former padded cell and bronx dogs man richard sen has made some great records in his time, and songs of pressure is up there with the best of them. joining the dots between murky dub disco, horror soundtracks and ebm, it layers spooky, delay-laden synthesizer motifs and wonky vocal samples atop a heavy dub rhythm and punchy machine drums. pals andrew weatherall and timothy j fairplay deliver a bongo-laden, dubbed-out revision (part wayward exotica, part humid balearic dub), while acca strips the track down to its nare bones for a ket-addled dub. its a fantastic 12inch, and limited to just 99 copies. you snooze, you lose.

tribal roots is the eighth and latest ep release from batti batti records. its a four-track affair once again this time featuring label stalwarts owen jay and melchior sultana alongside percussionist antoine with an infectious perc-driven number, whilst rai scott (inner shift/minuendo) debuts with the deliciously dreamy and enchanting depth of the ocean. both 1dan and marco nega, meanwhile, make welcome returns to the label, the former with the twisted yet insanely groovy recovery process and the latter with the sumptuously soulful inside out featuring leen vivid!

talos is eoin french and the delicate, dreamy rnb-meets-pop of tethered bones b/w bloom is the talk talk-fixated former architects opening salvo. remixes come from wife (tri-angle) and eomac (ttt/r+s). talos on tethered bones: its a love song, about how a relationship can engulf and transform you: what it can and does take away. what you lose and what you gain. early supporters include disco naivitie, pigs and planes, tlobf, phil taggart & alice levine and b traits on bbc radio 1, and the nme, with a radar write-up. the track has racked up over 300.000+ soundcloud plays since its debut on fader. crack in the road: four minutes and twenty seconds of absolute bliss. this is one of the tracks of the year.

released in 1979 queen samantha’s “take a chance” has gone down in disco history as an all time classic. produced by former aphrodite’s child bassist harris halkitis and featuring elongated naked “dj friendly” drum breaks and uplifting vocals and synths the record was sure to be a hit in discotheques on it’s initial release. the record was a huge success and has been sampled, edited and re-appropriated countless times, it even captured the ears and minds of the nascent hip hop movement that was brewing in new yorks bronx neighbourhoods a few years after it’s release with afrika bambaataa including it on his game changing “death mix” session with jazzy jay in 1983. both sides of the 12&#8243,,,,,, are bona-fide disco gold, pairing queen samantha’s soaring vocals with the stripped back, percussion heavy back drop of halkitis and his band. “take a chance” still sounds as fresh, epic and driving today as it did in ‘79 and still finds favour with forward thinking disco dj’s who include it in sets now. this is only one of many underground disco classics that the mighty miami based tk disco label brought to the world, officially re-mastered, re-pressed and re-issued in conjunction with joe stone / tk disco

nice price deal !!! • great new four track release from former sandwell district artist yves de may !
• limited clear orange vinyl with insert

ocha records latest vinyl release introduces two gems from dj kemits (also known as ½ of kemeticjust) full length release everlasting. the former dj and producer for the grammy award winning group arrested development brought his soul sensibilities to this project and caught the attention of carlos mena who enlisted the help of some real dance music heavyweights to rework two of the tunes.

rawax proudly presents ron maney aka dj skull. the second release by ron maney on chiwax is the remastered version of former relief records 761 called *2 entities*.

nice price deal !!! amazing & groundbreaking compilation!! with success comes ambition, and on the heels of two successful 12-inch releases that followed the changing seasons of 2013, studio r returns for fall 2014 with our most expansive offering yet. coming in the form of a 12 track triple ep, our third release revisits one illustrious name – fred p – while deepening the roster with a list of the renown like brendon moeller, exercise one and mike parker, hot upcoming names like zadig, dj spider, and hakim murphy, and lesser knowns, some new but others with long histories. those with their ears to the ground will certainly perk up for contributions from andré kronert and boyd schidt, each of which can trace their production histories back over a decade, the former as head of night drive music and the latter as half of the georgian duo greenbeam & leon. the remaining three – harry light, j&#363,,,ras lietus, and weitone – are all newer, with the first making his debut here, the second having debuted on our own wavereform imprint, and the third ostensibly new, although he may have some history we will not reveal here.

this ep is the second ep of a 2 records series, by steve romani aka db_24 on his own label modular machine records, pressed as limited edition white vinyl, following mmr03 (urban maze ep). the two records follow the 4 urban works eps released on ac records. this one features 3 detroit electro tracks per side, built around the 2 parts *the quest* and *modular machine*. *automatic* is dedicated to old school electro. made with hardware vintage machines for analog sound lovers in the tradition of former detroit electro.

hopeworks opened just under two years ago, in the heart of sheffields former industrial centre. this empty warehouse has since become the hedonistic epicentre of the citys vibrant all night clubbing scene as chief resident and director of hopeworks, lo shea has built the ethos of the space from the ground up. having hosted an enviable list of international guest artists as well as showcasing the best of tomorrows talent, hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. a platform to release the music inspired by the space and its loyal crowd, not to mention the artists who have contributed to its success, makes perfect sense. who better to take the helm of this debut voyage than lo shea himself… following his successful seaghdha series, liam continues to flesh out a distinctive sound that doesnt easily fit into genre divides, but which is informed and inspired by all those late nights. often functional, always perfectly weighted - his productions have - given the diverse & astonishing energy of the space that feeds them - gained support from djs and dancers the world over… this is 100% mixed in sheffield & believe us, hope, works.

king champion sounds deliver a blistering 10 inch album with free cd (incl. 2 bonus tracks) inside that combines a hypnotic krautedelic / dub / minimalist / electronica tunes with a sugarshit sharp wordsmith in his element. g.w.sok (former lyricist / singer for the ex) has never been in better form. the band, led by ajay saggar, close ranks hard to deliver the tightest and most exciting palette of music you will hear all year. they combine the grit and grind of the best of post rock underground with the swinging horns of africa in an astonishing whole.

*in a dream* is the third album from the juan maclean. if anything, this new lp is further evidence of the *undeniable creative chemistry between house music wizard juan maclean and vocalist / former lcd soundsystem member nancy whang* (pitchfork). the album takes its musical cues from moroders munich to the funky nassau sounds of compass point and to anytime in downtown nyc. co-produced by nick millhiser (holy ghost!). the vinyl lp includes a download code.
attention: whole pressing has crackling noise in track d1 (the sun will never set on our love).

operating from the heart of brooklyn, ny, the latest artist to sign up to ornate is jordan, whose plush deep house sound has already surfaced via a collaboration with fred p on the deep explorer compilation far & beyond. living on the border of the bushwick and ridgewood neighbourhoods, the title of the ep is a nod to the difference jordan sees between his own spiritual, detailed work and the trend for rougher analogue sounds that have been sweeping the city he calls home. with a focus on expressive, richly melodic synths and delicately balanced rhythms, his music stands apart from the wave of guttural lo-fi sonics, and yet this is still house music with that east coast punch where it counts. with an imminent release for the noted finale sounds imprint establishing jordan well within the remit of high-end house and techno, it gives us great pleasure to present these exercises in soulful immersion, from the three 4/4 driven pieces to the ambient vignette -visage-. with the door open for more experimental interpretations, it made perfect sense to invite former ornate guest leif back to turn out a remix of the track, his own hushed tones having recently graced a critically-acclaimed debut album for fear of flying. it s the ideal complement to an ep of highly developed musicianship that spells another exciting step forward for both jordan and ornate.

skylax welcomes f.t.g., known to house music scholars as freddy the groove, and his many friends for our next release in 2014. last year, f.t.g. and his italian partner in crime, marco riff (who also appears on this very record), pressed a very limited run of a single-sided, special throwback tribute to late 80s chicago house music. the track was aptly named ‘tribute ’89’, and it put a more dancefloor oriented twist on a track by a certain originator with the initials r.h. needless to say, it became highly sought-after incredibly quickly and fuel was further added to the fire by the repeated club play by none other than the dj idol ricardo villalobos. luckily for our followers, that original mix appears on this ep with another unreleased mix of the track and 2 originals featuring belfie and alex tea alongside f.t.g.with enough said about ‘tribute ‘89’ itself, the unreleased mix maintains the warehouse vibe with a heavy kick and bouncing bass pattern but takes it to another level with the introduction of rolling vocal cuts and a rather ravey synth line. flipping over the to b-side, we are treated with two tracks by f.t.g. and alex tea, named ‘public enemy’ and ‘bango’, with the former also seeing belfie lend a helping hand in the production. both of these originals round out the record nicely and cement it as another skylax release that is definitely not to be missed

steve frisco, of serie limitee fame, brings us the latest bundle of hot tracks to hit wax classic in 2014. as the title suggests, steve takes us on a journey through low fidelity sounds and production techniques. think dark, moody, yet crunchy basement house tracks with inspiration taken from all over the u.s and the rest of the house world. it’s a generous offering as well. six whole dusty tunes for those diggers who are looking for something with a bit more range than another record of generic piano laden, house-by-numbers pieces that still seem to be flooding the record store shelves in 2014. the moods do vary from track to track, but they remain very reflective and almost melancholic at points. the title track, ‘adventure in lo-fi’, is the deepest of the lot with filtered chords, echoing claps and a sporadic kick pattern that often clears way for the track’s bass hits. now, compare that to ‘da brooklyn beat’. whilst the former had a distinct sunrise/sunset kind of feel to it, the latter is definitely more of a club affair. skippy snare hits and a strong organ lead the track on, and at the risk of utilizing very overused buzzwords such as ‘raw’ and ‘ruff’, this track, and the rest of the a-side for that matter, certainly captures that essence. stalwart wax classic fans will no doubt be picking this one up to add to their collection. however, i strongly recommend this ep as a jumping in point to the label for any newcomers out there

(12inch vinyl with 7inch size label stickers) championed by the likes of seth troxler, guy gerber and tiga, the former footprintz member turned solo star has set his musical sights on the incense-filled multi culti chill-out room

in 1991, former king street sounds, bpm king street production released the compilation ep named la ronde, which includes the tracks by the hot artists in new york and tokyo underground scene at that time.

special anniversary edition of the former last poets cult album from 1973 on 180 gram vinyl in gatefold sleeve. includes limited edition dollar bill print.

long-term frankfurt house-players c-rock (of lo-fi stereo, stir 15 and cocoon fame) and franksen (incase recordings, mainakustik) team up for houseworx to bring you tracks with a timeless, raw and soulful feel in one. c-rock is globally known as an all star expert in terms of real and truly felt deep house. whether he puts out solo stuff (from, works with legends such as chez damier or pushed his former motorcitysoul project: c-rock’s sound takes things to the inner core and understanding of the place we call home – and that is housemusic!

ovums 20th birthday celebrations continues with the return of alexkid with 20-something years in the game, the former parisian turned berliner is lauded by peers and fans alike for his production technique, and infamous on the circuit for his extensive collection of - and near-obsessive relationship with - machines.

inside these airless sarcophagi, the passing of time renders objects once forged from molten metals as fragile as paper, so delicate a gust of wind could destroy them for ever. once deadly weapons now oxidised to dust are proof of the futility of man in the face of time. all regimes will crumble over years, all empires turn to dust…the more potent an object in its former life, the more poignancy in its nebulous disintegration. the shattered radio controls, the gun turned to a rusted block like a child s toy, the bullets corroded to nothing are all exiled from their brutal pasts. what messages are locked in time that passed through the obliterated decoding machine, who alive if anyone can tell its secrets.

amazing new series from the african shakedown crew ! following the path of former african shakedown releases we proudly present the new generation of brazilian extravaganza. the brazilian shakedown brings you a selection of psychedelic remixes, edits and originals by the freshest brazilian producers of today.

several years in the making mike grant finally completes the second cool peepl project. originally assembled in 2002 for the puzzlebox sharevari remixes, cool peepl is a collection of detroit artists coming together for a session. focusing less on machine based tracks, the group focuses on organic productions. free features former members of the house vocalist bill beaver, longtime percussionist sundiata o.m. and the multi-talented heavyweight amp fiddler.

h45 sees manchester s tomson (freerange) & eddie leader (hudd traxx) colloborate with chicago legend chez damier. this project has been in a long time in the making and came about when chez met eddie at his house & techno night content manchester. chez was at the start of his comeback and they were introduced by mutual friend joshua, a former prescription and hudd traxx artist. the meeting resulted in chez becoming good friendswith tomson & leader and laying down some vocals in the studio for the manchester pair. h45 is a new catalogue number for the hudd traxx family

black frames is a creation from two major life transitions for dave aju, namely the end of a long-term relationship combined with a move away from his home town of san francisco. punctuated with philosophical statements and political punches, the former mc proves he isnt afraid to use his voice and production skills to unite music and passion with his latest album on circus company.

first word records proudly presents *the misadventures of a middle man*, the new album from essa. despite being a firm fixture in uk rap for over a decade, this will be essas first full-length since 2006s *grown man business* with dj mr thing. early releases *liquid love*, *city breaks* and *dancing shoes* (under former name yungun) established him as one of the uks most insightful mcs. collabs with guru (gang starr/jazzmatazz) and praise from nas and mark ronson followed. all of this whilst pursuing a parallel career as an entertainment lawyer.

editions haighton are homespun edits of dusty curios by hotflush recordings jack haighton. the first instalment of a quarterly series takes its cues from the italian disco scene of the early 80s, reworking cyber peoples *void vision* into a hi-nrg burner fit for the early hours at a former power plant, and jm bands *computer monkey* into a loopy tool with frills.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

mad limitado. you know the drama. spreading these out across the board as per. this limited remix 10 inch showcases a remix of break glass from l vis 1990s dance system moniker alongside a vip mix of reflection from sims. the former, featured on sims fabric comp, continues to nurture his raw, machine driven and retro leaning vibes while the theory boss turns in a dense, jacking number.

lucidflow chief nadja lind again teams up with uk producer paul loraine on making a difference. a track that will see them confidently build on the success of their former releases. for such a fantastic original, it was only right to draft in some esteemed remix talent like silicone soul, funkd v.

rising concern dan shake has achieved what no other has in over a decade: with his debut release in the music world, he has become the very first producer without a detroit heritage or residency to land a release on moodymanns prestigious record label mahogani music. based in london, the former leeds student secured the feat in a charmingly anachronistic fashion: having just watched kenny dixon jr perform alongside the 3 chairs at dimensions festival, dan simply handed over a demo cd with a collection of unreleased tracks. moodymann was hooked almost instantantly, taking the first plunge on welcoming an outsider into his tight-knit crew of detroit strong artists. citing influence from the layered percussive rhythms of afrobeat pioneers such as tony allen and fela kuti, the soul-drenched sampling of j dilla and the kind of dark, dense grooves laid out by contemporary producers such as flying lotus and motor city drum ensemble, dans situation in winding up on a label renowned for encompassing all those traits is obviously a blessing for the young producer.

another stonking release - part 5 from the former ukg production super-duo !, be quick - limited 1st pressing copies, hand numbered and stamped as usual... the penultimate title in the series perhaps

for the fourth opus on his self-titled label, kool vibe calls on the service of talented washerman, sunny galaxy & inner sense to deliver 4 tracks with deep, garage & groovy overtones which are definitely meant for the dance floor. one aim ever: paying tribute to jersey, nyc & chicago vibes of the 90s. special mention: the collaboration of aaron smith, the legendary remixer/producer and former member of ubq project duet alongside terry hunter, with a groovy keyboard solo on inner senses 4 aaron & terry track.

this limited edition 7 vinyl from mcm, released in conjunction with headcount records is a little slice of history. the former lyricist and front-man of the pioneering uk hip hop crew, caveman delivers two solid joints. caveman was the first uk hip hop group to get signed to a major label and signed to profile records in 1990. the crew quickly established themselves as one of the uks most popular and versatile acts. over 20 years after the first caveman album, mcm is back. the a side cut, r.e.a.l (rhymes equal actual life) is featuring fellow high wycombe emcee c-lone and is produced by rinse dog with the cuts by mr brown. the b-side cut is through and through mcm.

minilogue are known for their bigger than life electronic music adventures! a fact that makes their announcement to-have-a-break even more painful for us and many of their fans! markus henriksson and sebastian mullaert decided to put their collaboration aside for an undefined period and focus more on their solo careers from now on. however they are not waving good bye without a last mega-sign of their former existence and we are proud and happy to be the label of choice to present this ep

limited to 250 handnumbered copies.
we proudly present 4 artists: nightdrivers (mass_prod + rufus) versatile artists who have made an analog live-take, influenced from deep house of early nineties. a sharp track that does not fail to surprise. speakdeep and jwl perform the second and third track of the ep, they developed a crescendo of sounds that takes you to an underground club. giovanni ferretti, former member of the sycamore age and multi-instrumentalist closes the album with an emotional and introspective track.

justus kÖhncke & the wonderful frequency band - his first major release in five years after safe and sound (kompakt cd 63) - is justus kÖhnckes long-awaited return to the full-length format: neatly coinciding with kompakts exuberant 20th anniversary activities, the leftfield house virtuoso, former whirlpool productions member (see *from: disco to: disco*) and producer of seminal cuts such as *was ist musik*, *2 after 909* or *timecode* hits the floors with an entirely new set of future classics, remedying desolate crowds in dire need of a party to remember.
the double vinyl lp comes with a cd copy of the full album.

the first music to be lifted from her forthcoming sophomore album, zara mcfarlane drops *angie la la* on 2nd december 2013. in many ways an underground cult classic, zaras reworking of this jamaican psych gem by nora dean features former brownswood bubblers alumnus and new yorker leron thomas on trumpet and vocals. consistently one of our favourite producers from the house realm, the truly legendary osunlade aka yoruba soul applies his golden touch to *angie la la*, crafting an exquisitely sensitive and soulful groove founded on booming kicks and handclaps.

vinyl only! handstamped! after the successful label launch >pure 001<, the follow-up release >pure 002 - tribute to gerberei< is now on the starting blocks.
the two former gerberei residents ron albrecht & stefan rein announce their a1 track >tatort< using their pseudonym >brothers in mind< while remaining true to their typical sound that goes back 20 years: pumping functional techno for the floor. thats it!
longtime friend and companion andre kronert was brought in for the a2 project. he contributes a fulminant remix of the song >tatort< as an absolute statement to techno - pure and direct, just like it was celebrated in the gerberei for almost 19 years. what a club-monster!
stefan rein as well as the mysterious s.e.p.e. are in charge of the b side of the record. >unwavering detroit<, created by stefan rein, is to be understood as a deep bow of honor for many great years and stunning sounds in the >holy halls< of the club... never forget!s.e.p.e. closes with the b2 title >we will find you<, without making a secret of his dedication to techno.
who the fuck is s.e.p.e.?

former instra:mentalist damon kirkham expands his jon convex enterprise with his debut on civil music featuring two new original tracks alongside remixes from civil music signee ore and frequent convex collaborator, exit records main man & dnb legend dbridge. comes with download code.

former world unknown and magic feet contributor kalidasa steps up for duty on the tusk wax label. usual rules apply: strictly limited 180g 12 inch vinyl, hand stamped, individually numbered, no digital. kalidasa reveals himself to be on a par with president of chug prins thomas across the four sprawling slabs of psychedelic electronic disco here. hard to choose one track over another but the >spectrum of love mix< of molly cules really hits the spot.

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

when it comes to top class releases produced by artists who were already being brilliant when some of us werent even born, it doesnt get any more legendary than the great oliver lieb. renowned and gaining heavy respect for former projects like spicelab, the ambush, paragliders, l.s.g. and remixing the likes of moby, yello, human league, sydney label elektrax recordings is proud to present the electronic bigfoot to its label with a 4-track release, called *the prophet ep*.

when walter merziger and arno kammermeier head to the studio to work on new material for their long time project booka shade, the result is a winning combination of underground sensation and club hit, as titles such as mandarine girl and body language have proved to great acclaim. its a balancing act that only the most successful electronic musicians can do so successfully over such a period of time. booka shades new single >love inc< is no exception. presaging the fifth studio album release from these berlin transplants,>love inc< is infused with pure club sound created by merging a refined sense of sonance with solid craftsmanship. the duo pays a contemporary homage to chicagos former king of house, lil louis, whose 1992 hit club lonely serves as the tracks sample

part 3 from the former ukg production super-duo ! limited 1st pressing copies, hand numbered and stamped.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

dutch producer arts the beatdoctor is set to release his newest work, collaborating with pioneering label lowriders recordings. this ep, titled lazy thunder, marks a significant change to his trademark sound. breaking away from his former laid back style displayed on 2007s transitions (unexpected records), 2008s progressions ep (beats broke) and his releases with the q4 (project: mooncircle), this new ep continues the trend already hinted at in his recent remixes: still present are the hypnotic loops and deep atmospheres, but the setting has changed from the lounge area to the main stage

gogo music proudly comes up with the second release of sir lsg, after we presented you *sax in the city*, which still was released under his former moniker hood natives and became a smash-hit in 2011. this time sir lsg teamed up with renown soul-singer brian temba and kafele who adds his distinctive trumpet lines. remixes are contributed by dj spinna and ben moss to complete a splendiferous release.
this gogo music release has been in the works for quite some time, but it surely was worth the wait and efforts, as we now are able to present a well rounded package of a well written song - exactly our aim at gogo music.

people get ready! heres the first of several studio barnhus releases to come from 20-year-old stockholm native baba. despite his youth, this former ballet dancer has an impressive discography under his belt, having been one of the strongest forces of the elusive skweee scene since 2008 while also releasing two albums of dreamy folk pop under his betlehem beard corporation alias. our girls is a raw, bouncy house jam recorded to cassette in three different tempos and arrangements. enjoy!