x5 myths forgotten by day following his return with 12inches on vakant and boddikas nonplus throughout 2017, avatism lands on parachute with 4 90s-inspired emo-trance breakbeat summertime anthems for people who despise summer. vinyl comes with a digital download featuring a track we couldnt fit on the record because we are not good with maths.

a voice in the ether. a calm, clement drone. a gentle, pulsing throb. like the ghost of a forgotten future as imagined by the distant past, certain creatures sophomore lp nasadiya sukta is a study in timelessness - crystalline, heartfelt ambient music designed to push light through shadow. nasadiya sukta is the debut release on mysteries of the deep, a record label dedicated to total sensory immersion. mysteries (as its known colloquially and affectionately) launched in 2011 after a particularly fruitful late-night mixing session, first as a cult podcast series dedicated to narcotic music of all kinds, subsequently expanding into a series of seasonal events. now, with the release of nasadiya sukta, mysteries of the deep becomes a full-fledged outlet for music to play in the dark. certain creatures is the alias of brooklyn-based artist oliver chapoy, and nasadiya sukta was crafted especially for mysteries of the deep. its genesis came when grant aaron, mysteries proprietor, tapped chapoy to perform at mysteries halloween event in 2015. his performance was the nights axis point, bridging earlier subdued sounds with late-night upbeat moods. two years later, reworked and reconfigured, this performance is reborn as nasadiya sukta. although divided into six tracks, nasadiya coheres into a single extra-terrestrial mass, its beautiful understated elegance encouraging repeat listens. simultaneously harking back to ambient classics from the 90s (you know who they are) while cementing chapoy as a visionary artist with his own unique voice, nasadiya sukta is one for the space travellers indeed.

karl lukas pettersson has searched through his vaults of dat tapes to create a personal album of lost projects, ideas and forgotten gems. the album includes a remastered version of professor laphroaigh originally included on his dr lindh sounds interesting ep for scsi-av

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them.

2lp in gatefold sleeve with liner notes. volume 1 of the belgian nuggets 90s-00s compilation series: a collection of obscure belgian tracks of superior quality dating back to that specific period: forgotten singles, b-sides, album tracks and demos. including tracks by deus, the beautiful babies, elisa waut, volt, sexmachines and more.

d. carbone’s first album “carbone master system” is a collection of powerful techno tracks incorporating elements of rawness, acidity, and melancholy at the focus of his intent. bringing together the feeling and the passion that the sega master system brought to him in his youth. time was lost mesmerized by technology and excitement for the quest of the unknown.

reissue of belmond black s forgotten album from nigeria, originally releases in 1979. incl. standout track. its never too late

linkin park’s album “hybrid theory” from 2000 - a certified diamond and multi-platinum contemporary classic in the world of modern rock and alternative music. incl in the end !

mental groove music and musique pour la danse are ecstatic (and there couldn’t be any better way to express our feelings here) to announce the first volume of mental groove classics, music played at the early warehouse raves and illegal fields parties of the same name. a compilation of rare, forgotten or sought after gems, topped with extra loops and intros for the working djs, and each side of the record ends in style with original pirate radio cuts which showcase the music in its original context, extended liner notes and interviews of the featured artists by dj, producer and radio host jerome hill of don’t / super rhythm trax / kool fm london fame. all tracks are remastered from the original sources by former dubplates & mastering engineer frederic stader (aka dj maxximus / warp records) and cut by daniel krieger at the legendary schallplatten schneid technik studios

clear & solid red mixed double vinyl.

paul white received universal acclaim for producing the majority of danny browns genre-defying atrocity exhibition album. in 2016 he also released a collaborative record with open mike eagle, and began work on a slew of solo material to be released on r&s records. with a free beat tape ‘everything youve forgotten’ released in january he now returns with danny brown on two tracks that showcase a producer at the very top of his game and one of the most exciting mcs of his generation. accelerator is a fuzzed-out psych monster that defies conventions about what rap music should sound like in 2017, while lions den proves that paul white and danny brown can beat the traditionalists at their own game too. instrumentals are included for both, as well as hand-drawn artwork by paul white himself.

having spent seven years in his adopted home of london steadily crafting a hazy, ambiguous identity that fuses ambient onto drone and techno, tom hang (aka lobster theremin boss jimmy asquith) finally steps up to the plate with “to be held in a non position” - a melded one-take lp that explores extended themes of isolation, loneliness, personal loss, disconnection and reconnection with reality and (self)-identity.
through his long-lost label tidy bedroom - on which “to be held in a non position” will be released - tom hang engages in a more introspective path, exploring sonic territories that find an echo with dislocated past experiences, pushing physical and psychic boundaries to get at the crux of intimacy.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

pelerin s first release presents the bewildering works of brind, also known in certain circles as ban ditman, a friend of both classical influences and soundly crafted electronica alike. -hribi in noapte- ep shapes the tone of a well thought out concept, using melody and harmony as the center piece of creation. a side - -glotas in tarziu- grabs hold of the essence of the ephemeral human existence, capturing tales of long forgotten ache and nostalgia, making for an excellent after hour tool. flip to b and we have -lacul norilor-, an even more organic piece uplifting us with voices of angels speaking of hope and heavenly landscapes as the waves slowly cover the shore. excellent moments for both dancefloor and late nights at home with friends, vinyl only with original artwork.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

ltd handnumbererd black & white marbled vinyl!this release is 2xlp and it s individually 500 hand-numbered limited edition. the first 100 copies are pressed on white & black marbled vinyls (ar011). it s dedicated to the 1987 masterpiece played by the magic flute of roberto aglieri called by himself. la solitudine accompagnata, with the original 1987 lp + a bonus lp, containing unreleased material, other versions and unreleased tracks. archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first copies of each release are pressed in coloured vinyls.

dating back to the fledgling early days of the label tales from the second moon by apogee was the first of many peacefrog releases by dan curtin. as with dan’s other early releases tales from the second moon ‘s angular dancefloor groove borrowed from the original motor city blueprint with a melodic sensibility that was drenched in the kind of yearning melancholy that suggested either pain of a heartbroken lover or the brittle dislocation of someone who longed to be transported to a distant galaxy. the acid, strings and complex rhythms contained on this ep originally released in 1993 were soon to become dan’s trademark sound. limited stock available. so be quick!

an exclusive compilation of the finest britfunk, including rare and forgotten uptempo gems. all tracks selected by maxence robinet aka saint-james.

agnostic & sportsmen, 1989, ktitor, dj whipr snipr ft. amela, satoi and dos all contribute tracks to mood of the era’s six track compilation. a collection of warm, groove worn, floaters collected from seven corners of the world. some of these tracks have been marinating on the internet, some come fresh from the studio but all of them are delicious nuggets of dreamy house music.

seven exquisite deep house cuts for you by producer toyin agbetu. a forgotten hero responsible for some of the most exquisite music out there. from streetsoul and hip hop to moody chicago and detroit inspired house and soulful garage cuts. all crafted with passion, love and devotion. with this ep frame of mind introduces you to some of his finest works recorded under his shades of black alias selected from several out of print 1990- 92 releases from the intrique label. must have for fans of mr fingers, larry heard! tip!!

after a lengthy hiatus, tuskegee music is back with a heavyweight release indeed: it features tracks written by detroit heavyweights seth troxler—under his young seth alias— and cult fxhe boss omar s. amazingly they were written 11 years ago and have been long forgotten until recently being unearthed. the first track here was inspired by a trip seth made to berlin’s club der visionaere in 2005. “it basically was me returning to detroit and telling omar about this crazy music i heard ricardo play during the day.” the result, ‘deep’(cdv 2006 mix), is a spine tingling atmospheric deep house track. the drums are lo-fi and loose, the bassline is a meandering thing that really sucks you in and soft, gentle toms tumble around the groove and encourage you to cut loose. then comes the experimental slow motion drum shuffle of ‘detroit after midnight’ which the pair made after “finding loads of weird records in his basement sampling them and making a classic mpc detroit cut.” it has the sounds of people talking as if coming from the room next door laid over a lazy and undulating bassline, and is brilliantly weird and sketchy. last of all, young seth goes solo on ‘luiza’s inferno’ five minutes of him jamming on omar’s ms20 with a warbling synth line coated in warm tape hiss and layers of dust. it’s a beatless piece that shows how inventive and ahead of his time troxler was even as a young man. this is a brilliantly unusual ep and another winner for seth troxler and the martinez brothers’ tuskegee label.

released in 1974, téo azevedos first album grito selvagem (wild shout) is an irresistible blend of soul and rock with an unmistakable brazilian character. as many other lost gems of time past, the album found little commercial success, and still during the 70s teo turned forever to the true brazilian popular music the forró, the roots of sertanejo and the rhythms and traditions of brazils often forgotten countryside becoming, from then on, a genuine cultural reference in brazil not only as musician and composer, but also as a poet and researcher of popular folklore, being awarded the grammy latino prize in 2013.

after unleashing the enigmatic middle eastern funk bonanza the nile files earlier this year the fossils crew return to western shores with a new ep from uv & nen , revealing long forgotten newly interpreted disco funk nuggets that are bound to become classics in their own right. with newly recorded synths, vocals and nasty bass-lines thrown in the mix, the bump s anthemic qualities are evident from the minute the chorus kicks in and will most likely stick in your head and keep you humming for days... trust us - this bad boy has been tested on dancefloors from new york to tel aviv to london s boiler room until finally finding its way to the pressing plant. love makin is a horny (no horns here), psychedelic disco affair, seasoned with sexy moans lifted by abnormal synth activities and followed by beatcoin , a steady slow stomper that will get booties shaken & shaking across the dance floor. as with the previous fossils release, these are all killers and true crate essentials for the seasoned djs.

as earth dips below sea level, e davd steps up with a capsule of botanical and foreign matter reminding us what lies beneath the oil spills, crust and hum of wireless routers. cast deep into the nebula, it’s the forgotten love songs from the glacial plains, expired vitamin compounds retrieved from petri dishes and the howls of extinct animal life condensed into 25 minutes. electronic protocol modules formerly known as humid funk, new age astral ambient- and horoscope house drifting through foreign star systems, gradually lost to the eternal vacuum of deep space.

being selfish, is one of the good things about running your own label. if you please, you can just try and re-release that certain record that you always wanted for yourself, but never could get your hand on it. now, you can just edit it the way you always wanted it to be (oh, those fade-outsà) and press it up. this is one of these occasions. when kalk (the collaborative project of philippe heinen and joffrey becker) was released on julien briffaz label brif in 1999, i just had started to dj out at a club in darmstadt (the late cafÚ kesselhaus) and the restrained, yet punchy house tracks symbolized what i liked about deep house back then: a mellow alternative to the bpm hunt and rigid attitude in mainstream techno, while not losing itself in chin-stroking wisdom or pesky noodling. it seemed that there werent too many around with the same desire. otherwise akasha wouldnt have remained a diamond in disguise and not what morgan geist so aptly named an unclassic. by his definition, that is: an old by and large forgotten record that would have deserved to be hit. if you take discogs as an indicator, more and more people start to think so though. here is your second chance to obtain a copy of the spirit of kalk. mildly edited and restored in the best human-possible way. mind you, its old house music from days of yore. dj gj

the intergalactic research institute for sound presents de, a compilation of various artists representing georgian electronic and ambient music. / de is a compilation of music from artists of different backgrounds getting together in order to showcase the dynamic influences within the georgian scene. tbilisi is getting worldwide recognition at the moment for its booming club scene, but what this project aims to illustrate is what is happening outside of the club context. natalie beridze who has been performing worldwide since 2004 is known as the first female electronic music artist in georgia, rezo glonti has built his studio inside the hull of his boat, and zesknel is a resident of the renowned bassiani club, while myi and severiane were discovered thanks to myspace, soundcloud, and word-of-mouth. all these talents manage in their own ways to present / de, with murky and melancholic cuts. melancholia is at the core of beauty in georgia. that is not the case in germany and many other cultures, where melancholia is often charged and bound to a negative feeling, which some might perceive as weakness. consequently, one could be tempted to say that even if it‘s electronic music, de has a traditional georgian quality. but that would be putting art in boxes or cases because what is georgian art nowadays, when so many artists from this origin are scattered around? as giorgi maisuradze states in his mission statement for de, the world is their home.

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. drive001 sees us step back to 1998 and into the hands of the duo of damon wild and mederic nebinger, recording together as blue maxx they quietly unleashed some of the finest futuristic widescreen techno and electro to emanate from nyc in the late 1990 s. utilising a small sub-label of wild s seminal techno imprint synewave called deja vous the pair embarked on a slew of ep s released over the space of a couple of years with private life being one of the last. across 3 tracks private life opens up a new sound world, from the driving, tool-like qualities of the a-side cut - all swinging drum programming, synth stabs and deranged metallic percussions to the deeper, more clandestine leanings of the b-side tracks, mining a more musical and electro infused vein, the whole ep stands out as something truly original. a hallmark of the blue maxx sound. this is the first time private life has been reissued, almost 20 years has passed and somehow wild and nebinger s style remains utterly fresh and contemporary. a truly rare and essential piece of hi-tech techno expression that could easily have been released this week. such is the quality on display within these grooves. remastered by curvepusher. artwork and design by atelier superplus.

medical records presents another gem with an expanded reissue of the last flowers from the darkness by mr. mark van hoen.

cosmopolis is an electronic music release from artist fonemi. this work is inspired by the novel cosmopolis by don delillo, a book that tells of a modern odyssey along the streets of a great metropolis. the four pieces here, composition of cosmopolis, sounds as the soundtrack of an introspective journey rich in ancestral suggestions and forgotten rituals recalls over time. the undervalued atmospheres that characterise the whole work seem to be held in suspension by a percussive magma that marks the passage of the past that becomes present. cosmopolis is a fluid that carries our lost memories.
cosmopolis: a tribal and primitive dance, a propitiatory rite that has been handed down unchanged over the centuries.
fiori carnivori: what you do not expect, the flower, a symbol of delicacy and sensitivity that turns into an inexorable predator.
verso casa: the return from a long journey, the lights that illuminate the asphalt and the distant flashes of unidentified cities.
tra le rovine: an ancient song, a prayer that exorcises a universal omen.

møzakia broke down the door for no bad days with their first release, and it is with great delight that he returns to kickstart the new sister label - no bad edits. the name has changed, but the ear for colourful and supremely dreamy tunes hasn’t. these impressive tunes are not your standard cut ’n paste extensions.
using motifs from a long-forgotten 80s new age cassette, møzakia shoots for a mellow paradise with three cuts that variously evoke finis africae’s 4th world exotica, contemporary house jams, and even the rainbow road level on mario kart 64. long may the love-in continue!

forgotten idols lie smashed and scattered across the floor. dissonant undercurrents coerce a riptide of shattered beats as duran duran duran speeds into sight and docks directly into your neurological pathways. tracks swarm into your mind effortlessly dismantling the techno mainframe. refracted acid takes ‘sexus’ to a place where famished ghosts leer at each other across a mist-infused steam room. repeated listenings reveal new fissures, fresh layers emerge as we scrape away at the glacial enormity of this techno scree-face. redemption is in sight as we take a final pasting on ‘marathon man’, a track so banging as to provoke a wry smile on the face of any seasoned raver. at its climax it screeches under the weight of its intensity, flinging its subjects into a feral transcendence.

baltra has been plying his trade for a few years now, dealing in a distinctly retro brand of house music that could easily pass for a forgotten chicago cut were it not for subtle touches of advanced production tucked away in the mix. on this single for tape throb, the warbling synth tones of up 2 you sound like a perfect fit for the label, while twist of fate smooths things out a more melancholic mood atop a classic jack beat. feds watching strains under a cloud of grit that adds to the backwards glancing vibe of the record, while dis aura opts for a marginally more modern approach spelt out by the plush polysynth tones that pulse throughout.

so low is an occasional night in glasgow run by iona fortune, jd twitch, katie shambles and becky marshall. so low is strictly for creatures of the night and plays music that could perhaps be described by the words dark waves / cold waves / minimal synthesis / maximal industrial / lo-nrg / forgotten flemish goth bands, teutonic apocalyptic beats +++ it is now also a label, administered by optimo music. after debuting with happy meals “full ashram devotional ceremony” album, here is the first 12” release, “now & then”, a various artists 4-track ep featuring two tracks from now and two from then.
the 12” comes housed in a bespoke hand printed fold out poster sleeve inserted into a plastic sleeve with screen printed text on the plastic, designed and created by katie shambles. due to the extremely labour intensive nature of the sleeve design this will be a strictly limited edition of 300 copies.

the quiet before the storm. the abyss before birth. the moments that came before everything else. this is episode zero, ben gibson s inaugural album on chronicle. it takes us soaring through a musical narrative, beaming down into vast acoustic valleys of sound. from the very rst notes the intent is apparent, lucidly slipping into a pool of full moon atmospherics. departing deeper he carefully calculates each and every step, building momentum and pace until the way back is completely forgotten. tracks like -foreclosure- reach peak potential with crushed, mangled percussion, while others such as -symptom- maintain a more seductive yet equally deadly pull. building upon pillars of 12-s, chronicle and ben gibson are now venturing into a new territory with episode zero marking the rst step. join us.

pp serie is here to combine music by label artists & friends showcasing a broad spectrum of audio entertainment. “serie a” features: trance inducing collage, pop build up, homage to the almost forgotten communication medium telefon and a heavy acid tool. &#8232,,artists included: tambien, rhode & brown, mr. tophat & obalski

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

sex. sorrow. synthesizers. digital romance are a french duo cast in the mould of vintage electro pop. their sound echoes those halcyon days but is firmly set with an eye on the future. vocals, from marie de berlin, are deep, inviting and rich. tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. sparkling synthwork, care of forgotten illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

dark entries present -a tape-, a double lpof early work by helena hauff, a dj and record producer based in hamburg, germany. at university she studied fine art, physics, and systematic music science. she previously was a resident at hamburg s golden pudel club, where she hosted a night called birds and other instruments. as a selector she weaves energetically between electro, new wave, and ebm. her music, often recorded live in one take, has a raw intensity to it. she debuted with an ep on werkdiscs back in 2013 followed by records for lux_rec and bunker sublabel panzerkreuz as well as two collaborative eps for pan, produced under the name black sites with fellow pudel resident f#x. ‘a tape’ is a compilation of helena’s earliest recordings from 2011 and 2014, originally released on limited cassette by handmade birds in 2015. clocking in at over 50 minutes, this collection spans hauff’s musical universe, from jacking acid-techno to krautish zone-outs and scuzzy feedback interludes. it’s tempting to consider it helena’s debut album, but she views these tracks as mostly forgotten sketches left on the cutting room floor. it a gripping collection of deep, sinister analog synth sequences, industrial dissonance, and heavy percussion. her equipment set up was a roland alpha juno 2, juno 60, tb-303, tr-707 and tr-808. both of the discs end with hauff stepping outside of the intentionally stiff, robotic rhythms, instead showing her skill at crafting less conventional electronic sounds. all songs have been mastered by james plotkin with vinyl eq and lacquer cut by george horn at fantasy studios in berkeley. the record is housed in a custom made jacket designed by eloise leigh, featuring a checkered graphic and black lines, highlighted by yellow and green for maximum visual tension. each copy includes a double-sided postcard with notes.

a selection of forgotten demos by band hymn, active 1981-1984, with multi-talented musician and post-punk pioneer lucas trouble (†2016) in the lineup. dition of 400 numbered copies. hand stamped sleeve. includes insert with photos, artwork and liner notes. all the tracks were originally self-released as demo tapes in a very limited run. their first work, coming home, was published in 1983, and the second one, too many lies, in 1984. both of them were distributed by the band themselves. shortly after, they released a more widely known 12” ep, tired (nova express, 1984), with a different line-up and noticeably more rock-oriented. definers of a totally genuine sound, hymn were coevals to the underground-synth-post-punk movement that surfaced in france in the early eighties, easily recognisable today via cult labels such as bain total and invisible/scopa records, with stunning releases by experimental references like ilitch, philippe doray or incontinents.

in conjunction with the label turning 8, wolf music return to the va format that see’s them releasing forgotten gems and exclusive tracks from label mates. brs’ bouncing was originally released in 2000 on imperial dub a firm favourite with wolf music for many years, it now has the opportunity to be introduced to a new generation of record buyers. paradiso rhythm self released greetings & salutations digitally early last year. a killer record in every way that deserves a vinyl release. on the flip ishmael & medlar supply a collab track recorded last year at the red bull studios. rounding off the ep is an updated version of krl’s i wanna be with you that was originally released on wolfep003.

für das 13. album haben sich the charlatans tatkräftige unterstützung von freunden und namhaften musikern geholt. so beteiligten sich neben dem ehemaligen the verve-drummer pete salisbury, anton newcombe von the brian jonestown massacre und stephen morris (new order), der bereits beim vorgängeralbum -modern nature- (2015) dabei war, auch johnny marr von the smiths an den aufnahmen der songs. schriftsteller ian rankin und lampchops kurt wagner lieferten spoken word-passagen für die songs future tense und the forgotten one, und die schriftstellerin/schauspielerin sharon horgan den hintergrundgesang zum track different days. das albumfinale spinning out bestreitet sänger tim burgess zusammen mit paul weller.
pressung auf transparentem vinyl, downloadcode inklusive.

hot on the heals of phil kieran s first blinded by the sun album remix project which featured roman flügel and andrew weatherall remixes, hot creations return with a second remix package. mano le tough, matthew herbert and david holmes all contribute to create a set of flawless cuts and a superb second remix package.
david holmes under his unloved alias concludes the package with a cinematic remix of think too much, overflowing with emotion, it makes the perfect conclusion to a stellar release. also from belfast, holmes has been composing music for over two decades, winning his second ivor novello award in 2016.

during kris baha s migration north, an introduction with berlin cult figure dane//close has led to power station s latest offering and debut mini lp the miniature industrial complex. originally released on limited cassette via noisekolln tapes, the lp brilliantly displays the sameheads resident s appetite for all things wave, industrial and weird, with an eye firmly to the floor. opener rockbox plays like a forgotten b-side dub, 80s drums chug as brazen noises bounce off a delicately nostalgic lead. fourth voice slings low, incessant bass drones as sci-fi vox and metallic hits to the rhein. mercy mercy increases the tempo, an arpeggio leads the way as intensity rises, unnerving samples introduce a flurry of gunshot snares. flip over to ancient rome , a dancefloor musica lirica complete with a forward baseline, air raid sirens and raw drum workouts, the fall of the roman empire! not part of the original cassette release, beard maintains the energy, wild guitar shreds in a neurotic ritmo frenzy alan vega crossing into 2016 dance floors faintly comes to mind. and lastly rounding out with fine experimental ender thunder ...mayday

für das 13. album haben sich the charlatans tatkräftige unterstützung von freunden und namhaften musikern geholt. so beteiligten sich neben dem ehemaligen the verve-drummer pete salisbury, anton newcombe von the brian jonestown massacre und stephen morris (new order), der bereits beim vorgängeralbum “modern nature” (2015) dabei war, auch johnny marr von the smiths an den aufnahmen der songs. schriftsteller ian rankin und lampchops kurt wagner lieferten spoken word-passagen für die songs “future tense” und “the forgotten one”, und die schriftstellerin/schauspielerin sharon horgan den hintergrundgesang zum track “different days”. das albumfinale “spinning out” bestreitet sänger tim burgess zusammen mit paul weller.
pressung auf schwarzem vinyl, downloadcode inklusive.

limited coloured 180g vinyl, housed inside a gatefold jacket featuring the full score. comes with region free dvd and a download card.
death waltz is thrilled to announce an lp/dvd combo of abdullah, a short film released by ne er do well films, for record store day 2017. it’s a dark tale concerning the largely unknown underbelly of the city. abdullah is a lonely man, a turkish mini-cab driver in london who has been forgotten - by the city, by society, and by his own community. when abdullah picks up a new fare one night - a troubled young man who finally takes notice of him - things take a dark turn. as the two men make an undeniable connection, the question becomes clear: can abdullah change his fate or is he destined to be swallowed by his own loneliness?

metaclaw is blazed studio session that time could have forgotten...but offen music didnt. a glorious downbeat synth plodder/head nodder from the minds of three very muscial friends.. features remixes from gordon pohl and glibr.. tip!

lost property is two veteran producers going under the guise of lost property with the music representing a collection of photos of abandoned and forgotten items taken in london from the period of 2009 to 2015.

repress! 2lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.