heres a new lazy days. this time we welcome back atnarko to the family featuring sam mollison vocals. sam was the voice behind sashas seminal >magic< track in the early 90s. on remix duty, we have peter christianson from lawnchair generals and we also have a nice bonus cut in the form of >break of day<. watch out for pt 2, remixes from pezzner and fred everything. early support : danny krivit, johnny fiasco, shur-i-kan, mr v, quentin harris, giom, diz, nacho marko, mark bell (blakkat)…

new label by third ear records and what a cool first release!!! groovemental is bringing explosive jazz versions of two classic dance tracks! side x: dumb machines version of theo parrish,s falling up is based on the carl craig version of the track rather than the version recorded by theo. one of the biggest house tracks of the 2000s and a recognised classic. dumb machines have introduced words. the word falling is intoned throughout the track and the second stanza from louis macneice,s poem snow is recited. side y: written by tori amos. dumb machine,s version is based on the armand van helden remix. he created an irresistible dance groove, selected a few choice vocal samples, which became part of the clubbers lexicon, to create one of the biggest dance records of the 90s. dumb machines have gone back to tori amos lyric, taken various lines from the lyric and cut and pasted them together. two very inspiring jazz tracks for the house and techno generation, and for everyone else too of course! been on high rotation since we got it in stock!! recommende

next up on deep vibes comes sascha dive with his killer remixes of matthew dears >little people (black city)<. originally released on spectral sound (spc 101) as a digital-only package a vinyl edition had to follow due to public demand. for maximum sound quality the 20 minute version got shortened to a 15 minute >vinyl cut< (a1), while the >dub remix< comes in its original form on the flip-side (b1). sascha dive and matthew dear met on the road a few years back. in 2008 matthew dear featured a remix by the deep vibes boss on his watergate mix-compliation. when they played together in munich in august 2010 dear asked dive, if he wanted to do a remix for his upcoming album. the only condition dear asked him for was that it had to be the wildest and most crazy remix that dive could possibly do. little people (black city) is the probably strongest song of matthew dears recently released album black city. sascha dives remixes are on heavy rotation and played by a wide range of djs. make sure you get this joint in the box!

the -makeovers- project is a compilation of some of claudes best re-twists, some of which are so far removed they can almost be considered original works. this special edition vinyl includes one of the most sought after remixes, -warpaint- originally by pocket 808 in australia, vonstroke turned this into a late night anthem in 2007. played by techno djs, dubstep djs, and everyone in between this track was never cut to vinyl until now. on the flip side claude remixed the nublu orchestra out of new york. he was never completely happy with the original version of the remix and hes gone back and re-made it into a very special piece of music including a new vocal sample from his wife aundy who also did the vocal effects in whos afraid of detroit? this collection was put together with the theme that a remix can be an inspiring starting point for an entirely new piece of music. these are two of the deeper and darker remixes but we think you agree they are also very special.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

lovefingers and nitedog return to their blackdisco label for the 10th release! straight up fun party jams for 4 different moments in the night. lovefingers starts off side a with the pumping macho disco america (cut from a freaky italian 45 and a stallions staple) and nitedogs anonstop project throws down the mid-tempo bassline bobber martial arts. on side b, lovefingers drops a funky/junky eastern guitar stomp on slim jim (another freaky 45, this time french), and nitedogs anonstop project closes out with a super funky warm burner. primates. all heat, no bullshit, and of course… no repress!

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

already in the forth installment, claap continues its streak of quality releases. this time label head gummihz is back with a breazy and grooving maxi titled >head rush<. featuring four new cuts welcoming the summer heat. >head rush< is a captivating piece reminiscent of that 90s ny house sound. it is a nod to the past with a touch of now. breezy and cool, with the sort of drums that will keep the floor pumping. the drums out mix is a more pumped out version of the original, stripped down to the drums and voices. >secret voyage< taps into a more ballearic atmosphere. a captivating arpeggio draws the frame to a very elegant arrangement of organic rhythmical elements. >ruff passage< is a dubbier cut which was created to remind you of previous house producers of the ruff, think everybody be somebody (ruffneck)!! a must have for all occasions to keep the heat on!!

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

new one from kyle hall on his label wild oats. vocal house track on the a-side, and a jazzy disco drum cut on the flip.

perfectly suited for huge dance floors and long summer after hours hon-ken sparks with spiralling, hypnotic, multi-layered synths moving between trance and space disco.
inspired by japanese wisdom and engineered with teutonic precision, hon-ken will release your mind and put every dance floor into frenzy.
on the flip lopazz and zarook add a more dub-infused note to their remix treatment. tokyo based producer liquid pegasus delivers a strong recording debut slowing things down to 100bpm resulting in a wonderfully deep disco cut.

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

with the toughness of detroit house and the weirdness of chicago acid, scotch absolutely destroys all the dancefloors! richie hawtin newcomer allì borèm jumps headfirst into digital-age hedonism, with these two reduced, swinging cuts that have all the abandon and humour of a late night lock-in. this gentleman hails from rome, where he cut his teeth in recording studios across the city and as a dj has been responsible for plenty of discoteca mischief. expect these two playful, bleepy, bouncing tracks to give you much joy on the dancefloor.

debut release on clone royal oak by morning factory. two tracks that turn every party into a house party! two tracks that go somewhere between the old and the new school with phat bass lines, filtered stabs, blissful keys and joyful piano and a cheeky vocal on the b-side cut. all that combined with slightly slower pace, powerful production. two killer tracks that makes the most stubern raver move his ass!

the too-cool-for-old-school house cut dont stop is the love child of the first the subs vs highbloo musical encounter, when highbloo was not part of the band yet. dont stop!

jeremy glenns >new life ep< is filled will sun-drenched euphoria, it comes bearing soul, embraces jeremys natural pop sensibilities and celebrates the underground scene thats shaped him as a dj. the title track takes us down to the beach with its 90s pads and thumping bass line to hang out with mitch buchanan, >found a love< reminds us of a rare vintage cut that the revenge or jacques renault dig up (check that acid line!) while >overtime oozes of prince. alex barck of jazzanova also rolled out a cheeky feel good remix of new life. its sure to make you grab a partner, throw them into a twirl or two and play an air bass guitar. already jeremy glenn has shared the decks with james murphy, tensnake and andy butler as well as performing live alongside dam-funk, aeroplane, and alexander robotnick. check the video by dakota of >new life< and take in all 80s boobs, 90s muscle, yachts and tiger fades

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix

support from luke slater, marcel dettmann, james ruskin, sigha, forward strategy group & many more... shifted starts his own label ! after the success of his drained ep for luke slaters mote evolver label, shifted returns with 2 tracks of deep tripping, highly reduced techno plus a bonus cut of droning ambience on his own newly minted avian imprint !!

corporate stand for : hard, dark, jackin techno! 3 wicked hardtechno release combined in one special limited sales pack. this is hard techo to the bone, play out loud, but at your own risk!

sydney-based dj/producer innerwestsoul joins forces with disco deviance and delivers a massive debut release on the imprint. blending crate digging sensibilities with seriously large, good time party vibes, he continues where he left off with his excellent evil woman/get up release on his own iws label earlier in the year. the live sound is a stomping main room disco cut that in style gives more than a nod to the early henry st sound and is an absolute dancefloor weapon. then flip over for yet another party popper, crown jewels, which is on the more electrofunk tip and packed full of yet more dancefloor moments. both tracks are lovingly edited and beautifully re-mastered for your absolute dj delight. enjoy the music!

faze action maintain their fine run of form in 2011 with this four tracker from the shack, aka guy williams and dan williams (not related!) both have been active in dance music from the early 90s, with guy holding dj residencies at clubs such as the ministry of sound and turnmills during their pomp while dan williams aka d.r.w carved a career as a singer/songwriter. together as the shack they have absolutely nailed it with >touch it<, a sleazy-does-it italo peak time jam. arpeggiated synth lines, catchy vocal hooks and instant bassline work in jotous unison with some cowbell carnage. the 12 inch comes replete with a dub version and boogie influence faze action remix. rounding off the release is another original cut, namely >dont stop, in which tough drums combine with a late night vocal intoning the track title to bewitching effect. this shack attack has already found its way into the record bags of pete herbert and severino - expect it to be in many more come summer s end.

number 1 in a series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with the world premiere of a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >cirque mecanique< is a throbbing groove work out with a dark edge, while >warm rush< brings sweet & pure deepness. >true dub< is an unreleased alternative version to 2002s >true< single - no vocals, just bass. enjoy and look out for parts 2 & 3!

part 1 of the remix series for >paradigm shift< by martinez comes up with reworks by markus schatz, christian burkhardt, arado & marco faraone and david squillace.
supported by: mathias kaden, anja schneider, shinedoe, fabrizio maurizi, sasha dive,federico molinari, slam, julien chaptal, arado, adam port, monika kruse, gregor tresher, delete, raresh, robert dietz, andrew grant, schlomi aber, meat, chris gruber, ekkohaus, steve lawler, tiefschwarz, luca bacchetti, shinedoe, anthony collins, nic fanciulli, paco osuna,...

a surprisingly deep start into the year from flicker main act strich acht! while dorsia is a functional work of monstrous dynamic power. point barrow develops a more sensitive but wide-ranging density.
supported and played by: andreas henneberg, ramon tapia, joy kitikonti, tolis q, dj linus, haito, todd burns, dj misc, nic fanciulli, brothers vibe, ondrej, homebase, fine cut bodies (biscuit reality) and many more ...

massive groovin deep house cut, incl fantastic chez damier remixes, decks tip!

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

the miracles club is a group from portland, oregon featuring members rafael fauria, honey owens and ryan boyle. fusing elements classic chicago acid house, world music, experimental pop and contemporary dance. they have been adding a new and vibrant energy to the west coast us club scene over the last 12 months. cutters records brings us the >light of love remixes< ep which has all the makings of a mid 80s house party except on the dance floor is a giant cosmic rug to float you through space and time. >light of love< is the psychedelic piano house jam from the deepest depths of a dank dark rave cave and cut copy have reworked it into an entrancing dancefloor gem. also included is a dubbed out house mix by new yorks ever-consistent neurotic drum band. and dont sleep, because on the flip miracles club journey into classic 909 house with two versions of their jam >so hot<. it feels like the second coming of jack, but believe… its the rise of a new dawn!

this killer ep from samuel dan starts as it means to go on with the massive sample loops, and has been custom-made to keep those hands in the air. an infectious, bouncing bassline ebbs and flows through the track, while the tight percussion will keep those feet pounding the floor. octad and phiorio take the controls for the third track. their remix of wake up call is stripped down and funked up. like a prime larry levan cut, funk, disco and house collide but without the mix ever becoming cluttered. the elements are used sparingly and to devastating effect. last but not lease we get samuels original mix in which the brass instruments take centre stage, with trumpets heralding deep bass grooves. they are going to be rocking this one down in the treme. bring on the summer! to finish off this ep in style, heres the floor-filling back home. its immense builds and eminently catchy hooks are guaranteed to spread smiles across the dancefloor like a disease.

this is third single cut from the debut album parts unknown which is released on 28 march 2011. >i m sorry< on a1 is electric boogie house. if you like the production of tensnake, you will love. >your love< on a2, this is first song which eddie sung by himself. it sounds arthur russell little bit. >starlight< on b1, eddie invited his friend as co-producer and result is playful house track. >love journey< on b2 is typical eddies soulful beatdown stuff.

horse meat disco member luke howard debuts the miss cheesecake nom de plume for a shiny vinyl release on the venerable london institution otherwise known as faze action records. electronic bass and piano action abounds on >get off the floor< which features some delightfully lo-fi robotic vocals and a relentlessly driving groove, while >you must create<, which features lukes own vocals, is dripping in neon-tinged 80s dancefloor sweat. sharing the flipside is a typically lush proto house remix of >you must create< from label chiefs faze action which really could be the theme tune to a 1983 moustache-riddled cop action flick set in san francisco, alongside an instrumental version of the original cut<

barn 003 is a split single featuring two tracks ? one a cut-up disco monster by our good friend from gothenburg, andreas jonsson (or acid andy as his mother calls him) ? the other a psycho killa trancehall jam from sweet old boman himself. both tracks have been tried, tested, rinsed out and wheeled up by us barnhus boys for a few good months now ? feel free to give them a chance at your own local discothèque this weekend!

disco tweaker extraordinaire nicholas makes his debut on 4lux with another big set of tracks thats bound to fly off the shelves. the italian producer has been in prolific form last year, leading the latin edit charge with on the excellent no more hits imprint, and here we see a host of new tracks. all night long is an old school 90s piano house nugget that also gets the remix touch by 4lux head honcho gerd: early 90s house influenced vibes that result in guaranteed dancefloor mayhem. the flip contains the disco banger all i need and the slow paced house cut stay together. big tip!

180 gr pressing, with all propaganda 80s classic

veteran hocalist marvin belton (rotating assembly) follows up his recent ferrispark release >love will find a way< with the debut of his production company. featuring r&b & house versions of >image fades away< + 2 more.

after a few years releasing singles under different monikers, brooklyn producer lou teti launches his own label, tigers on a leash, with the debut >get away< as a certain way to kick things off right. the original is an almost hypnotic electro-builder with an 80s touch, yet with a sound thats still firmly planted in 2011. even though tetis vocals are used more like another instrument than as a center piece, sneaking in and out against the guitars and synths, it s still the kind of memorable vocal line that you will find ringing in your head as you wake up. drop out orchestras club cut is a just that, a cut to get any club moving. in true doo style, they take a great original and create something special, but completely different. jkrivs deep&disco mix takes deep to a new low, with a breakdown thats truly epic. and finally theres mario basanovs remix. a beautiful deep house groover like only mario can supply.

geno records first release comes to you from belgium based dan d. dan comes from a traditional of both classical and jazz traditions. dan also developed a love of latin dance in his youth. once moving to berlin in 2001, dan was further influenced by the house sounds of the original panorama bar. dan himself has continued on to dj some of berlins best parties/venues including beatstreet, watergate, arena, maria, and the new panorama bar. club der visionäre has also been very important to dans musical growth. dan has had the opportunity to cut his teeth playing 10 hour marathon sets during his regular appearances since 2004. furthermore, he appeared in clubs like rote sonne (munich) and decadance (gent, belgium). friends like tobi neumann and dinky got him into production in 2003. dans first vinyl release on district of corruption lead to praise from some of the best djs in the business. the african market is quite an evolved sophomoric release for dan. the title track, african market, is a pulsating but stripped down organic percussive journey. afro-cuban rhythms lovingly exchange energy with warm analog synths and crisp techno electronic beats. the flip side, el baile, is a slow burning house jam. el baile features eerily reverberated studio recorded vuvuzela, crisply saturated jazz keys, and the same pumping afro-cuban rhythms that sets dans sound apart from others.

vibrations 003 comes from asian project. aka bobby coulman from soft rocks flying solo and working with julian bendall from bah samba et al. >kadjhani express< is a mid-tempo excursion of chugging drums, dubby elements and beautiful sitar. music to get lost in! >distant love< is classic deep house done the way it should be – this cut blew our minds when we first heard it! remix duties fall to washington dcs protect-u and they take the track on an analogue headtrip from chicago to japan… unique and wonderful.

top quality limited reissue of the mega-rare promo-only 12 inch release of >walk the night< by 70s disco band skatt bros., a super phat slice of some of the sleaziest disco filth ever put on wax. this dancefloor bomb was an underground anthem in the clubs of chicago, detroit and new york and also found favour with cosmic djs like baldelli & beppe loda. produced by in gunther and will morrison of thp orchestra fame, this indemand cut sounds fresher than ever and features highly on many dj s wants lists changing hand for big bucks. essential!

after last years superlongevity box-set madness, perlon welcomes 2011 with a 3-tracker by mister san proper. on this one, the amsterdam based musician not only introduces >a cat called mice< besides offering to >cut yo hair<. san also managed to discover the epic >lost track of time<, a song that was lost for more than 800 years,……uff & wow!

our man francesco grant from italy returns to the mothership with four funky-as-hell tech-house tunes and sure floorfillers on his revolution ep ! he produces his own unique style of cut-ups, field recordings, sampling and packs all into nice kickin? percussions and basslines. his first two releases already made quite an impact on the scene with his still selling first great release body work and his second organic ep.

the w (no relation to the us hotel chain) presents its debut ep on mako called >victim<.
the title track is a slow action blockbuster accompanied by the sexy industrial-type vocals. the track pays the ultimate homage to french electronics of the past couple of years.
also on the ep are the tracks >wrack<, the sinister cut-up distortion number which starts out with an evil hip-hop beat and then turns into a proper techno banger, as well as >arabic< which is full of sitars and psychedelic tension. makos in-house talent polymorphic provides a hot remix.
supported by: brodinski, mixhell, nt89, eriq johnson, evol intent, polymorphic, thomas von party, autodidakt, tony anthun, haezer, volatile, aerotronic ...

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. as well as a cd the album is being released as 3 individual singles plus a limited edition triple coloured vinyl pack. here we have the first single in the series of 3 including four brand new full-length cuts from the album. find a way kicks things off and sees the guys deliver what we know as classic 6th borough material ie. precision cut, edity disco and soul but heavied up with a fat kick and an arrangement which screams out for peaktime plays. iznae hits next with a brilliant wobbling bassline that brings a warehouse feel to proceedings before the groove drops into an unexpected breakbeat section that harvey mason himself would be proud of. if its loopy downtempo house you re into then look no further than if the feelings right. layers of loops build and drop, filtering in and out whilst grooving steadily along at a sublime 88bpm. finally, changin goes on a classic deep house mission with soft stabs and synth riffs supplying the interest while a rolling beat propels things along in an understated yet powerful way.

the labels hiatus is over. a few years have passed and neurhythmics resurfaces after like-minded souls decided to bring it back. juergen junker returns with a 3 track 12inch that stems from a live-set concept he created over the last few months. raw as you like, it takes a distinct bow towards the earlier days of the windy city. dirty, knackered sounding drums, and cut-up vocal bits fused together to a driving force that is hard to resist. the a-side , >unclean mutha< is a definitely x-rated affair that has the jacking feel built right into arrangement. on the b-side, this is suitably followed up by >working her for real<, which is what we want to happen when this is being played in the club. work it, baby..! the second track, >honey< with its camp statement vocals and similar vibe rounds things up for the first part.

this is the 2nd single cut from the debut album >parts unknown< which will be released on 28 march 2011. >we need we< on a1, this track is lovely soulful tune which remind minnie ripperton or dennis williams. >space shuttle< on a2 is eddies way kraut rock house and >deepa< on b1 is one of most club friendly track on the album. >listenin< on b2 is hip hop manner beatdown stuff. third single cut will be released in april.

10 inch candy coloured vinyl. hand stamped & numbered in the cottage (350 run) cut@loud no mp3/ digital – heavy duty clear poly sleeve. mudkid is franklin de costa – support from luke solomon & ewan pearson
mudkid always holds the fort when it comes to large girthed funk jams. loik comes with a toe curling array of mechanical energy and stomping house plushness, all the while acting as a constant foray into your subconscious dealings.

this is third single cut from the debut album of mr raoul k “introducing my world . album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side, >japan japon< is a simple but effective african minimal house stuff and >the green thing< is raouls slow mo house stuff. b side >rainning love< is bit darker and more trancy than usual.

hard progressive drum attack, deep fazed out bass, some diva adds & a super hard core (could be ja rule or even tupac) vocal >mothe f**kin name< cut up in-between the frantic beat montage on the a side, while the b side lives up to the san fran thing with erotic funk chords laid deep down over sub sf bass rolls and super tight percussion arrangements.