attributed with fueling music is loves recent rich rein of form is jamie trench, who himself continues along a flourishing 2013 after a set of very impressive releases on his own imprint roots for bloom as well tsuba limited.

darlyns second appearance on mos ferry meanders between techno, house and a little bit of funk. the morning after is a minimalistic techno weapon, straight forward with no frills. with stag party the frenchman switches to a bouncing house groove, that feels powerful and self-confident.and finally, my command creates a warm and deep mood, just perfect for the morning hours and you never go wrong with a funky guitar lick.

with what looks like a summer heatwave on the horizon, it seems right to call on dirtybirds european extension to deliver a sundrenched dance floor stormer to see in the new season. the two track love ep sees catz n dogz join forces with the everinnovative kink, a pairing that has proved striking in the past year after kinks beautiful follow the step release on the polish duos label, pets recordings.

limited vinyl ep with 3 tracks taken from stims japan-only album plus remix by numb.

adesse has recently turned heads with his sought after and limited versions releases. for prime numbers he brings another high quality ep featuring three more excursions. the title track, untitled love, is a dubbed up 90s-esque workout. repetitive vocal samples swirl over a deep, low-slung bass groove & peak’d-up snares. its an unashamedly wide eyed, bouncing production that will please those checking for the current resurgence of raw garage sounds. supernal takes things into deeper territory with an intriguing steppers outing. the track oozes soul with rousing keys & smoked-out production that is all kept in line by a mesmerising, metronomic vocal. the set is closed by metachemistry an equally engrossing track utilising a shuffling groove wrapped in breathy, reedy horns & heavily reverbed percussion. all told a deeply reverential release highlighting a producer with an obviously wide palette of influence & a natural feel for what simply works.

vinyl only! after composing the official soundtrack of the bobsleight and skeleton world championships, the swiss producer jérôme keller is now delivering this long techno track for the new label spread love.9.28 minutes of powerful kicks, rhythms and basses topped by ecstat

four releases in now and the quality continues on midnight love club! montel presents the forth release in the shape of 3 heavy duty club cuts with a rather distinct nod to the house sound of 90s nyc/nj. there s not too much info on this montel character, but one thing we do know is that he s a man with a penchant for vintage house & garage. a dj, collector and producer that has decided to give back a little after all these years. and these years of experience are certainly evident in his authentic house and garage sound that has already picked up a fan base that includes bicep, jordan peak and waze & odyssey!

superb debut release on piktogram, a label founded by polish artist ra. highly influenced by the naples, berlin, montreal and detroit techno scenes, his vision is to release fresh music with an old school flavour. this first two-tracker of bass-heavy dancefloor ammo of the highest calibre

every once in a while a record or in this case an ep comes along and its so bursting with feel good vibes that even the most cynical dance music listener cant resist. at the mere age of 19, francisco davalos is about to grab the attention of many. simply put, the young mexican has a superb ear for the language of music. after a recent 12 on nurvous (nervous records new sublabel), on the prowl finds itself lucky to land these four tropical themed disco tinged club bombs. with hints of what made tensnakess coma cat so successful the bronx skillfully puts together his tropical ep packed with plenty of playful pianos, strings, congas, marimbas... theres no holding back.

botox present >basement love<, the first part of their second album >sans dormir<. two years after their previous lp >babylon by car<, cosmo vitelli and julien briffaz decided to unveil this new project through six different moments - call them eps - like six volumes forming a single story, each one being released every two months. the slow title-song >basement love< is released as a way of introduction, along three dancefloor remixes that lift this basement up in the air.

greg wilson needs little in the way of introductions, a stalwart of both the british 80s electro-funk scene and the current disco/edit movement to boot. release #16 sees greg make a welcome return to kat after his previous outing way back in 2007, and, again, his diverse music taste comes to the table to delight.

after selling out all previous releases to elite djs and collectors worldwide, the highly mysterius artifact imprint is back to its original aim, that is crafting obscure sonic weapons for disco ninjas! a side 15 minutes is credited to milanese crew love supreme and it is a mesmerizing disco rock rework that builds up to a climax that takes no prisoners. bottin has been playing this to massive dancefloor slaughter and has finally decided to share the blame. on the flipside speed is an enthralling car chase or grand prix if you wish, with throbbing bass, lasers and cowley-esque synth stabs, while frisbee is a rare italo groove, a funk gimmick topped by acid synth patterns, a latin lover voiceover and packs of sultry italian girls chanting >disco! disco!< and definity getting what they are craving for.

following on from a pair of extended players released in 2011 (passed me by / we stay together), andy stott returns to modern love with luxury problems, an 8 track album of new material recorded over the last 12 months. five of the tracks on the album feature the voice of alison skidmore, andys onetime piano teacher whom he hadnt seen since he was a teenager back in 1996. there was no grand gesture in mind, it just sort of happened – but after almost a year of studio work the result is really quite unlike anything you will have heard from him before.

flickk coming up from the deep south with his debut single on ppu records. recorded at capricorn studios, macon georgia in 1983. 7inch with photo insert check! its been almost two years in the making, and after mending the 1/4 master tape, this incredible soul side is now on vinyl

after five years of running the highly popular and eclectic music blog feel my bicep,releasing a string of productions and remixes while also djing consistently all around the world, setting up a label seemed like the next logical step for bicep. with the aim of releasing fun and varied music, the only condition the boys gave themselves was to maintain full creative control to take the the label in whichever direction they desired.

vinyl only! after cult heroes bicep delivered the inescapable sell-out stripper earlier this year, the second love fever release comes from burning london talent, citizen and features a deeper touch collaboration from detroits wayward freakster, jimmy edgar.

after remixing pan-pots >gravity< earlier this year, san francisco sound duo clint stewart and marc smith are back on the mobilee imprint together as safeword on the 96th release. the 3-part ep is a soulful beat-ballad musically defining the three most present phases of the evolution of human love.

being the hopeless romantics we are here at circus company, when we fall for an artist we tend to do it head over heels. you may have witnessed this in the past with some of our dearest protégés, from dave aju to nicolas jaar. now we are embarking on the same kind of whirlwind affair with franck roger, the glow only just retreating from our cheeks after he won our hearts with the i take you up ep. like a well-seasoned casanova, franck has found the perfect way to follow up that first date with an even deeper reflection of himself as an artist, leaving us flustered and quite simply stunned by his charm.

after all, the successful song produced by franck roger and mandel turner originally released in october 2011, is back this year with a number of remixes. flying the french flag are remixes from d’jjulz and seuil. joining the french team is burnski, the young english berlin-based dj/producer who recently rocked real tone records with his latest collaboration with manik you know what its like. each coming with their own flavour, d julz, seuil and burnski all add their individual style to after all.early feedback and support from ian pooley, robert dietz, steve lawler, manik, okain, ame, ritchie hawtin, dj harvey, laura bones, dj t, efdemin, kate simko, alex from tokyo, sebo k, agoria, quentin harris, josh wink, dj deep, the martinez brothers, luciano, dan ghenacia, shonky, reboot, monika kruse, willie graff, clive henry, boris werner, dubfire

fiakun comes back again, after having released el_txef_as debut album and having received good vibes, this time to present from the deepest of the basque country, the oren bi guys. they have signed this fiakun 006 which is received with much love. the pair of musicians and in turn we could say that music lovers, focused the ep on the hottest house with some r&b leanings. besides, they are making use of synthesizers like the most exclusive moog to delight us with some arpeggios that evoke a purer era. these two hits are accompanied with a remix by sergio santos.

last time out, much love impressed djs and record buyers the world over with a sought-after 12 inch featuring tracks from james johnston, bartellow, roman rauch and label owners alkalino & alphabet city.
for the label s third release, much loves bossmen take a backseat and hand the reigns over to a quartet of emerging and up-and-coming production talents. the results are, thankfully, every bit as intoxicating as previous releases.
four tracks, four hot talents, four killers. much love all round.

from north yorkshire, england, more classic 88 uk dark acid house from mantra, a full-length on full white vinyl without labels.

nice price deal !!! single-sided whitelabel vinyl.

next supercool release by hector couto (noir music / saved). after his collaboration with danny serrano this time he is coming with a great two-side ep at brise records

seahawks >invisible sunrise< album was a great closer for 2011 and featured in many of the choice end of year charts. to celebrate seahawks are releasing 2 remixes by 2 of their favourite musical magicians - dr dunk and gatto fritto.

nice price deal !!! after putting out three synthesizer-free albums, the magnetic fields are returning back to synths with a fresh approach: >most of the synthesizers on the record didnt exist when we were last using synthesizers,< he notes. the songs — none over three minutes long — were recorded in los angeles, san francisco and new york with merritts usual cast of collaborators: claudia gonson, sam davol, john woo, shirley simms, johny blood and daniel handler.
code for free digital download of this album included.

mad crazy come back from underground legend nathaniel x project. after releasing some heavy heavy deeeeeep works on label such as music station or island noyze back in the early 90s, heres a killer set of previously unreleased jewels...

mono recordings is proud to present the 1st 4 tracker vinyl ep of bunte bummler. after their outstanding >you re mine< ep which appeared on 8bit last summer the dynamic duo strikes again.
supported by: nick curly, robert dietz, reyou, ray okpara, gorge, felix neumann, sasch bbc, sebastian lutz, helmut dubnitzky, steffen baumann, steffen deux ...

a no-nonsense straight for the floor release, the much anticipated after dark ep from mario aureo just dropped! remix action from two of the hottest producers in the game right now, re.you and moodymanc sets this ep up for heavy rotation. first release on colourful for the up’n coming berlin producer sees two beautifully crafted tracks, each with its own intricate personality.>inside the dark< is a beat driven affair with a dirty piano lead, huge drops and a touch of native american spirit to add twist. >but tonight< shares the energy but the groove is more laden for the after hours game (that we all love so much). great disco tom action and a beautifully crafted vox hook is the spinal cord to this one. on remix duties re.you takes >inside the dark< into technoid territory with a sluggish lead, deep dark bass figures and dancing hi-hat patterns. huge one! on the flip moodymanc steps up and treat “but tonight” to a total percussive workout. an irresistible latin infused groover full of sunshine - just in time for miami!

this is the second 12 inch out of two, representing the golden gate club compilation mix. after all this wonderful years of sweat, heat and highlight in this unique club, some producers and djs are contributing their tracks, showing gratitude and love for this special place. feel welcome to share this high emotional tribute being released on tonkind.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

organs of love are the power-sleaze duo of james mckinven (organs, love) and alicia matthews (vocals, love). james mckinvens musical odyssey started with playing synth in (kraftwerk, suicide-inspired) electro band berlin blondes. he then moved on to altered images. after that he worked in genetic studios learning from the modern day genius that was producer martin rushent (human league, the stranglers, the buzzcocks). then went on to form one dove and worked with maverick genius andy weatherall. after that he drifted back to where it all started, analog electro, and miss alicia matthews. alicia matthews has quite a different background – one from fine art and performance. through working together at the same bar and having many intoxicating late night chats, they decided to try to get back to a 70s theatrical, musical performance: where live music and art combine for something beyond the rock gig vibe. and luckily enough, miss matthews has quite the pair of pipes – a true vocal delight. the result is organs of love … who frequently perform live around glasgow and have quite the reputation of thee band to see. videos can be provided, but they are not for the faint-hearted! not that optimo music ever provide a dull moment …

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

apersonal music keeps betting strongly on promoting unknown talents with plenty to offer. mathieu cle, a french producer from montpellier, joins the list of newcomer artists who the label has confidently published, as earlier did with trujillo, cisco cisco and volta cab.

nice price deal !!! after making his debut on the international scene with barduloso, continues the musical journey of ricky erre love that gives birth to his second project on metroklang records. with the new ep disco ball, ricky puts aside underground sonority and the metropolitan atmospheres and explore another attractive aspect of his musical identity.
supported by: gel abril, alexi delano, greg gow, paco osuna, doomwork, david labeji, daniel sanchez ...

golden gate... yes we love! this is the first 12 inch out of two, representing the golden gate club compilation. after all this wonderful years of sweat, heat and highlight in this unique club, some producers and djs are contributing their tracks, showing gratitude and love for this special place.

receiving plays and major support from annie mac, also naming tyson as one to watch for next year. dj support so far coming from plump djs, mark ronson, switch, luke walker, light year, jagz kooner ...

akira kiteshi has carved a special place for himself in the hearts of many by skewing the instant gratification of dubstep bangers to preserve his roots in the wonky and broken. in the run up to his forthcoming album akira kiteshi throws yet another curve ball into the face of those who seek to label and limit the electronic music pioneer.
>transmission< is a slice of hands in the air euphoric anthemia in the key of joy o or jamie xx.
>give it up< in yet another massive turn left ak twists the beats into uk funkee mode to produce yet more dancefloor detonation.
support: huw stephens radio 1, mary anne hobbs xfm, jackmaster, fantastic mr fox ...

producer oliver ho aka raudive is not a dark horse. two years after his acclaimed abc ep he returns to rrygular with his new release >love is the devil<. straight and facing forward but also back to the roots somehow. that doesnt need to be a compromise. it is a symbiosis that works absolutely fine in case of this particular 2-tracker. like always the englishman knows how to use percussion elements without getting cheesy. a certain reference to electro is obvious but it underlines the typical dirty raudive sound rather than trying to be referential. but who needs genres anyway? club-disco-techno-house-funk-electro - some kind of monster!

ultraphat two track house anthems

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

the >after you re gone< 12 inch features remixes from hot chips joe goddard, solo and legowelt. heavy weight virgin vinyl housed in a special edition neon wallet - this pressing has future collectible written all over it!

cool new ratio? with a surprise doc martin remix...!
about one year ago melon met two old friends from amsterdam lying on the streets of berlin who gave him an old fashion tape. out of respect of his (now homeless junkies) friends he borrowed an old tape deck and gave it a listen. he really liked the track but unfortunately he never found his friends again when he went out looking for them. after playing it for months and getting massive feedback the decision has been made to put it out and complimented with two fantastic remixes by california house legend doc martin & newcomer tom ruijg from amsterdam, its now available for everybody. p.s. guys i owe you a fix!

presenting the >cant buy love ep<, wolf + lamb records invite you to enter the visceral world of aquarius heaven. a rhapsody of sonic flow both rough and smooth with heavy doses of sleaze and deviant, lust-filled rap, the aquarius heaven experience is nothing short of electrifying. when brian brewster met dop in paris, 2005, the former reggae, dancehall and hip- hop singer was to undergo an electronic rebirth. during the hours of studio lock-up that followed, tapping into a wealth of musical influences, the arresting sound of aquarius heaven was born. after the outstanding debut >7 days ep< on circus company caught the attention of gadi mizrahi of wolf + lamb whilst in berlin (where brewster is now based), it wasnt long before the label made aquarius part of the crew and the >cant buy love ep< was brought to light. a heady mix of sexually charged house funk, a-side >cant buy love< bumps and grinds down a bassline made of rubber with the heavy depth of brewsters vocals in the driving seat. playful and bold with singer dani sicilianos yearning interruptions, the mood is a twisted fusion of love and filth. already a staple in the sets of soul clap and wolf + lamb, >cant buy love< has all the markings of a cult record in the sex music hall of fame

supported by: raresh, zip, ricardo villalobos and more.
noidoi are back on track! the romanian invaders team up with their second ep on our beloved sublabel love letters from oslo. after their last ep dupa joi on oslo, which was released just a short while ago, the masters of puristic funk are back again. inainte inapoi iar starts with a randomized and funky off-beat snare drum, which morphs into a deep and massive bass break anthem. then, the simple but classy melody pads lead into a typical romanian house groover, which is distinguished by his complex drum patterns and edgy percussion. the second track peloc, made of a playful oldschool melody, reminds on the good old times back in the days. a solid tool for unique moments, which can be big, if used in the right order!

killer release , incl reboot remix !! after his incredible remix for la fleur s >>flowerhead<< here is his next anthem !! decks tipp !!!

miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.