deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.3 kommt mit 15 tracks feat. shirley bassey, gotan project, a reminiscent drive, lustral, coco steel & lovebomb, u.v.a.

new jerseys finest returns to ovum with the much anticipated follow up to his hugely successful and widely supported 2014 get deep ep, a release that saw harry return to his roots and deliver, with the title track, a true festival and ibiza house anthem. aquarium and what what, the latest double-header from romero, seeks to carry on from where his previous ovum outing left off… with its echoing sax and signature snappy percussion, aquarium leads the release with its wonderful balaeric mood and flavour. whilst on the flip, what what taps into his techier trade, as harry twists and tweaks in a full on dark room frenzy, evoking memories of classic his sondos moments.

after releases on livity sound sister label dnuos ytivil and cold recordings, batu returns with his own new imprint timedance. the label is set to offer a platform for hybrids and mutations of uk techno, and the first release will be launched with a party in bristol on 20th february, where batu is joined at the cavern club by beneath and transient. the release showcases a progression from batu s first two 12 s, with more colour and melody than his previous work, sitting alongside waves of propulsive percussion.

like any good techno producer, moscow electronic producer harry light envelops his stage image by a veil of mystery, preferring to communicate with his audience exclusively through the music. its more than enough in his case. harry lights music is artsy and ascetic. theres nothing superfluous and it sounds extremely good, the louder the better revealing its great potential. regarding harrys stylistic range, it extends from well recognized german techno and minimalistic deep house to dub and deep techno. it also can be easily read by the label names where harrys music being released. theres anton kubikovs iconic label pro-tez, highway records sub-label whats in the box and trendy young imprint electronica. important addition to this list will be a release on kiev vinyl label artreform. on this new release titled resistance harry light has managed to show all the best sides of his eclectic sound.

with a string of successful releases under his belt, both on his own label crossfrontier audio , as well as sudbeat, last night on earth, freerange, and get physical to name a few, the message behind 35 is simple: an album showcasing the different moods and moments of a club night, where warm up tracks tease and build toward pumping peak time floor fillers, holding for a while before gently easing into after hour delights.

blind box series is a vinyl-only record label, focusing on deep, raw underground club music. label owners julien sandre and italian duo konstress team up to form blind box as a label, a brand and a means to spread the sound they have in common. first printing comes from the label heads, releasing two solid old school flavoured club cuts. english house master nail (robsoul, one records, bass culture) on remix duties, offering a double version remix of just me. keep an eye on a label with no hidden ambitions, where music and quality are the only priorities.

spencer parker & rekids are back together at last, with the work them records boss returning to the label with his first ep of original material since 2011’s ‘i think i love you’. ‘no more silly club songs vol.1’ finds parker at his playful best, melding together all the elements that give his dj sets such boundless energy. all four tracks are made purely for where spencer parker does his best work: the dancefloor. * this ep is simply a collection of tracks i made around 18 months ago for my own sets. no concept, no bullshit, just some tracks to work the club.* - spencer parker

deepblaks chief connoisseur could be considered as the third leg of this mighty tripod (with aybee and afrikan sciences). originally from san diego, where he and former crew partner ikah love held a residency for 6 consecutive years every tuesday at bar dynamite, under the famed name four corners sound system. known for his polyrhythmic, organic, and soul-filled musical releases for deepblak, sound of speed, meda fury and do over records he now presents his first full-length, which further grows his afro-inflected house vibe into spiky new directions featuring the compelling vocals of khalil anthony and some assistance from afrikan sciences.

float records first vinyl release is a fact. and what could be better then to divide it in two equal parts, where the first output reflects the second. label owners twr72 proudly present you *reflect*, with remixes coming from myk derill, kwartz and developer.

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

while music in its definitive nature fills both space and time, creating environments in which we live and breathe, these miniature dramaturgies string together to become the screenplay to ones existence. sometimes chosen, and often times forced, these sounds influence the subconscious and designate emotions. purposely flowing fluently through a spectrum ranging from theatrical to rapturous tensions that mingle through the night. cio d or s cinematic compilation for semantica explores another side of techno, a niche home to cio where each intricate sound takes a risk for the sake of progression.

billy meier, the third record in the untold stories protagonist ep series, is by suokas, and includes a remix by alka rex. the works stem from the remote town of petrozavodsk in russia, where the artist suokas lives a life of diligent focus. the album is dedicated to billy meier whose extensive writings and transcriptions document his contact with extraterrestrial beings, largely from a civilisation called plejaren located a fraction of a second shifted from our own dimension. his works are devoted to widening consciousness and challenge what we conventionally accept as true. similarly inspired, suokas says my music is about things that cannot be proven by conventional methods.

synthek inaugurates his own record label with a solo ep featuring 4 alienating broken cuts. ‘escape from reality’ as first track, goes down as a bleeping submarine, deep diving into underwater caves where a slow and hypnotic rhythm reverberates through ears and mind. second cut ‘alchemy’ continues the interdimensional explorations, and after long intro, it gradually detaches from the surface reaching a leaden sky. drums and claps alternates on a soundscape of constant roars, holding the track in a steady mesmerizing jingle. the b-side opens with ‘found myself’, edgy broken beat with a stronger and more club-oriented dynamism which finds its best shot in the last cut ‘chain reaction’. a ravishing synthline drives through tribalesque drums, snares and thunderclaps to close the record with a mystic vibe

sleeper cell is the new collaboration between earthen sea and lovers rock label head ital. recorded over three days and nights in a dark ny winter, * quality of life* reflects a declining america in a winter of its own. corroded dub atmospheres, haunting melodies, subdued flashes of tenderness and occasional searing noise swim together like murky oil in a puddle of grimy water on the side of the road. opening with the entrancing * initiate* , * sleeper cell* welcome the listener into their world, where menacing whispers dance and echo around synth swells and a poignant lead melody. from there, the duo journey through a crumbling and eerily spacious sound world.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

as its name suggests *afromance i* encompasses luca cazals african ardor with upbeat vocals and a heady rhythm for an energetic cut of disco influenced analog techno. brigante proposes a couple of dj tools to the release. *kehinde tool* where the vox is chopped and raw sounding percussion joins a subtle sub-bass throb, as opposed to the more electronic tipped *taiwo tool* that enforces a playful hook and intricate drum work.

:-crimini- is a new independent label born from the experience of some members of the mighty kitchentstudio3, based in bologna italy. the first release contains on the first side three track by nas1 duo. the young duo work at the kitchenstudio3 since 2011, where they produced a lot of good stuff, including a track featuring kyle hall (released by wild oats music), their debut ep on bosconi records, two tracks released by nick anthony simoncino s hotmix records, and many other cool works. on the other side there is a power track, spinning at 45 tmp, produced by the mysterious grienkho, appeared on pushmaster records and austerity, and kosmik, legendary record collector from south of italy.

cpu records are honoured to welcome back the elusive automatic tasty, aka jonny dillon, from dublin, who delivers 4 tracks of trench coat acid / electro funk with at’s signature acid-tinged break beats woven throughout. the life parochial demonstrates jonny’s accomplished studio mastery, where you’ll find nods to mr fingers, luke vibert and metro area. but more importantly his own stamp of quality and musicality where each track is bursting with insatiable melodies that compel you to listen again.

(includes downloadcard) hunee presents his debut album hunch music, a striking assembly of the artists versatile inspirations and productional talent.it is a rich musical journey that latches onto you and doesnt let go easily. hun choi, better known as hunee, is a korean berliner who moved to amsterdam over a year ago. in berlin he used to work in a record store where he could extend his unquenchable enthusiasm for music. the connection with rush hour was a natural continuation of his musical path

*** repress 2015 ***!! its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

seriously underground minimal house on offer here from chicagos hakim murphy under a new alias. kallabo is the kind of mysterious, candle lit deep house you d hear on a giegling record. -porta- shuffles and bleeps in a more uptempo outing where you can hear the noise of tape in the background, competing with the hiss of the 808 hats to stunning effect. boops bring the funk in this reductionist house jam for analogue freaks. finally raw intuition stomps away with its brutal modular synth bassline run through a delay and knocking down everything in sight! highly recommended!

oid is the solo project of russian producer andrei antonets who is set to release his latest track bright side of life on pnn records 13/07/2015 born in riga and having lived in berlin, oid is now based in moscow, where he is inspired by the citys rapidly changing scene. bright side of life translates a sense of potential, it is upbeat without being commercial. the tracks singular sound has prompted the field, popnoname & j.p janzen (von spar) and mujuice all to produce remixes which will appear on the ep alongside the original. each of these deliver a unique take on this uncommon yet catchy tune.

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that’s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with ‘payback’. a dubbed out affair that’s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent.“tunnel’ continues where ‘payback’ left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that’s clearly evident within all of stojche’s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, ‘sinister alley’ should be further proof of the macedonian born producer’s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. ‘sinister alley’ opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche’s musical journey and much more than just another release on his label. it’s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he’s been exploring for quite some time, catalyzing imagination and furtherance that’s beyond tangible.

a remix package which well represent the multifaceted approach of midgar to techno. edit-select opens with a long and groovy rework of lost in the instability , keeps the peculiar synth & basslines of the original cut, and goes further, carrying those elements to deeper dimensions. synthek delivers a stabbing remix of nibelheim , a killer techno cut where powerful broken beats continuously crash into the heaviest sonic waves. alba was originally an interlude solely composed of ambient sounds and ephemeral voices, which evolved with luigi tozzi s interpretation into a sweet and melancholic trip. wata igarashi to close the record, re-imagines pulse width as a mind-stressing experience held in a frame of hollow drones.

dfalt’s latest release brings the music back to where jason was all those years ago, twisting knobs on his beat up old roland 303. this time he steps to the plate with a host of tools including ableton, mpc1000, technics 1200s, various korg koass pads, casio sk-1, amongst many other gadgets and toys. an appreciation fort he old school masters and the mid-90s experimental and electronic beat scene, mixed with jason’s ever evolving production techniques, are what brought dfalt and his latest record to life.
the vinyl lp includes a code for free download of the full album.

ltd 7 inch with classy disco

vinyl only double 12inch release with axel boman, shakarchi & straneus, baba stiltz and pedrodollar doing dubb versions of classic studio barnhus material. comes in transparent plastic sleeve with a4 info sheet.
since we were apes the need for the dubb version has been as important as the beer we drink to stay alive. now the time has come for some of our favourite songs to to be dubbed up by some of our favourite knob fiddlers. this is the age of fun, where old dreams come to die - this is the age of the dubb!

over 10.000 years ago, after the last ice age, humans began to explore and settle the place now known as scotland. evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

deluxe collectors set - 4x12 inch records in cardboard box.

kardinal returns to afulab on number 37 with a new 2 tracker where the title says it all :the prime mover !!!backed up by the no less moving statik one on the flipside or second track!

big with dixon, the drifter, alex niggemann, fur coat, thugfucker, frankey and sandrino. -sketches of pain- is a meet-up of two cultures which have been at war with each other for thousands of years. music unites where the world of men divides! here the magical voice of egyptian singer ahmad elsawy can weave its spell. intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language. 3 remixes. luca bacchetti continues his series of endless remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. jon charnis, who we already know for his work on innervisions and all day i dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more -trippy- with a pure afterhours atmosphere. the ever present and increasingly detailed groove add to that magic touch that has made charnis one of the most interesting techno artists on the american scene. last but not least one of our favourite techno artists, eduardo de la calle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. an ep that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: endless.

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

above machined return after their extra special debut 10- outing (and something of a secret weapon !) just over a year ago here we have another mighty 10- platter featuring a side cut bad runner a nicola bruni rewire featuring luca cacciatore on sax. it s an irresistible mediterranean groove, which is far more dirty cocktails & dark corner deals than it is vest and linen slacks - think don carlos meets the vincent montana orchestra on the flip we re treated to the dazzling slo-mo communication breakdown where twisted tongue takes on a library rarity and transforms it into a balearic masterpiece ! the above machine stamp of quality all over this one - limited 10- release

the time has come for badboe to return to once again rock the floors across the planet with an explicit 4-track party breaks ep. the ghetto funk testament is badboes interpretation of the sound of ghetto funk that has been causing so much hype over the last few years. the 4 funky bangers on this double a-sided ep is taking it back to where it all started - as sample-heavy - upbeat party smashing music! this is the first major release from badboe since his successful second album pump up the funk that dropped in 2012. followed by an instrumental ep and a remix album, which very much celebrated the ghetto funk sound with tunes from the very best in the scene.

blludd, the natural fusion of bullion and judd. since meeting in 2011, jesse hackett of elmore judd and nathan jenkins (bullion) have been writing and recording songs together as musical relations.

following up his debut on the label, jc laurent successfully returns with this memorbable four tracker, “southside” ep. using his influences from deep within berlin and detroit, he resumes where he left off, continually blurring the lines between techno and house with an uncanny ability to make it look easy.

angelo spencers third album is his most danceable work so far! written and recorded in chambery, france, in the heart of the alps (where he grew up) over the course of a week in february 2014. with the help of old friends and amazing musicians luc detraz (imperial tiger orchestra) and karol skonitcki (super fedor), love in the morning is a short, precise, and undeniably groovy love affair! with repurposed autotune and raw, uncompressed sound recorded by djan (the man behind the larsen records sound), the album is minimal yet so full.

after years of organising parties, bringing cutting edge underground talents, colt starts its own imprint launching with a three tracker by hamid. three original cuts where the french born-berlin resident shows his love for modularinfluenced, weird, latemorning sounds. in cacoethes carpendi, hamid finds his way through to deliver his very own hallmark thanks to his quirky and peculiar way of seeing dance music

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

the album itself features atmospheric techno ambient with scattered beats, lush electro that is filled with true electronic soul and cosmic soundscapes that come from another world. the art that comes with the lp is drawn from the artist s local area, where he takes great inspiration and influence, as he does from his frustrated funk label peers erp, versalife and plant43 to just name a few.

4-fach vinyl limitiert auf 500 stück, inklusive downloadcode und monstertruck-aufkleber.

point g is back with a double pack of goodies to riot the summer , * you* is that kind of raise your hands deep and stormy cut that is the perfect an apocalyptic sunrise mood where * air* sets a dronish meditative vibe on a super fat beat with a heavy sub bass when * strike a pause* is that carnival vogueing oriented groove , * adg* is a tribute to a deep groove the radio show that alex from tokyo, dj deep and dj gregory had in 94 in paris on a week midaymix very stompy jersey styl , then your all set , summer s here

this is the 2nd volume of the soul and groove selection, an original, unprecedented, soul/funk music. .
a few years ago the world discovered a unique sound coming from the distant ethiopian capital addis abeba. the emotional blow was only matched by the brightness of this original and magnificent discovery. the ethiopiques series directed by francis falcetto and edited by buda musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. this new ethiopian urban modern music release follows the first soul & groove installment and keeps revealing some essential parts of the modern ethiopian puzzle. an unequalled soul funk signature until today.

the audio-cassette that will change your world! non-concessive creative energy against the common lack of new ideas and thrown away idealism for easy money! - so it says on the cover of the cassette from where these tracks have been taken. we make this statement ours and press this synthesized madness on vinyl. to enhance all your excessive behavior, play it very loud.

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

after releases on saints & sonnets and stay underground, it pays, berlin artist quell aligns with the mil label for the four track tomahawk which further cements his reputation for no-nonsense, stripped back house and techno music. size 7 sets the tone, a dark, underground roller with a trilling bassline and acidy bleeps that sits nicely alongside the shimmering chords and deep dubby vibes of monolame. on the b-side, harhead leads with fluid percussive rhythms and sequential kick drums to give an immediate grooveintrinsic melody. the energetic, grooveled tone continues into the last track, where are they now, a dark, technofused stripped back rhythm track with an acid tinged-feel.

mindtrip is pleased to announce the release of the labels 10th ep with 3 strong, synth orientated dancefloor tracks from label boss pfirter and a remix by tensal. the frenetic procyon begins the ep, a dark, atmospheric and intense track. with its driving percussive flow, its guaranteed to send whoever hears it into a feverish delirium. up next is rige, a more subtle and deep track which works a relentless groove alongside colourful metallic textures. tensal - also known as hektor sandoval and one half of spanish techno titans exium - remixes procyon superbly for the third track of the ep and demonstrates his innate ability to craft interesting and fresh sounding techno. the ep closes with closer to the truth, a hypnotic, trippy outing where tension and energy builds relentlessly amid a backdrop of organic anologue hubbub, providing a perfect showcase of pfirters trademark sound. this is mindtrip!

yes, so we re finally here, the 100th release of gamm enterprises ! since the very first release with red astaire s now classic follow me gamm have remixed, reworked and edited almost every style under the black music banner. gamm have and will always aim to deliver dj friendly black dance music regardless of style. gamm simply bring out that little extra in your favourite tunes. so for our 100th anniversary release we thought we really needed to bring out the big guns. what could be better than an ep where the mighty the reflex and up and coming remix star moplen came together and re-work the greatest artist of al time, michael jackson! sounds pretty good right? the reflex, moplen and mj...what a trio! well, there s not much more to say really except that if you like disco, boogie and mj this is the biggest musical home run of all time. lets boogie...gamm style!

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.