auf ulrich schnauss 5tem studio-album “no further ahead than today” regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die längst zu seinem markenzeichen geworden sind. diese sollten fans von künstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes für pop-künstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade für die decca-compilation “re:works” bachs “prelude in c” neu in szene gesetzt.
“no further ahead than today” ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stücke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer präsent. spätestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen überträgt.
die doppel-lp erscheint im klappcover inklusive downloadcode.

the lp “the world is shit” is a radical and depressing statement by sebastian reuschel looking at the world, the society and the people living in those. a-side track “exav 2b” is a warm and deep industrial ambient track which starts rough and noisy but culminates in a rolling and dark atmosphere. “dying alone” – the b-side track – is a sample based rolling noise dream of suicide and total apocalypse.

limited lp & 7- pack from synth pop(?) giant, design a wave.... big sound on these cool electronic disco edged cuts.. hangman style design by cosmo knex - big tip! copenhagen based conceptual music act design a wave returns with ‘snakeface’, a document of surprise within the composition process. specifically, design a wave uses the computer to create several beats and then utilises the mutated results as building blocks for several new compositions. interest in computer-synthetic snakes, beyond all networks of communication and agency art, centres on placing these formless serpents into existing genres, such as music. snakeface is a timely exploration of the infectious qualities of music, and how it too, as a carrier, makes it’s way through neural networks, irreducible to bits and designed to infiltrate and replicate.

die “environment”-serie der kult-elektroniker future sound of london basiert auf den gleichnamigen ‘lost’ alben aus 1993, die erst 2008 komplettiert und veröffentlicht wurden. in der folge entstanden weitere arbeiten in anlehnung an die früh-1990’er electronica der fsol, die jetzt nach und nach erscheinen. der sechste teil erstreckt sich über zwei separate alben und umfasst 46 unveröffentlichte tracks auf 2 cds. die lps enthalten 17 bzw. 18 tracks, wobei der track “silent around them” auf lp vol. 6.5 vinyl-exklusiv erscheint.

edna wright’s idiosyncratic “oops!” is one of the most sublime vocal refrains in soul music history. anchoring its host album’s leadoff cut, it sets the tone for a uniquely satisfying modern soul lp. indeed, whilst many of its ilk come laden with filler, wright’s one solo record is an exercise in elegant restraint, a concise killer. officially licensed and beautifully remastered for vinyl by celebrated engineer simon francis, it has been pressed on audiophile 180g vinyl for the first time and features the original iconic artwork. each copy includes a printed inner sleeve with a sumptuous black & white photo, full lyrics and heartfelt notes from edna herself.

2015 saw datassette in generous form, the original offal brought 100 tracks of alleged offcuts. while a rare few actually live up to this self-deprecation, it couldnt be a more misleading title. now, selected offal has been boiled down to a gravy-like substance for a vinyl release by the nice folks at shipwrec. after discussions with the artist, and suggestions from fans, seventeen prime cuts have been selected for the vinyl edition of offal, alongside a few brand new previously unheard nuggets and alternative versions. expect a buffet of delights. smooth electronica, abrasive funk, out-there acid experimentation, chip tune chicanery and everything in between from this chameleon of machine music.

auf seinem studio-debütalbum verbindet der polnische film und tv-komponist wojciech golczewski, bekannt für seine soundtracks zu filmen wie 400 days oder -haus des grauens (we are still here), seine erfahrung für soundtracks und seine liebe für elektronische musik zu einem eindringlichen synth-epos in bester john-carpenter-tradition. auf 500 stück limitiertes, schwarzes 180g vinyl.

having thus far released eps for aficionado and music for dreams, a vision of panorama return to their regular haunt mellophonia to expand on the promise of their shorter works to go deep into a balearic dream on aquafusion. it s a perfect meditation on serene funk from start to finish, spanning eight tracks of tender musicianship that sit very easy on the ears. the likes of surf blue almost do away with drums entirely in a quest for calm, while barbados and others offer up a more sprightly vision of 80s-flavoured groove, but throughout the mysterious hands behind the record maintain a smooth and steady mood that binds the album together.

plant43 aka emile facey returns to cpu with his second ep for the sheffield imprint, and brings more of his ultra-refined electro to the table. surgical pads, robotic x0x beats and melodic basslines fuse the tracks into faceys signature science-lab machine funk. facey has been very busy since his last outing on cpu back in 2013, with an lp on shipwrec, and ep s on semantica, ac records and frustrated funk. he is showing no sign of slowing down and weightless in the void pushes his sound even further into the future

kit n c.l.a.w.s. is a project by two experienced musicians in the fields of dance and psychedelic music… teaming up was probably one of the better ideas they had for a long time as the music this duo serves us is simply amazing… deep trance indulging moody house tracks with acid influences… still this acid never becomes industrial as techno can be but stays on the psychedelic side of things… slow trippy stuff to dance and dream away on… headmusic for the dancefloor!
limited 200 copies.

paolo iocca debuts with two crafty and iridescent house anthems plus two superb remixes by nick anthony simoncino.

la dame noir is one of marseille s most reliable outposts for serious disco-flavoured grooves both in the club and as a label, and now they make the leap to vinyl with a crucial collection of remixes from serious heads. pete herbert steps up first to rework m.u.s.i.q.u.e s -over to you-, turning the original into a simmering, noirish burner with speak and spell vox in the foreground. meanwhile herbert s take on nouveau rom s -timide comme un ange- is a looped-up dream of a groove that positively takes off when the peak section kicks in. dj steef then echoes the remix choices on the b-side, subtly edging the nouveau rom track into an even airier version before creating an emotional twist on -over to you-.

reissue of the second album from thirty seconds to mars on heavyweight 180 gram vinyl. housed in a gatefold sleeve

recently rediscovered dat s circa 2000 s from one of the uk s finest music talents, mark broom. recorded at the legendary south london uxb studios, mark treats us to four cuts of timeless perfection. ranging from warm, stripped back dub to floor-ready minimal grooves, lush detroit pads and a liquid dubstep blueprint this 12inch covers all bases. a collectors dream and a dj s best friend, deadly playable and not to be missed.

the next alien jams 12” is from rkss, entitled cutoff ep. these four tracks were recorded in 2014 within a period of two weeks, using a juno-60 and vermona retroverb lancet. perhaps their most dance-able release to date, cutoff interweaves aquarian dream-like electronics throughout soggy percussion and glistening chimes. propelling the listener forward, rkss churns through water-logged signals, while synths cut through in gusts of euphoria.

luv*jam presents dream house tropicana volumes, dream of tropical palms trees, turtles and waves. blind jacks chief blorper ‘gnork’ hooked l*j up with a secret agent named aleksandir - this very person is here for you now, with his debut record ‘the turtle nipper’. it’s not just an ep, but a mini album of nippiness! get swimming with the turtles on a crest of a wonky wave from istanbul to bristol via terrapenia. limited hand stamped box turtle bonanza.

london based balearic-disco feelings expand their horizons with the birth of their new label feelings worldwide. following in the blueprint of their much loved parties, the label will see releases from some of the pioneers of the dance music paired alongside exciting new artists who ring true with the blueprint those pioneers created. for the first release feelings have enlisted iranian born, london-based producer kasra v, delivering an incredible slice of middle-eastern inspired house. on the a side is the early 90s inspired fantasy, a dance floor thumper with a tribal house feel you could imagine rolling out the speakers at a dreamscape party, followed by the dreamy pris providing a contrasting sunrise vibe to the prior track. on the flip is myth a steady piano-led builder inspired and written in the style of southern iranian tribal music, followed by a remix of the same track from legendary nyc producer cozmo d under his dream 2 science alias bringing a straighter dancefloor ready versioin with the heavy deep house flavours his d2s project is lauded for.

this one is for the dreamers - first up is ‘aa’ from newcomer t. margos, it’s your ultimate chance to cop that secret banger that s been blowing up dance-floors from london to budapest this year. it’s a tricky one - taking your mind into the stars with deep spacey pads, but yet working your body with the raw 303 bass and painfully heavy 909 treatment. next on the a-side, swiss wunderkind douala’s turn to fuel that spaceship of your dreams. ‘it’s all in your mind’ soothes your soul with dubby space echoes, tear jerking chord progressions and a dreamy acid bassline.
as we slip into the lucid state of the dream, over on the b-side ray kandinski’s ‘dirty sneakers’ pieces together the kind dimension shifting dream-state that disneyland could barely imagine. when those vocals and pads kick in, combined with the tricky beats everything becomes a wash of surrealism and logic – and it all happens just in time for you to awake into yet another dream, this time deep within your sub-conscious on ‘walk through’ by the mysterious dj lucy with mike l. a nostalgic trip to your most beautiful memories, with uplifting flutes and juno chords.

the berlin-based collective slow life, their 8th release is from the label s jedi, s.moreira. including a remix by indi zone.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

frischer electro-pop von australiens neuem dream-team venus ii, bestehend aus jarrad brown (eagle & the worm, dorsal fins) und ryan grieve (canyons). das debütalbum des duos ist benannt nach seinem ersten hit inside your sun, bei dem stimmiges songwriting auf glasklare produktion trifft, in einer abmischung von chris colonna (the vines, jagwar ma, alison wonderland).

favorite recordings and charles maurice finally follows-up to their french disco boogie sounds compilation with a second volume!! pursuing his fine work at digging rare music from around the world, dj and collector charles maurice presents another brilliant selection of great music linked to france and french west-indies: 12 hidden and forgotten titles, all produced between 1978 and 1985, whether in france, or by french artists abroad. this time again, he perfectly browse and defines the great energy and quality of this specific disco/funk scene at that time, both in the underground market, or through bigger labels.

british deep house veteran sir lord commix is the latest producer to hand over dats of forgotten late 90s studio sessions to the team behind for those that knoe. predictably, they ve chosen four great cuts to release. first up you ll find the elastic synths, alien melodies and fizzing motor city percussion of early tech-house style shuffler -pieces of dream-, before the p-funk-influenced uk-us garage fusion of -leroy garage- takes us in an altogether breezier direction. flip for the jovonn style synthesizer melodies and groovy garage rhythms of -new jersey-, and the electro-inspired intelligent techno dreaminess of -destiny-.

die hochgelobte sammlung von 17 songs erscheint hier erstmals als doppel-lp, natürlich in wertiger ausstattung und fertigung (180 gramm vinyl, klappcover, bedruckte innenhüllen). eine gute gelegenheit, diesen ausnahme-künstler mit einer ungewöhnlichen song-zusammenstellung (u. a. mit der nur auf diesem album erhältlichen langfassung von »trouble in mind« und der raren soloversion von »spanish is the loving tongue«) zu erleben – oder vielleicht auch erst kennenzulernen!

zweites album des aus london stammenden künstlers samuel evans aka rain dog auf dem berliner project mooncircle label. die limitierte vinyl edition erscheint als farbige doppel-lp mit mp3-download coupon.

taken from maps of hyperspace’s “superspace” album. “the golden energy” gets revamped for the dance floor courtesy aural imbalance. sanderson dear strips down the instrumentation for a minimal house vibe in his version, and adriano mirabile digs into mikael’s debut ep for his lush tech-house rework of “dream seeker”.

four never before released or publicly available demo cuts from the writing sessions of craig peyton and jolyon skinner circa 1983-1985. the duo produced and wrote hits for artists in between working on their own projects. these songs survived the past 30 years on a cassette tape, which was lovingly transferred for this exclusive to peyton records release. after their short but fruitful collaborative period, peyton went on as a writer and band leader and skinner went on to have a career as a songwriter for pop acts such as joe, nsync, and freddie jackson. in the words of craig peyton: “jolyon skinner and i met in the early ’80s through our mutual friend keith diamond (the trinidadian producer of hits such as “caribbean queen” by billy ocean). after we met, jolyon and i started regular writing sessions at my nyc p-factor studio. our first break came in 1983 with howard johnson’s “let this dream be real-. that was followed up with “love of a lifetime” by melba moore and “where ya gonna be tonight” for will collins. after this we were offered a recording deal by april blackwood music, but due to my contract with profile records at the time we couldn’t accept it. shortly after skinner got signed to zomba and we stopped writing together around 1985.

one sided vinyl with silkscreened b side, comes in clear sleeve with poster numbered, edition of 350 dreams really come true: when we heard tomemitsu s beautiful lo-fi indie songs on the cassette -m_o_d_e_s- back in 2013 we fell in love! especially the track -in dreams- followed us around for months. humming it in the subway, singing along in the car. many dreams later we found out that our friend and fellow hamburger stefan marx also loves the song and even named an art show after it. coincidence? surely not, so together we made the plan to release -in dreams- on vinyl. luckily tomemitsu himself was very happy with the idea and even allowed rss disco to remix the song. the notorious dj and production trio upped the tempo to head-spinning 99bpm, recorded additional drums & bass and added several minutes of pleasure. finally, the two tracks will be released on vinyl for the first time. screen-printed records, including a poster in a clear sleeve. music by tomemitsu, designed by stefan marx, remixed by rss disco, released by mireia records. it s all a dream!

just this s first various artists aims to the research of a mix of sounds by producers from different countries, to a journey into a variegated world. melancholic vibes, deep ambient atmospheres. the second part of the various artists, gets straight to the point, reaching the dancefloor in a more hard and deep insistent way. the first track inside world is composed by hunter/game, as a playful banger with a solid kick, brushed percussions and surging, subtly atmospheric synth pads that make the track dreamy while fierce. the second one by pisetzky comes with a strong, continuous 4/4 bassline and organic percussion from start to end, further on dominated by a hypnotic melody followed by a more romantic and dreamy motif full of longing melancholy and eternity. the third one comes from just this new artist altman, with a breaking mellow downbeat theme, it lets all squeaky sounds mesh nicely like a dream landscape opening up into a widescreen chord progression, with an epic build up.

re-issue of a 1984 italo-disco classic.

in den späten 60er jahren entwickelte sich reggae weltweit zu einem dominanten musikalischen genre. die frühen jamaikanischen original reggae-aufnahmen waren bekannt für ihr hohes tempo und energielevel, das sich deutlich von den langsameren rocksteady tunes absetzte. die frühen reggae sounds lieferten den soundtrack für die britischen rude boys der siebziger jahre und erfreuen sich bis heute einer großen beliebtheit.
diese vinyl-only compilation auf dem legendären reggae-label trojan records liefert die besten tracks des »early reggae«.

expect unexpected music from the 1960s and 1970s, mixing western and eastern elements, remapping your knowledge of pop music along the way. hear italian shouters, east-european freak beat, anatolian rock, kurdish spiritual pop, uzbek folk pop, pakistani soundtracks, nepalese folk beats, mongolian pop, indian bollywood scores, malaysian rock’n’roll, philippine surf pop, singaporean dream pop and many sounds more — for all lovers of the danceable, the mind-expansive, and the sure-fire hits. come on and take the trip...
with pt. 4/4 you will travel from south korea via japan, india, indonesia, malaysia, philippines to singapore. here the trip ends.

over the mountains is segues second album on silent season, a follow up to pacifica which was released to much praise in 2013. over the mountains continues the course in true segue fashion with an album full of dubbed out atmospheric grooves and deep organic structures. the sound is consumed by nature—immense, enveloping nature in jordan sauers never-ending quest to capture the sublime. the record feels like a nostalgic dream swirling in melodies and buzzing with nature sounds. over the mountains is honourably another awe-inspiring album of lush landscapes by this canadian artist

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

hinter dem projekt xander harris verbirgt sich justin sweatt aus austin, tx. er bezeichnet seine musik als dunkel gefärbten snythie-pop. nach seinem debüt urban gothic erscheint sein zweites album nun bei rock action, dem label der musiker von mogwai. folgende assoziationen tauchen in besprechungen zu seiner musik immer wieder auf: der soundtrack zu dem spielfilm drive, der soundtrack zu assault on precinct 13 von john carpenter, daft punk, die interessanten schaffens-phasen von künstlern wie tangerine dream oder kraftwerk. california chrome jedenfalls wagt den spagat zwischen atmosphärischen synthiesoundscapes und rhythmischen knallern wie etwa dem track buckle bunny. seine musik ist instrumental realisiert und überzeugt bei titeln wie basilisk stare auch mit wunderbaren melodien, die sich für eine nachtfahrt auf autobahnen ideal als soundtrack anbieten. die vinyl-lp erscheint inklusive downloadcode.

“i still hang around” goes the deep haus mantra from clouded house (lobster distribution) label boss lukas lyrestam. stockholm born but currently based in london he had this to say about the record… “hang around is equal parts club-tool and introspective banger, for the moment you should be leaving but you got nowhere else to go. scandinavian masters is a solid gold thumper harkening back to the glory days of jesper parnevik.” ”on the flip-side two alternative versions give the tracks new legs. common labour alumni powel (fresh off a tour with lee burridges’ all day i dream outfit) delivers a smooth house odyssey remix while x-kalay mainstay kask goes 100% techno on a remix that takes no prisoners. make sure to keep an eye on the estonian upstart as he debuts on common labour in 2017 with an ep of his very own.” hang around ep is a vinyl only release, limited to 250 copies worldwide.

presenting the fourth vinyl release, los angeles imprint reinhardt welcomes romanian sonic explorer akim# to the fold. culminating in four tracks crossing genres and themes, pulling from influences and experiences throughout a history crafting his art within the bucharest electronic music scene. taking elements of ambient, electronica and techno, channeled through a dream-state lens. the phosphene ep is created for the dance floor with a soundscape sensibility, making for an unmapped odyssey.

lp vinyl special remarks: many of you will remember manuel göttsching by his masterpiece e2-e4 and know the fact it got sampled by far more than once

nachdem er auf der letztjährigen kx labelcompilation (kx 10) mit dem exzellenten subwolfer seinen einstand gegeben hat, feilt der aufstrebende produzent krisztian dobrocsi für sein debütalbum playback philosophy weiter an seiner autarken musik. der zweite langspieler im kx-katalog präsentiert neun mitreissende tracks, bis an den rand mit aussergewöhnlichen melodiephrasen und erdigen, treibenden beats bepackt. von den emotionsgeladenen loops des openers amnetic cinema zum verträumten epos planet nine, dem schwungvollen kaleidoscope oder den eindringlichen klanglandschaften von light of zartha gibt sich dieses debüt überraschend reif, selbstbewusst zwischen tiefentextur und prägnantem wiedererkennungswert balancierend – ein unvergessliches und ansteckendes hörerlebnis für alle freunde elektronischer musik mit herz.

this 7th dailysession release is packed with party-banging grooves for various occasions. side a starts with monchan

on scissor and threads fourth release of 2016, newcomer villete takes a turn in the spotlight on their deep house stunner, girl next door.

deepa & biris black crow records further expands its horizons with its seventh release, welcoming another new artist to the family following appearances by 2030, aril brihka, hakimonu, luke hess, rod, inland and markus suckut. the analog roland orchestras label debut follows the widely acclaimed 2030 ep and shares with it a widening of the labels sonic scope to once again showcase deepa & biris desire to reach beyond techno and explore ambient and cinematic musical textures. michal matlaks analog roland orchestra finds the poland born & berlin based producer in the conductor role among an array of classic electronic hardware, taking on the role of shaping & directing a free flowing sound that moves across genres, whether in a studio or live setting. his previous releases for labels including ornaments, rotary cocktail recordings and pastamusik have seen the project indulge in an array of sounds across the techno spectrum. aftermath ii is no different, moving from the classic roots techno sounds of plant and father detroit, through the dub excursion of urei dub, to the cinematic, boards of canada & tangerine dream-recalling pair her and aftermath. for those with a taste for electronic musics widescreen possibilities, taros arrival on the tel aviv imprint will be a long term favourite.

the sixth release from hong kong/tokyo label palms & charms sees the return of barnaby bruce, and starts with a tale of daring escape. hearing the approach of a loping synth, the protagonist checks the window: mysterious people are gathering outside his house! as a somewhat gallic groove emerges, he and his girlfriend are in his car and heading south, driven on by the swing of the percussion. will he find his deliverance on the continent? next up, ruf dug steps in with a spacious electronic reggae-esque remix, leading up to a killer piano line which pushes the groove straight onto the autoroute. ces t magnifique. on the b-side, our erstwhile fugitive and partner awake by the side of a country road in southern france. a baguette, a bottle of wine and the sound of chattering insects. oh, for the cicadas! as they head ever further south, they begin to reflect on what other worlds await them at journey s end. on the car radio a band plays a curious but driving blend of disco and percussion, with a distinctly house-influenced melody. cette musique les deplace. was it all just a crazy dream? grab your suitcase, head to the coast and pick up a copy of this limited edition record to find out...

remastered reissue on 180 gram double vinyl, housed in a gatefold sleeve.

nice price deal !!! italian mixes by vignaroli & moko, brizi & delexy and moko!

with the distinct ethnic-driven sound of deep forest, eric mouquet belongs to the few unique pioneers of electronic music. his highly recognizable sounds defined the concept of world music and shaped the all-new sound of ethnic-electronica. deep forest’s latest releases include deep brasil, deep africa and deep india where eric mouquet explores the unique musical expressions of some exciting cultures.
on his new album “evo devo” eric mouquet has gone even further – and nevertheless simultaneously back to the “bohemian feel” of his early works. his tonal craftsmanship has developed into an own artistic language. every track explores a distinct emotion. you can almost feel and follow eric’s inner motivations and share his musical journey to the frontiers of contemporary electronic music and beyond.

jungle gym records presents districts, the official debut of newcomer lac seul. through endless whirlpools and over cliff-side, jg02 is at home neither on land nor sea, wading in the shallows of the dreary pacific coast. in the end, it’s only after the tide has gone that one can see what’s left behind.

culled over the naïve bedroom sessions of early university, “chillax” is akin to blaring an extra hot mixtape from a junky deck in your car on your way to cape canaveral to see the last space shuttle leave earth, all while trying to speed run kirby’s dream land on your sister’s gameboy color.
heavy sampling tends to drive this jeep and give it some character, many popular/unknown gems lifted from various dusty tapes and wax procured from thrift stores and vinyl throughout northern florida, cheap drum machines are clumsily slammed against it all and keep everything in a familiarly dance-y zone, while amateur chords and melodies are provided via guitar center synths and youtube ripped commodore 64 blips and stabs (note the cheeky nintendo voices as outliers). a fusion of analog discoveries and pixelated memories (melded together by the relentless florida heat), its an apt soundtrack for long and wistful road trips.

nice price deal !!! nach einem weiteren erfolg mit take a chance on me widmete sich die gruppe im märz 1978 den aufnahmen für ihr nächstes album. begonnen wurde mit den beiden liedern as good as new. im april wurden die beiden nächsten songs lovers (live a little longer) und lovelight auf band gebracht. im mai wurde das stück summer night city aufgenommen. im august wurden die sessions mit the king has lost his crown fortgesetzt. es folgten die beiden songs angeleyes und if it wasn’t for the nights im oktober und chiquitita im dezember. im januar und februar 1979 wurden die aufnahmen mit does your mother know, voulez-vous, i have a dream und kisses of fire abgeschlossen.