repress! when three people run a label together it is exceptionally rare to find a positive unified opinion of a record on first listen. when isolée sent his -mangroove- ep to maeve, this was in fact what happened. but it is isolée after all.... mangroove came about last summer when the drifter happened to catch isolée s live set at a festival in switzerland. instantly blown away by the a side -pisco- he was determined to find out what it was and if it was to be released. after chatting, isolée suggested that he would send -pisco- along with a couple of other -demos- to maeve and a few days later the ep was happening. isolée has created some of the most important and beautiful records of our generation and has being a huge influence on what we do, thus we are incredibly excited and humbled to release his work. this three track ep shows several different sides of the frankfurt native, from the a-side dance floor catalyst that is -pisco- to the deeper dubbier b-sides of -l5 syndrome- and -mangrove-. this is the perfect record to mark our tenth release.

black brook limited steps into the upcoming techno season. the festival are gone and we have found our ways back into the fog filled rooms enlightened only by flickering strobe lights. robert s. presents the soundtrack without any compromise on his second appearance on black brook limited. driving tracks reduced to the essence of jackin techno - to what it should be. remixes by ilario alicante, secluded and developer complete this strong release.

this new concrete music ep contains 3 seuil s original tracks. a1 and a2 are directly extracted from his live performance at weather festival 2015, while the b side has been produced in a slightly different vibe some months later

italian duo jam. debut on be as one for the label 62nd release, after a string of driving releases on the imprint fromtechno heads savas pascalidis, shlomi aber & markus suckut. the a side is all about the stripped down, raw and energetic techno of hermes and pegasi. on the b side, opportunity rover, an hypnotizing, acid-driven trip at home in sweaty dark rooms as much as in big festival arenas. another one to bag.

in 2016, the festival in prora releases another vinyl, and this time it is a real tasty tidbit. the boys from kiel, mitja & daniel mes, who also played at this year’s festival, included their track „feel free“ on the record. this track is the beach-echo and a perfect medicine against the winter blues. the second track originates straight from the island rügen, produced by the well-known irie island crew and holds the name „rügen rockt“. the name speaks for itself and through the well harmonized dub-swing reggae vibes be sure to be grooved from north to south of the small island. the backside of the vinyl is a piece of handcrafted art. the very distinct tag am meer logo is engraved through the help of a special technique called: etched. this record does not only sound good, but it also looks amazing.

the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

no one flips it like a-trak. his limited edition box set “in the loop: a decade of remixes” commemorates twelve of trizzy’s most notable remixes - from blog favorites to festival smashes - on six 7” colored vinyl singles (2x white, 2x blue, 2x black) in custom sleeves, all housed in a beautiful collectors box. the wax is accompanied by a 32 page booklet featuring original artwork and a-trak’s behind-the-scenes stories on each remix, making “in the loop” a must have for any fg fan, #realdjing enthusiast or forward-thinking music lover in your life.

raining colors was recorded after returning from the bpm season in mexico.inspired by the slow tempos and crazy rhythms heard while dancing at the sacbe jungle party this was the result.remembrance of breath was created for our performance before last years desert hearts. we felt it would compliment the surroundings of this wonderful outdoor festival.solar flare response was originally created for fun using our friend, colin c s, alchemy plug-in sound pack essential alchemy for loopmasters. we were so excited with how it turned out we decided to turn it into a full piece. these songs reflect the deeper and heavier side of our creative output and the kind of music we enjoy playing at night after the freaks come out.

ltd to 100 copies
while he may have been spotted in gentlemen s dub club amongst other festival friendly acts, as xoa nick tyson is going it alone to create globe-trotting sounds that speak to his musicianship and keen instinct for other kinds of grooves. there are in fact additional vocal spots on this ep including anthony joseph and monika liu, but the record is definitely pulled together by tyson s focused, refined vision. -in so- is a notable delight with its skittering beat and laconic guitar lines. watch out for the b side though, where the tracks get appropriate club revisions. byron the aquarius remix particularly stands out, injecting some broken beat bump into -in so-.

many dance music lovers who frequent creative music hubs such as cxema in kiev, rabiza and arma17 in moscow or mosaique in st. petersburg have already been introduced to obgons live sets, andrew lees drilled-up high speed dancefloor project. he is also known as one half of interchain a live band that leads an energetic artistic life spanning from ambient sessions in abandoned industrial spaces, to playing high octane techno at the biggest festivals in russia, such as the main stage of present perfect festival right after aux 88 and before philipp gorbachev. andrew lee is a rather calm guy who prefers action to talking about himself, but we do know that he quit his day job to focus on music.

acclaimed be as one boss shlomi aber makes a big step up here by putting out a trio of his killer techno cuts on the always excellent and forward looking nonplus label run by boddika. his xy play ep continues in his no nonsense, floor facing style and impresses once more. shlomi aber is an underground titan who runs his own musical empire in the form of his be as one label. he has made it into an essential outlet for no frills house and techno and his own output has found him in fine favour with djs and dancers alike. playing all over the world and also serving as an expert at the emerging ibiza festival on the white isle, here he comes correct once more. the title ep xy play is a brain frying affair with cantering drums and stern synths bringing a dark and intone vibe to the groove. way old story is just as heads down but less ominous, here the synths are a little spooky and add intrigue to his slick rubbery drums. last but not least related sources is a hunched over house track with dub in its kick drums and a desolate industrial feel in the landscapes above. atmospheric from the first to the last moment, this is another killer ep from shlomi aber.

joel grind (sole member of toxic holocaust) takes time out from delivering bone crunching extreme metal and has hot-wired a battery of analog synths for his debut release on death waltz originals.
alongside pentagram home video and slasher film festival strategy, this record represents the very best of the new wave of synth artists inspired by a love for cheap horror films of the 80’s and their unique synth soundtracks. the record pulses with chugging aggressive keyboards and layers of sound helping create a fully immersive listening experience that, although based in the past, has its sights very firmly set in the future.
pressing on black 180 gram vinyl.

having been rivals on the football pitch as teenagers, a chance encounter many years later - djing at an international windsurfing festival - cumulated in a back to back set that kicked off the italia90 collaboration. putting the footballing differences aside, italia90 grew out of a shared love of quality house music that was influenced greatly by glasgow s close relationship with chicago and institutions such as the sub club that brought these house heroes close to home.

bevor dieses jahr die festival saison begonnen hat bin ich in berlin ins studio gegangen und habe einige tracks für meine sets aufgenommen. zwei stücke davon spiele ich immer und immer wieder, sie wurden zum soundtrack für diesen sommer. sie sind hypnotisch und freaky genauso wie meine dj-sets. bei der produktion der beiden stücke habe ich einige von meinen lieblingsinstrumenten verwendet, die 303, die 909 und den minimoog, um düstere, verzerrte vocals, seltsame beats und pure, drastischer emotion zu erzeugen. die platte ist meine definition des allien sounds. ellen allien, september 2016

since its launch at the bpm festival at the beginning of the year, hector s vl recordings imprint has be making its mark as a fresh breeding ground for some of the finest talent the underground has to offer. to finish off the year as strong as they started, hector called upon one of london s finest selectors seb zito to host the fourth release of 2016, with his four-track my sound ep

coyu and ramiro lopez are regular production partners, having released a number of tracks on coyus own suara in the past, as well as john digweed s esteemed bedrock records. this latest track on drumcode further adds to their reputation as a force to be reckoned with. clap your hands allows the pair to display their talent for harder- edged techno. pounding drums, metallic rattling, a tension-filled breakdown and the eponymous distorted vocal sample help to ensure the track fits in perfectly with drumcode s high-quality repertoire. made with the dancefloor in mind, coyu debuted clap your hands during his set at valencias marenostrum festival, where it received a spectacular reception.

increasingly known for his productions as much as his storied dj sets, eric cloutier approaches the studio with the same kind of precision that marks out his club and festival appearances. on this first release on palinoia he exercises a keen sense of control over playful elements, not least on lead track -heuristic-. the nagging lead synth may hop around the mix, but it stays locked on to a thoroughly focused undercarriage of drums and low end that suits the professional techno set. -ipseity- is lighter in its demeanour thanks to some calming pad tones, but the strong structure of the track remains. the release rounds up with the slower thump of -opprobrium-, surmising cloutier s attitude to the warm-up part of a serious, long-lasting dj set.

back in 2015 our bearded dirtybird player, will clarke, needed a secret weapon for some of his festival gigs for the summer. he sampled the ghetto house legend, dj funk, who made an appearance on dirtybird back in 2013 for the kill frenzy smash, “make that booty clap”. will passed it on to the rest of the dirtybird crew, and before we knew it the track took a life of it’s own and quickly became one of the most requested tracks, even to this day. will ended up linking with dj funk himself, and they turned what was a quick bootleg into a full blown collaboration. ladies & gentlemen, “booty percolatin’” is officially here. for the flip side, we added will’s solo effort “house girl”, a bumpin’ ride with a contagious bassline and chanting vocals for all the ‘house boys’ and ‘house girls”

fur coat return to crosstown rebels - the label that launched and empowered them to grow into the major techno force we know today, with their ’numbers ep, featuring a remix from us native vin sol. this is music that keeps you guessing. initially it appears dark and forceful, and suddenly a sound appears that results in a smile, a warm feeling that only the highest level of production can deliver. fur coat’s schedule is unrelenting. the last couple of months involving a standout set at dgtl festival, releasing on watergate records, remixing nicole moudaber & skin on mood records, combined with numerous festival appearances over the summer. resident of the popular night club lonely in san francisco, vin sol, founded an imprint with the same title earlier this year. a self confessed lover of the drum machine and regularly collaborating with matrixxman, sol has previously released on soo wavey, clone jack for daze and delft among others.

incl dave aju
the first vinyl of our new division « ppr shade edition » starts with a deep sensual and groovy release produced by the boss of anoma records, ohm hourani, and the montreal singer do mi (dominique fils-aimé) that we could already listen in collaboration with artists such as radiq, san proper... on a few electronic music projects. they are working together under the moniker of al/ve. you can listen their live performance at mutek festival 2016 on

blackwater is honoured and proud to present a very special release, in our production catalogue number as “bwl000”, released on vinyl in a very limited edition. a single side ep screen-printed on the non engraved side with a suggestive image of the sea of “capalbio”, a town intimately connected with the rise of blackwater society. the ep will be initially presented at the 2016 edition of the flussi festival where blackwater began its music journey two years ago starting right from -capalbio- and starting musically from that first piece “il mare di capalbio” produced by -devianza- owner of the label, who made this as homage for flussi. “il mare di capalbio” finally will see the light, being pressed on vinyl support exactly in the same month, in the same festival together with the same...

long celebrated as a hub for new producers to showcase their talents, cdr return to the releasing game in partnership with dimensions festival. up and coming house heads k15 and fyi chris reportedly invited lismore and ben houghton to take part in this collaborative release, resulting in four tracks that wouldn t sound out of place soundtracking a balmy afternoon dance on the adriatic sea. oozing quality and soul throughout, there s a distinctly laid back flavour to the house on offer across this release, although fyi chris add a touch more bite with their grubby lo-fi synth lines on -sugar-.

wedish born christian smith is sitting firmly at the top of the electronic dance music industry. his outstanding productions over the years have set the bench mark high, releasing on a collection of the industry s most respected labels such as drumcode, cocoon, bedrock, minus and his very own tronic. 2016 has been a busy year so far for christian, his tronic label party series has been holding events worldwide, including the bpm festival and sonar off week, and an ever growing catalogue of releases not forgetting his most recent ep force majeure released in july on drumcode which immediately entered beatports techno top 10, straight in at no.8. this september, christian will release his third solo album titled input-output on his own tronic imprint. consisting of 11 original tracks, each one embodies christians message of creating real techno, with powerful percussions and melodic basslines throughout. input/output is an outstanding production offering some of the best driving techno you can expect from an artist like christian, with his trademark style incorporated in every track. it takes you on a journey, through a variation of sounds and textures, which still manage to cater to everyone s musical palate. synthesizers work their way throughout, alongside dark atmospheric harmonies and haunting vocals or that pounding kick drum in some of the heavier tracks. it never disappoints!

in modo di (a classical music term for in the mode/style of.. ) is the new record label run by underground stalwart, tom ellis. one of the founding members and residents of the highly acclaimed freerotation festival brings us a resolute 4 track ep of his own deep, melodic techno productions, pushing forward his explorations of more hypnotic and textured dance music.

diseno corbusier is the avant-garde electronics duo of javier g. mar

elleorde was born 3 years ago at camp cosmic, an anything-goes music festival in the swedish forest that s recently been relocated to the german countryside. elleorde s debut record shares the same themes as the fest with a combination of time travel, cosmos, space exploration, sunsets on exotic planets, and universal love. not to mention, these are forest jams, mind you. the uk one-man project draws influences from war, dexter wansel, tantra, cerrone, ennio morricone, supermax, you get the idea. step in to the battlestar gallactica, open wide and eat the future.

following two radical reinterpretations earlier this summer from truncate and yaleesa hall, which earned plays from roman flügel, laurent garnier and ben sims to dusky and huxley, kameras ventoux ep is further expanded with two remixes that tastefully expand the producers original vision of uncompromising body music. festival and club favourite george fitzgerald is on hand first, delivering a blistering remix of cosignia, one of his personal favourite club records in recent times. here, fitzgerald continues his masterful streak of production, knowingly blending the somewhat menacing machine throb of the original with a suspenseful bassline, eventually culminating in a heavenly, ethereal breakdown, one thats certain to leave bigger rooms in throes. meanwhile, throwing snows remix of title track ventoux deconstructs the bright, idm inspired anthem into something equally frenetic yet utterly different. punchy live drums begin to escalate over a deeply satisfying electronic snarl, recalling throwing snows noted fascination with post-rock, while maintaining the tempo with naturally evolving elements of industrial and ebm

die in brasilien geborene, in köln aufgewachsene und in berlin lebende künstlerin dominique dillon de byington alias dillon hatte immer eine klare vision ihrer kunst. zwei alben hat sie bereits veröffentlich. für sie selbst sind beide eigentlich eins, denn sie erzählen eine zusammenhängende geschichte. live war dies stets spürbar, denn die dunkel melodischen songs beider alben bestimmten im magischen wechselspiel ihre shows. als sie 2015 vom berliner foreign affairs festival gebeten wurde, ein einmaliges konzert zu entwickeln, entschied sie sich für eine performance mit einem sechzehnköpfigen frauenchor, der sie und ihr kollaborateur und co-produzent ihrer ersten beiden alben, tamer fahri Özgönenc im juli 2015 live im haus der berliner festspiele begleitete.

step forward andré abel and joana da conceição, the portuguese duo behind the long-running experimental act tropa macaca who had a brush with the alt-mainstream a few years ago in the shape of the ectoplasma single for daniel lopatin’s software label. seemingly absent since their 2013 lp, praga de urubu só pega em cavalo magro, abel and da conceição have been coaxed into appearing on the trilogy tapes. given the tone of vida, it should come as no surprise that tropa macaca are also set to perform at the upcoming meakusma festival

following the success of their 4th album malamore released in april this year, french duo the limiñanas have now trusted london star dj, producer and friend andrew weatherall to remix the flagship single garden of love (feat. peter hook). the collaboration has resulted in two unique remixes. when we released je ne suis pas tres drogue in 2009, andrew played it in his radio show in london. then bernie fabre contacted me because andrew wanted us to play in his festival de la city a la cité in carcassone. thats how we met. when we worked with peter hook, the idea of a maxi with one or two remixes made sense. so we did this record with the original edit of garden of love and two remix edits by andrew weatherall. - lionel liminana

uvb is back with four fierce funk driven big techno tunes on his own body theory label. ranging from big bombastic festival sounds (disobey your kids) to minimalized 90s stylo loop techno (breach your trust) and the fierce closing track (yours thruthly) that sounds a bit like dark comedy on steroids. strong release!

standard edition without the sleeve ... inspired by his time at the volcano extravaganza festival on the sicilian island of stromboli, daniele baldelli has created three new cosmic tracks. including an epic remix of 1970s. a founding father of the cosmic disco sound, italian dj daniele baldelli rose to prominence with his mixture of european electronica, synth pop (often played at slower speeds), equaliser effects, and ethnic folk music. baldelli’s use of african and brazilian material helps distinguish his style from italo disco, which permeated the clubs of northern italy during the 1970s. baldelli dj’d the night away at last years festival and releases the ep on the vinyl factory in time for the 2016 celebrations

after a fabulous summer and a mind-blasting krake festival, killekill takes its next step and kicks off another new label called vanta series, which is destined for small series of 12-es with out-standing dancefloor tracks. the name derives from vantablack, a colour from nano technology, which is the blackest black and actually invisible. vanta therewith stands for the total emptiness and is the perfect name for a label which does not have a defined identity itself but is a platform for different series, which will all have a concept and aesthetic in itself. the first series is called -the end is near-. it consists of 4 releases and comes with an artwork by french artist elzo durt. every release will contain a small poster, all four posters put together become elzo durt s piece -les anges de l apocalypse-. first record is by dez williams, who also released on shipwrec and bass agenda recently. a-side acidbanger is a serious banger and has future acid classic written all over it. the b-side comes with two acid variations - one more stingy, one emotional and psychedelic - which show the potential of this outstanding producer. open your ears and put the needle on - here is some acid!

in the follow up to their recent 10 year celebrations - aus music present another landmark signing for the label as they triumphantly welcome long term friend paul woolford into the fold. few artists can boast of a catalogue as consistent and as evolutionary as woolford and his latest offering for aus - as ever - lands right on the mark in delivering a beguiling trip split over two sides of vinyl. ‘heaven & earth’ is a rich and elongated house record that contrasts bright orchestral melodies with thick, tearing bass tones. together - these two primary elements create a fervent sense of tension that no doubt will soundtrack countless memorable dance floor moments over the festival period.

** repress 2016 ** sukhumvit records debut release comes from one of londons shining stars. archie hamilton has firmly established himself as one of londons most sought-after artists. chasing the no 1 from release to release
on the a side, * troublemaker* is a rugged and shameless bomb. the driving bass and unmistakable hook have been tearing up dance floors across dc10, fuse, weather festival, awakenings and many others all summer.
* the universe* on the flip is a more heady affair. with a driving rhythm track, trippy vocal and and ethereal pad. a tried and tested moment-maker. burgeoning mannheim talent fabe completes the package with a very strong remix, toughening up the the original, making the groove his own with his signature bass and shuffle.

melodie is cristi tudorache from bucharest, an artist who has made quite a name for himself through the 2 highly acclaimed releases on raresh s metereze and french label rora in 2015. this is his latest ep, alderaan, named after an extinct planet in star wars. alma01 includes the much sought-after acid saturday, the track that has had threads dedicated to it all over the web after rpr soundsystem played it at weather festival in 2015. the ep debuts the almanah label, a new romanian label under the curatorship of the origami sound / interval crew.

kevin saunderson, a driving force behind detroits rich musical heritage and lauded innovator of techno, returns to his own kms records to deliver another unstoppable club weapon under his e-dancer moniker - one nation. one nation begins its 6 minute journey with signature saunderson percussion and a pounding 4/4 flow that oozes peak-time energy. an eerie and funk tinged synth fills the space with an intoxicating refrain to keep feet stomping, which later trades centre-stage for a heavy and evolving bass line as the track continues on its path of ebbs and flows. this heater aptly demonstrates why kevin saunderson it still one of the hottest names in dance music. as suited for sweaty basements as it is festival main stages, one nation will surely feature in the bags of techno heavyweights for months to come.

limited double vinyl in gatefold sleeve with download code included. recorded live on august 1, 2015 at wacken festival, germany.

nice price deal !!! about liminals uppsala based liminals were formed in 2009 by tomas bodén and anna-karin brus as a club-oriented side project to differnet, a band where they both are members. differnet gained widespread international acclaim with their experimental electronica on albums such as come on and bring back the brjokén sounds of yore and the title of the record is the text printed on the cover, or nothing at all. as tomas and anna-karin now explore the strobing lights of the dancefloor, they continue to draw attention and have already been recognized by pitchfork, swedish daily svenska dagbladet and swedish national radio shows p3 pop and p2 ström. when liminals released their debut, the hearthand ep (friendly noise, 2009), a video was made by sebastian rozenberg for the track the swim and the duo has since made a number of celebrated gigs throughout sweden and norway (for example, the norberg festival, the volt festival in uppsala and the phono festival in berg en).

nice price deal !!! the luvin legion of hot and bothered slime creatures, ghost groovers and winged horses has landed!some refer to bmmb:s music as funk, some call it skweee, but in the end its modern modern soul.it comes from a place where heavy crunk beats make love to sticky synthesizer leads and angel-like falsetto singing. so far bmmb has mesmerized club and festival audiences around europe.bmmbs only ep (hrmn-7) released in 2009 received amazing amounts of love from educated players such as modeselektor to mention a hot name. now bmmb is back with their long-awaited and long-prepared debut-album dirty seconds on harmonia.bmmb stands for barracuda, mesak and michael black.randy barracuda:best-known as a member of the electro funkateers imatran voima and one of the pioneers of the skweee -movement.mesak:known as a solo-artist from his releases on klakson, ceo of harmonia and a member of the electro group mr velcro fastener.michael black electro: poetry in motion. best known as a member of the hiphop avantgardists ceebrolistics and for his solo -productions on black acre - records

after years of releasing quality house eps, brighton based black key records scores something of a coop: its first full length is a sixth album from tom ellis, a core member and resident of the esteemed freerotation festival who is already well known to those in the know. his beautifully titled, eight track lp from the cabin above the clouds is due on april 4th and comes ahead of him launching his own new label.

nice price deal !!! besides delivering impeccable back2back performances behind the decks at events world wide (such as sensation, extrema festival and a day at the park), organizing their own housequake events (15th august & 13th september at blm9, bloemendaal) dj duo roog and erick e also made their way into the studio! after spending quite some hours behind the mixing console, the result is nothing short of amazing: housequake & anita kelsey shed my skin.

peder mannerfelt supplies four jams fashioned out of his own exceptional live show at the festival. raw, unsoftened, brutely analog sound from an ems synthi aks punctures space in an oddly futuristic rhythmic experiment, gesturing at a brand new way of thinking about electronic music. the cuts are also packaged in a special 12” featuring artwork based on his own breathtaking live audio- visual show.

synthesiser genius max loderbauer (nsi, sun electric, vilod, moritz von oswald trio) and techno experimentalist jacek sienkiewicz (recognition) combined for a stunning live show on the opening night of festival 2015. blending harmonic drones and almost unrecognizably distended vocal samples with adroitly weighted melodic passages, this collaboration was a masterclass in expertly crafted ambient music from two of the genres’ leading exponents. two passages from this set have been mastered and cut to vinyl in a special 12” with artwork by pedro maia based on his visuals for the show.

our fourth release is a special collaboration of anthem creator and footwork label head jay lumen and the super talented roberto capuano (drumcode, truesoul), fusing their different tastes of techno. octaves ep” finds the perfect balance between banging and melodic techno. the melodic octaves” consists of vocal cuts and vigorous synths and chords while aquila” with it’s moog bass synth and breakdown theme is a true banger groove. absolute festival anthems!!

nice price deal !!! as a natural selection for its own label roster, colognes psycho thrill label and club brand is now appearing with another sub-imprint for deeper techno and minimal house tunes. the first official release is compiling the best tracks of those hard to get c/o pop festival promo copies from 2008 in a split ep called lost-n-found by southern frenchman hughes giboulay together with colognes grossprojekt 674

farr has a diverse catalogue, with three well-received releases on turbo as well as records with dsnt, leisure system and power vacuum. few producers can claim to have remixed tiga and been remixed by truss.
though farr has an extensive history with bloc., this will be his first outing on the label, a release that incorporates sounds that both bloc and joe are famed for.
the first track, “rpm” features prominently in the bloc festival trailer and is the soundtrack to the 2016 weekender. hissing high hats and an atmospheric baseline quickly develop into an explosive anthem designed to get feet moving. “rolling and thatching” conveys an immediate punch of 90’s acid, followed by techno heavy “workout three” with crunching beats and an unremitting delivery worthy of the berghain dance floor.

lneg006 is a tape, featuring rawmance’s dj set recorded at villa arconati (milano) during terraforma festival, 13th june, 2015. 45 minutes per side, part 1 and part 2. chill to hallucinogenic ambient electronics, have a nice trip.

it s hard to believe an entire decade has gone by since claude vonstroke first released who s afraid of detroit but believe it or not, we ve reached the 10 year mark of one of the biggest hits of claude s career, and we felt its about time for some fresh takes on the track that helped launch vonstroke and dirtybird. for 10 year anniversary, we tapped into the motor city s outstanding talent pool and enlisted an amazing lineup of detroit artists to help us celebrate. besides claude vonstrokes brand new 2016 remix, we also included mixes from techno icones octave one, minimal techno pioneer marc houle (windsor is close enough!), and the accomplished trio visionquest. not limiting the detroit based artist package to just the music, the haunting release artwork comes to us from michigan illustrator dan may. in addition, a dark david lynch style music video comes from award winning detroit director, anthony ernest garth. whos afraid of detroit remixes,will be released on the 10th anniversary of the movement festival in what city? detroit, of course.