the debut album from brass against back in stock!

the 2011 album from the roots back on 180 gram vinyl, housed in a gatefold sleeve.

ltd edition to 200 copies - handstamped

hand stamped and veryy limited

finale sessions is excited to add italian super producer simone gatto to label and i will let the music speak for itself. much love from finale sessions

only 200 copies worldwide!
this is uenay s debut release.
4 boomy, pure & direct techno bangers.
4 driving, effective, boomy techno stompers.
a massive 4 track debut ep.

imagine a peaceful cyberpunk world where flowers are used instead of laserguns, where bamboo towers are high in the sky and your fingerprints digitalized in a papermade card. this is the utopia you re living in while listening to this record. from the crowded city atmosphere of « mecanic chipo » to the suspended garden of« lady chipo », your existence is harmonious and serene. as a casual salaryman you dream of the countryside in « chipo sleep » but are waken up by the « chipo dub » bonzaï alarm clock.
« chipo sounds » reflect these everyday life and reveries which are at the end, not cheap at all!

das norwegische, in berlin lebende electro-pop-duo soft as snow, bestehend aus oda egjar starheim und oystein monsen, präsentiert mit -deep wave- auf houndstooth sein debütalbum, co-produziert von wife (tri angle records). die 13 tracks bestechen durch einen frischen, originären und innovativen leftfield-pop, inspiriert von cabaret voltaire, throbbing gristle, detroit techno, 1990er idm, fever ray, cold-wave und den 1980er -mutazione- compilations.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sail’s sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.

like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

deluxe edition 200 copies worldwide. 1 x lp 180gr black vinyl, silkscreen gatefold cover, cd included + pvc protective sleeve). falling man is: sven de potter, lode sileghem, sander van den broecke, paul van de velde.

zweite kollaboration zwischen steve cobby (fila brazillia) und dem autor russ litten beide geboren in kingston upon hull nach ihrem hochgelobten debütwerk my people come from the sea (2016). hauptbestandteil von boothferry ist rime, eine vierteilige erzählung auf balearischen beats, inspiriert von der triple trawler tragödie von 1968, als 58 fischer aus hull in heimtückischen, arktischen gewässern ihr leben lassen mussten.

newcastle born, melbourne-based producer cooper bowman steps out as roman nails with his first 12” for beat concern. following tapes on where to now? (uk), night people (us) + rhythm works (au), roman nails has maintained a steady flow of experimental techno over the last few years. utilising a minimal, cv-triggered hardware set-up and from a perspective rooted in improvisation, rn is a unique beast. the tongue-in-cheek titled, all hardware no tools, is his most concise and well-considered release to date, offering noirish synth tones, slinking basslines and captivating interplay between a 707 and 727. 300 copies.

june records presents rr hearse - call of oedipus. completed between 1981 and 2013, call of oedipus is a collection of solo works and collaborations of rr hearse with s/m, a.rib and mr. cricket. the tracks were recorded live at concerts on greek university campuses, squats, in studio as well as in rr hearse s bedroom. this mini lp is a never released before document of the greek underground music scene, transferred from cassettes and reel-to-reels s from rr hearse s personal archive. very limited!

lcd soundsystem leben den amerikanischen traum, zumindest, wenn man dem titel ihres neuen, mittlerweile vierten studioalbums glauben schenkt: »american dream« heißt der nachfolger zu »this is happening«, mit dem sie vor sieben jahren sowohl in großbritannien als auch in den usa die top 10 erreichten.

remastered reissue on 180 gram vinyl of john lennons iconic 1971 album *imagine*.

3 cuts by dj collective honey soundsystem member robert yang!

long awaited perlon compilation feat.:
ricardo villalobos, fumiya tanaka, zip, margaret dygas, binh, melchior productions ltd, spacetravel, maayan nidam , markus nikolai, baby ford, soul capsule...

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

verträumter pop mit hawaii server qualität

30 brand new bob dylan recordings on three 1890 gram lps with download code included.

beranek’s debut album, “sound of danger”, was released on mind expanding records in november 1981. nowhere near as accessible as the previous single, the album fared poorly commercially. withdrawing from the single’s fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. taking heavy cues from david bowie, all of the songs are sung in a nasally english accent, a rare occurrence in norway at the time. the lyrics are melancholic, but tinged with paranoia. there are also upbeat tracks that evoke a prog or glam sensibility a la king crimson, alan parsons, or roxy music. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring red, black, and white lines that evoke a visualized richter scale designed by monica moltzau. each copy includes a 2-sided 8x11” insert with lyrics and an autographed press photo of beranek.

following a storming barrage of kicks and whistles on -i m alright mate- via south-westerly label timedance, lauded sonic explorer bruce settles on hemlock and kindly offers a trio of exotic and rare tracks.

entgegen heute gebräuchlicher gepflogenheiten erscheint die wiederveröffentlichung von “the closer you get” mit dem originalsound aus dem jahr 2000, das heißt nicht remastered. dafür wird die platte durch ein zweites vinyl flankiert, das auf der a-seite die dritte (von fünf) peel-sessions enthält, mithin fünf songs, und auf der rückseite zwei single-b-seiten (“get a real tattoo”, “i’m wide open”) sowie den track “oh! dear”, aufgenommen während der ersten peel-session.

great electronica / idm

hilltop imprint come back with some killer ghetto house vibes, thumpin & pumpin

2016 re:issue , one of the most influential hip hop albums of all times.

wm009 is the debut album from white material co founder young male. a collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian american landscape.

the 1992 bon jovi classic back on double 180 gram vinyl in gatefold sleeve

es gibt den frühen acid house-holmes. sein letztes soloalbum the holy pictures (2008) atmete la düsseldorf, the jesus & mary chain und brian eno. er produzierte primal scream und jon spencer blues explosion. und er schrieb (und schreibt) unzählige hollywood-soundtracks, allen voran für steven soderberghs oceans trilogie (mit george clooney, matt damon, brad pitt). nun legt david holmes seine late night tales version vor, bestehend aus vielen, kleinen kopfkinofilmchen, in denen wir auf david crosby, buddy holly und die children of sunshine treffen. dazu gibt es reichlich exklusives holmes-eigenmaterial, kollabos mit bp fallon und jon hopkins, sowie das von ihm produzierte 10cc cover i m not in love von song sung. insgesamt sind es 9 exclusives, wozu auch die spoken word-perfomance von stephen rea zählt, der aus seamus heaneys aeneid book vi elsewhere anchises vorliest.

zk bucket gathers some like minded friends and push forward zaun records as one of the most forward thinking labels i know… outsider basement vibes with a raw attitude.
live recoreded at hardware jams. each copy coming in a unique handmade silkscreen sleeve.

reissue of 1997 f communications techno track crispy bacon with jeff mills remix

nirvanas 1994 new york concert for mtv unplugged as remastered re-issue

echospace man stephen hitchell has been devoting much time to his variant project over the last couple of years, releasing no less than nine, straight-to-tape explorations in 2015 alone.

double vinyl re-issue of gary numans 1980 album. mastered from the hd digital 96/24 transfers of analogue tapes.

the debut album from jamie xx. (mastermind from * the xx *)

the tracks here are in the brutalist machine house vein and the source material for * we come together* (by mazi as asp and john griffin as awoke) will be familiar to devotees of roots chicago house. the brodanse brothers * sleep won t come* is remixed by audio soul project and awoke. chicago based multi-instrumentalist jonn wallen contributes the dense * aesthete* under pseudonym *by gordon gartrelle*. * we get together* is a tribute to the 90s house that inspired us to start making music years ago. people reminisce about how things used to be better, but you must breath in the present. we keep with us those hallowed bones but let pain and suffering fade into the mist. we let memories fade in the depths of our neural web so as not to be paralyzed by the burden of sentiment. we forget to stay sane.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. die 2009 er kollaboration zwischen broadcast und ihrem artwork-designer & ghost box-labelbetreiber julian house (aka the focus group).

top-compilation aus dem hause needwant (siehe future disco) mit einer exzellenten auswahl an zeitgenšssischer listening-electronica (idm), die von apparat und luke abbott Ÿber alt-j und lanterns on the lake bis zu nils frahm reicht. cd1 mit 16 tunes in the mix. cd2 mit zwšlf ausgespielten vollversionen.

sintflut vol. 1 ist das zweite von drei releases der arche-reihe: eine wiederkehrende serie, bei welcher die musik eine geschichte in verschiedenen kapiteln erzählt: aufbruch, sintflut & land in sicht. auf der arche002 ist die düstere ungewissheit omnipräsent - „sintflut“ mit deneha, pablo einzig, barbir sowie zouaoui & jay phonic.

bulgarian duo 1000 names debut on kelpes drut recordings with their fourth lp, migration pads – an elegant 10-track outing glowing with warmth and nostalgia. following earlier releases on black acre, eklektik and project mooncircle, 1000 names are the next to join the drut stable after chesslo junior’s passionate debut back in may.

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

die erste welle der 7inch veröffentlichungen auf 359 music wird von der band mineral abgeschlossen. mineral sind eine multinationale band aus paris und dublin, die von talking heads, the pixies, syd barrett, kraftwerk, gainsbourg, the beach boys und bela bartok beinflusst wurde. die b-seite bietet eine coverversion des my bloody valentine-klassikers *when you sleep*. weltweit limitiert auf 359 kopien!

clr will release the debut album of our new label member drumcell entitled sleep complex, an emotionally profound, open-minded approach to current techno with a variety of influences and a complete disregard for any limitations musical genres could possibly represent.

nach veroeffentlichungen auf planet mu, super und ninja tune sowie remixen fŸr franz ferdinand, wild beasts, clock opera oder aluna george veroeffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun endlich sein debuetalbum auf dem londoner label. musikalisch spannt der brite auf den insgesamt dreizehn tracks des albums einen spannenden bogen aus house, bass, post dubstep und electronica.

mit dem debütalbum landeten austra 2010 einen Überraschungshit, der sich eher von hinten durch die brust ins auge, denn mit einem knall ins bewußtsein der nation gegraben hat. kaum einer, der diesen ohrwurm nicht schon irgendwo gehört hat und nicht mehr losgeworden ist: dont wanna lose you, dont wanna lose ...
der spiegel schrieb sehr treffend: dieses lied kennt kein entkommen. es ist bekloppt, nervtötend und großartig. wer es einmal im kopf hat, bekommt es tagelang nicht mehr heraus.
der nachfolger ist ein durchgängig sehr gelungenes album geworden, auf dem sich katie stelmanis als herausragende songwriterin zeigt, die einen muskalischen quantensprung gemacht hat. olympia ist ein musikalisch reifes und abwechlungsreiches werk, welches es spielend schafft electro-, pop-, wave- und indie-fans gleichermaßen zu begeistern.
doppel-vinyl im klappcover, mp3 download-code inklusive.