than bass and drums: and they get the job done. the bass lines are distinctly sinisa, simple, catchy, and mixed exquisitely, they take on a whole new attitude when played on club systems. valentina starts things strong, its driving rhythm gains energy as atmospheres develop and an worldly vocal enters, a latin american street rhyme that gives the track some international flare. confused is more raw, employing rough drums and ethereal sound effects. either one will do the trick for peak hours and late nights, and expect to hear these all over the place at wmc 2016