fresh back in … ‘limerence’ is not only misantrop’s debut outing, it is also the inaugurating release of his own label foul-up. the sound pops out of an industrial mindset, but the title piece reverses out of garage/classic house that nods to 90s r’n’b. on ‘nocturnal emission’ friend jon marius brogaard aeppli’s guitar solo is vogueing out on the floor, psychedelic rock meets psychotic blues by way of sheer uk sound.

bosconi extra virgin has prepared for you two super tasty various artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! -the sweetest- volume 1 begins with the outstanding jazzy midtempo song of austrian producer m.a.r.s -feel the heat- and the deep space, italo soundtrack infected boogie directly from napoli of bop & 291out s -uomo dalle nuvole- , known for their releases on acido records and really swing.b side features instead the chugging raw deep house track (($)) from misterious producer from tuscany def safari and more funky, garagey, soulful vibes and broken beats by the mechanical man from napoli and young artist jts1 from milano.

after almost two years “things from the basement” are back with another very patient contribution for kann. next to their very intimate and minimalist original jams the 6 tracker includes three different dancefloor focused remix approaches from sevensol, map,ache & polo. the label’s final record of 2016 consists of a wide ranging musical package, all tracks are sorted by genres but unified in the same vibe.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

cosi002 further documents an emerging, ex-germanic theory of perth dance music, typified by tracks built on techno’s stern compositional logic, but poly-functional and cross-disciplinary, wearing the stripes given to them by this most nonpareil of electronic music ecosystems.
the ep has both dance floor heft and mood-focused flexes. “the hunt” is a solarised, laser-sharpened and hi-hat driven garage/big room hybrid. 8-minute “m is for audio” is a workhorse techno slow burner with all the red-eyed melancholy of greats like “acid eiffel” and “deep burnt”, acid burnt and stinging at the mid-range. conversely, “rube” abounds with percussive warmth and ear-dancing patterns, as does “freshness and convenience”, a bastard union of dusty breaks and a hard funk bassline. the ep ends with ambient cyber walkabout “freetown”, peripatetic, matte-toned and pulsing with vital signs.

kintsugi: a japanese technique for repairing broken pottery with veins of gold long time cohorts he/at (aka chris finke) and tom dicicco join forces for the first time to form “kintsugi soundsystem”, a special label & performance project which kicks off with the split “journey to yomi ep”. four special tracks to launch their new imprint , sinister atmospheric techno but not as you may know it , searching deeper and further. rounding off the ep are the first 2 “veins of gold” in the series – locked grooves cut specifically for dj use. fierce loops for use in your warehouses – warning.. club tested and devastating for the adventurous dj.

nice price deal !!! alessandro bocci s first official full-length album under the m16 guise considerably fleshes out the portrait previously established on the eps he s issued since the alias s 2004 inception (prior to m16, the bologna-based producer was a member of starfuckers). in its early going, lack corner after the beat sessions sounds like it might shape up into a solid but well-behaved collection of artful techno, in particular when armati opens the set promisingly with four minutes of metronomic, bass-heavy throb, and lab 1 follows suit with an agitated broil of bottom-heavy locomotion. but a more experimental side gradually begins to declare its presence in the rippling crackle and buzzing whirrs that threaten to smother the combustible beat undercurrent pounding throughout lab 1. sounding perfectly at home in this context, the already-heard ep cut agenzia 13 then works a thunderously thudding kick drum and ricocheting percussive accents into a roiling groove that grows ever more forceful until it reaches a steamrolling climax.

this is the second release from london producer/dj and apron regular shamos. -games and dreams- is the the follow on from his debut record -road works part 1-, carrying the same rawness, but with a bit more wisdom... this will be the last apron release of the year, so it makes sense to end the year the way we started. with a shamos record...

ess o ess are back home on not an animal, with a track that both continues and develops their recognisable motif. flamingoes and wombles and the blue oyster cult is as maniacal as the name may suggest, swamp rock, cosmic disco, techno and shamanistic vocals all play a part in a pleasingly out there confluence of styles that drives, spits and builds to an unhinged, but cohesive, finale.

cottam s ruff draft label makes a logical move and turns to a long-serving champion of gritty, soul-powered house jams from the tough side. dj nature may have made his name many moons ago, but he proves to be as relevant as ever on this killer two-track release. -alfred- is a tightly wound box jam that manages to maintain tension throughout without needing to pander to the release part of the process, sounding all the more exciting for it. -blood on your hands- meanwhile finds nature heading into the scuffed, soul-sampling territory he s most at home in, and the ensuing rumble of off-key funk is impossible to refute.

rotten city records welcomes a new citizen, but not a newcomer tothe scene. he is luca rocca atagliati, best known as dj rocca, a veteran dj and producer from italy, half ajello, half supersonic lovers, half from crimea, a third of electric tree and regular contributor with legendary dj’s like daniele baldelli or dimitri from paris. after his multiple releases on labels like is it balearic?, nang or futureboogie, luca joins to our beloved rotten city with two original tracks showing his darker, narcotic and narrative side, concocting a bizarre and labyrinthine disco, which develops a spiral shaped staircase from the inside.

the house music super group not from paris but from duisburg strikes back with their second 4-track ep on so glad records!

rfbcolours 004 is aimed at the dark, jazzy smokey affairs. from the off u can see the imspiration fro the ep title with the a1 track from sombro and embezzlement society capturing a low end, horn sampled groover with rough claps and an undeniable groove. georgi barrel delivers again with something that will warm up the coldest clubs or capyure you on sunset terraces. long island sound hit the pianos hard on the slower paced but equally as grabbing and tense -grit-. label owner jamie trench rounds off with night lanterns which is a track thats been waiting for a space on wax for a good few years now and fits beautifully with the rest of the ep.

the last and eighth release in this series opens up with christian wunschs remix of ex machina on the a-side which is all hypnotic bounce, roaring chords, cutting through the irrepressible groove. morbecks remix of ghost town on a2 is an atmospheric but tough interpretation of the original, kicking hard with jackhammered drums, coupled with metal scraping metal sounds and a simplicity that makes it a handy tool to build great tension on the dance-floor. the b-side kicks off with jonas koppss remix of miscellaneous pt. 1 – creatively pairing the heavy rolling 909 drums with a classic four-on-the-floor clap pattern and topped with the eroded drones of the original track. b2 is a re-mastered version of the utterly timeless and epic club hit “1969” by the mastermind christian morgenstern himself.

ltd to 220 copies
long time minimal techno pusher franklin de costa steps up to jersey city label green village to thrown down a ruckus with four serious cuts of advanced house and techno. -derp journal- may be flippant in name, but the bassline it packs is not to be trifled with, nor the edgy drums and lashings of reverb. -bogart space- is a more house-minded affair, but it s still reaching to a contemplative space using unfamiliar sounds. -good day bad day- gets into a cyclical, psychedelic mood thanks to a trippy synth circling overhead, but then the ep gets dealt a tough finishing blow by the cranked up hustle of -flashmelo-, coming on like a crunchy mid 00s minimal jam of the highest order.

many dance music lovers who frequent creative music hubs such as cxema in kiev, rabiza and arma17 in moscow or mosaique in st. petersburg have already been introduced to obgons live sets, andrew lees drilled-up high speed dancefloor project. he is also known as one half of interchain a live band that leads an energetic artistic life spanning from ambient sessions in abandoned industrial spaces, to playing high octane techno at the biggest festivals in russia, such as the main stage of present perfect festival right after aux 88 and before philipp gorbachev. andrew lee is a rather calm guy who prefers action to talking about himself, but we do know that he quit his day job to focus on music.

following on from the acclaimed “talk from home”, suzanne kraft returns to melody as truth with a second full release, “what you get for being young”. recorded in amsterdam over the course of may 2016, “what you get for being young” offers a full immersion into kraft’s ever-evolving world. a milky tip! . lush, digital manipulated synths spread across cold surfaces, metallic drums dance around skeletal song structures. whilst echoes of “talk from home” remain, they are but faint echoes, as kraft’s recent exploration into sound-design and digital manipulation confidently posits “what you get for being young” as an entirely new chapter in the artist’s growing narrative

as icelandic techno receives recognition like never before, so nonnimal steps up to ae recordings with a fine ep that sports many of the hallmarks of this particular corner of scandinavian culture. there s a spacious, dubby minimalism that pervades throughout freyja, but what really sets the record apart is the considered deployment of found sounds, heavily processed and sticking out in the mix to inject some unpredictable energy into these largely calm oceans of rhythmic hypnosis. even without such decoration the music is exemplary, as on the haunting lilt of the title track with its subtly shifting pads tuned to the emotional maximum.

a project that came to life fuelled by collectors obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013s testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind.from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, its probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youll likely hear in these weird, angst-ridden times.

vinyl only - round 2 for neukolln based boutique imprint xk after hauke freer s phenomenal first volume left heads baffled all over the place. this time, the label hands the a side to retro spook maniac matthias reiling, who opens with hand of hope, a tune that fuses an attitude-heavy, upright bass / piano theme with a cold hearted drum workout. strongly physical, sensitive, yet somewhat arrogant as we feel here. reiling twangs up his stratocaster on melodioso and explores the possibilities of sequencer based surf rock. you know, like a computer trying to be a backing band or the other way around. we can t help but imagine chris isaak singing under the shower to this one. the b side is freer territory once again, and hauke takes us deep into his realm of hypnotic, druggy dub-disco sculpting. reach out sucks you in, leaves you utterly disoriented and makes your mind paint a picture you would not have painted elsewhere. when you try to tell your friends, you can t find any words, yet it feels right and you all smile at each other.

time has passed since geenas latest weedy excursions on antinote, but the man is finally back, inviting you to take a dip in a swimming pool filled with molly!

now, if there was ever a record title that could make you look twice its gotta be this seminal slab of jacking chicago mayhem from maurice joshua & hot hands hula. released in the golden year of 1988 on the legendary trax label which was already in full flight and on a major roll at the time. it could have been easy to overlook i gotta big dick because of its (mildly) humorous, tongue in cheek title, but don t be fooled, this is one sleek, charged acid weapon, an early blueprint for the incoming ghetto house scene out of the chi perhaps? if you re somewhat prudish or easily offended by the lyrical content the guys were kind enough to include an instrumental version that jacks in all the right places! also included on this ep is the stone cold classic this is acid which was co-produced by lidell townsell that became an acid house anthem all the way from illinois to ilford. a true school chicago jam indeed! finishing out the ep is the almost apocalyptic acid of -feel the mood- that features a rap from kool rock steady, the combination of twisting 303 s, church-like organs and synths and kool s razor sharp rhymes make for a pretty heavy concoction, use this one wisely damage will occur on the dance-floor! remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

10 years ago the29nov films was started in a small village in southern germany. thousands of videos and millions of views later sebastian kökow and kevin paschold have become one of the most sought after video producers in electronic music - mostly for industrial-leaning techno, but also for all other kinds of electronic music. to celebrate their 10th anniversary the29nov has finally gathered a few of their favourite artists and they all have contributed to a compilation, which will be released on 2 double 12-es, one out in november 2016, the other one to follow soon.

acclaimed be as one boss shlomi aber makes a big step up here by putting out a trio of his killer techno cuts on the always excellent and forward looking nonplus label run by boddika. his xy play ep continues in his no nonsense, floor facing style and impresses once more. shlomi aber is an underground titan who runs his own musical empire in the form of his be as one label. he has made it into an essential outlet for no frills house and techno and his own output has found him in fine favour with djs and dancers alike. playing all over the world and also serving as an expert at the emerging ibiza festival on the white isle, here he comes correct once more. the title ep xy play is a brain frying affair with cantering drums and stern synths bringing a dark and intone vibe to the groove. way old story is just as heads down but less ominous, here the synths are a little spooky and add intrigue to his slick rubbery drums. last but not least related sources is a hunched over house track with dub in its kick drums and a desolate industrial feel in the landscapes above. atmospheric from the first to the last moment, this is another killer ep from shlomi aber.

after a refreshing and vibey summer of sun, beats & parties, dext hq is firing up for our next release which is set to drop this autumn it is an absolute pleasure to welcome back one of our stable artists, callahan, for the follow up to his well-received dext debut don t need. callous ep shows the same rawness and intensity of his earlier work but with a more polished and refined production sound, focusing on a few key elements that are executed to perfection. right from the off, the title track callous draws you in with its haunting and somewhat dystopian synth line that rides along the track s jagged percussion. the result is the kind of danceable groove that has become the calling card of the more exciting techno music to come out of the uk in recent years.

another off-the-books mission to the outerzona ! consistent best-sellers, these little collections of secret weapons have made many friends out there on the floor no.6 delves once again into the ammo cupboard, but reassembles this devastating array of weaponry into altogether more potent smart-bombs from a wigged-out jazz-rock monster to familiar & timeless symphonic disco licks, to a hidden mid-seventies soul rewire once again, outerzona refresh the parts other edits cannot reach ! these are never around for long, so you know what to do

claes rosen makes a welcome return to local talk after his daydreaming release back in 2013. for his new release claes has written a beautiful house jam that s got after hours written all over it. it s melodic, soulful, spiritual but still mighty uplifting. fans of glenn underground or blaze should listen carefully. on the flip we ve got something truly special for all the real house heads - lars bartkuhn & marek bartkuhn aka needs are back on the house circuit. yup, it s true! needs are back once again and agreed to deliver a remix for local talk. back in the late 90 s and early 2000 s needs was a huge breath of fresh air to the house scene with their melodic chicago inspired house sound. the remix delivered here is again something timeless and unique, sounding simultaneously classic and new! it s a real builder, so let this one run its full course. trust us, you ll be rewarded big time!

two previously unreleased tracks from the outsider disco outfit - strange.
christopher spraggins & the strange band out of rochester, n.y released a total of one record. a spaced out druggy disco band that had a hint of rick james with a deeper trippier vibe that’s truly unique, reproduced for you here for the first time since 1978. the band was introduced to the world by cleveland unlimited records who still exist to this day, unfortunately as these things go, the record failed to gain sales needed to justify further but a whole lp was recorded, here we bring you the best tracks from that unreleased lp on your favourite format.

brand new addition to the ever growing transatlantyk catalogue. after an excursion into the hot, equatorial waters of transafryka, the fleet went back up north to visit europe s busiest port and meet with freux. he comes from the same creative crew from poznan that brought you such talents as selvy and newborn jr. nowadays this young graphic designer spends his days in rotterdam s district of delfshaven, after which this ep is named. a mix of 90 s deep house influences, strong sense of humour and unusual musical sensibility guarantees a sure shot winner. the strong groove of bernie is build on a scatting vocal loop, soon joined by ethereal synths and funky slap bass. borderline cheesy sax line completes the picture, which is like an ocean in the sunny, windy afternoon - soothing but never sleepy. coming up next is ght , inspired equally by 1990 s new york and 2016 s vancouver sounds. ambient soundscapes and chilly melodies are set off to pumping drums and looped basslines. the club mix of step offers a similar sound palette, enriched by mallet percussion. a fantastic soundtrack to any leisure activities. the ambient mix takes the original idea into one of rotterdam s coffeeshops, the one where they show a surf movie in slow-mo on a constant loop. jump and wave.

with the musical institution that the guitar constitutes, golden retriever sets out to change its paradigm with very simple means, creating a void between genres and ideas to be in, grinning in its essence yet at times grounded with serious introspective ingredients. with only an iphone as a recording studio, golden retriever has created the ep in a very minimalistic sense, not only when it comes to sheer production elements but also through that instruments chosen to use. having a background in various other scenes, you could say it s a consequence of leftover creativity and exploratory passion that didn t fit in anywhere else at the moment. the sonic palette is naive, luscious and surprisingly thick and sturdy considering the limitations of both instruments and recording equipment used. with unassailable melodies that are equally captivating as ravishing, it seduces you with the same drifter romantics and beautiful scenery as you would find in any classic country song without following the same structure. whenever a string of the guitar is plucked, struck or touched, it invokes feelings of both adventurous joy, but sometimes also the sadness of leaving something behind.

the period of the 1960s and 70s was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and rock. countless of local artistsw released their music independently, such as mr. holiday. and what a dope double-sider it is! check the drum & flute break, something to die for!

the sophomore release on the ouïe imprint brings three more killer cuts into the universe. made up of the production outfit nu - based in germany but clearly well travelled and open to diverse sounds from around the globe- this ep is full of groove laden sunshine vibes.

something from nothing is a four tracker that fuses techno sensibility with house swagger, a voice calling to detroits second wave while a hand beckons the shadowy waters of house. hearts of darkness are immersed in late nights and smoke-filled basements, with past form seeing them play fabric and bugged out! an unhealthy loyalty to vintage hardware and long forgotten code means their music is analogue, not for fashion, but because it feels right. on the a,sequential circus is purest machine funk as a driving bass bubbles into self-oscillation. next, just on for the ride bounces to a millennial deep house swing. flip it for a dense future dub workout in charlie don t surf, then hotshot closes with a pad soaked vibe for the discerning warm up. a melting pot ep with all the right ingredients. something from nothing opens the door to hearts of darkness. step inside

over the last decade, bantam lions (aka liverpool producer mike carney) has devoted much of his spare time to “playful experimentation,” channeling 30 years of musical inspirations and adventures to create electronic music that sits somewhere between hazy nostalgia and far-sighted futurism. now, he’s gathered together some of his favourite moments to create short stories, a debut album – and scenery’s first long-form release – simply overflowing with page-turning musical narratives.
these are short stories to savour, to get lost in, and to revisit time and time again. they’re bantam lions’ stories, but he’s happily shared them for others to enjoy.

new project from zopelar but with another partner this time. outta space house tracks with a slight new wave and disco flavor. a davis version brings the whole brazilian dream team together. fresh as hell!!

pop ambient - our longest-running compilation series after total - sees a new instalment for 2017, featuring exclusive material from acclaimed genre veterans and series newcomers jens-uwe beyer, yui onodera & scanner, max wÜrden, leandro fresco, thore pfeiffer, kenneth james gibson and soulsavers remixed by wolfgang voigt.

call it future-step. call it deep-step. call it autonomic. call it whatever you wish, but one thing is for sure - hidden element hailing straight from kiev, ukraine fail to make their music disappoint. with a fresh take on electronic sounds ranging from breathtaking beat-less layers to +/- 170 bpm heavy hitters, these two have been making waves in the industry for some time already, releasing on 22:22, alphacut, med school, pinecone moonshine, and translation - to name a few. but it is absys records that is the home for their full-length album entitled “together”.

paul nazca is back after his strong first skryptom 19, with a huge new techno masterpiece. this is a pure dancefloor and powerfull techno, 3 huge tracks who give us the way that paul kill us on a dancefloor. it s efficient but he doesn t forget his usual way of puching modern skills. to push farer this great moment of techno, electric rescue give us an other efficient techno approach from exev, enjoy !

alek s offers up another dose of pensive techno vibes in his “paradise lost” ep. side a opens up with “bold”, a slice of laid back while still pounding techno, boasting zippy synths with an unmistakable analog flavour. it’s closely followed by andres zacco’s rework of “honey wheat”, an apt reconstruction of the original that’s aimed squarely at the dancefloor. the argentinian producer and recent ilian tape alumni dives in with a powerful groove, cutting its way through a suspended atmosphere full of spaced out sounds. over on the b-side we’re greeted with “paradise lost”, a slow-paced melody that gradually shifts into a dreamy groove filled with spaced out drums and abstract delays. last but not least, the original version of “honey wheat” is a somewhat atmospheric, yet functional floor warmer that fits a resigned groove.

madteo travels through hip-hop, disco, house, new york city, psychedelia, sound exploration & exploitation – an exeptional contemporary and his symbiotic collaboration with sensational has resulted in a milestone album – special offer. dj sotofett compiled and edited material from 2005-2011, all from the outgoing-but-idiosyncratic world in jackson hts (queens nyc) – a world blissed by sensationals chronic heavy weight rap & madteo s psyched out disco, free-jazzed sonic stompers, smirky hip-hop bangers & out-of-the-ordinary leftfield. a sparse edition of quality white labels of this lp has circulated since 2013 – with cut-up introductories by dj sotofett, additional guitar by tapes, emminent vocals by sensational and high-level sonic attitude by madteo this history has already been written – it’s just up to you to listen.

blawans new side project bored young adults is up next on will bankheads label the trilogy tapes. the shy dancers on bungalowdorf beach features some restrained and slow burning techno experiments that differ from jamie roberts more usual hard-hitting sounds. the seething title track treads the same path as kassem mosse or vactrol park. the fentanyl techno of but we need this bench sounds like an old regis record played on 8, while devoted fans of the young uk producers sound will get something a bit more familiar on the menacing hypnotic techno grinder check up from the neck up.

much may have changed over a two-decade period, but drumcodes commitment to releasing the scenes most cutting-edge and refined techno remains resolute. with releases last year from heavy hitters such as adam beyer, alan fitzpatrick, luigi madonna, jel ford, dubspeeka and mark reeve, the label continues on in 2016 in much the same way, bringing fail-safe, club-ready music to the techno community.

hicago, 1991. the house jam records go from strength to strength, having already released a slew of influential and classic records from 1987 onwards, the duo of larry thompson and rick lenoir are making their impression felt on the dance music scene not only in their own city, but on a worldwide scale. enter tikkle, another undercover pseudonym used by the pair for their own special brand of deep house tracks. -outer limits- was the first release using this name and is an essential ep of midwestern machine grooves. the tracks have that rough, basement vibe with a healthy dose of deep, melodic qualities thrown in, the track -outer limits- for example, has a sophisticated almost jazz like vibe that wouldn t sound out of place on an early ur release! the second track on the ep -in the beginning...- is a driving cut based around mach s legendary -on & on- (often cited as one of the -first- house tracks!) with thompson and lenoir adding some dope keys, strings and extra drum machines all with that trademark lnr swing. -holding on- is a stripped back, percussion led, heads down kinda jam... the kind of track to make dance-floors sweat, solid stuff indeed! the whole ep has been reissued as it was originally released in 1991, with all original house jam label artwork intact. for this special 2016 pressing rick lenoir dug in his vault of reel to reel tapes and excavated a long lost tikkle track that has never been released..... until now - -my mood (rick s cosmic mix edit)- is the closing track of the ep and is a fresh, 24 year old acid track with ocean deep pads - what a discovery, and one that will undoubtedly excite house heads! this track is exclusive to this repress! all audio has been lifted from rick lenoir s private collection of reel to reel tapes from his basement and remastered accordingly. this reissue has been realised with the full involvement of thompson & lenoir and is 100% legit

icelandic electronic musician jonas thor gudmundsson brings us the 8th ruxpin full-length by way of his latest “we become ravens”. the vinyl release includes a code for high quality album download.

2016 repress - r&s welcome another newcomer to the family. with only one release behind him on hessle audio and a wicked remix for warp (the hundred in the hands) blawan finds his new tracks in demand from the likes of james blake, jackmaster, untold, ben ufo, ramadanman and pariah. the title track is already creating a bit of a stir from its inclusion in a few high profile dj sets, but all three tracks raise the game for this young producer. the whole ep is filled with an honest, infectious energy, just like his dj sets. you cant pigeonhole this as >post< anything, its pure, stripped down, club music. sometimes drums, bass and acid is all you need.

different worlds music group/fat beats are thrilled to announce the lp and cassette release of the latest album from skizz (dj skizz), “cruise control,” which is skizz’s 2nd official producer-album. over the last couple years, skizz has been working extensively with your old droog, both producing and mixing his music, helping to propel the career of the young mc from coney island. he has also been touring with droog, making beats for other noteworthy artists, and helping start a new label, different worlds music group. this will be the 2nd official release from dwmg, with the first being timeless truth’s critically acclaimed “cold wave” album released this past february. “cruise control is a progression for me sonically,” says skizz. “this album takes you from where b.q.e. left off- it’s still that raw boom-bap, but this album is a bit more laid-back and melodious. it just feels good, like you’re cruising with your lady and the cool breeze is blowing through your hair!” skizz recruited a mix of veteran og mcs (o.c., planet asia, roc marciano, evidence, etc) as well as up-and-comers (your old droog, conway, hus kingpin, da villins etc.) to provide a sonically cohesive album that is set to be the official hip-hop soundtrack for the summer of ’16.

after repeatedly being visited by a strange messenger in his dreams while on tour in the islands of greece, toby pazner became consumed with a vision to tell the stories of theolympians through music. chosen by the gods as a messenger for not only his musical gifts, but for his unique position at the center of the daptone family, toby built a home studio from scratch and employed some of the top soul musicians in the world to help him breath life into this album. the result is a dramatic and cinematic journey to the outer limits of instrumental soul music, built on a foundation laid by the same craftsmen who’s bricks built the legacies of sharon jones, lee fields, charles bradley, the budos band, and menahan street band, and painted with lush strings, harpsichord, harp and horns. the olympians is destined to be the instrumental gem of the year.
the vinyl lp includes a download code.

father & son records and tapes have already had a strong 2016 with releases from naphta, dj sajko and das komplex, and now the polish label rounds off the year with a stunning album of style-spanning wares from niemoc. paramaribo is the first physical release for the emergent artist, and it sports all manner of instrumentation feeding into a wholesome, heartwarming whole. there s a danceable pulse propelling these tracks, and the likes of -lustro- head more overtly into club territory, but by and large this is an album of plaintive melodics to tug at the heart as much as the fee

140 gram white vinyl lp limited to 100 copies
building a formidable reputation as an artist with a diverse set of approaches in the field of electronic music, ukranian producer cape cod delivers his debut album on kiev house in a fine display of musicianship. from the opening track -among the stars- (which features constantine on vocal) it s clear that this will be more than a straight up collection of dancefloor tracks. there are indeed some upbeat house tracks to be enjoyed, not least on the razor sharp garage bumper -we don t have to-, but there s also equal space given over to more introspective jams such as -put u down-.