helge schneider und der jazz sind genauso wenig zu trennen, wie helge schneider und die komik. bereits vor über zehn jahren tourte er mit eigenem jazztrio, zu dem auch der britische schlagzeuger pete york gehört.
mit diesem langjährigen gefährten und guten freund hat er jetzt ein album aufgenommen, ein jazzalbum versteht sich. »heart attack no.1« verbindet eigene kompositionen und coversongs im helge-style.

polyop was formed in 2015 by producers jack driscoll, harry orso and visual artist and programmer alex kempton. since then they have been researching and developing a visual-audio experience that fuses nature and tribal culture with the machine. ceremony is the first exploration of that aesthetic, with their own take on acid house, they take the subject on a hypnotic journey through an alternate sonic-visual reality. kemp mutates ceremony into something between disco and techno, the kick and bassline thick and pulsing, whilst the percussion syncopates infectiously. the track progresses into a crescendo, which is amplified by the cavernous feel of the mix. this is certain to hypnotise 3am dancefloor-pagans into a state of worship.

vlad dinu opens mihai bravu s 1st release starting the audio journey with deep in my house, a track that occupies the entire a side, just like a proper tool should. as the name of the track hints, we find ourselves submerged in deep territory: a tight and groovy bass line, laced with a steady percussion, sprinkled with some 16bit arcade reminiscent accents and soothing intermingled vocal cuts. the deep vibe is crafty perpetuated by several synths at play, which together combine in such a way to add a wide atmospheric feel to the composition. definitely deep in my house sounds and feels more like of a 90’s tune, and while listening to it, one could easily find himself drift into the nostalgia of the good old days.
side b goes even deeper with two tracks defined by the notion of head tracks. gun zah continues the storyline with twisty percussive rhythms and a groovy atmosphere, tailored into a bangin floor choon while questions answered submerges the listener into layers of groovy basslines, swifty percs and milky synths, all put together into the form of a most alive track.

the word classic get s bandied around a lot when talking about certain records, artists, labels etc but rarely is it truly justified. in the case of the monumental slab of nyc deepness that is i ll be your friend we feel the tag is genuinely justified. originally released in 1991 on the rca label the track has been one of house music s most enduring anthems. literally one of the deepest tracks out there, it s combination of owen s vocals paired with the stellar production techniques of def mix s david morales (and those drums) is such a heady combination that the record crossed over so many scenes and to this day remains an evergreen staple in dj s of all persuasions bags. featured here we have all the original mixes (with the exception of the shorter radio edit) in their original forms. the record sounds as fresh as it ever did, the sort of track that never dates and will always fit into a set, the very definition of a classic. legitimately re-released with the full involvement of rca records for 2017 and remastered from the original sources specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition

we are seemingly headed towards dark and confusing times. the tension inside of the people is rising so instead of putting more gasoline to the fire and fueling the rage i submit to you these sounds of peace. not black music or white music. not borders or class. just music. it’s time to stop labeling music, just as it is time to stop labeling humans as 1st class and 2nd class citizens. if you can ignore my broken voice and if you could only look past my music’s imperfections, you would feel me instead of hearing me and maybe then you could get a small glimpse of the hope that the people feel when they are at my concerts and understand the idea that many great men and women before me like bob marley and john lennon had, that we are all one. the idea that had brought hope and countless others. the hope that makes them scream: peace forever. (charles x)

nathan bartell grew up in a little town called ashburn, georgia but soon moved to atlanta georgia where he began to perform in the night clubs. in 1973 he released “top going down, bottom going up” on the soul-po-tion label. bartell remembers: “at the time i was having family problems. my wife didn’t want me and i was deep in love. i felt at that time that i was at the bottom of the pit and i wanted to rise up out of that mess because my wife made me feel that i was a nobody. i was not good enough for her - nobody wants you when you are down and out. she felt that she were on the top and i was on the bottom. this song was a message at that time.” there is nothing for us to add except that we are delighted to bring this little beauty back to new life.

respected producer and dj red rack em is due to release his new album self portrait this february via his own label bergerac. formed over the course of four years during a transitional period after moving to berlin, self portrait, as the title suggests, is a true reflection of danny berman and his influences.

a fantastic obscure record, whose tracks simply anticipate techno and generally electronic music of the early 70s, including kraftwerk’s milestone “autobahn”. the set provides some blending funk tunes driven by experimental electronic music, all with a heavy dramatic feel: the result is an unbelievable, unique and explosive library music lp, a collection of several tv synchronization themes. what we had is stunning drama cop scores and dark electronic moods, all surrounded by loads of fuzzy vibes and all that weird, industrial, futuristic synth fx and so on...
the vinyl release includes a cd-copy of the album.

amazing release! t. gavroche, another mysterious alias for a well known artist, releasing his first ep via soulsity. >new era ep< brings 2 tracks perfect suited for long mornings, also powerful pressured for any time of the day or night, both with a subtile feeling of nostalgia. tip for the ones that still feel the music, rather than use it as a universal travel ticket to other dimensions … or places.

baertaub’s newest release wolke welcomes you with bazalt, a very tight and sharply shaped minimal techno track designed to awake your senses one by one from head to toe with small noisey cuts and bits that show their faces at certain times to draw a sonic geometrical map. next up is a relatively darker track rather than rain which again features those alien bits and is enriched with an unexpected and grande synth melody that somehow fits perfectly with the dark mood and alienating sound of the track. b side opens with the ztrl remix of bazalt which focuses on that witty geometrical face of the track and lifts it to an upper level with slowly building beats and hypnotizing loops. the ep closes off with the title track, wolke, which follows a very interesting trajectory: a tense sounding chord line is softened by a groovy bass and dubby touches and percussive samples which in the end provides an unexpectedly feel good ending to a positively minimal ep.

banlieue records starts the year 2017 with the release of blasphema eternal, the imprints sixth record, which will in fact be the only va release of the year as the label will focus on artist eps. it features five very different cuts that somehow fit perfectly together under banlieues common thread: a timeless feel, tracks that are full of detail but often understated, a breath of fresh air ready to lift up bodies and minds on the dance floor and anywhere else. first comes a club-ready dubbed out track by duo nummer, then a rather ambient tune reminiscent of idms finest moments by michigans own dmarc cantu. on the flipside, a machine funk track of an electro persuasion by label boss benoit b, followed by uptempo dance floor abstraction by mir and some lo-fi jackbeat deepness courtesy of wulffius featuring lyrics in french by jack tezam. limited to 300 vinyl copies.

second release for the roosters! this time we have two new entry in the farm: dj cream (homequest, robsoul) and frank agrario (micronation record, swayzak. enjoy the listening!

hot on the heels of system of survivals latest album and exclusively on vinyl comes the d-votion ep to get physical music. the influential house duo present cuts from the album, d-votion and no time to waste,d-votion is laid out first a deep and groovy dancefloor track with low end grit and a funky swing it its step. a collaboration with salvatore stallone the track is very moving and nearly impossible to resist. no time to waste plays a hypnotically rhythmic synth over a steamy stage of sweaty percussion. next we turn to the brand new vinyl-exclusive acid house number phantom power for a heavy dose of midnight action. with a very technoid feel, the acids presence suspensefully builds a tension throughout while the bassline chugs the track further. next surfbit joins to present searching for a wave, another track featured on the album. this one shines more sun with warm synths, soft vocals and gentle melodies. the collaboration ends the ep on a warm note, a special sound for a special dancefloor moment.

2017 re-issue. depeche mode branded synth pop thats remained unique for the last 20 years. including dream on, i feel loved, freelove

after her debut ep for hivern discs, shtum is very happy to welcome inga mauer to the family. the russian born but constantly travelling artist delivers the goods in form of four dust-dry and psychedelic techno tracks that celebrate the obscurities. starting with -dno- she sets the tone with an anthem for dark skies and basements. -silences- is captivating with its dysfunctional sounds. after the whirling dance of -my flights without you- you can t help but feel a little dizzy. and -dystopia- feels like hypnotic techno with a punk attitude. the artwork comes courtesy of carl-johannes schulze

jacktone records is pleased to announce our latest release: a vinyl ep titled channel from rising house producer, loren steele the ep from san francisco-based steele is comprised of four original tracks designed for the dancefloor, plus a sprawling psychedelic remix from mathematics/100% silk veteran, roche. not only are the tracks varied and ready for skilled djs to drop at that perfect spot of the night, but, they’re also earworms - hooking you with their infectious grooves and melodies. the clean production and energetic structure of the originals, featuring perfectly-placed pads, stabs and filters washing over propulsive basslines and percussion locks in a warm yet hands-in-the-air vibe. the roche remix of swimma draws out the groove and adds some of that san francisco psychedelic fog. the tracks were recorded live in single takes with little post production processing, giving them a kinetic feel that can’t be reproduced. channel was produced with creative feedback from both cherushii and nackt, whom were lost in the oakland fire. the ep is released in their memory. loren steele is a san francisco-based producer and multi-instrumentalist. as a bassist, dj and a solo live pa artist, he has performed at bay area institutions, haceteria, ok hole, psychic friends, run the length of your wildness, space gallery, public works, and underground sf. he has releases on wolf and lamb music, run the length of your wildness, bob recordings

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larry’s ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive – what many consider to be the holy grail of chicago funk, boogie and soul.

the kid is back! mister jacob otten as known as kid sublime has been delivering twelve-inch discs of love to the international house scene for many years now. his sound is soulful, purposefully energetic, very playful and always straight from the heart. let his creations raise your spirits and make you feel insipred, for music is lifes greatest expression of love.

modern boogie bangers! computa games drops its second vinyl release on new orleans own superjock records. “computer rock (og mix)” is that feel good funk with heavy bass, smooth synths and vocoder vocals to top it off. the flipside, “computer rock (west coast mix)” gets a g-funk treatment giving it that boom bap that you can rock to! definitely a staple for the crates.

dope two tracker on shanti celeste s newly ripened peach discs from the lady herself tip!shanti - i started peach discs because i feel like the time is right. i want to release music that makes me happy and build a little family with all my friends and friends of friends who i know are making great music. i also want this to eventually be my main home for releases. in the future there will be releases by a new bristol duo called fred and a 12 by samuel as well as many others of course! the first release, by yours truly, has an emotional and energetic breaksy number on the a side and the b side is a more striped down-ish, tough and bass heavy cut with some vocal samples. both full of twinkly melodies and arpeggios as per usual! enjoy

repress from the gazole 02! fat tribe techno, dancefloor, breaky, bloody hell: that’s a perl!

marc antona has been always in the pursuit of new expressions within music as he has continually demonstrated with his work. following the jazz-infused adventures of the rattle snaps ep, he finally returns to his own turf to lay down another crucial exploration of beat science. hanging gardens is a masterclass in immersive programming, fusing the natural feel of live drums with crisp electronic tones that hover in a spacious mix. its the perfect angle at which to appreciate the subtlety of sound design that goes into every inch of marc antonas productions, teasing elements in and out of the mix so gracefully, its hard to tell where the joints are. the haunting touches of chords and lingering pad are deployed with poise, the intricate percussion progressively rising and falling throughout to create a truly immersive sonic journey. where the a side deals with angular rhythms and a shape-shifting atmosphere, unrestricted takes the sound palette of organic and electronic elements and feeds them into a rolling, technominded focus. the tribal thrum of the beat fills out an in-the room-ambience while the psychoactive synth flurries speak out the pulse of the machines. its a combination that makes unrestricted as intimate as it is exotic. in combining these disparate feelings within his tracks, antona once again brings a human feel to the technology, pushing the music into exciting new realms in the process.

julian stetter might be best known as one half of the electronic pop duo vimes, but he is no stranger to the cologne club scene. his debut ep insides stems from a long history of djing and organising underground parties across the city. a resident dj and collaborator at colognes famed jackwho club, it was these surroundings that drove stetter to dive deep into producing. his first solo project is now set to be released on the label pnn. it features three tracks plus a remix by beyou. stetters sound is polished and the precise production of each three tracks make this ep feel far from debut. emily, the main track of the single, draws you in on shimmering waves that rise and break into a deeper and spacier sound. warm beats are interjected with random snippets of whale song. listening to emily feels like receiving a welcome hug at an after party.

after a very successful label launch last year with in aeternam vale - “self destruct” ep, linda records returns with another straight talking, analog fuelled 10”. this time welcoming aboard berlin based russian artist alexey volkov. his three track ep “cold blooded genius” comes finely presented on transparent red ten inch vinyl (limited pressing). whilst staying true to its current white label feel, this time linda s trademark eyes, also a fitting red. on the a side at 45rpm the title track “cold blooded genius” and on the b side two tracks will spin at 33rpm, “unfriendly nation” & “curtains of flesh”. we hate to categorise and attempt to summarise what these pieces of music craft sound like into words, we’ll leave you to indulge for a short time to the machine noise of the highly regarded talent that is alexey volkov.

dhmwax002 bring us 2 tracks from the owners. strong basslines, hypnotic sounds make you feel the seal from both artists.. hanfry martinez and proudly people complete the vinyl with 2 remixes with different styles.. the canarian with a deep house track perfect for warm up lovers and the italians with a strong track for the dancefloor

adam port and jimpster have had a special kind of ‘virtual’ relationship the last few years with a mutual respect for each others productions and output of their respective labels. keinemusik, which adam runs alongside rampa, &me and reznik, has grown into one of the most consistent and hottest out there right now with every release creating a big splash and bringing magic to so many dancefloors around the world. adam recently remixed jimpster’s eel pie island to devastating effect bringing his own deep, late night atmospherics to the original and creating one of 2016’s underground hits in the process. so now we’re very pleased to welcome adam port (alongside legendary uk artists stereo mc’s) for a full release on freerange in the form of changes. opening the release we have adam’s own remix which sets the tone with a subtle and gently building groove providing the perfect backdrop for the stereo mc’s esoteric vocal. this lesson in restraint shows why adam’s productions work so well on big systems, letting all the focus shine firmly on the vocal creating an intense atmosphere with not a single huge breakdown in sight! next up we have the original of changes which takes a more electro approach with a simple bassline and crisp hats and once again allowing the vocal space to take centre stage for a deep and memorable track with a message. finally we have a remix from our own jimpster opts to push in a completely different direction. shuffling up the groove and laying down a repeating rhodes riff we’re treated to an altogether more soulful and less stark version making the perfect compliment to the the package. this one makes us think of his remix of osunlade’s momma’s groove which is no bad thing we feel! enjoy!

were back on ltd 10s with volume 5 by the man himself dicky trisco. if you know the name - you definitely know the game. full on feel-good disco house beaters!

cheeky bed bugs - marilips: knowing the quality of ruff and raw housey sounds that both fabio monesi and dj octopus are prone to in their tracks, cheeky bed bugs is a collaboration that we have craved for and it comes in a gritty and dancefloor oriented form. starting off as a warm and funky piece, marilips soon goes into a puncher with a moving bassline and a reverbed claps while the main sequence taints it with an ominous feel. the whole track is enveloped in an almost burned texture giving it pretty live sound that will heat your feet in the club. nothing short of a cheeky feel!

stunning 6 track va record with loads of funky and icey electro from the scandinavian parts of the mind. from listening to the dancefloor feel free to discover the teamwork glued together from sweden, iceland, finland, germany & france.

geography 008 presents jayda g on a tripp! one original, one vocal version, one dj dog remix! strictly for everyone. with previous outings on butter sessions and her own (and dj fett burger’s) label freakout cult, jayda g now turns to the somewhat highly acclaimed but in no way award winning label geography for some canadian-swedish bilateral abracadabra. swirl shake mix features three hit tracks for every occasion, starting out with two different versions of the stripped back track shake it all down, and ending with the funk affair feel it, featuring the mysterious but fast food loving dj dog on remix duties.

repress / standard cover ...
on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

colored vinyl. the productions of myk derill never missed the point. we are happy to welcome this underground techno leader with his chasing ep. huge support we have with remixes by florian meindl (owner of flash recordings) from berlin who delivered an amazing live remix. you can feel the modular hardware energy in this broken electro version. this vinyl is for the real heads. the b-side starts with no other than luca agnelli (owner of etruria) from italy who just released on big labels like soma and drumcode. we totally fall in love with his banging remix. the b2 is by kaputt co-owner caves who kills it with a hypermelodic hymn for the special moments on the floor. this is 100% kaputt. modern, stylisch and strictly limited. get this wicked 12inch vinyl.

long-time influential techno label mosaic is back with a fine new ep from germany s andre kronert. the odd/even boss has been turning out dubby and atmospheric eps for ten years now, and here he adds three more such sumptuous tracks to his discography. a track called jinx is first and is an economical but effective roller with vast drums, subtle hi hats and a wonky lead synth line that brings a trippy feel to the groove. perfect for basements or warehouses alike, it works on both head and heel in style. bottom line is more forceful and hard hitting thanks to slamming drums and a nervous, twitching, haunted synth sound off in the distance. racing along and taking you with it, the urgency of this one really is compelling. finally, pressure dub is somewhere in the middle, with rolling kicks looping down low, scattered percussive hits up top and unsettling synth motifs all layered up into a smooth dub techno classic. spacious and spooky it is another effortlessly essential cut from kronert and mosaic. available on limited edition 180 gr yellow vinyl only.

what is this? this is a floor-friendly house record with three cuts by dj central. if you’re reading this, we feel it’s safe to assume that you buy records. so yes, you can own this and bring it home to keep if you like. all you need to do is pick it up and spend that hard-earned money of yours. why are we doing this? because running a label is about releasing music and we felt like this was worth sharing with you. no pressure though - don’t panic - take your time to decide. so whether you feel this three-tracker has found a new home or not, thanks for considering expanding your collection with a help record.

eshu records hits release number ten with a new ep from the in-house production collective made up of jocelyn abell, ivano tetelepta and daniel lekatompessy. fraktur features six tracks of stripped back house and techno that are all atmospheric and heady. opener winter track is a smooth and rolling dub techno number that is grainy and economical yet hugely absorbing thanks to its circling synth details and woody drums. creating moods is even more expansive and spacious, with gently swirling pads enveloping a soft, broken rubber kick drum. the title track is another expertly distilled, dry and heady groove with its frayed edges and warm analogue feel, then hello really flips the script with over driven jeff mills kicks and intergalactic synths bring a spooky sci-fi feel to proceedings. yorubaland is then a cosmic ambient interlude with fax tones bleeping and blipping as lazy pads smear out in the background and last of all core comes on strong with more quick and slick intergalactic techno carrying you off to some distant planet. this is another faultless ep from this fine dutch collective. pressed on 180 grams vinyl.

ltd nioce price deal, 50% off , max 1 copy per customer...
more than often, musicians feel that releasing music is giving birth to a baby but no one knows better than women. stefny winter realizes a dream by putting out a collection of meaningful tracks, all made in various important moments of her life. more so, some of the tracks were made while she was pregnant, making this project even more special to her. coming from the 90s as a dj who would juggle between styles, stefny explores with no compromises or time stamp, her various tastes through time. >wind walker< becomes a savory collage of music that wont really stick to standard styles but will become familiar to any ears. limited color-vinyl pressing (one transparent, one white/grey marbled).

nice price deal !!! drei remixe in geheimer mission. die a-seite gehört dem post-punk-klassiker stop! dance! von ak-47. die b-seite zollt in schmutziger disco-tech-manier chaka khan tribut, während auf der rückseite der 2. juli 1977 detroit techno trifft.

1per customer , marcus guerra s productions from some ten years ago are highly sought after, whether in the attendants or on his own as homero g. after many years of silence, the west coast label revives itself with a third instalment in the crucial deep cut collective series, and it s heartening to see that guerra s instinct for deadly deep house hooks has not faded one jot. just try listening to -feelin understood- and not getting the urge to hit the nearest dancefloor. the mood stays varied across the 12-, with the more percussive -days of the dcc- sitting in opposition to the none-deeper seduction of -by my side-

nice price deal !!! the mega talent that is steve mac returns for the 3rd release on his smack label again with 2 killer tracks that don t disappoint. the a side - phoba is a sharply produced club killer with fat synth stabs and rolling bassline and instant feel. on the flip side we have rill which has aslightly deeper yet uplifiting feel with its shuffled groove andneat drum fills.

few nolder has created a fitting second ep for gardens of god’s sodai label, spotlighting the cream of electronic talent coming out of lithu&#8203,,,ania. ’&#8203,,,ace of space’ confidently delivers three original tracks that build upon an already solid reputation. “&#8203,,,showing a steady upward trajectory, few nolder has established himself as an internationally respected &#8203,,, dj-producer”sosaid&#8203,,,xlr8rofhisrecentwork.h&#8203,,,isopeningtrack‘&#8203,,,balance’isthemostunexpectedtrack linas strockis aka few nolder &#8203,,,claims to have done in years. he is particularly surprised with his approach, discussing the “&#8203,,,deep percussion and long tail cowbells together with windy tex&#8203,,, tures, and lush hypno feel”. while ‘&#8203,,,teaser’, which gardens of god played during his back to back with &#8203,,,b.traits &#8203,,,on bbc radio 1 recently is contrastingly unrelenting. “&#8203,,,the m&#8203,,, elody evolves into a monster”, he says of the record, which can be heard in the metal snares and enchanting flute.&#8203,,, on title track ‘&#8203,,,ace of space’ nolder wants you to imagine “&#8203,,,stars passing by in their intergalactic travels &#8203,,,whilst the drops are like a return from an uncharted nebula”. this is an ep based on big melodies and endless spaces, and a worthy fit for the burgeoning label. few nolder has been creating music for over a decade with a steady succession of releases on ghostly international, planet mu, connaisseur recordings and needwant recording

daniele di martino now comes back with an ep that is made for long and dark nights in the small clubs. therefore, di martino goes back to his roots by creating straight deep house combined with a pushing bassline, as he does in the original version of faust - providing a result that is perfect to be played somewhere in the deepness of the night when there is no time for hesitation. the second track different comes a bit more melodic, includes vocal snippets and leaves space to breathe und feel - while the bass is as dark, it could dig an aisle in the middle of the dancefloor.

newcastle-based producer traela makes his first appearance on wax with this on-point work out for hhatri, a london based label who have previously been happily working with the likes of soichi terada. there is definitely a sense of feel-good optimism and kinked drum programming hovering over this ep, especially on hanging over a river. you know i can hide also stands out with its strafing bass lick and spacescraping synth rolls, but the script gets flipped for ep closer uyokuthola as tribal percussion meets with an ambient atmosphere for a most engrossing end result.

in 2016, the festival in prora releases another vinyl, and this time it is a real tasty tidbit. the boys from kiel, mitja & daniel mes, who also played at this year’s festival, included their track „feel free“ on the record. this track is the beach-echo and a perfect medicine against the winter blues. the second track originates straight from the island rügen, produced by the well-known irie island crew and holds the name „rügen rockt“. the name speaks for itself and through the well harmonized dub-swing reggae vibes be sure to be grooved from north to south of the small island. the backside of the vinyl is a piece of handcrafted art. the very distinct tag am meer logo is engraved through the help of a special technique called: etched. this record does not only sound good, but it also looks amazing.

>i take my guitar and strum and sing some tings and blow peoples mind. but i aint trying to do anybodys music. im doing what i feel< - shadow when it came out in 1984 the far-out album sweet sweet dreams by trinidad & tobagos shadow (aka winston bailey) was described as way ahead of its time. undeservedly it was panned by critics and, unable to reach markets, disappeared into the dusty record collections of a few music aficionados. now, more than three decades later that cosmic dance-floor ufo is about to take off again, change all that and set the record straight. remastered and cut by frank meritt at the carvery the album is truly a masterpiece.

new moby mixes! tip!
auf dem diynamic sublabel 2diy4 erscheint eine ep mit geschmackvollen neuinterpretationen von einigen der besten moby songs durch einige der besten künstler aus dem diynamic umfeld. die remixe stammen von adriatique, magdalena, johannes brecht und stimming.

in this age of pre-set play lists and total sharing of music, you more or less get served what you expect to hear. your musical preferences are predictable and you - with little or no effort - get access to music that suits your self-image perfectly and places you in a safe zone.
but what if these babysitting services went on vacation and you’re suddenly left alone in the post-industrial outback? where do you start looking? at first listen you might feel that the songs on loving hell by vox low, released on hoga nord rekords, might not suit your needs in such a cold, harsh existence. but that’s where you’re wrong. vox low’s sound might first appear frightening and cold to you but the tracks on this ep most of all carries with them depth, energy and persistence: the perfect soundtrack to reboot your system to and to get you going straight forward without looking back. this is music for the aftermath of a cathartic experience, music that generates a propulsion that makes you wanna walk on that road forever, music to help you rediscover what punk, rock and electronica really should be about - gut feeling.

point g is back with a double trouble release that goes to the floor up to the ceiling from the * ether* a sure floor fillers to * try to fight* a mental bass drivin with a fat dope a beat , leads us to * nebula* a deep raw lofi instant classic when * cat groove* blends an electro feel with a deep ny vibe to finish with * tom* a minimal tribal frenzyness a must have

die romantische reggae-spielart, der lovers rock, erlebte seine blütezeit mitte der siebziger jahre. britische und jamaikanische interpreten beherrschten die reggae- und mainstream pop-charts. diese vinyl-only veröffentlichung enthält 10 der besten lovers rock-tracks auf hochwertigem 180g vinyl.