played by ben klock, jeff mills, marcel dettmann, truncate, rod, jonas kopp, andre kronert and many more! proper analog and psychotic techno. exactly the right to destroy the floor. one part of a&s - dimi angelis come up with his very own imprint. handstamped, vinyl only!

andre winter and hatzlers unique studio alchemy has revealed itself under many guises over many years. their latest incarnation sees them join forces yet again for an impressive selection of maximal techno future classics, on the beloved senso sounds imprint of their longtime friend oliver huntemann. there is nothing illusory about the duos mirage ep the three tracks are rock solid, bristling with energy, and designed for maximum impact.

filsonik, one of new yorks finest old school underground dj/producers is down to make his debut on the illustrious hot creations imprint after his regular appearances at circo loco dc10 and close relationship with the martinez brothers brought him into orbit with jamie jones et al. a staple in jamies sets at the moment and always creating a major impact on the dance floor, dogfish is testament to filsoniks nuanced production skills and flair for a killer groove and a ridiculously infectious swagger.

inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphni, midland and eliphino. his productions and remixes for more music, sofrito, soundway, huntleys & palmers and now getme! have been making an impact far and wide, getting attention of djs such as james holden, jackmaster, gilles peterson and skream. forthcoming single snb /super vega has received radio play on rinse fm, radio 1 and radio 6.

20 years in showbiz dj & producer ask:me (aka melih ask) s musical direction forges a sound of real house music because everybody understand house music, as it s a spiritual thing. he teamed up with munich s house giant, b.vivant who has an obvious commitment and passion for house music since over 15 years. together they present satisfaction , a deep house vocal bomb, which presents nice sounds from african music tools. so maybe that s the reason why the brillian south african vocalist, lokka gave her nice voice for this summer feeling tune. the huge deep impact remix comes from the colognes most wanteds bedrud & giese.

young impetuousness joins old school wisdom to create the volume 2 of chinese laundry records, a minded and roland based ep from i.vy and solid state, who gave his old school touch to this release. a dynamic ep, british inspired, with a strong impact - both on the listener and on the dancefloor.

tomohiko sagae for the second release of bte records! an ep techno-oriented, with industrial influences of great strength and energy. a release of high-impact, quality and thickness, and that gives a nod to the dancefloor. two remixes and two original tracks that embody the spirit that underground bte wants to convey. the ep includes two powerful remixes by victor martinez and chemie who complete the journey. bte - music before everything!

thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
pressing on transparent, red coloured & smokey marbled vinyl.

raw analog techno bomb

seths impact on the dancefloor is truly symphonic by combining elaborate compositions with banging drums.

premium pack incl cd with 3 bonus tracks! seths impact on the dancefloor is truly symphonic by combining elaborate compositions with banging drums. incl remixes by dole & kom and mollono.bass

brooks comes true to form with layer after layer of percussive orchestration, celestial synths, & bass from outer space. kevin reynolds strips down & pumps up the groove for maximum peak time impact.
limited edition of 375 hand-numbered copies.

these tracks are fairly special in our opinion and we are very honoured to be releasing them as the first optimo music disco plate.noo are daze dasen (aka plastique de reve) and sami liuski (aka bangkok impact / putsch 79). this is a double a side 12inch single (plus a digital bonus track that we couldnt fit on the 12inch and still have maximum pressing volume). built out of imaginative sampling combined with analogue hardware, these tracks are phenomenally produced, lush disco string fuelled epics that fully work their magic in a club setting. this is modern disco, most definitely not nu disco.

this record tells the story of a detroit groove from the perspective of the speaker, taking you through time from luomo s to the hardware syst3m parties, and the first leaky warehouse roof no way back where dean syst3m worked the door, with all the disrespectful nature one would naturally expect from a true detroit groove. created by two veterans of detroit grooves, bmg & derek plaslaiko, who now calls berlin home, in bmgs studio in the center of detroit. this song celebrates some of the out there characters and crazy cowboy outlaws that made this detroit scene happen on the underground level, that made such an impact that is still felt around the world today.

ellum audio are back for another killer release with a double sided, two track bomb which sees shall ocin take the a-side and fiberroot take the b-side. shall ocins lurking wolves hits with a thundering bass and driving force with trippy melodies and sonic fx zooming through the atmospherics with powerful impact, while fiberroots space localizer rumbles and grumbles in the lower end, building into emotive warm keys before kicking straight back into the deep groove.

following on from the release of innershades no stopping ep on creme organization last summer, the dutch label revisits the a side cut nina with two remixers in tow. those remixers are bristols bass pioneer kowton and the inimitable production duo of tuff city kids. unterton and delsin duo gerd janson & phillip lauer aka tuff city kids turn in a bulky, piano laced and acid riddled remix of nina that is a pure party starter. idle hands and hessle audio man kowton reworks nina into something run through with plenty of sirens, raw, crunchy drum loops and rolling percussive lines. its stormy and tumultuous and is full of frosty textures. these are two abrasive tracks designed for maximum impact on the dancefloor.

ltd 2014 repress
treat me bad ep is all about dry vodka and round the block house party.. a minimal funkster that will for sure dry out the bar.. as if this wouldn t be enough, monsieur cabanne has also put his hands in dirt, bringing us a marvelous remix of the flagship track.. yeah, treat us bad ! you gotta spin this deep impact groovy minimal trick.. nn

richard burkinshaw & james rial aka audiojacks standing in electronic music speaks for itself, the pair have been heavily involved since around 2006 and have made quite the impact with releases for 2020 vision, leftroom, get physical and of course their own gruuv label where they return to here.

>emmanuel first release on arts had a strong impact on me, i had the feeling it was the kind of record that djs like to keep in their record box in order to use as a turning point in their set. we got in contact and after hearing a few demos, and exchanging emails, he produced this record especially for deeply rooted. i hope youll enjoy it as much as i do!< dj deep

bold and slightly rude house music from gamertag. part of an off series of lively alter ego 12inchs from dublins all city records guessing game time.tip!

lets enter the year with a very precious record for us and on which we rely to make inroads in your hearts too. its a 12inch limited edition, 300 numbered copies

an explosive leap into the full-length format, human is also the debut of one of the most respected producers in electronic music. he has lovingly reworked several key players in the contemporary classic performance scene including michael nyman, olafur arnalds, nils frahm and tom hodge, as well as transforming the work of huge indie stars like hot chip, au revoir simone, braids, and fc kahunas classic hayling into downtempo, meditative masterpieces of glitch, beats and fragility. launch campaign for the album started dec 2013 with single adrift. following dates are part of the human tour, using flyer artwork of the album cover.

a collaborative effort between marquis cooper (svengalisghost) and lili schulder (51717), this project was born in the winter of 2013. what can best be described as non-stop electronic erotic cabaret, the duo played a series of improvised performances which served as a structural backbone prior to the recording of this album. finished in merely two weeks, this 8 song double lp acts as a complete listening experience, engrossed in the down beat primitive electronics of the past whilst pushing further into the self-created anti-beat world of today. pulsing tones, off beat drums, melancholic vocals, and overall dark vibes characterize, but do not solely define what it is to truly trust in pain. mastered and cut by matt colton for maximum impact.

after the huge success of degree 002 by nick curly, which was played a lot on the hot summer festivals 2013, the label now comes up with its 3rd cracker called >nature calls ep< of the three romanian guys horatio, elchinsoul and gruia. three well-known artists, who will again let degree impact on the dancefloors around. despite the stylistic variety of three producers, a clear golden thread runs through the sound. it combines the sultry soul of romania and lets the blood boil in your veins. all in all degree again releases a totally different record, which however has its typical style. high-class sound which is told by artists, who tell more than just one story. a powerful ep for each moment in life and on the dancefloor.

b-stock! cover with seam split and bent corner. longstanding zoo artist lee pennington presents his first solo ep on the label. comes with romping, stomping berghain esque remix by spencer parker. already the most forward thinking music project ever to hit the island of ibiza, channel zoo was initially an event offering a variety of cutting edge new sounds, provided by the unrivaled underground house and techno record labels of the future. with rapid development from ibiza into hosting channel zoo events at the most prominent clubs in europe featuring only the best artists it was only a matter of time before a serious imprint was established. channel zoo recordings will showcase and push future artists that are keeping music real and fresh without any hype or marketing gimmicks. expect to see and hear a gathering of devoted producers and artists as channel zoo recordings is predicted to make a real impact in electronic music ...keep locked on!

femen is the second ep from hound scales on fifth wall, the brooklyn imprint he runs with divvorce. a dedication to the powerful women that have sculpted his life, the release sees the artist setting out to create the story of their impact on him by distilling these and other major influences into a techno format. the result is two originals blending amen-style jungle rhythms with collapsed industrial squeals, each with its own sense of beauty clawing upwards towards the surface.on the remix front, japanese producer and 10 label head honcho yuji kondo delivers an incredibly complex, layered interpretation of *a clique of tough women*, while mira and opal tapes affiliate bleaching agent pits the elegiac chords of the original *throated* against a repeated, mangled vocal motif, imbuing the remix with nostalgia while remaining an effective dancefloor instrument.
support includes marcel dettmann, norman nodge, sunil sharpe,tommy four seven, perc, and, forward strategy group, sigha, darko esser, mosca, shadow dancer, and sinden.

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

fcl is the pairing of two reputable producers in the underground house circuit, namely san soda & red d, individually and under the fcl guise, both artists have made a huge impact, although retained a quality over quantity approach, with only a string of releases out there on the likes of we play house, ferrispark, and delusions of grandeur. although these singles acted a striking indication of quality with each one garnering huge support from the masses, especially the duos critically acclaimed lets go, on the 2010 vocals for everyone ep

dubspeeka is a relatively new name on the house music circuit but has entered it with an impact. his unique take on house music has given him an edge over other producers. releasing most of his own music on his label skeleton. he has worked relentlessly hard to create a name for himself and build his label as a brand and outlet for all his musical endeavours what, has given dubspeeka leverage to have acts such as glimpse and pierre deutschmann feature on his label

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

new japanese imprint 10 label made a great impact with this record originally released in 2011. originally limited to a very small number of copies, here we proudly present a full and much needed re-release with new centre art.

last seen brandishing a pair of stillove4music releases circa 2009, bruce ivery resurfaces in style with the debut release on the newly established street edits label. if you liked those stillove plates you will dig this!

the descent of man ep is the third and last part of a trilogy on vinyl dedicated to charles darwin studies. this final chapter is focused on the darkest side of electronic music and his impact on human psychology. as charles darwin studied the evolution of physical and mental traits, we want to show how obscure, trembling and aggressive sounds generate an increasing sense of agitation and loss while mild and gloomy atmospheres can relieve the body and brain, achieving a peaceful state of mind. dont be afraid to move into a shady space. this is not the end even if it could be.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

the second release of the 10inch repitch series features on the a side for the first time a collaboration between repitch bosses ascion and shapednoise after his recent debut album on prurients hospital productions, while on the b side we have a track from the other repitch boss d. carbone

an unmissable 12 inch collection from legendary soul-jazz organist charles earland. first up we have the wonderful over and over. co-produced by organist earland and randy muller, the man behind brass construction and skyy, this nine-minute masterclass in jazz-funk greatness was as big on the uk all-dayer scene as it was at david mancusos loft and blows up any dancefloor today. over on the flip is steppers delight, the classic anthem let the music play. released in 1978, this superbly fast and furious jazz-funk workout blasted onto the disco and club scene leaving a lasting impact today. last, but not least, intergalactic love song brings the tempo right down with a great spacey sound which doesnt lose earlands unmistakeable signature keys and sleek jazz style. essential!

futureboogie recordings is proud to present the supremely skilled production force that is bruh jackman. a duo comprised of chameleon producer jabru and bass scene favourite, hackman, this devastatingly fresh debut ep also featuring rising star vocalist joel culpepper is one to mark out the futureboogie imprint as a last word in uk electronic talent. carving out a niche of their own, bruh jackman are set to make a huge impact in 2013 with their beautifully textured electronic music where fluid neo soul melodies and velvety vocals melt into vivid keys and contemporary bass science.

with a techno career stretching nearly a decade, finlands samuli kemppi is a natural choice for the fourth edition of themas continuing chronicle series. his intensely rhythmic, futuristic style has been making its mark across europe since 2004, but it was really four years later, when he was picked up by ostgut ton, prologue, and kosmisch, that the world found out the true impact of his sound. since then he has enjoyed his strongest support from the last of these imprints and, even more importantly, from luke slaters powerhouse mote-evolver, a go-to since its inception in 2006 for the freshest sounds techno has to offer. following the summer launch of his own deep space helsinki label, we are proud to announce kemppis chronicle debut with voyager, an ep of deep, science fiction sounds backed by intense beats.

crooked man has made a huge impact this year with a handful of releases which re-interpreted the best of raw house music. release no4 is an impressively punchy and unique duo of vocal cuts, packed with attitude and sonic style.

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

sev dah makes his debut on komisch with three unique club tracks. the mysterious producer has been making waves with releases on naked index and gynoid, but he has reserved his most individualistic music for komisch. lead track otit revolves around a surging, powerful bass and subtle metallic percussion. its a prelude for a doomy synth line that gives the track an intangibly eerie feeling. on the flip, disciple is led by heavy claps and a more stepping rhythm, but the lunging bass and eerie synths ensure that itll have maximum impact in a club. >tension< also travels a less obvious route thanks to its offbeat rhythm. but its beats are stomping and the dark, churning filter, coupled with sev dahs haunting synths, means its getting support acoss the board

minor rain is bringing the heat. this smoothly progressing clubtrack with a heavy impact is staggering and everything you would expect from a psych syndrome release. the new era is here. not the typical sound but a refreshing style within the labels genre. the b side is somewhat more mellow but still has that scorching bass. get rinsing!

the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space. as the richter scale measures the strength and potential damage from earthquakes, the torino scale is used to measure the potential for damage from objects striking earth. it is all about impact... but it is also about beginnings, as scientists discovered that primal dna might have been carried to the earth by an asteroids collision with earth. the torino scale is the debut solo album from berlin based producer and supersoul recordings head xaver von treyer, aka xaver naudascher. the result is astral pop music that swirls around the idea of beginnings, ends and aggregate states, whilst staying true to the known supersoul sound - strong connections to dance music (krautrock, italo, chicago and detroit) without being nostalgic or exclusive to one style.
limited edition of 350 numbered copies. comes as red coloured, black & white marbled triple 12 inch vinyl in heavy cardboard box, including cd-copy of the full album.

2012 repress !! recognized as one of the main techno pioneers and influential artists of the recent time, shlomi has the kind of impact usually reserved for inbound meteors, the reason for which is buried in a ground swell of genre-defying appreciation and support.

making all the right moves with previous form on aus, needwant and tusk wax, ejeca is well tapped into the revivalist house zeitgeist with these hale and hearty jams for waze & odyssey. solid inner city chords and crisp, bright drums abound on side a, with >night rays< sure to inflict some damage with its fulsome square wave bassline. on the flipside, >never forge< ups the tempo for a cut that dresses like tech house but moves like 2-step. waze & odyssey themselves bring a smoother, deeper vibe to bear on their remix of >riddim<, pulling the melodic content right back to subtle flecks for a greater dramatic impact.

hudd traxx bring you the >inconditional< ep this november by french producer andrade, comprising four original cuts of organic deepness.

the inspiration for this ep came from a trip the two producers took to zug island- a polluted toxic metal factory isle on the detroit river between detroit and windsor, canada. the sounds within this record are intended to sonically personify the environment of zug island and the harmful impact it currently has on the river, wild life,and humans residing there!

>square< is the follow up to redshapes album debut >the dance paradox< (delsin, 2009) - that is if you dont want to count the double impact 12-inch >red pack< as a long player. and indeed, it is a long player in the truest sense of the term.