with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

the release opens with quite baked, a stripped, low-slung cut that embraces loose, swung drums and rolling low-end rumbles. the record adapts to a simplistic hooky structure that allows subtle transitional periods to keep things captivating, infusing a blend of gritty elements that gleam with analogue sparkles and warmth, resulting in a tasteful slice of rough and ready house music. next up is as olways, taking things in a deeper direction with smooth rhodes chords driving the melodic movement.

manmakemusic kick-off 2013 with their housiest offering to date from two new label artists, natan h & amy jean. natan h made his debut last year with anton zaps ethereal sound and on this occasion collaborates with longtime creative partner for an ep of bumping, unconventional house music. title track, *for her*, is a beast of unrivalled warmth working a deep and steady groove to perfection. on the flip, *i know* is a soulful disco-infused workout while *rush* takes aim squarely at the late night raver with its enveloping pads and low-slung bass line.

with the homespun warmth of his album still keeping us toasty as the temperature drops in the northern hemisphere, dave aju offers up two choice cuts from heirlooms to receive surgical treatment at the hands of dear friends and respected practitioners in our beloved corner of electronic music.

debut release on machine limited from this la-based production duo (alex mouracade and tk disko of jolly jams). a wonderfully revamped cover of dj camachos underground nu groove hit single slave. originally under the moniker camachos project with vocals provided by regina wilson, split secs updated versions are quite faithful to the original song but with an added production warmth and sonic pressure to each of their mixes. split secs called upon their talented friend alona to perform the vocals, a smoky and sensual mixture to the music–complimenting the catchy keyboard melody that made the original version so recognizable and danceable in the first place. comes with vox, instrumental and raw dub mixes. fans of dfa, golf channel, et al will love it. limited pressing.

fascinating, tantalizing, mesmerizing release by our new kid on the block, leipizigs upcoming philipp matalla, known for his resident nights at local distillery. reduced and touching but full of sparkling moments and deliberate deep warmth and always with a definite eye on the floor this elusive ep will be come a steady contender in finest sets and record collections. the ubertrack is propably line ten with his irresistible slightly off piano and xylophone flow that simply builds forever and a day. so cool! final mixdown and horns on space line by prins thomas.

racing between the tangible warmth of the past and the thrilling unknown of the future, guillaume coutu dumont comes flying back within our reach to impart his time-spanning gospel for a third album of subversive house music.

we at audio culture delighted to present you with the debut release from adam hodgins aka iron galaxy. the latest in a steady line of talented producers hailing from montreal, canada. we have been in love with this piece of music since the first listen. beautifully produced and elegantly arranged, attention seeker is a near 8 minute epic journey with an amazing level of emotional depth and warmth. released as a limited one sided, etched 12 inch on 180gr vinyl.

incl etienne de crecy / vnnr rmxs... boris dlugoschs new record combines both the vintage warmth of a classic techno track and his approach to release tracks that work perfectly in his dj-sets. 3 bangers!

sashas last night on earth continue with their ethic of releasing the highest quality electronic music. this time sees torontos my favorite robot deliver their occupation ep. following on from a successful release on life and death which featured mixes from photek and mano le tough as well as their debut appearance at ibizas infamous circo loco party at dc-10, they supply two superbly crafted tracks. both tracks on the ep, the liability within and wired which features phonogenic on hand with production duties, are full of analog warmth and technically brilliant programming. assets of which are clear to see in all mfr productions and with previous releases on visionquest and crosstown rebels it shows why they are so hotly tipped for this year

ladies and gentleman: der dritte raum is back - and this time, its not only with new sounds in well known krüger style, but also with a new label platform: der dritte raum records! fresh and dreamy, thats the sound of the first release, with four tracks full of groove, warmth and the distinctive der dritte raum-funk on board. on all tracks of this release andreas krüger proves he has a firm hold on his analogue machinery - as always - but also shows his connection to contemporary machine music as well as krautrock and psychedelic sounds. inspired by his band project von trips, numerous analogue recordings entered the new material. wre ready to take on summer with this first release on our new label: warm layers and playful details skillfully surround the swinging grooves - you can almost feel the soft breeze of a beautiful summer night touch your skin. just wonderful.

nicholas bussmann has shed his skin once again, now transforming into nicholas desamory to release >like you< - a house album of such warmth and rough elegance, it will leave the scene all excited.
comes as double 12 inch vinyl in gatefold cover, including code for free mp3 download of the full album.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

sleep ds bacon ep is the next offering from sydneys excellent death strobe imprint. sleep d are a couple of young cats from melbourne, the production duo are sure to be an integral part of the deep house explosion coming from their city, spearheaded by the likes of tornado wallace, fantastic man and the melbourne deepcast crew. the record has a range of flavours all tied together by a fundamental warmth and soulfulness. the title track flows and floats in a dreamlike state, whilst simultaneously nailing the groove from beat one. bubbles vs the cat takes it up a notch, entering the club realm with rich bass and tight rhythms. their remix of chet fakers love & feeling is certain to give any dance floor a collective orgasm, oozing an erotic strangeness as it heaves and thrusts away, while ischa has a tickle of techno thrown into the mix and, despite its druggy sedation, has a hidden energy for dancing feet. one limited pressing.

after his last single asset 001 and releasing his distance track on dogmatik records, stojche returns with the second release on his own solo tangible assets imprint delivering another four cuts, whereby we witness his consistency in putting out a must-have quality works. the 1st track on the a side is called you & me. podium techno tune where the 909 drums and the fat baseline interact perfectly with musical theme. stojche starts off with the pad lines, building them up with various chords, synth swabs and dubby layers that strike in perfect timing. this one is real immersive moody groover. a2 -mechanism has an electric piano aspect as key texture that jams along the track, and later the amazing string arrangement creates a lot of space for the drum sequence to bring the mood to another level. this tune could do a lot of damage on the dancefloor if dropped in a right time. b1- revolt kicks off with a storming groove right from the start. uncompromising drums with the acidic synth keys that rumble in 4 on the floor beat that showcase chicago house influences from the past. b2 - podrum is the closing track of this single that carries a real strong emotion and deepness. classic detroit influenced after hour tune approached in style. the warmth stretches across the entire soundscape, where we witness stojches skills to create an essential spiritual deep house number. definitely stojche has succeeded in delivering four different quality works to one beauty of a record!!! asset002 will be available only in tangible (physical) format

a new project emerges harnessing the collective powers of a trio of artists who are riding high at the moment on a collective base of success and pure raw talent - maya jane coles, george levings (commix) and alex jones (hypercolour, playhouse and many others.. ) as you would expect from such a high calibre project the music is nothing short of superb - the a side is a glorious nod to the classic tech house sound that emerged in the 90s - an exciting and vibrant time for house music in general, this untitled gem bumps along on an infectious groove with an underlying griminess keeping the vibe grinding along in all the right places. the flip side juxtaposes this rawness with a beautiful melancholic and melodically flecked early hours ride. a real mood piece with a definite sense of warmth to bliss out the dancefloor.

the detroit threads team is at the center of a community of vinyl enthusiasts that take pride in their individual approach to sound. this community struggles to keep their vision alive though the warmth of the medium that holds a special place in the heart, vinyl. as the electronic sound evolves new faces and styles emerge to challenge the establishment. detroit threads hears those voices and works to give them a platform. hou531 and .kite were chosen to represent detrot threads, because they are the yin and yang of the detroit dubstep movement. hou531 has a rambunchous method of creating grinding dubstep that is a release from a lifetime of detroit pressure. where as, .kite uses ethereal synth ambience sprinkled lightly with drum and bass to create an environment that is both sad and beautiful. these artists are under the radar, but by no means are they irrelevant.

with negenuntwintig 3 companions will bring wonderful detroitish heralds of spring into the ostwind house. josh, e3 and ataneus, each of them in their very own way, are spreading so much warmth and energy, that even those who are deeply in love with winter will reach for their sound.. let the spring begin!

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

london based act natural records was founded in 2011 by jamie ward. focusing on quality house for the deeper dance floors, the aim is to release music with groove, warmth and soul, pushing respected artists whilst simultaneously searching for the next generation of producers and djs.

rhythmic elegance! filtered piano chords and impressive strings play across the organic warmth of the beats to create a uniquely uplifting,melody-laden groove.weve got nothing but love for this quality people mover.

prinzhorn dance schools sophomore album, clay class, releases a quiet energy amongst a dark landscape, inarguably in tune with the downtrodden economic situations that have permeated modern life in the bands native britain, and conversely, along our shores. tobin prinz and suzi horn form a compelling duo whose shout-and-answer approach, paired with edgy and steady bass/drum patterns, achieves perfection in songs such as >seed, crop, harvest< and >your fire has gone out<. the album is constructed on the emblem of empty space, as songs such as >i want you< bridge the gap between musical minimalism and cold intimacy. the oscillation between starkness and warmth pays homage to the bands debut 2007 release, while also creating a modern, if not postmodern, musical snapshot of life across the pond, as well as in our own backyards.
includes full cd-version of this album.

here uto karem returns to plus 8 for his second release on the label, with the two tracks he serves up - take control and all over you - continuing in the rising italian stars good run of form. as well as being an in-demand remixer, dj and producer, karem also runs his own agile recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here.take control is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. though it pushes on from left to right in true plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. all over you again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. as well as this, there is a more driving dub version of take control which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on plus 8.

megadon betamax as we have come to expect from the megamax, falling is all analogue warmth and big bottom boogie love. this mid- tempo track is laced with lush synths, ethereal soulful vocals and a twinge of surf guitar. dj raw sugar goes deep with a dusky, dubbed out remix that will have every head nodding. a megadon classic from vr002 is revived by austrian talent lesale, who turned in a version of he cant love you that couldnt be ignored. sweet sweet sweet!

nice price deal !!! heres something for you! pirahnahead revisits and finally releases this lost gem of a track from the detroit legend alton miller. this release entitled something 4 u (from alton millers stories from bohemia lp) is a remix which has been in the vault since 2003. in this package is the original 2003 mix and an updated touch on the cut for 2012. alton millers vocal is full of soul and feeling, and soars in the track as he delivers this powerful message. also featured is the wonderful cecilia c.sharpe (detroit symphony civic orchestra / urban stringz) on cellos, lending an extra warmth to the dancefloor vibe. live instruments, deep beats, hot vocal. not to be missed.

ncql annouces himself in no uncertain fashion with the anthemic strings of >the framed dreams of loki<. the track nods to dj premier, prefuse 73 and classic metalheadz d&b hidden agenda style and theres a subtle (!) reference to a certain classic 90s rave tune in there aswell. it sounds like a mess – its anything but! this is uplifting breakbeat at its very best. its not often a tune gets played twice by bailey on his bbc 1xtra show in the space of a month, so this must be something special. the flipside has a similar organic & uplifting aesthetic. a strutting break is the base for a deluge of warmth in the shape of synths, strings, flutes, harp and vocals – an unusual sound palette for a drum & bass track these days but refreshing to hear. dj flight thought so and has aired it on one of her next chapter rinse fm broadcasts.

after several appearances on the label, kareem comes up trumps again with an excellent first solo single release backed by a wonderful remix from white doyen oskar offermann himself.how low can you go the opener track acts as a discreet, structured, driving and some how dubby house tune that keeps a nice layer of grit beneath the fingernails. its loopy character imparts the feeling of virtually remaining unchanged but it nevertheless staidly evolves within its sonic borders and imparts a sensual quality of all-enveloping warmth. oskar offermanns interpretation of how low can you go introduces skipping melodies that are transmitted as choppy discoesque pulses and rhythmic modulated bass sounds are the preferred form of punctuation. indeed the remix is intended to be a dj tool, but like all of oskar offermanns recent house works, it builds smoothly as though every element was simply waiting in the wings to make its appearance at the proper moment, and – just before it finishes up – sounds like it could go on forever.

after i heard enol s beautiful track white mango on initial cut, i felt the need to reach out. i had a long and friendly conversation with matthieu (enola) about our musical background and agreed on the fact that we both have a weakness for pop music and early detroit techno, and quickly came to the conclusion that something with a little pop would be perfect for the label. enola came to us with >slow motion< featuring the vocals of will caulfield. its something different for enola, and something different for us, deep techno pop, perfect for 5am! enola is the new project of french dj matthieu monnin, who used to be part of the techno outfit noirdegout. matthieu now works on his own, finding his niche in melodious techno, taking inspiration from the sounds of the nineties. he has done work with the likes of rodriguez jr, anoraak, and arno gonzalez, and now he joins correspondant with >slow motion<. on the flip side, nhar, the other half of correspondant turns the darkness into light with for me, his best remix to date. if the original is for 5am, nhars remix is for 5pm, when the sun still shines and its warmth still remains.

already causing a stir on promo, dark arts 01 comprises 4 tracks of deeply arresting dancefloor music. mid blue is a soundtrack for the darkest corner of the warehouse. the square bass grabs you from the first bar and combines with cosmic sweeps to drag you down deep before the toms come in to add that all-important funk factor. broken space is a beautifully playful track. the stuttering beat, organic percussion and melodic touches merge with the darkest of strings to create a sound rooted in classic electronica but belonging firmly in the present. restraint is a burst of heavyweight electroid futurism – rock-solid beats and alien sounds from god-knows which galaxy combine with a razor-sharp cymbal attack. handle with care. proper deep detroit business – a quote from just one of techno’s most well-respected producers.red_dust2 is a huge, rolling tech-house rhythm, mixing the warmth of the motor city with the cold machine funk found this side of the pond. pure, timeless and custom-built for the dancefloor. mastered by one of the most well respected engineers in techno and pressed in one of europe’s finest pressing plants, dark arts 01 is limited to 250 hand stamped, clear vinyl copies.

mika vainio, currently based in berlin, was one half of the minimal electronic duo pan sonic from finland, (the other half was ilpo väisänen). before starting pan sonic in beginning of the 90 s mika vainio has played electronics and drums as part of the early finnish industrial and noise scene. his solo works, under his own name and under aliases like Ø, are known for their analogue warmth and electronic harshness. be it abstract drone works or minimal avant techno, vainio is always creating unique, physical sounds.

the time has now come for eklektisch to unveil release number 006 and a debut from melohman & javi bora (20:20 / upon you). staying true to the label s ethos, the pair harnessed the warmth of the summer and with flurry of piano chords, created another feel good dancefloor anthem in >you love you<.
the first of the remixes sees label boss edu imbernon pay tribute to his summer on the white isle with his villaimberlove remix. a weighty kick drum, spritely key melody and fiercely plucked strings make for a more driving version of the original.
more upfront still, is the rework from uk house don steve mac. having spent enough time of his own in ibiza this summer and celebrated the release of his artist album >roots<, steve looks to inject a large dose of pace and tech-muscle, whilst bathing us in aggressive and effective synths.

true soul brings together two london based producers in ues and alex magno. having released and remixed as individuals, the destination house ep brings the two friends together with a double-header of choice house cuts. you can feel the warmth flooding from barbados.elegantly deep, its simple bassline throbs like a musical heartbeat as the rasping hi-hat pierce the ever-present blanket of the single note synth. destination house comes outta the oldschool. warm bass, crisp percussion and smooth key stabs are matched with a persuasive vocal sample and some downtown traffic to create a fresh cut that tips its hat to the past. stepping up on the remix is young dutch talent tom ruijg, who sets about polishing his own version of destination house in some style. adding a little more muscle and holding the keys till the final third, tom rounds out the ep in style.

iww musics very first various artist compilation really lives up to its name: you cant resist falling in love with it! the featured artists are showcasing their musical status quo: with lots of heart and love for the detail dürerstuben, andrea di rocco, maxage and fabian kranz composed their little lovestories. they will touch you in a special way so you will forget about the cold and gloomy days and feel an undeniable warmth instead...

matt returns with the 3rd installment on rebel intelligence. this time 4 tracks of finely crafted acid house in keeping with his acclaimed live sets of the past 2 years. mastered onto 1/2inch tape to give an authentic warmth synonymous with the golden era of house music. from the inner city inspired >good fun< to the deep atmosphere of the title track >obsession<, this e.p. captures a sound and feeling guaranteed to move both hearts and feet on the dancefloor. limited to 200 vinyl copies only.

approaching the end of the year, pole presents another spacey and heavy bass 12 inch. two melancholic, quiet tracks full of crackles and endless space, made for this winter. it seems that the warmth of these two tracks is glancing around a corner of a cold urban wall, just to say:s-o-o-n, and it will be summer again.in contrast to the first 12 inch waldgeschichten, with its use of full chords, this new production is marked by its use of spaces, which seems to expand until they collapse and enfold the listener. this is the second 12 inch by pole, one of a new series of releases which will end in a cd release in 2012.

the debut release from your mamas friend has already been making waves and with the dance press lavishing praise, backed by an impressive weight of dj support, marcin czubala s fresh new imprint has already made the brightest of starts. having taken the lead on 001, marcin now passes the baton to a duo that are currently taking the world of house music by storm, polish duo viadrina. konrad slazyk and mateusz kazula are the fresh-faced pair hailing from the banks of the river odra. having made a crushing impact with their debut release, the >better ep< earlier this year on pets recordings, viadrina have been working away tirelessly in the studio refining and polishing their sounds and skills. an endearing innocence can be heard in their music and their versatile, warm and uplifting style is immediately attractive to the ear. matching that aural lure with an impressive and mature use of bass has seen them create some of the smoothest and dare we say it, sexiest tracks of the year to date. making them a perfect addition to the your mamas friend roster. with a splash of r&b, a good slice of garage, 4/4 kick and a sprinkling of lullaby, title track >shining< is the most perfect of winter warmers. the cosy vibes continue on >luna<, with its beautiful vocal wrapped in the protective warmth of its bulbous bassline.

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

chicago producer-dj aka m50 with distinct ambient techno over deep house grooves. 3 tracks on 12 inch vinyl in a numbered, hand-painted sleeve. limited to 200 copies.

stefan schutz aka juno6 belongs to the society of the leipzig new school, which for the last 5 years has cut a path through emotions and change in diverse regions. his particular real estate is comfortably between deeper house and thoroughly scrutinized techno. sometimes he tends in one direction, at other times the opposite. all the while juno6 captivates both listeners and dancers alike with something new. his live sets are always an occasion – sound expeditions in the most literal sense embedded powerfully, yet imminently fresh as they are bound to tradition. he even dials up the the ambient/electronic field with project beautiful planet earth, or together with friend daniel stefanik as sensual. the sonic awareness of juno6 is expressed consistently as a potent degree of warmth, which paints a distinct lively and long-lasting tone on club music. the tone is hardly useful as a flavor of the month, but rather, a music with stamina and character. his track >guununk< is for more than a few the quiescent highlight of the fat 5zig compilation. on his second from fat, he displays the juno6 portfolio fully and expands his present effect with a portion of funkiness and a sprinkle of pop – at least on one of the cuts. with clever vocals mr. schulz informs us yet again.

after a long break, pole is returning in 2011. this break was necessary for pole to find his musical direction and produce a series of new tracks, starting with this 12inch. other music will be released later this year and in 2012. with these three easy going and wonderful works, pole connects once more with his past. from his albums >1<, >2< and >3< via >pole< to >steingarten<, pole rediscovers and reworks the characteristic warmth and deepness of his sound. bass and space are at the heart of both this new release and the specially established artist label pole. the warm experimental atmosphere is grooving slow and easy, carried from the funk of an old rhythm machine and connected through poles typically endless echo chambers. >waldgeschichten< is the first of a series of releases that will conclude with an album at the end of 2012.

support by: hans nieswandt, baaz, alex agore, marquese, skipson, ynk, big in d_bug...
with his bellefonic ep, drei farben house from berlin creates a remarkable house-disco-hybrid.soul vocals, funky drums, warm basses – it is all there. wide range of accoustic sounds meets specifically selected electronic elements. with his rather classic idea of musicality drei farben house bridges rich soulfulness and slim, reduced funk. beauty and elegance, understatement and indulgence, meoldiousness and pop appeal – thats what this concept is about.tenderpark remains a prime address for softly gleaming pearls which light up in small side streets. about tenderpark: tenderpark is a vinyl label from berlin in quest of warmth and elegance in contemporary house music. lightness and pproachability are the main focus. tenderpark sounds the commonalities and connections between music and fashion. after the first series of record artworks had incorporated a fashion photo, tenderpark has staged a fashion shot for the new records again. this time the label has drawn on the sophisticated clothes of berlin menswear label a.d.deertz to play the main role in the new artwork.

in following up marcellus pittmans killer eastside story, seventh sign waste no time in bringing another red-hot act to the label. a member of the legendary underground resistance / los hermanos / galaxy 2 galaxy crew, santiago salazar has also enjoyed success as a member of the trinity (with mad mike banks and gerald mitchell) and more recently as ican, not to mention his many solo outings. his pedigree is unquestionable, a fact not lost on the many labels that have played host to his music, including submerge, planet e, motech and now seventh sign. santiagos sound is full of soul and warmth and is presented using state of the art production and a rich palette of modern sounds, as this e.p. demonstrates to devastating effect... hot!

bleaks 2nd release on sudden drop and another ep of streamlined sleek techno. >landscape< pulses along with a notably sense of warmth permeating through the otherwise stark groover. >fall< break up the pace nicely, incorporated more of a broken beat rhythm and a notched up level of intensity. expect big things from this artist with rumoured eps to appear on big labels in the near future..

russian label highway records run by mike spirit presents 12th release by modul project from krasnodar. after several appearances on well-known european labels harthouse, ostwind, level, 3rd wave and pro-tez, evgeny shchukin and alexander tochilkin deliver for highway two new intelligent tracks full of quirky melodies and analogue warmth - >keegan< and >farwalker<. first remix is produced by get physicals breakthrough artist siopis perfectly known for his collaborations with m.a.n.d.y., thomas schumacher, matt tolfrey, pierce or daniel steinberg. second remix is made by francois dubois (also known as funk d void) - worldwide-known artist releasing his tracks and remixes on such labels as soma, urbantorque, plastic city, om, freerange and his very own outpost recordings to name a few. we put all these ingredients together and get massive 4-tracker which will stay in djs bags for a long time.
early support by laurent garnier, agoria, john digweed, hernan cattaneo, james zabiela, hector romero, danny howells, dubfire, carlo lio, nacho marco, arnaud le texier, eelke kleijn, hermanez, motorcitysoul, catz n dogz, chaim, slam, mirco violi, huxley, kasey taylor and many more.

further to motor city drum ensembles dj kicks compilation, his exclusive single l.o.v.e. has been reworked by the young detroit prodigy kyle hall, the painter and music creator wolfgang voigt and an excellent remix by smallpeople. kyle has been highly influenced and captivated by the underground deep house sound of detroit. inspired by artists such as theo parrish, mike huckaby, rick wade, 3 chairs, kdj and omar s, who believe their music has a certain feeling of the advant garde and liberation from the so-called rules people place upon dance music. kyle took that principle of their music and applied it to music that he was trying to create. wolfgang voigt is known for his numerous, nearly inexhaustible list of one-off projects and aliases. of these, his best known is arguably >gas< a project that saw the marriage of ambient music and 4/4 techno. his remix of motor citys l.o.v.e shows his minimalistic approach to music he has been famed for worldwide. smallpeople are julius steinhoff & just von ahlefeld aka dionne. smallpeople are focused on a wider range of music and can be diverse- between deep house, detroit techno and some chicago flavours but always within the balance of atmospheric warmth and club suitability bringing yet another perfect addition to this remix package. watch out for more big tunes from smallpeople in the near future

there are few artists who manage to successfully develop a signature style that not separates them from the rest. aybee is one of those rare few that has managed to conquer a range of styles within his work from soul, techno, house and hip-hop under his many monikers. this time we see the us artist team up with miles sagnia for two cuts each on the eternal radiance ep on sagnias atmospheric existence imprint. taking over the a-side, aybee serves up >a glance< which oozes with classic us house charm. acoustic piano chords and are layered on top of a chugging bassline and electronic melody, tightly produced and melting in its warmth. >isis< gets heavier with a more underground vibe of crashing echoes and tinny drum arrangements. on the flip, sagnias >journey 2 forever< fuses multi-tracked choral chants, the impeccable sound of the hammond and a rapid techy groove. his visual foci reprise of >journey 2 forever< ditches the chants, instead opting for a sensual male vocal

did you ever hear about christian strobe? no? hardly surprising, cause its a brand new solo-project by christian schnall, one half of disco trash music (maximal electro) and spruce (dreamy shoegaze). the german guy is musically rooted in the 80ies and early 90ies and as christian strobe, he combines airy new wave pop, retro-futurism with a pinch of house. the original mix of >midnight call< is full of magic, desire and an airy atmosphere, but still a simple pop song. the nightdrive version is recommended for nightly rides with your ferrari testarossa through big city lights. the italo-disco-pop-masters from codebreaker gives the original a funky french taste and reknowned keenhouse conjured a good-feeling remix with lovley summer-piano-chords. midnight call? you could name it sunshine call! in a more and more digital environment, the warmth of the analog vhs-tape version gives you the relaxing mood you need. the placid >lonesome astronaut< completed the debut-ep and takes you to a cosmic trip though time and space. stay tuned for the upcoming full-length album called >heartworks< in autumn 2011.
comes with code for free digital download of this release.

grammy nominated hannover producer martin buttrich gets down to business with this sharply delineated four track ep, his first release since his >crash test< lp on desolat. buttrich is known for his deft hand with spacious, warm tracks that crackle and snap. his propulsive techno and house music re filled with compressed living sounds. on tracks like >fireball< and >magic market<, crisp percussion shimmers around snug-fitting basslines, with snares and toms moving the speaker cones insistently. >fireball< will quietly smash the dancefloor, with rhythms so taut you could bounce nickels off them. the heavy kick of >rocket< anchors it to agitated drums slowly enveloped by a melodic soup, inflected with disrupted noises as it sweeps over the listener. >20 ways< has a reflective and fresh feel, like city lights seen through rain, with a peppy beat that swaggers along. then theres that bass again, bringing disarming warmth, and always with the underlying influences of reggae, hip hop and soul... music lovers who purchase the vinyl release will be treated to a free download voucher for all the digital versions, as well as additional bonus tracks. the 4 bonus tracks wont be available to digital-only customers at this time

like a short warm summer rain at a festival...laufmasches two tracks are going to become the heavy rotating tracks of this years summer open air events! side a with a housy rocking mover and on side b the warmth or sounds which carry you away