our pioneers on the intriguing austrian dubs frontier, return with this their second outing on wax - group niob, the collaborative work of both label heads gerhard potuznik and martin sovinz. >vector< continues further with exploratory mining into the oneforty bpm dubbed into technoid seam - its low end is devious and drills itself clean inside the synapses, mirages of dub cascading either side.

in recent years lil silva has been responsible for some of the uks biggest underground bangers, with his uniquely stripped-back, heavyweight style blending jacking house with the raw sonic energy of 1st generation grime.
following up on his ltd white label release in april, night slugs are proud to present night skanker, lil silvas iconic new ep.
the four melodic, synth-laden tracks are typically raw and grimey but also run deeper with a newfound luminescence. constructed from a robotic new sound palette, silvas tuff flange-funk drum programming and twisted carnival rhythms are permeated by razor-sharp neon synths, jacking cowbells, massive slabs of sub bass and even silvas own sampled vocals. these are industrial-size riddims for worldwide dancefloor demolition!

now on the 7th release this label is not firmly established as one of the uks finest hardcore labels. this time autopsy has a solo outing on his own label. 4 amazing tracks that you may have heard him playing live recently finally get their appearance on wax.

james duncans le systeme records in pleased to present a new ep by nyc native carlos hernandez. carlos has released on basenotic, rong, and danny wangs balihu label and appeared live with arthurs landing and metro area. 3 tracks of disco influenced sonic gold here. the 9 minute disco epic >bank beat< on side 1 should be rocking dance floors and dj sets for years to come. side 2 brings two other flavors of carlos personal take on disco and soul.

the mighty d knox graces sect with a second ep, >looking through your eyes<.
>at the beginning< is a journey in the way good techno tracks should be. a low-slung groove forms the foundation as strings build, creating composite chords then descending into darker territory.
>if i never knew you< continues the unique and oh-so-delicately balanced melodic sequences, while >out there< is straight up techno funk of the first order. if these guitar licks dont move ya on the dancefloor, you have problems we cant help you with.
>on my way< is a gift for the more experienced techno dj. tricky beats work to create something like a latin shuffle, rounded off by a sonic mind manifesto vocal.

first on decks.de !!! madrid based jesus gonsev from the troubled kid camp appeared somewhere around 2008 on our radar but has been djing in spain and outside and being also part of the renowned deephouselovers collective for the past 10 years. after his debut (>manhattan wax<, together with dj ino) on progcity last year, he is now back with a super versatile four tracker all produced by himself. we are sure you will recognize the typical gonsev-touch on all these tracks, something you won t hear anywhere else. it may be the use of the strings or the warmth of the pad sounds, it sure makes you feel good to listen and dance to it. additionally >peanut butter pie< vocals performed by vincent inc. supported by ray okpara (oslo,cecille), llorca, brother s vibe,....

split over two vinyls to ensure maximum sonic quality and complete with beautiful hand drawn illustrations from yuko kondo (directed as ever by our own peter saville, phantom), it picks up where hands of love left off

nice price deal !!! incl william kouam djoko and m.in remixes!! massive support: marco carola, paco osuna, nick curly, matthew dear, kabale und liebe, danny tenaglia, alex celler, boris werner, luke solomon, chris carrier, mathias kaden, affkt, rhadoo, arado, liapin, mihalis safras, varoslav, oleg poliakov, delete, anthony collins, edgar de ramon, jairo catelo, tania vulcano, alex neri, leix, edu imbernon, timo maas, federico grazzini, andrew grant, onno, quentin harris, brothers vibe, tom wax, jonnas snauffer, piok, isaac fabregat, and more

the second and final part to mossas massive album is festine pt.2. the first part was crafted for a more big room, late night feel and for the second slab of wax were going more for the bouncier out-door, summer fun time feel. there were so many moods on this full-length that we were able to craft specific types of eps. to some this may be more of the sound they come to expect to hear from mossa but we know him best, he has flavors upon flavors, which is very obvious on this ep. hes a hard artist to stereotype, exactly why we had to have him on thema. so for this excursion we have a tango-esque dance floor prime time buner-buleria, that will make you slam tequilas like the true lushes we are. on the flip side we have pezzner of freerange and dave aju of circus company delivering some sultry, tangy, funk for the body

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on “vibra” the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james’ “spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it’s that vibe! . “flexa” starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today’s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there’s plenty of soul and sol, just in time for summer.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

for release number 5 well rounded goes deep with the debut release from donga & blake.
label owner donga met blake when both djd at brightons forward thinking drum n bass night carbon spinning similar shades of the deeper end of dubstep. this lead to the idea of hooking up in the studio, and whilst initial experiments at 140bpm were promising, it wasnt until they decided to lower the tempos to housier speeds that their sound clicked into place. this sound is a balanced fusion of soulful house, deep textured techno and rhythms absorbed from garage, funky and broken beat. these 3 immaculate tracks have a simple appeal but also contain many layered sonic details for the closer listener.

the environmental radiation dose on the moon ep is the first collaboration between zooloft and aconito records. the two labels are twinned in exploring the limits of techno, experimenting with structures and sequences and ultimately arriving at the place where the deep and dark sublimes. the ep opens with the child that was watching the moon a track lifted right out of the drone-techno hymnal. it starts with muddied, subterranean bass and builds not just outwards but inwards. filled with obtuse references and metallic rasps the atmosphere created is obscure and spectral. on the reverse the moon that was watching the child sounds like its been exposed to radiation. the sounds are distorted, as if created from samples of the genome unzipping. the arrangement is stunning, bells filter in and out and the layers smelt into one another. there is awe at work here, but its an awe that remains underpinned by terror. this release, mastered in berlin at the legendary calyx studio, is something of a record collectors dream. it will be released on solid silver vinyl in a very limited edition of just 200 copies. za000ltd should be enjoyed on wax, this wont be available digitally.

supported by: troy pierce, camea, par grindvik, ambivalent, alexi delano, someone else, dustin zahn, paco osuna, dubfire, paco osuna, ellen allien, chris liebing, butane… lurking far below the surface of the ocean, the mysterious viperfish swims in solitude from any signs of human life. dwelling in the dark, cold waters, he waits patiently and lures his prey in with a light producing organ, attacking at an astonishing speed. this fish is considered to be one of the most unusuallooking and fascinating predators of the deep blue sea. he is a born hunter, a misfit, and yet his intricate design is beautiful and intriguing. this is the beginning of the story. tim xaviers first full-length work, titled viperfish, is a meticulous assortment of live studio recordings, deep ethereal techno cadences, and fun, driving dj tools.

two new house tracks twisted, chewed up and spat back out on wax by marcellus pittman on his own label unirhythm. marcellus has had a great year of releases so far with his unirhythm green 12 inch and the well received ep on the fit sound label. this one is slightly smoother, jazzier, and still with that nice masculine pittman groove!

dead young records is proud to announce the release of their second limited edition, poster-dressed, wax-sealed, hand-stamped & numbered 10 inch vinyl compilation ep: dead young club volume 2. limited to 500 copies.

ahhhh, mr mark e. arguably the leading light in the resurgent obsession with all things disco and slo-mo, convincing über tastemakers like giles peterson, as well as countless weekend warriors with his sonic sorcery. conjuring up edits that were so much more than edits, dropping smash hits like the janet jackson rework on golf channel, and the magnificnet womack & womack re-do on jisco, and more recently becoming remixer du jour as well as crafting equally impressive original music, not to mention kickstarting this, his very own imprint! >special fx< weaves snatches of mid-eighties magic into a lengthy groove-out with that patented mark e throb, whereas >christo< drives us down a decidely more detroit bound freeway, sounding as it does like carl craig remixing prince, well. you dont need us to tell this is the real deal folks!

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed ‘miscellaneous mutant mishaps’, b-music and finders keeperslinchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

loved by daniel sanchez, hawtin, paco osuna, loco dice, stephan bodzin, karotte.... arrived at the first compilation of bla bla 013. just the few best track on wax. tracks of known and unknown talented producers from all over the world. we only wanna say let the summer begin

four cool deep and tech house tracks from uglh & federico locchi, men in trees, art bleek and solan.

stalwart is bringing you fresh blood for its 17th release. el prevost aka lincoln prevost, is a london based producer who started is carreer in music as a sound engineer at londons matrix studio. becoming a big fan of the underground house scene through the years, he decided to start making music, looking for new directions in sound shaping and manipulation to produce strange new sonic elements and radically altered drum patterns. once again, a great package for you to choose from!
early dj support from: danny krivit, dj spinna, rocco, jellybean benitez, marlon d, aaron ross, ralf gum, master kev, jihad muhammad among others.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

we no speak americano reached no. 1 on several charts, been no. 1 on the club charts for the last six weeks in australia.... similar success is in the netherlands, germany, greece and italy, where its signed to the major independent dance labels. for yolanda be cool juxtaposition is everything: bow ties and converse, hip hop and techno, animal noises and nightclubs, pretty girls and tattoos... unused hotel rooms! so yolanda and dcup apply describe >we no speak americano< as >party tech.< sylvester martinez and johnson peterson, aka yolando be cool are rapidly becoming a household name in contemporary clubs. their tracks have been licensed to compilations such as fabric 59 and fake bloods wax on mix compilations and have signed tracks to herves cheap thrills label.

very limited white label. rmxs 005:the 5th in the series sees silver (accidental heroes and sonic and silver) deliver his interpretation of >jonny jungle< the original tune was from 1994 and was a huge hit back then! dj silver bring new life to the track as he brings it up to date? this has had massive support from all the heads in the scene. the flip is work done with good friend and fellow producer lutin from france, as they come with a soul infused number called >i choose you< which was a hit originally by >wille hutch< this tune is defo one for the summer time ladies

catcalling from the depths of a city seen from the outside as crumbling, sonic grooves carve a path to the soulful detroit duo known simply as the oliverwho factory. first noticed across the primitive music sharing plateaus of a decade past, the oliverwho factory quickly gained notoriety overseas with a glasgow based distribution, and a keen sense of product importance, releasing rich, mood-driven tracks on vinyl, inspired by and resonating the roots of rock, pop, jazz, and r&b. earth near-silently stumbles with the distinct yet mysterious, funk laden blend of house and techno that oliverwho and shonie c. so naturally provide. like stepping into dreamscapes of unknown desire, the obscure flavor of owf s tunes keeps unconventional beauty and otherworldly adventure at the forefront of this duo s detroit-based soundboard.

mr force funk is coming hard! fukk he produced with his buddy kutmah mixed up with own jams and other collabs... its his first tracks on wax!! crazy ass shit that can t be categorized (but i m sure some stubborn journalist will come up with something to avoid he is getting confused). fusing p-funk, electro, disco, electronix, rap and everything dirty, pure and with soul! oh and for the trainspotters... yes that is an old obscure legowelt track used for split!

resident advisor+abe duque contest winners on a slap of wax. very limited 200 pressing. here and gone. check the mixes.

massive cool acid banger! hot reverse spining wax

argenis brito and los updates. two of the most left -field exponents of chilean dance music armada get together on vinyl. argenis, born in venezuela, was given a chilean club passport by luciano, pier bucci and villalobos a long time ago due to his outstanding services as a producer, singer and overall party raiser. he met los updatess boss jorge gonzalez in new york in 1994, while attending a wu tang clan show. on this brand new release they offer >valparaiso< and >don t take candy from strangers<, you can smell the delicious scent of an instant classic emanating from the deeply grooved wax

groove charts # 3 !!! >sex ×technology = the future< ( jg ballard) wires are the arteries of the modern world, connecting and supplying practically everything that defines our lives. we channel our desires like an electrical current through our machines. musically, the concept is about drawing together the different strands, from techno and minimal to house to ambient and experimental. there is a common thread that runs through these different genres, linking them like the roots of a tree. this diversity is what keeps everything fresh for me. the >raudive< project explores techno and minimal, further releases will feature >atlas<, a new project created by myself and co-producer tommy gillard which moves into more detroit house territory. later there will be music from >zov zov< music that references pan sonic, coil and sunno))).

the flavor savers is back with vol. 4 in our colorful series that boasts a wide variety of juicy cuts for the underground house music heads.
already receiving massive support from the likes of: dimitri from paris, dj sneak, mark farina, cj mackintosh, fred everything, danny krivit, richard earnshaw, jask, jt donaldson, dj heather, soulmagic, jon cutler, raul campos (kcrw), joshua heath, random soul and many, many more!

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul.

chaim, the sound architect from tel aviv, is slowly but surely taking his place amongst the bpitch residents. the specialist in sonic witchcraft is keeping us in regular supply of 12inch insights into his fine art.

the finest releases of french way of house lab finally on proper wax!

italys marco donnarumma indicated some of the potential of his kuoyah project with last aprils digital release for frijsfo, earning enthusiastic tips from the likes of boomkat. nonetheless, theres no doubt that his debut on wax ups the game ? even in the face of a mix from sully ? by applying a focus capable of working magic in 2010s open-ended dubstep dance. its an overused comparison that probably deserves to be buried, but angel dub does reek of horsepower productions, or more precisely the ducking 2-step and basic channel steals of benny ills classic tempa ep with hatcha.

die erstver®ffentlichung der langenj?hrigen losen zusammenarbeit zwischen dem gitaristen und s?nger von sonic youth lee ranaldo, jim o rourke und dem deutschen experimentalk?nstler christoph heemann.
listen to the words fall apart as christoph heemann deconstructs lee renaldos recitation of >bloomington indiana?<, then flip the disc and hear heemann and jim o rourke work a little bit more space into the mix with >autumn<. like the space cowboys they are, streamline rides again!

limited to 200 copies, vinyl only!! abstract forms brings you another slice of fine quality electronic music. derrick may describes him as >a very accomplished musician<, and he is not wrong. . . please welcome the very talented louis haiman. the formless ep features 4 tracks of wonderfully thoughtful and sublime electronic music. from hypnotic detroit influenced techno to slow outer limit electronics, this ep oozes buckets of digital soul thats carefully designed to take you on a sonic journey, it will free your mind. featuring 2 new exclusive tracks and 2 tracks from the >life after people< lp that was previously only available as a digital download, this ep will no doubt please all the vinyl lovers amongst us..

the third release from zooloft, again by giorgio gigli and obtane. contextualised in monochrome is brilliant wax featuring dystopian visions, collapsing psychedelics and raw techno. smear, from forward strategy group, delivers a proper grinding remix that will bring you into a dimension of electricity and tension, optimal for futuristic dancefloors. 200 limited & hand-numbered copies, no digital.

meet desto. we found him wandering the streets of helsinki, eating canned tuna and drinking the water from a tin of hot dogs, desperately clutching armfuls of sticky future garage. starting off in spacey 2step rhythms, falling over bassline, and breaking down into an euphoric 8 bit cascade, the epic >disappearing reappearing ink< finally reaches wax after being in the boxes of pretty much everybody all year. on the flip, >broken memory< was given its first exclusive airing by oneman on radio 1 to much acclaim, and takes more of a straight up approach, and retains all of the fluid c64 chiptune beauty.
dj support from rob da bank, oneman, brackles, sinden, floating points, clouds, mary anne hobbs.

nice price deal !!! this second release from glasgows fortified recordings is a departure in sound from their first acclaimed ep by dundees loops haunt, but all the same in attitude. iranian born, texas residing garagesmith vvv uses his late night musical tests to forge and perfect his sonic output, and deploys a range of techniques not normally found in the often formulaic world of garage and dubstep. this patchwork quilt of laced beats, field recordings and intensive sample editing has made manifest a four track ep that simultaneously references the work steve gurley, todd edwards, carl craig, my bloody valentine, the cocteau twins and roy davis junior via the bastardised strains of 2-step and house practiced by the likes of ramadanman, untold and joy orbison, peppered with that magic elusive el_b swing that only the greats are able to achieve. at the same time familiar yet different (how many times have you heard that?), the four tracks on projects kick with the intensity of the best club music and invokes the cosmic spirit of classic motor city techno with an uplifting and deep soulful vibe that reveals layers of orchestrated natural sound upon repeated listens. in other words, its sexy as fuck. slated for an official release early march , one can only assume this limited 12inch will fly off the shelf much like fortified s inaugural release did

a 14 minutes epic track, extatic keyboards, melancholic strings & raw beats…call it house, techno or what you want, this is an outstanding soulful piece of music written by the electronic chameleon ripperton. from analog to analog, dedicated to wax lovers.

wurst kicks off the new decade with reade truths auspicious debut for the label. the longtime techno vet - he of strictly rhtyhm and sonic groove pedigree - turns in quite the heady offerings. >lets go to heaven< is a brooding, electro-fueled, and dare we say, sleazy affair. perfect for building the night up or taking it down, horizontal dancing style.

nottinghams wigflex camp returns to wax with another implausible display of style, forsaking their 4 track sampler style for a double header on platter number three. featuring one half of the duo behind the blossoming blunted robots label, shortstuff, and previous wigflex contributor, and the only artist to appear on all of the labels releases to date, taylor, the longer 12 inch format lends itself beautifully to the producers who both get the chance to build tracks that exceed the 7 minute mark.

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

theres something brewing down at dumb-unit and this time its in the venomous form of a cobra sun. legend has it that the cobra sun is a sun so fierce that a man can only face it at the crack of dawn. only at this point can one survive its monstrous wrath. whatever the truth may be, what is certain is that a new legend arises with pheroxs moving interpretation. a massive journey full of dynamism and extremes the cobra sun is yet another notch to be carved into dumb-units sonic bed post.

luxury reissue of long lost 1993 pre-pan sonic techno classic with original track listing - essential must have!

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul.

the united kingdom and new zealand unite on the latest get digital release, as tim green and emerson todd team up for two tracks of trendy tech-house. both of these guys had a splendid 2009. tim with his releases on dirtybird and emerson providing a contribution to get digital, at the end of last summer. their initial collaboration came in the form of exercise, which popped up on a compilation from sven väths admired cocoon label. make meis driven by crisp and tight beats that one would expect from these two producers, before tumbling into a 1920s speakeasy jazz drum solo. a flurry of vocals shoo off the drummers as the beats takeover again with an intensified energy. after all that dancing, you will surely need some foot treatment. that is where nail clippertakes over. a sonic pedicure, to easy your tired toes? not quite

at the core of every contented family is a sense of balance, an emotional push and pull that helps stabilize the entire unit. a similar equilibrium anchors le loups second album, family. recorded in a remote cabin and a maryland basement, the record finds the middle ground between tribal rock, freak folk, and sonic experimentation.