croatian nu-disco/funk/boogie overlord ilija rudman has swung by around here. once more he is spinning his audio gems on the legendary bearfunk label. this time is the ever so funky new release soul embrace . ilija gets his niles rogers hat on and peppers this sparkler with chingy-funk guitar. add in some big rolling, dx-style, chugger bass and lashes of darting percussion and there you have it...floor-filler dynamite. the original mix and the spectacularly 80 s styled extended mix make an appearance. our man also goes straight for the beat jugular with his drum, beat and percussion heavy bonus beats mix. to round things off, label head bear, stevie kotey, takes on the remix duties. he brings some real bass along to the party and new layers of slick keys. turning down the floor quotient just a notch, this one is pure slow-burn disco done well, very well.

as anyone will know, dub police is one of the dubstep scenes leading labels, having helped launch the careers of artists like caspa and rusko into the dance music stratosphere. the labels ethos has always been about giving the next generation a step up and the next wave of superstar producers has arrived as the dub police war machine continue to roll ever onward towards world domination. trolley snatcha is the latest artist to receive the dub police stamp of approval with his diverse four-tracker the >one trick pony< ep. proving that he is anything but, trolley turns out a selection of tunes that display a mature and open-minded approach to dubstep. from the ear-battering trolley trademarks that litter >pass me by< and >roccos revenge< to the smoothed out bliss of >always on my mind< and the light techno touches of >we go deep<, this ep will grab the attention of anyone with a keen ear for quality music.
dj support: caspa, rusko, skream, the others and benga.

stanislav sevostyanikhin returns under his kontext guise with four tracks of tightest dubtech minimalism on immerse. these are his first konext productions since the impressive >dissociate< album, continuing a trajectory into widescreen dub techno and clipped, post-dubstep rhythm programming. >no more room in hell< combines the luscious atmospheres of pendle coven or bvdub with subtle glitching rhythms, while >daphnia pulex< adds glassy electronic melodies and padded subs to the equation. most interesting of all is >sattva<, rolling raga drones into his morphing dub chords and crafty future garage stabs, kinda like pole meets farben on a dusky autumnal evening. if you ever wanted a more reduced ramadanman, or a glitchier appleblim, this is well worth checking...

black rascals >blaze theme track< receives a reissuing from slow to speaks core series! one of the best moments from one of the best deep house production teams ever to grace this good earth, the impossible-to-find >blaze theme track< is the quintessential instrumental masterpiece from new jerseys kevin hedge & josh milan. moody, brooding chord stabs lay way for a breathtaking bass solo that drives the record forward from the first few measures on to its continuous and relentless ascension

wall of death. the third single of make the girl dance is set up. set up as the inevitable episode iii of the most anticipated electro trilogy ever rocking its own small planet for the last two years. the same tiny world first devastated by an unparalleled earthquake, the massive hit single “baby baby baby” and its amazing 15 million internet video viewing – frances most seen video in 2009. the home straight before the album release due for the beginning of 2011: make the girl dance is once again showing its teeth, ready to bite and to tear to shreds the dance floors with this new single already remixed by the cyberpunkers, stereoheroes and the killers rabbits

metalheadz are proud to back subwaves most deadly and innovative tracks to date which will push the russian to the forefront of most talked about artists. watch out for his forthcoming debut album to follow soon on metalheadz. with d+b bigger than ever before on a global scale, there is nowhere more up-and-coming than russia, and subwave is right at the heart of the moscow scene. gleb started to make music with production partner alexander rotov over ten years ago, grabbing early attention from the late john peel with there debut release on tech itch recordings in 2001. more tunes followed with a remix of tiesto (with paul b) getting which gained huge attention stateside, with a 12inch on goldies metalheadz label following gleb going solo. not only a talented producer, gleb is also held in high regard as both a dj and promoter. he successfully marries ice cold minimalism with wide open dancefloor sonics, and with huge support from the likes london elektricity, hype, fabio, and of course goldie, expect more subwave in your system shortly

well, what can we say. do we have to say something? hell yeah! as its a luke solomon release under his new moniker lukatron! the first >lukatron< release ever - world premiere! the man is classic, the music is classic. 4 toolish tracks with a oldschool house and techno flavour, the way quite some fellas out there like it (and us too). as you can see, this is part 1 of a series of lukatron releases. and we are happy to have luke on board!

suol is proud to present another new member to the squad. fritz zander, one half of the impeccable duo zander vt decided to release his second ever solo ep on suol... so sit down, shut up and listen.

the kat edit stable pops back up and throws a couple of biggies into the pot ... first up is conscious of my conscience, which shouldnt really need an intro whatsoever. an out and out all ends up classic and a track largely overlooked by the masses when first released on the album conscience back in 88. mr beedle makes this sound bigger than ever with some wicked but subtle extensions & tweaks along the way. on the flip we have time is running out. ashley beedle takes the stevie winwood original, strips it bollock naked and re-dresses this into a wonderful psyched-out disco funk soul rock odyssey masterpiece. over 10 minutes of pure balearic dancefloor goodness, pure n simple. big ! oh, and on a super loud 12 inch pressing..

super limited 12 inch in screen printed sleeve with bing ji ling and barck+prommer remixes ... limited to just 300 copies, pressed on delicious 180 gram vinyl and presented in a silk-screen printed sleeve, >make you mine< is quite the 12 inch to get your hands on this autumn! the opening track of incarnations forthcoming debut album >with all due respect< is a sundrenched balearic bomb if ever there was one. handsome threesome daniel collas, quinn luke (akabing ji ling) and bart davenport soaked up all the good vibes of the tarifa studio on the south-coast of spain, just in front of africa, where the mediterranean sea and the atlantic ocean meet, and transformed them into little over three-and-a-half minutes of pure loving goodness, reminiscent of the 70s west coast sounds among many other things. on remix duties we have christian prommer and alex >jazzanova< barck taking the track into the late night territory with an epic deep-house stormer, while bing ji ling makes those lazy sofa surfers get up and boogie while the sun is setting with a strong ny flavour.

first release by new label apersonal music. project created by andres vegas and maurice aymard, who challenge the current music business crisis by joining the list of adventurers who releases on vinyl during times of retreat. the label is intended to publish music that points back toward the classic sounds of electronic music, the eternal sound. for the ever loved and well remembered 001 they sign producer trujillo. a pioneer of the electronic music scene on his country venezuela, also native land of the label heads. the single runs at 110bpm with a retrospective feeling, built by melodic synths, low bass and provocative voices. “baby you’re still the same” a slow burner that takes you on a journey of inspiration

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

we present a new artist on echocord colour. we are presenting one of the currently most interesting berlin modern techno music producers today mike dehnert. he is founder of the label fachwerk records on which he is publishing under his own name. his live acts and dj sets are as remarkable as his productions and you wont ever hear him playing any self-pleasing or incidental grooves. mostly mike is playing his own unpublished tracks. he did just put his ability to the test within collabarations with clone rec and the clone basement series. on the super limited md2 series mike dehnert is presenting again his variety in music. for echocord colour he did 3 striped killer berlin flavoured techno-dub/house tracks, for all dancefloors out there.

support from joris voorn, pete tong, ivan smagghe, wally lopez, toca disco, brothers vibe, blake baxter, shur-i-kan, deetron, paulo mojo, james zabeila, sasha, john digweed, nick warren, uner, butch, ... with his immortal changes album still riding high, and babiczstyle 001 in the locker, robert returns with his next ep of exclusives, the feeling ep. babiczstyle has been launched by robert as a platform for him to release some of the large archive of work that he has written for his live sets. i see the label as a platform, where i release only my own music and collaborations. i do this to have a platform with the highest possible audio quality and have a place for me and my friends to release our music. - robert babicz after the main-room wonderment s and euphoric soundscapes of the remote kiss ep, robert delves deeper and delivers three cuts of warm, elegant house. as ever each track serves up the sonically expansive yet completely intimate feel that only babicz can deliver. this is no more evident than on don t give up . its funky 90 s esq bassline is a foundation for his trademark synths and keys to work their magic upon…

limited white label release. 100 copies only. ever!! from luxembourg but now living in berlin, marc neyen delivers his first album esmeralda on archipel. this vinyl ep is an extract of two of the most touching tracks of his lp. children s corner is a song where marc shows his acute sense of expressing emotions through his jazz training he received in amsterdam. the song might remind you of villalobos or pronsato, but marc finds his personal interpretation to make this smooth, warm tech house song perfect for any moment where you need introspection in a bright way. i move alone shows marc s ability to guitar playing where he brings techno to whole new world with gentle melodies follows tech house grooves

una mas trio are back with a killer 12featuring remixes two superb remixes of tracks from their previous album and a brand new exclusive track from the forthcoming longplayer. the ever reliable dusty (jazz & milk) gives mas y masthe dubwise dancefloor treatment, while solo moderna add a circus atmosphere to balkumbia. we love both and hope you do too! on the flip the umt take the 5/4 jazz train with minafeaturing outstanding saxophone player stephan abel from the mighty hidden jazz quartett

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

not many single releases can be labelled as events, especially not in the ever homogenised techno world, but the first single from model 500 in eleven years, and the first recorded by the new band line up is most definitely an event.
its only fitting that this single is released on r&s records, whose relationship with the man widely acknowledged as the originator of detroit techno goes back 17 years and who released the last model 500 album back in 1999.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

the cryovac machine is proud to present, for your inspection, >the musket e.p.<. cryovac is a platform to showcase the underground talent of detroits nightlife. the fifth release on the cryovac label features josh surma, a dj/producer that has carved out his own niche in the techno community. surmas surly style is a logical addition to the ever expanding family of cryovac artists!

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

yousef the a&r from circus recordings consolidating his status as an international dj, producer, club promoter and music aficionado with ever greater impact. the international love has never been stronger for yousef. after plays in syria, ibiza, south africa and south america. he had releases on plastic city, circus recordings and many more. remixes for dj sneak, fergie and tobii so alex flatner decided to sign himfor a release on harthouse.

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

this summer, marc antona introduces a brand new label: dissonant. marc turns his efforts to a new platform for solo productions and collaborations. having honed his talents on records for mobilee, highgrade, micro-fibres (his former label) and more, marc uses this first release as an occasion to show what hes got: tight, percussive, spirit-full music that dives deep, without ever losing technos innovative lines and motorik intensity.>rootz< sets the tone with an agile, high-stepping groove full of bells and smooth but very effective drums, the sparkling high end contrasts with an almost overwhelming sub-bass throb.

incl. ian pooley remix, basic soul unit remix. dj downtown remix, house music first captured fredrik nybergs attention in the early 1990s, and has held it rapt ever since. hold on is both his modern day exploration of the genre, and his collaborative journey through its many shades. as dj nibc and as the founder of trunkfunk records, nyberg is one of swedens most versatile and sought-after talents. >hold on<, a sleek slice of modern house, replete with string samples and sultry female vocals, is an ace in the hole for the dj, producer and label manager, and here his latest productions receives the remix treatment from icons of the scene, basic soul unit, dj downtown, ian pooley, and dj nibc himself

finally label owner maurice aymard releases his debut ep in his own label. after releasing last year in einmusik label and sasses mood music imprint, moe how his friends call him has decided to show his art through galaktika. the ep has two strong remixes the first one comes from the brazilian s head quarters and old friend from the house called gui boratto. gui is a top five world techno producer, after remixing names like moby, massive attack and robin williams he finds times in his super busy schedule and delivers a massive tune. he changes the hole track, he stamps his sound on the remix and add and incredible rhodes to close up the track, and epic remix that will last for ever. garnica does completely the opposite as gui, he turns put some for jules in a techno tune for pick time hours, with groove and percussions as main course. garnica has find his formula to make great remixes and keep your head up cause will be more to come.

yo everyone !!! ten years ago (an eternity nowadays) we put out the first cassius track ever. it was called >cassius 99< and it was the first single from our debut album. 1999?.it was also one of our biggest hits. its ten years later now and knowing we have our own label and own our back catalogue we absolutely couldnt resist putting it out again as some kind of >10th anniversary release<. resistance to remix it was weak so we remastered the original and asked producers we really appreciated to give it a go and do their own version of this oldie/goldie.

the future disease lives up to its name: a maelstrom of driving bass, otherworldly screams, and speaker destroying kick drums inch us ever closer to satronicas prophecies of doom and destruction! with this 4 track ep, satronica cements his position as one of the worlds premier hardcore industrialists. this monster delivers a bone crushing collaboration with hardcore legend unexist along with two tracks of pure unadulterated satronica madness! and if that isnt enough, witness a body hammering remix by industrial technos new dominator - waldhaus! satronicas tracks have recently been featured within the worlds best known hardcore compilations on labels like thunderdome, moh, neophyte records, and traxtorm. he is dj-ing and bringing his massive live show to the worlds premier hardcore festivals like q-base, dominator, and e-mission. the mission is clear: freedom for the masses from the soul killing pollution of commercial music! industrial strength records is proud to present innovator & scholar of chaos - satronica! for your listening displeasure!

this is the final part of the credo repaints, this time featuring the best out of 100 sent remixes by contestants taking part in the remix-contest which ended in february. the results are amazing and it was a really tough job for alex to make a choice, but here we go with most versatile credo release ever. citizen kain rolls onwards while starbug created some shaky techouse. michel lauriola from buenos aires with a techmonster and finally speed progress from serbia with some funky approach on lofi micro. thanks to all you guys for an excellent piece of work!

when being into collecting records for more then 20-25 years there is not much left that can be considered the holy grail of house music... so we wont call this a holy grail. however for us its a track which was impossible to find because it was simply not released! only a hand full white labels on dj international have been floating around, but it never got a proper release. finally we managed to get the rights and more important a proper old recording of sterling voids instrumental version of serve it up. his first ever recording done in chicago, 1987!

a first collection of on this new us label that is dedicated to bring contemporary edge by up-and-coming producers from chicago: garo, lokua, slava. and thats what they do here. a sweet collection of 7 solid tracks. given the locale, there is an undeniable house presence. its spirit spreads far and wide and permeates a great variety of styles of both slower and faster tempos. this album is as much for the club as it is for the tranquil home-listening environment, the deep synthesizer textures, ever-changing rhythms and rich melodic content will speak to you independent of setting. limited and well produced release! check!

>our utopie< radiates this epic vitality, embodies the exhilarating feeling that something is just beginning here that affects us all: the sky, the taste... we count 1... 2... 3... and we’re still here. eyes closed, breathing in the birdsong and feeling the breeze tingling through your hair as it only ever does in the morning hours of a world-class rave.

after a long time some firm artists decide to come up with the release of a real cooperation work. body hotel is a song that schad privat and thomas schaeben released 10 years ago on the first label compilation, firm 02. they reworked it 2004 and now coma, who came to hear and love it, did a remix of that with a fat linn drum and some new flashing ingredients gonna miss me is a brand new schaeben&voss track, rough and splendid as ever, lyrics by turntable orchestras. in your arms is a hopeful cooperation of coma with heiko voss, who contributed his guitar and gently singing for a beautyful track like this is.

fluctuation is the 3rd single taken from headmans latest album >1923<. fluctuation takes you back to headmans manhead roots, pushing the sounds of early 80s club music deeper underground than ever. the remixes come courtesy of tim goldsworthy, under his moniker thee loving hand and the italian newcomer to gomma: cecile. the original track from the album sounds balearic / cosmic, but they take it somewhere else completely ...

split over two vinyls to ensure maximum sonic quality and complete with beautiful hand drawn illustrations from yuko kondo (directed as ever by our own peter saville, phantom), it picks up where hands of love left off

will sauls aus imprint returns with the lipsmacker ep, a collaboration between bristolbased bass enthusiasts al tourettes and appleblim. continuing aus recent trend of fusing elements of traditional house and techno with the sub frequencies and rhythms of dubstep, the ep comes as a slice of forward thinking electronic music that continues to reinforce the ever-strengthening relationship between the two musical camps

nycs adultnapper hardly ever lets his foot off the gas… and this is no exception! straight back into the driving seat and ready to roll with his next ep for poker flat recordings, slowly is a typically spooked out 2 tracker from the east coasts master of the dark and funky arts…. lead track slowly is full of the type of crazy textural soundscapes that have become synonymous with adultnappers bass infected sound. winding, twirling cables and messed up electronic whir away in the background as a stoic kick-led percussion array works the funk. jazz influenced hooks, sultry vocals and horns-a-plenty, it all makes for an incredible workout! gold and forgetting is a touch more mysterious, with a floating chicago-esque synth theme at its tender heart. of course mr. napper still piles on the funk, and this amazing afterhours anthem to be wins us over hands down. emotional strings swathe by over a meandering 9 minutes of pure and precious metallic sheen

supplement facts records takes us to that detroit sound, with their next release featuring sierra sam & marcus vector… the auteurs of industrial techno. the man made jobs e.p. is an eager little package of tracks with a nod to the past, but with its sight set straight to the future. the opener >gangsta pimp style< echoes technos birth-city, driving beats and metallic stabs of synths merging with the spoken word rhetoric, intermittently making itself known throughout the pieces sprawling 7-minute runtime. >things you do< moves things to a bit lighter frame, but dont let that description lull you into thinking it as throwaway. this tracks dominates with the ever-present high stringnote that made so many hits in the past. this classic sensibility and a vocal hook which you will be humming for days later…make this track memorable. taking us straight to the 90s, >flagboy< is the final track to round up this powerhouse of a release. featuring vocals from rockey wahington, this track encompasses the likeability & flavor needed for a classic house record unlikely to leave your bag. its all there - the piano stabs, the cowbells, the soulful vocal. all these elements mixing together to create a track so euphoric that you can finally delete your >pusher-man< contact from your blackberry because this is the newest legal high!

after several well received releases on terror traxx it was time for these two talented youngsters to show their skills on the ever expanding rotterdam records imprint.the a-side offers bastards , a guaranteed floor filler which will cause complete chaos on all dance floors with its crushing kicks and catchy melody.this is mainstream hardcore at its best!! drugprogram starts of the b-side. another topnotch hardcore bomb produced together with up and coming man emphasis!slammin kickdrums, cool sample use and a splendid melody make sure this track will definitely be picked up by all the major players in the game.finally crushin bonez to finish of this ep, another cool track which is a bit more aggressive than the other 2.be sure to watch this 2 geezers as we expect to hear more from them in the future!!

go hiyama has always been a very interesting artist for me, ever since he emerged in 2002 on james ruskins coda label. both his musical & production style have changed a lot since then and i personally feel theres still no one out there who comes near to what he is doing. we planned on working together since a long time now and i am glad we finally made it work with this brilliant 4 tracker. no fillers. all 4 tracks have been tested thoroughly in my sets and always stood out as highlights.
no compromises on these fierce punishing drums, delivered by one of the most promising talents in techno the last years. hope you will enjoy playing these tracks as much as i do. (kr!z)

those fine purveyors of funk-fuelled electronics, detroit grand pubahs are back with a new album for the new decade, and to whet your appetite for this highly anticipated return is their latest single numb deaf & dumb. the teaming of mack goudy jr. (aka paris the black) & the mysterious mr o was a natural disaster waiting to happen. miraculously, the personalities of these two tweaked characters seemed to compliment each other perfectly and they instantly bonded. as detroit grand pubahs, they continue to rise to new heights with past albums like nuttin butt funk which included the mighty skydive from venus as well as an ever progressing live show.

zadig is a new french techno producer ever seen on plastic with his another pseudo day is diying or friendship connection this prolific artist, fan of analogic delivery a powerful techno release ! !kenny larkin (art of dance, planet e, ostgut ton) remix is a flight of 11 minutes in the atmosphere like him & carl craig are the only producers can do. a future classic remix for an art of dance. real music for real people

limited coloured edition !! zadig is a new french techno producer ever seen on plastic with his another pseudo day is diying or friendship connection this prolific artist, fan of analogic delivery a powerful techno release ! !kenny larkin (art of dance, planet e, ostgut ton) remix is a flight of 11 minutes in the atmosphere like him & carl craig are the only producers can do. a future classic remix for an art of dance. real music for real people

jane ephex has been a core person of the german electronic scene in the last years as a producer, live act and deejane. she is a well established artist and after many gigs at germanys biggest events like nature one, syndicate, ruhr in love, hellraiser and some magnificent nights in important clubs like butan & fusion everybody should know her name. deeply rooted in the scene with her music, she is considered by many as a woman with multiple musical talents, from straight-up jackin hardtechno to advanced industrial, as well as hardcore (with her synonym e-phex). she already had releases on different labels like hells bangers & tonica and collaborations with minupren and this time with stormtrooper. one of the most talked-about tracks over the past months >angel< finally gets a full release, including the stormtrooper remix! stormtrooper is also responsible for 2 other tracks on this ep: >desdemoni< (together with jane ephex), a massive hardtechno influenced industrial track and >dancing with demons<, which is rather hard & industrial with a very cool groove & drive.
yet another slammin release on the ever expanding important ebe company imprint!

support by: christian smith, konrad black, joris voorn, timo maas, brothers vibe, josh wink, michael cleis, dominik eulberg, richie hawtin, rodriguez jr., wally lopez and many more, first up and delivering his take on the wonderful >chordy< is a young producer, cut from the same mold as babicz himself. a student on sonics, valencian, maetrik. staying true to the original, he adds a little grit and gives some teeth to already weighty bassline. spooky and expansive, but brilliant. taking the same track on groovy deep house ride is none other than 8bit head honcho and systematic regular, gorge. the mannheim producer, whos 2009 remix of chelonis r. jones >pompadour< is still a huge favourite, gives chordy a killer strut. matching the growling bassline and smooth as silk synths to fantastic effect. remixing >come closer< we are delighted to welcome the always in form, kollektiv turmstrasse, who turn in a remix that may surprise some. whilst keeping things deep as ever, kt take a more twisted, down tempo path

support by sis, audiofly, reboot, robert dietz, mendo, ilario alicante, nekes, anthony collins, andre crom & many more! incl. session victim rmx !off spin 3 offers a heavy dose of summerish percussive vibes with 3 contributions of chilean aldo cadiz (cadenza etc.), antonio de angelis (material), off-veteran ben anders and newcomer thyladomid as well as a stunning remix from session victim. the original of >thunder< is a percussive groovetool with irresistible female vocals, perfect to rock your favourite open air floor. session victim deliver a original take on the original, using the vocals and guitar of the original to create an ever-building track for the special moments of the night. >the voice< on b1 comes with one of the most loved vocals of house music on a fresh and deep toolish groove, play this one and be sure to cast a smile on the girls faces on the floor

anyone who ever has listened to a live performance or a record of illeist collective knows of the difficulty to describe the sound they come up with. some say its big beat, some say its rock, electro or dance music. and as always, the truth is somewhere in between, somewhere along the lines of bands such as soulwax, digitalism or friendly fire. and the best way to find out is to listen to their energy-loaded, genre transcending and - most importantly - uncompromising music.

after 4 years of putting out various hit releases via thema, the mother ship, its first sub-label or satellite has come to be. we are proud to announce spacial! it will consist of various remix projects, outtakes and b-sides from the parent and digital labels this new realm will function as a showcase for some of the more esoteric creations from our ever expanding roster of artists. so for our first slab of black magic, we have lad from switzerland which is remixed by none other then mr. quenum for a peak time killah remake. to keep it deep we have monotron, a new comer from holland dropping a sensual builder that lacks no luster to muster you on the floor. on the flip side we gave the whole side to a remix by the man from the hills, mr. ernesto ferrerya remixing beaner of bar25. this monster takes us on some ill trippy ride into his private lil world of bass and organs. we feel this grouping is a nice crop of tracks to start off a new adventure, its all part of the bigger concept of developing a sound—a movement—an idea. remember though, this is only the beginning!

faithful re-issue of this obscure canadian disco gem from 1978! tough disco sh*t that really moves the floor! a firm favourite of dj harvey back in the day it now trades hands for over $100 if you can find it. it was also edited by dj rahaan on jiscomusic a few years ago but here we have the original version, re-mastered and sounding better than ever. comes with original artwork. one sided just like the original 12 inch release.