our coast2coast series continues its journeys around the globe, setting down in london next, to catch a ride with the x press 2 boys. due for release in february 2008, rocky, ashley and diesel have conjured up a double mix delight, covering all basis in modern house musics wide musical tapestry

next episode of the kolomboot success story! this time >eurythmics - love is a stranger< and >jungle brothers - ill house you< get the scissor treatment. another hit for kolomboot!

cool 4 track classic techno ep !!

nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

supported by dj t, jeff samuel, alex kid, mike monday, laurent garnier, sian, tom clark and many more… incl. dachshund rmx !! p.toile is a dj and producer from berlin who dedicates her work to an international standard. her music roots in funk and soul of the seventies you still here in her sets. later on she developed from french house to minimal techno of the present time. her releases on trenton, gold und liebe, channel records and gasoline rec. are especially speaking to the more matured audience. her debut >sticklip ep< with remixes of pan/tone and frank martiniq immideatly reached the top 50 of groove magazine. trenta cinque stelle claudia produced together with tigerskin aka dub taylor and currently she is working with on some new releases.

4 massive funked up tribal house tracks. something for those who like to work really hard on the decks

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

hoxton whores go miami with this massive 3 tracker feat dna and the whores themselves the great you re in my hut now uses the bassline of mr fingers can u feel it and the vocals of jungle brothers i ll house you not to be missed

on the way, joey negros mood house piece echoed shades of the jungle wonz from the late 80s with its retro chicago house vibes and a rolling marshall jefferson style bassline. the original player 1 cut is already a rare underground classic with props from the likes of chicken lips, giles peterson, jimpster etc magik j adds a metro area/booka shade vibe to this dope bass heavy electro jam giving dance floor appeal for both deep and minimal heads

jackin with jeff does just that with thick procession, tough beats, layered key stabs, spoken word samples peppered throughout and a thick rasta influenced bassline. its a driving dj sneak style number that has been finding its way in to the bags of all the heavy hitters across the globe. the flip side boasts twomixes of be free. this underground corker has the beats and chops that will definitely make ya shake and pop! sporting a tasteful sample from the classic jungle brothers house music all night long, this joint always gets the crowd in to the party mood. first mix is a quirky dirty version while the second one offers a dubbed out underground take

classic release 2 great tribal tracks house tracks

a straight and kicking housegroove with beautiful rythmetic surrounding chords. smart fading acidlines keep this track in motion again and again. he deversifies the arrangement with an alternative basslinepart, nice breaks and gimmiks. >rumores de amor< by paulo olarte on a2 is a pumping and ringing track. based on an irresisteble basline mr olarte is playing and building up smart percusive elements on and on. warm stabs and sub bass add the syncopation to the tough, bouncing groove. dj hausmann presents his new track on the flip

dick magik johnson has a very busy 2005, what with his debut album >cardboard journey< on nrk as well as releases and remixes for blockhead recordings and detour. 2006 seems to be shaping up just nicely, with two new eps due on darren emerson s underwater label, and this, his solo debut for honchos music. >ill take you there< is a sturdy and percussive laden slice of house music. ! support from king unique, kenny hawkes, john acquaviva, paul woolford

two great mash up house bombs to work the floors around feat samples from technotronics pump up the jam and the jungle brothers ill house you plus great strings and well known female vocal on the a side !!!

'turkish tavern' leads off with some great middle eastern influences rubbing shoulders with a jaunty bassline, stellar sample loops, and shuffling beats on a tracky tech-house gem. on the flip, 'boredom or babylon?' combines some great vocal samples with bright synth lines, more shuffling beats, and a wandering bassline for more tech-house goodness. 'jungle concerto' rounds things off with a driving tech-house floor-pleaser, complete with grooving bassline, fast-paced percussion, and some great muted horns

excellent italian electro house bomb with a hip house flavour

slelected re-edited tracks on 4 vinyls by the glimmer twins!! for those who knows...limited to 2000 copies !!

excellent funky house

the london artist and producer sherelle teams up on fabric

6 cd boxset plus 44-page book on the history of positiva records + poster

incl. remixes von tom moulton, purple disco machine, mousse t., danny krivit, dimitri from paris, dr packer und david morales.

kode9 & burial erstellen einen 74-minŸtigen, hypnotischen trip, dessen 37 tracks mit verwirrend vielen tempiwechseln bis in die obskursten ecken vordringen.

the compilation, which clocks in at just over an hour, ranges from frantic jungle and breakbeat-infused acid to chilled-out trance, making time for forays into bleep, electro and house.

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

on limited edition compact disc. generated instinctively in the moment from resampled chunks of previous output sandwiched between unheard waveforms from a distant future whilst underwritten by voltage controlled rumblings from actual synthesisers than can be seen and touched and wrecked by roadies. traversing known knowns and unknown knowns from drone to drone. harvesting new and slightly less new artefacts of the digitaux variety and crash landing in the ghetto of the lysergic jungles visited by g@ng5tas of yesteryear, all for your personal enjoyment. performed live at the red rattler in sydney, australia on the 16th of april 2017 for the strange signals / house of mince crews, the performance is slightly more than just the insane ejaculations of an unhinged mind, but a true insight into one of the internets least popular twitter accounts.

house-dj-legende erick morillo prŠsentiert die diesjŠhrige ausgabe seiner -subliminal sessions-, dem institutionellen gradmesser fŸr den aktuellen state of house. mit zwei feurigen mixsets aus knapp 30 tracks zeigt der housemaster, wo im house heute der hammer hŠngt. feat. andrea oliva, mark knight, dean mickoski & roland clark, harry romero, jose nunez, reinier zonneveld, oxia, pachanga boys, kiko, eagles & butterflies, green velvet, thick dick, the deepshakerz und natŸrlich morillo selbst.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

radio slave, einer der renommiertesten djs, produzenten und remixer des house/techno, mit releases auf running back, ostgut ton, r&s und nonplus, mit remixes fŸr kylie minogue bis new order und als labelbetreiber von rekids bekannt, gelingt mit dem ersten studioalbum seiner karriere sogleich ein geniestreich. feel the same ist die essenz vieler erfolgreicher jahre in der house/techno-szene und vereint einflŸsse aus breaks & jungle, acid, balearic, ambient, dub, chicago und die fŸr radio slave typischen vocal-samples. mit sicherheit eines der relevantesten und besten dance-alben des jahres! -dieses erste radio slave-album ist ein ungeheuer vielschichtiges. geradezu zŠrtliche detailverliebtheit trifft auf eine beinahe mit wissenschaftlicher exaktheit errechnete wucht des sounds. gab es 2017 ein spannenderes techno-album? klares nein. (groove)

* back with the heat, chicago native dj jana rush kicks off objects limitedÕs 2017 with her debut album ÔpariahÕ. jana rush received attention for her mind-bending drum acrobatics on last year s Ômpc 7635Õ ep also released by objects ltd. jana started djing aged just 13, releasing her first record on dance mania back in 1996 but having a hiatus from music between 2000 to 2013. with ÔpariahÕ she has created an album rooted in chicago s footwork sound, but with a myriad of influences, such as jungle, acid, soul, jazz and house, developing her sound on from Ômpc 7635Õ. * we kick off with Ômidline shiftÕ whose breathy, clipped erotic vocals intertwine with a pulsing bass and dry 808 rims creating a shimmering robotic effect. moving on, the frantic Ôbeat mazeÕ confuses the mind with white noise rushes and interlocking snares. changing the scene, ÔdivineÕ is sweetly soporific and charming, a beautiful, almost eerie track. the pace picks right back up with Ô??? ??Õ, whose warbling jazz clarinets cut into a juke bounce. the stripped back beats of Ôbreak itÕ give one room to breathe before the croaking bass and distorted acid of Ôno fuks givenÕ. Ôold skoolÕ is exactly what you d expect, its sample syncopated around a feverish rhythm throughout. both Ôrapid fire and Ôacid tech 2Õ are bangers, hitting you deep in that sweet spot. jana brings it back down with ÕcpuÕ s computer noises and sub bass hits. Ôchill modeÕ gives time for reflection after all that fire, but its no ambient track, theres still that chi-town vibe. we finish with Ôfrenetic snareÕ whose amen breaks will have brits thinking of jungle, but it s a different beast altogether

this repress comes as a jewelcase single cd version. a project that came to life fuelled by collectorsÕ obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013Õs testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind. from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, itÕs probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youÕll likely hear in these weird, angst-ridden times.

gwz all the way ist das mit spannung erwartete albumdebŸt des future dancehall-duos ghost writerz. das album zeigt das herz und das feuer, den einzigartigen mix aus hip hop, jungle, reggae und dub dieses talentierten paares. als pioniere der ganz eigenen britischen sound system musik, erschaffen die gwz ihre ŸbernatŸrliche bass musik mit bewusster lyrik, melodischen hooks und virtuoser live-instrumentierung. zusŠtzlich zur magie der beiden ghost writerz verfŸgt gwz all the way Ÿber eine vielzahl von gŠsten, die unnachahmliche stimme von rodney p, der flow von serocee und vielen anderen features von rtkal, pete cannon, amy true, jago (onlyjoe), u.v.a.

die dritte ausgabe der -future bass serie beinhaltet die derzeit 30 angesagtesten tracks aus den bereichen bass, post-dubstep und house. mit am start sind u.a. der grammy gewinner sam smith (im unveršffentlichten jonas rathsman remix), jessie ware, wankelmut, etienne de crecy, hannah wants, karen harding, mike mago, u.v.a.!

auf drei cds vereint das britische ministry of sound label die angesagtesten dance tracks - ideal fŸr den ultimate workout! mit tracks und remixen von sam smith, florence & the machine, john newman, disclosure, avicii, lana del rey, swedish house mafia, alex adair, u.v.a. ...

auf vorliegender compilation hat das britische compilation-label ministry of sound wieder ganze arbeit geleistet. ein hervorragendes tracklisting inklusive der aktuellen club-hits von milky chance, lilly wood & the prick & robin schulz, mr. probz, swedish house mafia feat. pharell, calvin harris & alesso ffat. hurts, avicii, tensnake feat. fiora, wankelmut & emma louise, disclosure, kiesza, azari & iii, nightcrawlers vs dj s.k.t., lana del rey, tiesto, bingo players und und und ...

60 house tracks on 3 cds...

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

legendary bournemouth-based trio aquasky return with their 8th studio album raise the devil featuring 16 bass-heavy party tracks which include guest vocals and collaborations from lee mortimer, engine earz experiment, daddy freddy, ragga twins, tenor fly, mr. thing, pyramid, acafool, deja, roisin brophy, didjelirium and bex riley. this album sees the trio take it back to basics and return to what people expect when they hear the name aquasky! having been solid friends since the heady days of rave and acid house, the guys first hit the studio together during the jungle era and in 1995 aquasky was born, signing immediately to moving shadow before going onto release on some of the biggest and best labels including polydor, botchit & scarper, reinforced, good looking records, hospital, southern fried and mr. bongo. in 2001 they took the decision to launch their own imprint passenger as a place where they had free reign to unleash their full creativity and develop both their sound and the sounds of other acts.

after years in the game, this vinyl-wielding 4-piece originating from brighton - the one and only soft rocks - have finally committed their collective wit to a slew of original tunes. their debut album, -the curse of soft rocks- is without-a-doubt a departure from the current musical climate. in an age where any laptop-savvy poseur can upload their bland nu-disco or faux-chi-house directly to a cesspool of digitally downloadable fodder, it is more than refreshing to hear this cheeky bunch blending a mixed bag of instrumentation and obscure influences so recklessly.

no other music has held such revolutionary possibility as hip-hop and to celebrate 30 years of this innovative genre ministry of sound brings you the latest instalment in our epic anthems series. the inspirational pioneers of this unique culture are all present on this essential release that begins with classic club anthems from artists such as run dmc, a tribe called quest, dr dre, cypress hill and gang starr this anthology is summarised with a taste of where the scene has developed into the modern era with a collection of #1 smashes that still blow up the dance floors across clubs worldwide.

time and again, when everything appears to have come to a complete standstill, you will find yourself seriously wondering what the future of electronic club music is going to be like. what will come next? and it was at that very moment when suddenly a new record appeared on the market to satisfy this longing for new, fresh sounds: sascha dives the basic collective pt. 1. in the meantime, almost 4 years and innumerable releases later, a new genre of house music has developed from and around the concept of this young, highly inspired frankfurt-based artist.