what happens when you take a track by a british power trio heavily influenced by blues and psychedelia, and get a master of wayward, left-of-centre balearica to remix it? that’s the premise behind claremont 56’s latest vinyl outing, which features magic feet recordings boss craig bratley delivering a pair of druggy, spaced-out interpretations of “better man”, one of the more laidback outings from fast-rising rock combo bella figura.

austrian shooting star project niereich was founded in 2010. as dj/live act, producer and label co-owner of audio stimulation recordings he serves as a true multi-purpose weapon. while playing at the biggest in- and outdoor events and his releases being supported by the biggest dj s across the globe, he undoubtedly set his mark on the international dance scene. niereich is known to be rocking as there s no tomorrow. this urban format ep is packed with techno bliss and consists of 3 strong, dark and deep tracks.

taking a brief detour from his normal abrasive distorted sound, pinion showcases his broad spectrum as an artist with the desire ep. the title track, desire (half measure),starts out of the gate with a thunderous half beat 808 coupled with a swinging hihat pattern that slowly works ethereal vocal slices into the forefront, accompanied with a modulating synth pad that evolves into a defining melody. the sister track, desire (full measure), has very similar characteristics as the original, but allowing a little more edge for the dancefloor to build on. the third original track, recollection shifts gears quite drastically with a 135 bpm stormer with enough soul and melody to make the uncharacteristically fast tempo seem inconsequential. last, comes kyle geiger on remix duties to round out the ep with a housier take on desire, but still enough bite to fit nicely into any techno set.

known for his contributions for lumberjacks in hell, seven limited or black key records, giovanni is a talented musician/dj from south italy, producing music for over a decade now. for his faces records debut, gio is going deep, straight back to his latin/jazz roots with la dame et le conga and what u feel like. while paying tribute to the old ny/garage sound on tell you what i do cherry on the top, detroit legend rick wade offers a new take on the title track, crafting a magnificent deep mix of la dame et le conga recommended to every deep house fans and children of the drum

tt/dok is kenton slash demons third ep on future classic. the two track ep is set to hold down the same amount of anticipation and support of precious offerings of the danish duo. this release affirms again the strength of kenton slash demons organic and futuristic sound, and their obvious skills take their productions further than the typical frame and dramaturgy of a club track. they want to create soundtracks for clubs as well as music that you can listen to on your home stereo, thus blurring the space between the public and private experience. the vinyl release includes a download code.

west end s second release in its new series of disco boogie essentials. 4 dancefloor killers from boogie s golden age. volume 2 sees glass let me feel your heartbeat, taana gardener work that body, sybil thomas rescue me and sparques take some time. all beautifully re mastered and released in conjunction with west end / verse 2016.

jackie brown enters 2016 with new 12 inch from el nino andres - a four track ep called “she understood duke ellington”. as with his previous releases, croatian producer offers his take on house music thats influenced by jazz, soul and funk. drum machines, samplers and antons improvisations on his piano and rhodes make for an ep of warm, melodic and groovy house music. everything is rounded up with amazing artwork from maximilian moser.

2016 repress, without artwork cover
take daniel lesemans signature swing and loose arrangements, add a touch of junktions knack for jazzy chords and sampling, and you get fouk.

yoruba records is proud to open 2016 with a forward thinking ep and album teaser from yoruba fan favourite toto chiavetta. hailing from catania, sicily, his deeper influenced house sound is a hit at yoruba and we couldnt be more excited to welcome him back. this ep opens with the beatless mix of * impermanence*, the title track from his forthcoming album. tshaka campbells vocals lend unbelievable perspective to this jazzy, guitar-led chill out track, while also giving listeners some serious food for thought, an easy track to lose yourself in. up next is * take care*. influenced by the classic chicago sound, this bass line driven cut pushes the style in new directions while maintaining an absolute dance floor focus, a must-have to kick off the year. we close with * be the wind*. this techy, spaced out groove is well suited for the late night hours, its moody synth lines gently tease as you await the addition of the dance floor ready percussive combination. we hope you enjoy the forward thinking sounds of this release as much as we’ve been excited to bring them to you.

vor über 35 jahren entschied sich phil collins dazu, sich neben seiner rolle als genesis-sänger auch als solokünstler zu versuchen. mit großem erfolg: jedes seiner acht alben landete gleich in mehreren ländern in den top ten der charts, viele sogar auf platz eins.
mit der reihe »take a look at me now« veröffentlicht der britische sänger jetzt alle acht soloalben seiner karriere erneut, und zwar als deluxe editions - remastert und auf audiophilem 180 gramm vinal gepresst. den anfang macht – wie sollte es anders sein – collins debüt: »face value«.

smeur continues it’s journey into melodic trippy house. the third release features two artists take on a track from the same starting point. both sides are based on the same set of samples. but while side a reminisces early orbital in its theme side b is a somber excursion into another subterranean world. both tracks will keep the floor interested with it’s different approach to house music.

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

this time we dive into lo-fi area, introducing precipitation, vancouver based artist who delivers 4 cuts of sweet sounding sound sculptures, recorded live in all-or-nothing, single take approach with minimalistic setup, showing real commitment and heart for the less is more process, and a lot of feel for handling harmonies, melodies and moods. all music written and produced by zefan sramek 2015. dedicated to j.l.

new yorkers matt morandi (jahiliyya fields) and max ravitz (patricia) take the buyout, cash in their 401ks, and opt for early retirement down to deep florida on their debut lp for l.i.e.s.

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kon’s startime.

wolfskuil starts 2016 with a bang, introducing three emerging artists to the label on one fat various artists ep. discrete circuit, rumah, and nettling take the stage delivering one track each to showcase each one of their personal styles.

ilija rudman is quite a unique character. a fact reinforced by listening to some of the records from his vast catalogue, taking a walk through his next level studio or simply talking to him. preferably, all three at once, as it is often the case. authenticity is the word that comes to mind when describing the work of this leading croatian artist or while listening to the material we are proud to put out on 12th burek release. the record features three cuts.

as the dust settles on eduardo s most successful year to date – a year that saw him release his debut album >the intellinet prophecy< and drop science on labels such as badance, nonplus, mental groove and his own analogue solutions – the spanish super-producer propels into the new year with another broad, rich statement of musical intent: this time on marco faraone’s and norman methner s uncage. a label that doesnt just nurture unbridled, freeform creativity but insists upon it, uncage ignited late 2015 with marco s mesmerising >rotaryknobs< and remixes from both radio slave and markus suckut. each artist setting the bar high with their own unique take on techno, it s a tough release to follow. naturally, though, eduardo delivered a wonderful ep. and he’s done so with three beautiful original compositions ranging from cosmic techno to velvet jazz and subdued, poignant house. dig deep...

the ronda’s are various motorways that cross the condal city from it’s opposing corners, just as it’s bell way counterparts, this one’s take you into many different perspectives of the metropolitan area, locations where there’s a park full of green and sun every day, are also tunnels full of pollution, machines and constant darkness. drive carefully

b12, one of the uks first wave of pure techno acts, are back again to take you above and beyond with their trademark deep space techno and electro soundscapes. after appearing on the *5 years de:tuned* album with the track *let me free*, b12 return to de:tuned with more transient music for the mind.

in demand repress for this great title ! ...great dont release featuring lots of acid and cover versions to boot! fresh re-rubs of blake baxters >sexuality< and joey beltrams >energy flash< dont recordings reaches the big 20th release and marks the occasion with a double headed ep that looks both backwards and forwards! neil landstrumm has always been a big influence on the sound of the label and here he steps up and delivers 2 monsters that while being completely his own, are also respectful cover versions of classic techno tracks that any techno head worth their salt will recognise. the originals are from 1988 and 1990 but these versions have been completely programmed from scratch using no samples. this is one for the connoisseurs! flip the 12 inch and what you get is two massive acid house party rippers from matt whitehead. matts been tearing up the london scene the last few years with his fresh take on the classic house and techno of the late 80s and when we at dont heard >to the beat< it was snapped up immediately! simply great, dramatic acid house music that is as catchy as it is timeless

all track are written and produced by alessandro sensini and carlo battistini
tracks description:
a1 - raining: calma opens up with a hypnotic rumbler! snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you re at a party in a haunted church. a2 - cuattro: calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding. b1 - mr amarè: calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely. b2 - cuattro /juju & jordash rmx): juju and jordash take over the remix duties for calma. the dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

infuse drop their first 12- of 2016 which sees howl ensemble take the reigns for a fine 3 tracker. nexus is a bottom heavy warehouse groove with plexus providing able support with its deeper aquatic style whilst sexus rounds things off with an altogether trippier experience

yuyay records advances to physical goods: the six track ep -endomorphism- by sophus y. lie is the imprint s first vinyl record being released. shining light on a melancholic side of electro, the exceptional and uncommon sound design invites you to settle down and take your time listening. and yet, your endorphins will jump

since setting the tone at born electrics boiler room take over and releasing a widely acclaimed debut release on born electric, pedram s production has found its musical feet in unique ground, which his second ep on born electric firmly cements. the ep opens up with lex. a track which personifies what is gradually becoming pedram s signature sound, ethereal soundscapes, full bodied arpeggiated synths, off-kilter drum rhythms and full of electronic emotion

back again on board the deep man four walls with 2 fantastic deep tracks driven by a mix from the atlanta-man kai alce!!

hugo lx lands on the courtesy of balance recordings planet with an exquisite ipiece of house music on wax. inspired by his travels across japan, these tracks will cater for most djs and music lovers alike. from the powerful and dubby low altitude to the slow burner of kansai kick it, hugo lx showcases some of his musical ability and talent. hugo is the former production mastermind behind the funk league, and the frenchman s hip-hop roots take his music production take on house music back to its roots! hugo lx is the latest addition to the legacy of french underground house producers! nuff said. drop the needle on the record!

repress 2016 , five artists from lofile records and its closer friends have contributed to this v.a. ep. they take you on a trip from deep warehouse to cheesy harbour disco, climbing scruffy rumple techno until they revel in artifactual experimental spheres. each track has its own individual sound, all 5 of them combined create a rich harmony that inevitably spins into your ears

spanish dj & producer, eduardo de la calle, has continued to explore the outer limits of the electronic palette since his cadenza records debut back in 2013, clocking up stellar releases for the likes of mule musiq, hivern discs, be as one and nonplus over the last couple of years. eduardo returns to cadenza in february with the ‘anima animus’ single, coupling two tracks of refined techno for your listening pleasure. taking inspiration from the psychologist/philosopher carl jung’s concept of anima and animus (and do take the time to explore this), eduardo marries arpeggiated synths and melodic chords with a soft kick and tantalizing hats, producing a slick piece of reflective techno that’s alive with melody and groove. on ‘north pole’, we get more of the signature ‘de la calle’ sound, subaquatic bass and searing, melancholic strings play out over a steady mechanical beat, nodding its head not only to the detroit masters but also to the european new wave sounds that influenced the motor city artists in the first instance. another assured single release from eduardo that will further solidify his place in the current electronic music landscape.

the great japanese producer takeshi kouzuki return on hotmix with an amazing four deep-chicago tracks ! intense atmospheres, strings and obscure pads, rich basses, the result is a fatastic ep. pay also attention to the track -super naturl- sung by the famous singer of dream 2 science gregg fore !

if you ve followed local talk thru the years you ve most likely noticed how we like to throw a few curve-balls every now and then. for our 65th release we ve got gomma boss mathias modica aka munk and ndatl head honcho kai alce sharing the black gold. two producers with their own unique style presenting something special. while munk s original version of hot medusa is a shimmering and warm head-nodding & toe-tapping jam, the remix by mr alce is deep, soulful and musically rich house. two very different takes on one track, take your pick. on the flip munk delivers purple dust. this time he s upped the tempo a few bpm s, accompanied by a deep bassline with lush melodic synths and chords. mr alce ends the 12- with a dub of hot medusa which is brilliant from start to finish. another highly recommended and essential release.

for its seventh installment paragram welcomes two east european talents, rabotnic and crihan. bez tapok is a deep exploration into dark immersive soundscapes and multi-layered experimental sounds. each track is a representation of the artists personal take on finely crafted grooves and sound designed elements.

lin/log is celebrating its 5th anniversary! and for this special date we invited some very special friends, too. this record contains two pounding tracks that mainly were made using the endorphin.es furthrrrr generator and terminal modules. each track was recorded in one take to provide the full eurorack modular experience lin/log stands for. pressing on grey marbled 7 inch vinyl.

the audiojack duo team up with cohort kevin knapp to release their heavy club weapon vibrate on hot creations. berlin based re.you and minus favourite barem take the reins for remix duty.

fusing forces from norway and ghana for crosstown rebels is djuma soundsystem & yann coppier feat. king ayisoba, with the expertly crafted anyimo a african infused techno beast of a track, featuring remixes from dj and producer ibadan kingpin jerome sydenham and the illusive johnny aux who brings his signature acid house sound. king ayisoba originates from ghana and has been sharing his modern day twist on kologo music all over the world. norwegian in origin, djuma soundsystem has been creating music and touring the world for over a decade on labels such as rebirth, eskimo and noir. the two creative forces have combined here to create a truly unique afro-infused head turner of track with king ayisoba superb ghanaian vocals. the legendary jerome sydenham delivers two floor-filling interpretation of the original, both vocal an ibadan dub, hike the tempo and hit the floor running. also, johnny aux delivers a rib rattling techno take on the original with devastating effect

willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

taking chris munoz s (aka the sexicans) take on sometimes from the forthcoming spike remix lp orange cloud version as its starting point, golf channel favourite justin van der volgen shunts this bad boy that little bit further through the doors of the club, puts something on its tongue and kicks it into the big room.beefy drums, a stoopid fresh bass line, big vocals and a tough, explosive, rocky guitar riff ensure this one has anthem written all over it.flip over for 4 more unheard spike gems, little lost nuggets that didn t find their way on to the much loved lp orange cloud nine but need to be heard: you can do it is much in demand already amongst those that know, and the closing cut careful is a fragile beauty.

vent is happy to deliver yet another take on stripped back essential techno. stephanie sykes has had the opportunity to entertain many dancefloors since her last ep on vent, and we are astonished with her artistic progression. the sonic imagery is smoky and bass heavy, perfect for those heady dancefloor experiences. and as if the package isn’t perfect already, cassegrain delivers an absolute killer remix with raw, truly minimalistic techno.

the forth inline on giant is again from grant dell this time grant take us on a deep dive into the realms of a trippy moog lead madness, on – the way we feel – filtered out dub stabs evolve around a timothy leary inspired spoken word – dark heady madness.

a year after his last outing on the label, gunnar haslam is back on delsin with four more tracks of idiosyncratic techno. opening up this ep with the title track, haslam cooks up a spangled brew of erratic synths and spinning hi hats and ties them together with a heavy rubber kick drum. followed by sarsi which is then completely different, its a beatless and emotionally forlorn cut that still manages to take you somewhere special. deep dancefloor business taking over on the b-side. scurrying alien sounds closed by a frenzied techno trip. each track here is different from the last, and each track here is a refreshing proposition from one of the most interesting guys around.

max 1 per customer ... please do not reserve this - please lets ship today... we dont have enough for -collecting orders- ...
12 inch + new sample cd available
the long awaited release of my life with the wave vol 2 is here. mike huckaby is finally ready to take you on another journey of skillful sound programming using the legendary waldorf wave synthesizer. yes, this is volume 2 of my life with the wave. 4 tracks of strictly deep house music made entirely from the wave. enjoy another experience of music made exclusively with this synthesizer, the waldorf wave.

let, the young but already assured label from the amsterdam based party crew presents their next release from close friend, robin kampschoer. he previously released music on studio soulrock and redevice, and it is hypnotic, deep and painstakingly produced stuff that makes maximum impact with minimum effort. his first productions for the label come with a remix from none other than detroit s luke hess. serene and blissful rollers that will take any dance floor to a higher mental plane.

heres an ep with two songs that are sure to take you back. originally mixed by the legendary larry levan of the world famous paradise garage. these two tracks were both considered anthems when played by larry himself. officially released in 1986, but this demo mix of winners was never released. larry levan played this unreleased cut for many years. groove was never actually released and it was larrys secret weapon! in january of 2003, both songs will be available for the first time together and are sure to bring back the nostalgia that has tried to be recaptured ever since. written by brodie williams. mixed by larry levan

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

outcast oddity launch another various artists fro their second release, this time seeing four unique artists take on bumpy, pounding house and techno jams. melodic, ghostly and totally enthralling.

at long last, coalmine records is pleased to release guilty simpson and small professor s highly acclaimed collaborative lp, highway robbery, in vinyl format. weighing in at 11 tracks, which includes the vinyl-only bonus track of zilla rocca s remix of go, the album places the listener in a seemingly post-apocalyptic detroit where the mentality is feast or famine.

2016 is bright ahead, but lets take a moment to look back to the intacto breakers and shakers in 2015. it

deep house soldier from limerick drops 3 tunes that are slow, deep, & burning like a nicely rolled blunt. will appeal to the beatdown heads who get into the momentous track flow & maximum sound design. 3 tracks.

2016 repress - further heat from gay marvine, brightening up every floor with powerful uplifting dj tools, the essence of the heat of the party. this time we have lost disco classic that just gets you burning, the funk of war given the perfect disco treatment, diana giving it to you like only she could (and later michael would, his exact staccato style), and luv tempo of factory favorites who later had a member who completed her phd in the cultural politics of the house music aesthetic in 1995. serious business for any floor!