welcome back to the underground is a limited pressing dj swiss knife essential for every field with : the ultimate >disco night< edit, filtered by hundred processors from ssls to digital t-racks and focusing on the house music roots parts of the song, pure feeling.a totally unknown house track remix. cleaned and converted with the latest technology, this is an extended straight 124 bpm real 4x4 tool here, completely exclusive, never been released before. high demand on this.on the b side a dj tool cut of >stebenis theme< that is circulating in detroit and paris since quite a while and inspired a well known existing white label. ranging from sound sculpture morphed to proto afro dub house, 125 bpm, resync edit at 1/32 bar, harmonized fx & drumkit to the original beat. on b2 a very special slow house/nu disco version of >adventures in paradise< melted to samp les including the same theme with a backside 80s funk clap especial : a diggers heaven. the vinyl cover is hand stamped with the a logo designed by a famous street art painter.

nice price deal !!! following the sellout debut 12inch love/lust, d/r/u/g/s aka 24-year-old callum wright returns with a new three track record connected. tender age will be releasing connected on a very limited 12inch run.

its been 16 years since aquasky first started bashing out the beats on moving shadow and 10 years since they released the mind altering >777< on botchit & scarper. during these 16 years aquasky have messed about with most genres at most tempos... but always retaining their trademark bass and their retro rave vibes. and here we are... the first ep from their long awaited follow up album to >teamplayers< released on passenger back in 2006. going back to their tear-out roots and fully embracing the modern production sound of now along with a firm 140bpm footing, aquasky come out fighting. >raise the devil< is an albums worth of tracks that will awaken your inner devil... powerful, noisy, aggressive and militant. taking it back to the days when people partied hard in abandoned warehouses and muddy fields. but, i expect you know all of that already... its what aquasky do, and its what they do well!

abstract division returns with the second addition to their form and function series on dynamic reflection. similar to the first release, part ii also features two original tracks and two remixes, this time around by none other than delta funktionen and ben sims.

having finished recording the new zombie zombie album (out: april 2012), etienne jaumet leaves temporarily the duo to record a solo piece, as a need to find oneself again … if the word satori means spiritual awakening, the title track that offers etienne seems to describe the way to this awakening … a winding and sometimes dark path, taking inspiration from both dark disco and synth wave (etienne is particularly keen of those genres, you can listen to his new podcast for versatile records as an evidence) and also to some kind of trance… on b side, jon convex, newcomer on the dubstep / uk garage field and signed on martyns label, delivers a clearly club oriented version, by injecting syncopated beat and the funky groove unique to uk garage.

former member of french duo lownza, lowris develops here his solo project futher. while his first record along with chris carrier received the highest praises, his presence on piemonts remix album, next to jay haze or uner, shows that lowris is gently tracing his own path in the electronic field. the >carambar de toi< ep gathers a collection of generous and warm deep house sonorities. spectral sound new recruit pawas is on remix duties for the title track of this third popcorn release. on his version, pawas blends pads, drums and guitars with a round driving bass. freshly signed on poker flat, is frenchman andrade who offers here a gliding reword of >jackin oz<. the original version is a subtle track structured by a frank bass and a distant sonar.

the second in the sold out series combines the powers of three of the hottest producers in the disco game right now. heading up the field is toomy disco with a monster of a track. deep, hypnotic and swirling >into the flashlights< hits you right in the chest, a certified dancefloor bomb, make no mistake. on the flip, remixer and producer de jour mario basanov reworks a lesser know stevie wonder track into a towering disco gem! soaring pads elevate the track to dizzy heights before its dropped back down into the groove to great effect. finally sean roman pulls apart, loops up and glues back together a boogie banger in the vein of tiger & woods. all in all a damn useful 12 inch

the latest jett records release comes from hi freaks and rotary cocktail artist larsson with two original cuts on the vinyl, >full flavour< and >you can try that< and also a digital bonus >white leaf<. >full flavour< is a techno and hypnotizing track fitted for the dancefloor. on the remix patrick kunkel injects dub and reggae atmosphere and gives a jamaican smoke taste to the original. on the flip the original of >you can try that< smells the summer walk in the fields with a fresh touch of jazzy wind. lownza goes deeper on the remix adding some dirty grooves which transports us directly from green grass to grey streets. last but not least larsson offers a digital bonus track which perfectly relax your body and mind...

first appeared on lee curtis watergate 08...supported by dop, manik, tim green , pezzner etc..
spains jazzler aka dixie yure has been around for a few years now, recording a string of superb releases for fenou, nordik and of course flumo recordings. the summer of 2011 sees him follow up last years - she has ep - with an outstanding new track in the shape of - beth & the gamma ray fields. recorded as an ode to a fan called beth, - beth & the gamma ray fields - has already established itself as one of this summer big underground records, opening lee curtis watergate compilation and being used by the club for their summer opening video.

stefan schutz aka juno6 belongs to the society of the leipzig new school, which for the last 5 years has cut a path through emotions and change in diverse regions. his particular real estate is comfortably between deeper house and thoroughly scrutinized techno. sometimes he tends in one direction, at other times the opposite. all the while juno6 captivates both listeners and dancers alike with something new. his live sets are always an occasion – sound expeditions in the most literal sense embedded powerfully, yet imminently fresh as they are bound to tradition. he even dials up the the ambient/electronic field with project beautiful planet earth, or together with friend daniel stefanik as sensual. the sonic awareness of juno6 is expressed consistently as a potent degree of warmth, which paints a distinct lively and long-lasting tone on club music. the tone is hardly useful as a flavor of the month, but rather, a music with stamina and character. his track >guununk< is for more than a few the quiescent highlight of the fat 5zig compilation. on his second from fat, he displays the juno6 portfolio fully and expands his present effect with a portion of funkiness and a sprinkle of pop – at least on one of the cuts. with clever vocals mr. schulz informs us yet again.

this limited transparent yellow vinyl 12 inch takes the hip-hop inspired elements of >gangsta< even further with remixes from legends in the field, adrock (beastie boys) and cut chemist (jurassic 5, ozomatli and dj shadow collaborator). like all good old school records, the 12 inch is completed with not only the original but also with both the instrumental and a cappella versions of the track.

soul jazz records subsiduary electronic label microsolutions to megaproblems celebrates two years of releases with this new album. microsolutions to megaproblems brings together many of the finest experimental electronic artists working in their respective fields today – whether it be electronica, avant hip-hop, twisted disco, deep jazz and more. this album features tracks from all the earlier 12 inch releases plus unique exclusives for this album. established electronic-pioneers such as kit clayton, kid 606 and sutekh are present alongside west-coast left-field hip-hop/beat-heads daedelus and ammon contact. from the uk, underground remixer to the stars radio slave, a/k/a rekid (kylie minogue, paul macartney!), tech-disco artist secondo (with a unique to this album acid mix), a.greenman are featured alongside exclusive new music from tim exile.

new yorks dj spider is back with 4 dangerous tracks for your arsenal! each track is filled with classic samurai movie samples with lots of warm synths & loads of field recordings layered throughout. all four tracks are up tempo dance floor head bangers. recommended to be used with an open mind!

san francisco electronic/techno pioneer kit clayton as the first in a series of new electronica releases under the banner microsolutions for mega problems. kit clayton has been releasing music on labels such as mille plateaux, seventh city, plug research for the last few years as well as his own orthlorng musork label. he is the producer of the current left-field hip-hop faves gold chains which is also released on his label in the us. kit clayton is at the front of a movement of lap-top electronic artists such as herbert, bola, sutekh, pole etc. these two tracks are firmly in the electronic dance field and have been specially recorded for soul jazz records.

it has been a head-spinning couple of months for miracle. the new ldn/nyc synth-pop duo comprising singer daniel osullivan and synth overlord steve moore have released their debut ep on house anxiety (the big pink, zoo kid etc) to fevered critical acclaim, notably wowing the likes of wire, nme, dazed and confused and pitchfork in rare, uniting form. they then made their live debut with a series of shows with likeminds darkstar and blondes, before premiering their stunning debut video for the eps leviathan lead track >the visitor<, in the us via pitchfork and then in europe via dazed. now to tie a ribbon around this meteoric first chapter, they are releasing a limited edition double 12-inch vinyl ep, collecting together on physical release for the first time the comprehensive, dazzling selection of mixes and reworkings that >the visitor< was treated to.

for the first album ever being released on ki we invited biodub, a producer/dj from the north of germany, who impressed us with his fusion of dub, techno, electronica and is a musician throughout. bringing in his experience as the drummer of instrumental band noetics and based on a minimalistic foundation, his tracks are playful in a microscopically way. in between deep bass lines and characteristic dub chords, various sounds coming from field recording sessions and sometimes also acoustic instruments, making this piece of music extremely warm and alive. biodub tries to transform visual impressions into his music. he finds most of these impressions in nature but sometimes also in machines or buildings in connection with their environment. the album is equally comfortable on the dance floor as in the living room. but you would rather enjoy his music on an open field in the nature than on your couch. the album will be released as a full 2 x12 inch lp, and cd in folded hardcover with photography, graphic and layout coming from ki s amélie kai and since it leaves so much space for interpretation, there will be a 12 inch-single with remixes of stereociti and koi.

with the sun out and festival season just around the corner, the 2 bears return with their biggest crowd pleasers yet on the bear hug ep out on southern fried. equipped for both barmy afternoons in blissed-out fields and after hours naughtiness in the darkest dance tents, the 2 bears set the seal on their trademark brand of house revisionism. opening up with take a look around, 2 bears take us from techy intro to full on house inclusivity inside seven minutes, with rafs understated vocals joined by star-to-be alice gold. then there is the bashy jump-up instrumental in my brain is like a computer, to set us up for an mc’d walk through of the 2 bears dancefloor doctrine, bear hug. as for the ep closer banger, the title speaks for itself – a tune that cuts deeper and harder than any 2 bears track so far

already known as one of the most influential artists in the dub techno scene, with releases on labels like styrax, echocord and quietus, quantec delivers analog responses first release, that will be an authentic masterpiece for the well estabilished collectors as well as for any farsighted music lover! his already demonstrated versatility in the fields of dub techno and dub ambient, extends this time with a personal intepretation of higher level dancefloor music, as you will notice on this 3 tracks ep. the resulting record is a real must, but its only available on limited press!

surprise guest from russia, vakula, hops by with a forgotten collection of tunes that almost meant to be for archipels new release. after compiling, what he describes as, some of his deepest tunes, vakula launches a spatial mental trip with 5 tracks that screams deepness. certainly inspired by detroits movement, people like theo parrish or moodymann, this ep touches shorts excursions of bright, simple melodies layered over lush percussive textures that swirl gently to put the listener in a awaken meditative state.

since other heights started just one year ago, dubbed and deep sounds have always been the keywords of this modest label. after several cd releases, the first 12inch vinyl release is available. this ep provides a spectrum of styles in the shape of three tracks by szare, helix and brooks mosher. ranging from percussive to chord-driven techno, the producers reflect what other heights is all about. so far supported by field records, anthony shakir, fanon flowers, donnell knox, myles sergé, don williams, xdb, samuli kemppi and duplex

new label with mebers from berlin, dresden and hamburg .. all tracks around the techhouse field

tal m. kleins >house on the left< is the second single from his forthcoming exhaustasaurus lp. the name of the composition implies the track is left-field of house. jazz guitars lead the way for brooding pads and syncopated synths over deep beats. in short: a great moody tune!
comes on special coloured vinyl, somewhere between marbled and picture disc - a true beauty in sound & looks!

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement – he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove

after numerous releases on labels like firm, crosstown rebels and trapez and 15 years of djing all over the world andré kraml debuts on 200 records. mercado de mexico is a trip to the latin american country. >mañana en el mercado en condesa< is a track with field recordings from a mexican market, which is spreading more and more to the absolutely unique andré kraml sound. >el cuclillo y el burro< is a sound journey par excellence from techno to a futuristic disco final. following the mexico concept of this ep, guadalajaras marco balcazar contributes a perfect club remix. >mercado de mexico< contains everything we await from techno these times: fresh and deep sounds, new ideas and tracks, which are eternal.

satyr - roadrunner liebedetail welcomes new artist satyr, who will remain anonymous for the time being, yet we assure you he is a figure embedded deep with the scene, producing and djing worldwide for the last 8 years. this new creative angle does as his teasing artist bio promises, stay true to his acid house roots, and roadrunner is a fittingly excitable, frenetic synthesiser trip that rises and climbs with great intensity and clarity of sound. wareika - rumba swing the trio of wareika return with rumba swing, their second outing on the label. perfectly jazz infected, with of course a healthy measure of that rhumba timing, this lazy, psychedelic journey track meanders through lush fields of guitar improvisations, tumbling drums, piano refrains and eerie pitching elements, all neatly strung together with wareikas impeccable production.

der 30-jährige japaner shugo tokumaru schichtet fl©ten, akkordeon, mundharmonika und xylofon ?ber aufmunternde gitarrenmelodien und erzeugt so einen regenbogenfarbigen klangteppich voller wärme. mit sanftem gesang schafft shugo einen ganz eigenen mix aus klangschichten, in denen der hörer ständig neue tiefen entdecken kann. shugo tokumaro tourte bereits als support für magnetic fields und beach house in den usa und europa, trat beim roskilde festival auf und spielte eine ausverkaufte show in der new yorker mercury lounge, bei der er mit einer fünfköpfigen band - bestehend aus musikern von beirut, the national und so percussion - auf der bühne stand.

soul jazz records new compilation of the uk funky scene.
>riddim box< explores the most unique, left-field and innovative uk funky releases of the recent past with loads of killer tracks and exclusives! uk funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and rnb with the percussive rhythms of nigerian afrobeat and caribbean soca to produce one of the uk’s most interesting recent musical developments.

soul jazz records new compilation of the uk funky scene.
>riddim box< explores the most unique, left-field and innovative uk funky releases of the recent past with loads of killer tracks and exclusives! uk funky inhabits the space between dubstep and house mixing together elements of grime, dancehall and rnb with the percussive rhythms of nigerian afrobeat and caribbean soca to produce one of the uks most interesting recent musical developments.

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

>vibrational studies (in echospace)< is an alternate version of album opener >in echospace< and revolves around a relentless cycle of washed-out analogue loops layered around submerged field recordings and electric currents that somehow propel the track while at the same time immersing it in one of the headiest mixes hitchell and modell have ever recorded. >symbolism in transition< finds modell deploying a deep and padded configuration with a sort of late night shuffle so beloved of move d, all squashed house vibes, sparkling melodic currents and bursts of barely- there white noise û its a gentle, beautiful thing.

urgent, throbbing rhythms, which almost imperceptibly increase into a subtle wall of sound: the tracks on todd bodines new ep develop a hypnotic character, stolen away into a dark pulsating sound field which exactly match the title of the a-side: >dark matter<. the increasingly dense electric field mixes with sparse siren sounds that create their own unique attraction. the same qualities infuse >space and stop< on the b-side, with equally unexpected musical power surges. these are tracks that will drag the dance floor abruptly from its spell in the first few seconds, while simultaneously adding a very special drive and intensity. all in all, todd bodine proves again with his new ep - the first release after his highly successful album, >forms< – his unique sense of style, gained over almost ten years of production experience.

nice price deal !!! this second release from glasgows fortified recordings is a departure in sound from their first acclaimed ep by dundees loops haunt, but all the same in attitude. iranian born, texas residing garagesmith vvv uses his late night musical tests to forge and perfect his sonic output, and deploys a range of techniques not normally found in the often formulaic world of garage and dubstep. this patchwork quilt of laced beats, field recordings and intensive sample editing has made manifest a four track ep that simultaneously references the work steve gurley, todd edwards, carl craig, my bloody valentine, the cocteau twins and roy davis junior via the bastardised strains of 2-step and house practiced by the likes of ramadanman, untold and joy orbison, peppered with that magic elusive el_b swing that only the greats are able to achieve. at the same time familiar yet different (how many times have you heard that?), the four tracks on projects kick with the intensity of the best club music and invokes the cosmic spirit of classic motor city techno with an uplifting and deep soulful vibe that reveals layers of orchestrated natural sound upon repeated listens. in other words, its sexy as fuck. slated for an official release early march , one can only assume this limited 12inch will fly off the shelf much like fortified s inaugural release did

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

here comes a highgrade split ep. marcus homm and ludwig coenen share the honours on one record, and instead of competing for the glory, both producers compliment each other perfectly. markus homm, the global player, starts off as assured as ever with another great track. golden glow rolls towards a dramatic stage for hysteria. homm takes the listener in with a heavy and richly sweet narrative style. matches brings even more excitement, pushing forward with brilliantly entangled sounds that hit you more in the hips than the stomach, telling a tale of promise in the early morning hours. ludwig coenen, the man from infamous frankfurt, brings dancing into the realms of the zoo! with its not a zoo he manages to combine various sounds into a funky and functional harmony. the 2nd track mind your head breaks the standard mould and uses a broad sound palette to construct a new and unique field of maximum funk.

after the first une release (monoblock/treplec) supported by many djs like mathias kaden, chris carrier, troy pierce, laurent garnier, seth troxler, franco cinelli we are coming again with une002 by zap - >mi amigo< + inxec remix.
zap immerses us squarely in its parallel dimension, a place where stuck-up sounds and elegant percussions coexist with a martian sub bass. curious scene to expose a slightly conventional instrument in a dancing floor, the bandoneon, which chopped with a sharp knife and served with mastery, manages to transform the track into a dizzy trip and full of surrealism.
inxec achieves to transmit the feeling of no gravity based on orbiting elements, volatile basses and open field sounds. as it goes it leads us through a space trip, capable of opening a gap in any type of session, which suddenly can turn into a space odissey with dyes of psychological thriller.
support: konrad black, richie hawtin, josh wink, cesare vs disorder, adam beyer, matt star, jens zimmermann, dan drastic, alex kid, brothers vibes, pheek, alland byallo, pablo roman (bar 25), sebastian wilck (watergate), marcus (weekend), kane roth, luciano esse, jeremy p. cauldfield...

get ready for some deep and banging techno-tracks which will shake any dancefloor around the globe for sure. produced by french artist brian burger, nachtstrom schallplatten delivers two highly functional monster-tunes which are perfectly representing what this label stands for: powerful, driving, pumping and always rolling peaktime-tunes which will definitely satisfy the needs of any serious techno enthusiast out there.

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

ricardo jefferson is a producer and dj based in manchester, england. the four tracks on this ep demonstrate a distinctive style. the roots of his sound are in funk, disco, space rock, prog rock, but he has melded them into a sound that is more than just the sum of these elements. this is funky, bass-heavy, trippy techno for the dance floor. a1 a brutal truth. this is a big tune that builds relentlessly. the track has an inclusive, celebrational, feel which simply invites everyone to lose it on the dance floor. 124bpm. a2 persons unknown. this tune doesn t have the relentless build of a brutal truth. instead, this is a tune to drop when everyone on the dancefloor is in the zone and locked into the groove. a finely crafted trip created with multiple delays skittering around the sound field, anchored by the funky bass heavy groove. 123 bpm. b1 the egg part one. a track employing a tight kick drum of differing weights to propel the groove, overlayed with a circular keyboard motif. on the off-beat, add the processed sound of someone hitting a metal sheet, and viola! - one aggressively funky dance floor bomb! 123 bpm. b2 god of the machine. this track has a simple 4x4 kick and handclap pattern pinning down a delicious oscillating bass line, under a classic descending four chord circular chord progression. off kilter ride cymbals give the track its backbone, and fluidity. ricocheting handclap delays add dimension. sly stone would be proud of this groove. now get on the dance floor and strut your stuff! 119 bpm. the cover shows a still image from the music video a brutal truth directed by ricardo jefferson and laura lee.

so it s time for 10... what a run it s been folks and we re set to celebrate with our jubilee rollout for 2009 – still standing and stronger than ever kompakt returns with our annual tradition – the cologne event this year set for the 14th of august and the collection.
spanning the course of 2 cds and 3lps, total 10 aims to be the collection of essential tunes from our catalogue and highlights exclusive, new music from the likes of dj koze, thomas/mayer, juergen paape, wassermann aka wolfgang voigt and others. what one immediately will notice in comparison to other editions is the inclusion of remixes. the likes of ivan smagghe & tim paris aka it s a fine line tackling the likes of burger/voigt, gui borattos remix of sam taylor wood produced by pet shop boys, thomas fehlmanns stunning impression of the field and of course finally available, the lost remix of gotyes hit >heart s a mess< by supermayer.
expect the unexpected this year, total 10 promises to be one of the most diverse collections of tracks the label has ever brought forward in our history.

this is the 2nd 7inch in a series of 4 featuring tracks taken from the forthcoming producer 2 album. producer 2 features a collection of new and resurfaced tracks focusing on the worlds finest and most invigorating beat makers. this 7inch includes new tracks by low limit & mr dibiase

as mnx recordings reach double figures they welcome the legendary alex cortex and longtime collaborator lopazz aka bad cop bad cop to the fold with a blistering 4 tracker of live, raw electronics aimed squarely at your frontal lobe aswell as the dancefloors! this work covers the finest elements of deep minimalism, industrial and acid, and keeps it fun with the feeling of a live performance, if anyone can try this approach and pull it off it s these guys! all the tracks are joined together by abstract field recordings from the london underground which add to the murky strangeness of this release! alex cortex has been putting out quality underground music for over a decade with notable and now highly sought after releases on source, klang, and pal sl, with more recent bombs being delivered on platzhirsch, pomelo and of course our very own wireblock! lopazz too has been busy releasing gems on labels such as trevor jacksons output and more recently get physical, were he has been getting a lot of attention, but it s when these two guys team up in the studio that the magic really starts to happen, so waste no time in getting this release because as always its gonna be highly limited!

first release for phobiq,the new label made in italy . the dance opens by the great brian sanhaji (clr) with an excellent ep the charleston which includes three killer dancefloor tracks from techno influences definitely. a great debut for a label that promises great stuff. supported by world top techno djs

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

big with: cassy, bo irion, dan curtain, jorge savoretti, electric indigo, mateo murphy, noah pred, pheek, patrick bateman, tomboy, the youngsters, ion ludwig,.. the result is a co-production between catenaccios head-honcho benjamin fehr and falko brocksieper (sub static, tuningspork, leena). inspired to create a laid-back environment between improvisation and restriction, the two are exploring ways to join their different views on a shared passion for deep, dark, organic and abstract techno. the result is >niagara< and >give up< - the first two pieces from this ongoing production cycle. both tracks are developing a long vibrant flow of eclectic structures and agile sequencing of field recordings and analog sound aesthetics

ed’s first offering for autoreply references the early building blocks laid down by pioneers such as carl craig or robert hood twisting & turning them with his own crisp production & drum programming with the end result being a unique contemporary take on modern dancefloor techno. both tracks effortlessly build teasing as they progress sometimes climaxing but always leaving you thirsty for more. the ballroom is a deep complex work that starts its journey showing the characteristics of a light stepping waltz - as the track progresses something more sinister starts to emerge & the mood subtlety transfers to a dark prominent space tango. this track will not only make you dance, it will also make you feel nervous & excited! the well tempered clavier – this track has it all: dancefloor bomb - dj tool – 9 ½ minutes of absolute linear pleasure making a statement from the word go with its solid kick and catchy lead synth floating in and out of the mix building to an unmissable break which is guaranteed to get cheers from the dancefloor + beyond. serious techno for serious djs. linienwerk – this is the perfect track to help build a room or wake up an afterparty, beautifully paced with an organic feel not to mention the dark synth stabs that seem to cover the entire stereo field.

after six years exploring music production in an extended meaning, oscarfly decides to go into the professional field and starts a new project with his friend and colleague zippitcher.they ve been working in projects like www.colorsopenlabel.com a netlabel website designed to promote young promises in the music business. as well in the www.putocolectivo.com a group of musicians, sound designers and video artist who played for a couple of years in barcelona and around. soon after that, they decide to create their own record label >poco< (powered by colorsopenlabel.com) in order to release their best tracks, col s artist tracks and even well know artist tracks. first release of this new label born in barcelona emanate freshness, sexy grooves and these beautiful colors that people love so much at the dance floor. this first work includes a great remix of mihalis safras.

keezako records is proud to present his third release, machine divine ep, composed by hypnobot. two tracks made for the dancefloor offering a fresh and mind blowing approach of electronic music. hypnobot presents his last two productions. he is active on the underground techno field since 15 years but also in the contemporary classic music arcanes. his productions have a unique taste mixing electro-acoustic approach and techno efficiency. hypnobots music describes the fall of an effete world with violence, melancholy, and an innate dance floor sense!! already supported by dj skurge (underground resistance / detroit) and nomadico

lotd remains steadfast in its endeavours to offer the best in left field electronic dance music with these 2 tracks from tony lionni. golden is an eight and a half minute journey beginning with stripped down detroit ish synths and ending in more lush, piano & percussion driven territory, with vocal samples being laid overtop the entire ride. epic stuff. the warrior is a deep, late night affair with shades of chicago jack & echoes of basic channel dubness. both of these tracks display tonys depth of musical knowledge while having there sights set firmly in the now & beyond.