and.id is an artist whose musical talents are impressively far-reaching, as his recent installment of the back to back series with jazz interpretations of mobilee classics powerfully brought to everyones attention. after a long spell in the studio with his b.a.n.d and a variety of instruments, and.id has gone solo for his next project, i will be there, and hes taking us back to the dance floor where he is equally at home, as his other releases on mobilee such as first talk have shown. title track i will be there lands heavily with a punching kick drum and there is little release before the bass and groove come in, meanwhile b1:five brings back and.ids signature jazzy sounds with some melodic pianochords. b2:erotica brings all of the elements together with a strong melodic bass line and punch kick, making it the stand out track of the release. tthere is something for everybody in this package and it will definitely get you moving….enjoy!

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

revys music is strange. there really is no better way to put it. having grown up in the pacific northwest usa before moving to tokyo, the influence and contrast of nature and technology are made clear in his mesmerizing pieces. his sound is one that is complicated, rapidly revolving between themes which are at times serious, beautiful, strong and others almost comical and ridiculous. each track encompasses such an emotional gamut that they themselves seem to be intelligent entities.

from jason reitman, the grammy-winning director of juno, comes the soundtrack to his latest film, up in the air. features sharon jones & the dap kings, csny, elliott smith and dan auerbach plus unknown artists sad brad smith and kevin rennick, and score. reitman personally selected all the music for the soundtrack and as a director he sees music as a character in each of his films.

everyone being into house music should know paolo mojo by now.not only has he released and had success with some of the worlds biggest dance labels but he is also the man behind oosh records.
on this lovely piece of music mr. mojo gets deep down and funky to bring a more laidback vibe than he usually offers. the vocal hookline delievered by the lovely ryan starr will stick on your mind after only 1 listen and the tight beats and deep chords will make you wanna play it during your warm up session or just before heading into the more big room sounding stuff.

dj pro is one of those wicked techno labels from the leading country in funky techno: spain! this is for the pro djs only! 4 techno tracks for the professional to spin at the top of the set and make the dancefloor craaaaazy.. a massive various artists pack feat. dj preach, j.leyend, axel karakasis and reaky.

with a well-earned remix refill, cocoon recordings is taking a bow before the belfast-born dj and producer phil kieran, whose >shh< album from last year, like rarely another album release, was able to proof how fresh, futuristic and complex modern techno can sound.

for already 28th release on his recognition label, jacek sienkiewicz comes with probably his most varied and adventurous work to date, yet again proving his status as one of the most forward-thinking european producers.

the next animasola ep is on the line with promising new names and hardtechno at its best.a1 doen by sepromatiq who showed his talent before and golpe a newcomer from czech - nice ravi melo break and powerfull beats. a2 destroyer is giving us serious fun with this hard hitting tool, perfect to mix and it pounds everything away b1 clean hitting hardtechno tool. some new ideas coming from tiltihammer who has done an innovative original hardtechno piece b2 robert fabian is showing as that hardtechno beats and asian melodies come along very good - nice original sounding piece of art.

a pair of bangin tribal cuts from brothers vibe on the first release on the mixx label. >conga terado< is all about the beats, with a solid kickdrum laying the foundation for some killer tribal beats and percussion. nothing else used here, its just bangin beats all the way. on the reverse, >slave to the rhythm< opens with a thudding kickdrum alongside some filtered synths and a stabbing vocal before the tribal gear comes into play. again, no bassline here, just layer upon layer of percussion and drums. should be perfect for the pro jocks amongst you to tool around with.
attention! low pressing quality - crackling sounds!

this one comes from tai of dim & tai (boys noize) fame. included zodiac cartel remix who were thrilled to have back after he killed >rave is king< for us before. check the original & the other mixes from disco of doom & frederik olufsen. big!

stewart walker started his career on the mythical detroit label matrix, did some stuff for force inc, tresor, mille plateaux and minus, before founding persona. we really believe scratched notes is among the very best music he has ever released!

we have never done a project like this before where the artists choose all the remixers themselves. but for the crazy italoboyz album >bla bla bla< we found ourselves not really knowing what to do. so instead of forcing our own ideas for remixers we went back to the source and let the artists run wild on the a&r. marco and fede commissioned all the remixers themselves. the producers they chose are a very diverse bunch and the vinyl 12inch takes a sampling of the best material from two very big underground names. on the a-side das kraus duo turn it a super jackin yet also very haunting rendition of >oh mio dio.< it sounds like pitched up chicago house meets demon days. on the b-side old school master dandy jack turns in one of the oddest records ever on mothership with some unusual sound design, voices and semi-dischordant note runs. super weird for the super weird! whatever you think of this odd lot no one can deny these remixes definitely carry the indistinguishable mark of that ever so quirky duo, the italoboyz

two and a half years after their debut lp, 23 seconds, dazzled critics and lit up dance floors worldwide, cobblestone jazz are back with a powerhouse new album that captures their live-in-the-studio energy like never before. a mixture of heady, jazz-inspired house grooves and below-the-belt analog funk, it raises the bar for electronic dance music in 2010.titled the modern deep left quartet, the record marks an important addition to the cobblestone jazz lineup, as the trio of mathew jonson, danuel tate and tyger dhula brings aboard colin de la plante (aka the mole). de la plante is no newcomer to the cobblestone crew: the four musicians have been playing together for nearly 15 years, since their first performances in small-town victoria, british columbia, and theyve all shared the stage as the modern deep left quartet

a little house in the deep blue sea: a perfect title for a tune, this track kicks off with a subtle, tribal groove, claps and deep chords then take the listener into the deepness. hypnotic, sweet and elegant music for the late night movers on the dancefloor. b1. thank you for listening: new york meets frankfurt on main with this tasty tech-house tune. a pounding bass drum combined with japanese vocal snippets, spooky strings and mills like percussion drive this tune on and into the peak time dancefloors. a must play for all lovers of the new school house movement. b2. for the moment: a slow mo tribal electro tune perfect for the morning after the night before. a tune made for all space night lovers and dreamers.

played by karotte & sven vÄth at timewarp 2010!!! chris wood & meat return from their splash on kindische for another electric package, this time on murmur with backdown ep complete with sascha dive remix. backdown is a truly head-turning release – setting up three takes on one track touching on high-end percussion, brass instrument led melodies and the voiced enquiry – do you want it? this package comes with a dub version and sascha dive remix, each accentuating their own unique take on the original. the original melts with a sumptuous hook within a low end bassline before dropping into a restless trumpet fanfare. sascha dive puts a warm and driving house spin on the track, preparing it for those early moments on the dancefloor whilst the dub is the quirky and more looming take on the original one to keep the bodies moving.

tolga fidan, in his last tasty impartment on vakant before his solo debut album due out in october of this year, brings 2 full sides of the most expansive mind and body moving you will find outside of a gypsy circle on jupiter. if techno has a jazz fusion subgenre, a-side >gaijin< is it, making tolga our own personal chick corea with a strobe light.

nice first release with the hague, bunker sounding tracks with flirts to italo disco and electro. a sound that is retro-ish late 90s (1999?) just before electro clash became so big.

the voyage continues. with this out takes release tom trago delivers two new dance floor tracks that were created during his voyage direct project.
not sure if they would have grooved to 200 b.c. two hundred years before the holy mans birth, but some two thousand years later its a sure shot peak-time disco-tech banger. lots of suspense and drive to keep to rock the party.
dekmantel anthem is created late night after a legendary night at one of the dekmantel parties in amsterdam. as a homage to deep late night sets its called dekmantel anthem… easy does it. a deep late night groove, but with enough swing to last until way after the party is over...

the united kingdom and new zealand unite on the latest get digital release, as tim green and emerson todd team up for two tracks of trendy tech-house. both of these guys had a splendid 2009. tim with his releases on dirtybird and emerson providing a contribution to get digital, at the end of last summer. their initial collaboration came in the form of exercise, which popped up on a compilation from sven väths admired cocoon label. make meis driven by crisp and tight beats that one would expect from these two producers, before tumbling into a 1920s speakeasy jazz drum solo. a flurry of vocals shoo off the drummers as the beats takeover again with an intensified energy. after all that dancing, you will surely need some foot treatment. that is where nail clippertakes over. a sonic pedicure, to easy your tired toes? not quite

minz aka michel sanchez-infante, is a dj, producer and live performer from the netherlands. after producing for a few years, his productions caught the attention of ripperton in may 2007. ripperton released minz debut >un/mute ep< and the follow-up >jade ep< on his perspectiv label. both were well received and followed by a string of remixes on labels like connaisseur, suruba and 2pin, and compilation tracks for meerestief and perspectiv. after taking some time out to work on his sound, minz is getting back up to speed with releases for suruba x and now for ransom note. his style is slowly shifting to a more housey and organic sound, while keeping the deepness, thoughtful composition and meticulous attention to detail. tracks like ganzfeld demonstrate how minz has the ability to create outstanding productions that grow slowly on you before knocking you off your feet. on remix duties is the illustrious lee jones. hot off his brilliant ep on cityfox, lee blesses ransom note with his indelible take on electronic music. as deep as it gets and with a powerful exploration of the original, lees remix of ganzfeld is stunning journey sure to set off the after party in all of us.

michigan resident and currently one of americas (who actually live there) most promising producers steps up to the gpm plate. a regular of acclaimed stateside labels such as spectral, wolf + lamb as well as european outfits dumb-unit and cityfox. lee curtiss is known for a sound, which fuses disco, house and sex. love in the key of freak is no exception, in fact the perfect mixture to cure any saturday night fever. before house made people jack, disco was making them freak.

nice price deal !!! brooklyns these are powers are at the frontier of noise rock, and yet call back to the earliest days of industrial before its metal infusion. the trios lyrics and jerky beats let go of every musical inhibition ever invented, creating an atmosphere thats slightly sexual and always uncomfortable.

clausells excellent, in demand percussive house pieces that were only available as a 5x12inch box, available now as single 12inch releases!

lil tony is hotter than hot. while starting to dj and produce years ago, tony has been a staple in the scandinavian club scene since the early 90s. an amazing dj (actually one of the favourites around the moodmusic hq) and a talented producer, tony started with the fbi project with roberto rodriguez and kimmo oksanen before dropping some serious damage on raw trax vol. 1 last year on moodmusic. caned by everyone from luciano (he edited his own version of semble) to dj hell, tonys raw grooves cut the crap and moved people when other producers had to take a leak. hardworking, never forgetting his gentleman manners, tony is here to stay and raw trax vol. 2 is a bold new statement, and his best work to date. solid state takes the classic detroit influenced drum machine vs piano theme a step forward, a impeccable jam of 15 minutes with the beat keeping the pace, this has been roadproofed the last 6 months to good effect. the b-side karamba is a dry, tight driven tech-workout, perfect mixtool for the deeper techno as well as housier sets. it just works well. the closing checkpoint charlie is a tale of >lost in helsinki< – dark mean bass wanders around and gives space for the chuggin main line, monotonic body music at its best.

hyperdub has long been a fan of grime don terror danjahs razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles, gremlin cackle signature and general ear for a catchy tune. on this first ep for the label, he showcase two strains of his many skills. acid cranks up the energy, with an ascending synth crashing into stuttering drums and synths. they play hide and seek with each other for a bit, before the track unexpectedly breaks into a 4 / 4 house rhythm, and then shatters into pieces again. on the flipside, pro plus, terror is joined by long time collaborator d.o.k for a slice of their classic sound - an infectious, twisted sickly sweet synth melody wrapped around syncopated, stop start drums to mean effect.

music, in performance, is a type of sculpture. the air in the performance is sculpted into something. - frank zappa. first before we start talking about our first release in our new serie called sculptures we would like to say to you what is it all about. sculptures is a special 5 part serie symbolicaly representing 5 years of existence of jesus loved you label that is coming up this year. it will be consisted of 5 different releases with a new fresh approach to music that will our label represent, with a warmer twist shaking grooves. basically how we would say, tracks that we heard and love to have them on vinyl.

final daniel wang release on rush hour, incl. 6 tracks not on the recent compilation. the balihu bootleg ep is the final release in the best of balihu series on rush hour. this 6 track ep holds two unreleased tracks (!) and four early works and b-sides. this ep starts with sylver belt which was included on the never released and much in demand balihu 002. not feeling it and east side hustle are early b-side balihu tracks that were not featured on the compilation. side b continues with the instrumental version of if it feels good. this deep, electronic track was taken from the vault of danny and has not been released before. shadows & unhouse are again two early danny tracks that were not on the balihu compilation. and with this limited ep we close off this wonderful project with danny. we hope to see him back one day with new music

exciting synth disco by roland sebastian faber. mr faber deivers some high quality timeless synth compositions as we heard from him before on this lovely cult label aube records! mr faber produced music for many wellknown pop arists and this is his personal fetish project that gives him the space to go crazy on his analogue synth collection and high end studio gear. comes with beautiful artwork of emi schultz (kraftwerk designer)... this is one of those releases that will not create a big stir among hype press and blogs... but most definitely it will make many people very happy! a great piece of electronic disco, 70s french synth pop. great artwork, limited edition of 300, high quality 180 grams vinyl! future collectors item!

limited white label promo before official release

hi everybody.
profan (...remember wolfgang voigts abstract techno label from the 1990s) is back from the future, and again complicates the situation. like his earlier projects, the brand new sog (strictly limited to 400 copies) release combines seemingly familiar and extremely unfamiliar signs, and in the most unusual way bends them around the utterly familiar bass drum. the result is a conspiracy of four sound frescos of peculiar beauty, and indeed they deserve the title abweichung (engl. deviance) - named after voigts painting featured on the cover. this is minimal art techno that raises questions.
profan 32 will be released before profan 31which will be released a bit later. yet both are heralds of the art publication/double cd compilation: wolfang voigt – werkschau to be released in spring 2010.

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

treated with love by ellen allien, josh wink, laurent garnier, robag wruhme, mathias kaden, adultnapper, butane, donk boys, falko brocksieper, james teej, nick höppner, the cheapers, mr.statik, sonja moonear, vincent lemieux... music with its seven notes, coming back to its first one at the octave: simple, limitless and ad infinitum. this is the next clever coup from zurich.
>ave leo< is an homage to life. the three guys from pompelmoessap lay it on thick and dally over a tenderly melting melody, skillfully play with shakers, drum cuts and low deep down effects. evoking a conjuring atmosphere that gets under your skin. the groove is right. the sun rises, early in the morning at the club.
on the b-side you will find a collectible, an everlasting trip of melancholic club couch music with bob dylans cultural message from the 70ies. ion ludwig looks at >spiritual devil< as a kind of protest against all those 2d digitally recycled techhouse sounds, which are released every day en masse. here plays timeless music for connoisseurs who want to feel and think while listening. smoke some weed before listening. peace.

the bold and futuristic year of 2010 sees the release of >werkschau<, an unmixed compilation that gathers together a hand picked selection of the producers favourite cuts. the music stands for all that he loves, and what he loves he puts on show! summing up the landsky sound, and looking back over the years one cant help but feel a deep underlying quality emanate from the music. like subtle, mature flavours running through a well-prepared banquet. this special ep, capturing three choice tracks from those on offer on the compilaiton, includes some of our favourite landsky material, re-visited. firstly the seminal >1000 miles< is re-interpreted and brought up-to date, with landskys >2000 miles<. a strong driving powerhouse of reduced acid signals and hypnotic synth phrases, its the sound of martin landsky, future, present and past. a real deep running story of a track, >naked< is rich with thick bass and phasing, tripping chords, running percussion and growing tension that never ends. fitting to any occassion, the track was originally released on landskys own intim label and sounds as fresh now as the day it was released. tying things up the taught, tense and grooving tones of >monitor one< sail through. this futuristic house cut revolves around a staccato bass hook that drips with funk, echoing of landskys dj history that began before house was ever invented!

grant nelsons mighty swing city rightly has a reputation in the industry for releasing nothing but the finest house music – since its inception in 95, swing city has been a benchmark label for many of todays leading producers to aim for, with its distinct mix of vocal, dubby & just downright awesome tracks. their first vinyl release of 2010 offers a rare peek into some of their unreleased classics – never seen before, and featuring remixes from jazz n groove, warren clarke and of course grant himself.

u cant afford to miss this!!

12inch debut for whatchawannado, a new label featuring edits by djs who have graced the decks at las infamous do over party. stones throws left field psych man james pants leads things off with an excellent edit of jefferson airplanes white rabbit entitled through the rabbit hole. for the more dancefloor oriented, check the flip where (thee) mike b takes charanga 76s famous spanish version of aint no stopping us now and extends those banging disco breaks for days before finally letting it slip into the vocals.

one of the most in demand tracks from the >technique< album finally gets a full single release complete with re-fixes from prosumer and kruse & nuernberg. ernestos vocal fully lends itself to the prosumer soundsignature, his mix floats and weaves around ernestos vocal, peaking around his own chords before stripping things back to bare essentials and rebuilding like only he can. the kruse& nuernberg mix is hypnotic, percussive old school house music at its best. they take a small snippet of the vocal and build the groove relentlessly until the whole room is shaking. achim brandenburg aka prosumer lives in berlin where he is resident at panorama bar, weaving together the finest blend of soulful house sounds. an expert in classic chicago house and detroit techno, his first release was in 2004 on 240 volts, followed by playhouse and ostgut, where he released his debut album with murat tepeli in 2008. separately, hamburg based florian kruse & nils nûrnberg have created some of the most interesting deep house around in the past few years, with early highlights incl nils >caught a glimpse< on 8bit, and florians >love hurts< release on om records. since then, as solo producers, but more importantly together as kruse & nûrnberg they have climbed closer to the tree-top with their unique brand of mouth-watering underground house.

lurking in the back of every transportation vehicle there allways is someone who is up to no good... someone who vandalizes other peoples property & wrecks havoc everywhere he goes. their called lowlifes... bullies of the city... scum of the earth! they dont give a shit about anybody else. just thinking where they re at now and how they can raise hell in any possible way. matt-u has stood up and offered his dope ep as a meaning of destruction upon the non believers. the a side deliveres chaos unlike we ever seen before. people pulling and hitting each other, turning themselves into scum of the night... not giving a shit about the rest. flip it over to b1 for heads up - it ll be the last time anything happens unnoticed. keeping the scum people focused and ready for action. take cover keeps everything in check, the announcer warns people of this terrible threat thats gripping itself among the crowds. so run like crazy if you want to be safe. this is not a drill!!

gadi mizrahis first ep embodies the kind of musical promiscuity that informs the parties and label output generated as one half of nycs infamous wolf+lamb duo. a languorous, supple pulse, before introducing a surprising degree of musicality and complexity-the nominal disco doesnt just reward frequent listens, it demands it-for such an effortlessly inviting work. all told, i can never get enough makes for a wild ride and a blindingly bright debut from mizrahi

played and supported by richie hawtin, someone else, paco osuna, ramon tapia, raresh, masomenos, radhoo, livio, oliver klein, gurtz, holgi star, dan andrei and many more.

on his new album, pantha du prince, who lives in berlin and paris, claims: music slumbers in all matter, any sound, even silence, is already music. the mission, then, must be to render audible what is unheard and unheard of: black noise, a frequency that is inaudible to man. black noise often presages natural disasters, earthquakes or floods, only some animals perceive this calm before the storm. black noise is something archaic and earthy. the music on black noise balances precariously on the slippery threshold between art and nature, between techno and folklore, which lends it a certain spectral and intangible aspect. black noise also features a couple of special guests - noah lennox of animal collective sings on >stick to my side< and tyler pope of !!! and lcd soundsystem plays bass on >the splendour<.

hamburgs producer holger brauns(force sense / flug von welt /regular) present an great melodictechhouse ep with his friends mickthammer, der mo and wagner.

warning! this material contains explicit experience of heavy industrial sonic pressure by jason little. some listeners may be shocked or it may provoke inappropriate panic confusions after listening whole album. control the little man - is offensive and it s being handled only to highly skilled djs. datablender records advise you to consult with your sound engineer before putting needle on the record.

nice price deal !!! support by : heiko laux, karotte, sasse, luke slater, benno blome, chloe, anthony collins, andrew grant, daniel fx, smacs ... martin wörners limited edition of his own imrpint inclusion records is proud to welcome an old friend to the artist roster: steffen nehrig. monza club resident and dirt crew recordings artist steffen nehrig is going to release on inclusion ltd an absolutely real whiz kid, which might fit perfectly into every artist dj-set. with its deepness and an unbelievable noisy synthesizer the track comes groovy from below before it opens up in a light and fine played melody. the b-side is coming up with a hiqh quality worked reinterpretation of the original, by berlin based alex krüger under his alias tigerskin.

jack is back you could say, but he has never really left us. far from it, jack is the godfather of all less productions. modern oldschool house maybe? jeazon its >your deal<, is the real deal, beacause the mood of this track is driven by the vocals which was seemingly recorded in the deepest chicago underground. talking large noising the track is most fun on the dancefloor.
>its not the same< is the candy for the costumer, a potential tech-house hymn, seldom before house vocals were so well arranged with a techno track and merged to a neurotransmitter pushing sound impression.
the enliven deep acoustics remix foils the whole thing with the desired portion of funk and is showing perspectives, jack would have appreciated.

support: steve bug, jay haze, someone else, mark henning, matt star, pan pot, agaric, jason emsley!!! 2009 has been an extremely busy year for billy dalessandro. on top of having recently relocated from his hometown of chicago to montreal, the year has marked his most engaging yet in terms of gigging and musical output. along with a successful three-month european tour, billy released a string of highly acclaimed singles, and his latest artist album (not to mention his growing catalog under the huge hephner and tyrone aliases). however, it should come as no surprise that the producer has saved the best for last.
>strombooty< (for details, consult your local urban dictionary) is the modern dalessandro sound, combining heady experimentation with dance floor prowess. the eps title track is a deep, yet explosive number that creeps in subtly like dark clouds on the horizon, before raining down a devastating thunderstorm over the speakers.
the latin-flavored >el tapatio< and super-deep cut >speak to me< make up the b-side. although the tracks represent different aspects of the dalessandro sound, the commonality they share is a thoughtful approach to dance music that much of the formulaic output these days lacks.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks