-lecka- means delicious in german. this was the most said word during the 5 days joerg and pablo spent together in barcelona, “lecka”. five days that were mixed between studio time and gastronomic moments. five tracks make this detailed and deep ep since

first up here is kenloto, a chunky bit of bass driven house with crisp perc. it builds to a nice tense peak with lots of loose, jumbled textures and will make for a fine bit of peak time listening. the other original is whack, which is another tough house cut with firm bass, old school new jersey snare patterns and rolling drums that are rich, warm and rubbery. miguel lobo s remix is a more spritely thing with lithe chords, colourful synths and and a pent up energy that just never stops giving. closing out the fantastic package is paul c & paulo martini who remix kenloto into a trippy affair with ghoulish voices, hard hitting drums and lots of dark wave energy that will carry you late into the night.

this compilation collects ciullinis self released domestic exile cassette (1983) as well as other selections

san francisco producer charlie yin has made quite a name for himself turning bedroom beats into dance floor staples as giraffage. his beloved r&b remixes and vibe-laden solo tracks have won early praise from pitchfork, the fader, xlr8r and other tastemakers, all while he seals the deal live with lush, bass-driven performances at low end theory, boiler room and gigs around the globe. we are happy to have him join the fools gold fam. limited pressing on multi-color vinyl.

2/3 of the legal team that brought you the circuit, burns & hawk release on rush hours no label step back into the halls of justice to convince a jury of their peers that openly emotive music is not something to be scared of. people know willie burns and torn hawk for the other records they have put out. luke went over to will s studio a couple times last year and they drank wine and luke avoided smoking weed. these tracks are pulled from those sessions.

despite refusing to stick to a single genre, deft is one of those immediately recognisable producers, which is nice because it means we dont have to waste any time comparing him to anyone else. 2013 saw the croydon man skilfully hopping from headphone to dance styles, often within a track, his signature blend of cinematic soundscapes and crisp, intricate percussion covering hip-hop, house, and ambient. whats more, his noteworthy contributions to the burgeoning uk footwork scene means the young producer can now count mark pritchard, dj shadow and rockwell among his biggest fans, and boy does this boy have fans, check this bandcamp review of his project mooncircle ep voight kampff: anything this magician puts out has a pretty good chance of getting you pregnant right in the good old music hole. says it all really

sometimes its time for music from other planets

following eps on black butter and other illustrious imprints, monday club deliver the acid drenched ‘blackout’ for steve lawler’s viva music featuring a monstrous beast of a remix courtesy luke solomon.

ajello who are back with their second e.p. on the label! eclecticism is definately the keyword word of the ajello project comprising of luca (dj rocca) roccatagliati and fabrizio taver tavernelli
as this is the second e.p. of 2 from ajello we decided to take the remixes for this project to the next level. first up is luminodisco of house of disco fame, undoubtedly one of nu disco s pioneers with a heritage to match who has reworked montgomery clift ready for the main room. the second mix is delivered by none other than yamwho? best known for his midnight riot & ism imprints who delivers a pure disco groover. finally for the vinyl release is retrospective s own rayko serving up his -best remix ever- in his own words! in addition, for the digital release aashton of aashton & swift fame brings his signature house flavor to the fold alongside an instrumental of the original for the heads. quite a package i m sure you will agree!

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images

halftime in the epic episodes series by jouem on mojuba, the big picture is starting to get more and more recognizable. the fourth part is pushing the boundaries of jouem’s unmistakably sound again to new heights. this ep is by far the most dance floor oriented outing by him with fat basslines, heavy but open and dynamic drums and an atmosphere with a feeling that is pure bliss! let the music talk to you! project produced by no other than sven weisemann

taking a few steps off it’s usual housy path, metereze presents a fresh new face and a more techno approach to dance music. it is melodie that signs the 4th installment and he is taking it deep into the realms of acid with 3 tracks that not only go well together but they are all meant to make you move in a big way.
acid sunday is as acidic as the name suggests it but in the end it’s the most poetic of the 3. the subtle pads are kinda dreamy but the 303 sounds make it super driving. on the same side we have rhythmico which is dark, percussive and powerful. subtle background bleeps complete the wandering synth that comes and goes but never really seems to go away.
housed on side b justa is a techno monster in its own right. sonically very close to the other two, this is by far the darkest track on this ep. and probably the strongest. techno infused house you may call it or whatever, this is the kind of track that puts you on a serious move whenever, wherever.

special nice price blow out ... dukes of chutney is john paul jones and dustin lynn, california born brothers from other cosmic mothers who met surfing over a decade ago. the flavor of the dukes musical chutney is an abstract but balanced mixture of many disciplines. under the moniker tom croose, jones has established a beguiling production touch to various edits and remixes. lynn is an accomplished filmmaker who has collaborated with artist gabriel orozco and directed campaigns for designers alexander mcqueen and corto moltedo.

vectors 2 introduces another five new artists to the power vacuum roster: side one erupts with vacated, flinging heavyweight techno ingot *quadrat* neatly into ones medulla oblongata. a road tested club shredder, crashing straight in and out while unequivocally touching the sides. one of uk dance musics true mammoths jerome hill promptly receives the baton and lays down atypical workout *plastic jam*, an overbearingly energetic percussion / vocal rinse. on the other side, cosmic event cylob weighs in with *spyworld*. libidinal bass patterns, irresistible melodies and not a wasted note from one of electros most powerful minds. breakaway civilization of one: anklepants follows with *y.h.i.y.p.* after receiving a free bintus makeover - electro style. finally cornwallis spoken word effluvium *at the disco*, a charmingly rancid personal account to which the prancing oaf in each of us can surely relate.

ltd to 200 vinyl only
for its 5th release, badance comes back with a singular ep from the young talented producer, kareem ali. aged of 20, he released last year his first mini album on hakim murphy&#146,s label, synapsis. based in new york, the productions of this young diy producer are well nourished by jazz and american grooves influences.

there is quite a charming story of mutual love between borrowed identity and tenderpark behind this record. the two have been exchanging letters of enthusiasm for each other for quite some time. and so the idea of this joint record has grown very naturally.

roisin murphy delivers a solo sonic bomb for crosstown rebels. *jealousy* is recorded especially for crosstown rebels and additional to roisin’s forthcoming album. this is an unashamed slice of dance-floor hedonism from the acclaimed singer, featuring roisins compelling vocals in both a house and disco workout. co-written and produced by the great-unsung modern day house hero, the crooked man aka dj parrot, formally ofsweet exorcist (warp) and all seeing i amongst many other aliases, he has been a bastion of the sheffield sound since the late 80s.

the bodyjack label returns with a bang and a split ep with the man himself and fresh talent soundbwoy killah. hot on the heels from ep s on unknown to the unknown, his clone co-run bodytrax label and a remix for jimmy edgar s super hot ultramajic, bodyjack is on fire right now. not much needs to be said about this, other than shake that ass is an unapologetic main room banger with a rough bassline and cheeky vocal. also comes with an instrumental version for the heads. soundbwoy killah has been turning heads this year (if you have heard his cheeky edits online you know what we are talking about). this brand new artist drops us 2 of the rawest jungle-fused underground party trax you ve heard this year and this is just the start for this bwoy...heavyweight tracks for the floor from the bodyjack crew. support from: jackmaster, james zabiela, claude von stroke, huxley, eats everything, shadow child, la4a, monki, serge, tiga, dj haus, serge and many more.

henrik bengtsson from swedish helsingborg is the man behind this alias. other outfit is goz mongo alliance whith a sound from the uk era 79-81. with this soloproject there is only old drummmachines and crappy synth involved and some small lyrics too.. and.. this is brain-disco, mekano style!

12 releases strong already, a:rpia:r has been silent for the last 2 years, since petre inspirescu’s gradina onirica hit the shelves of your favourite record shop. it is now raresh’s turn to release something special and indeed he did. vivaltu is an old gem, a subtle uplifting track driven by a powerful resonator, perfect for that “special moment”. the male mumbling voices provide the track with that extra eclectic feel. this is in fact raresh’s only track on vivaltu ep, the rest are remixes. side b presents a minimal house interpretation remix by none other than chilean legend and friend, ricardo villalobos. the resonator is still here but in come some childish voices to make it all perfect. perfect for the dancefloor. side c brings forward another member of the a:rpia:r family, none other than contemporary wizard petre inspirescu. his take has a very cinematic approach, building and building for 4 minutes before the kick even starts. the rich percussive atmosphere is completed with a brilliant melody reminiscent of his classical experiments. this track is an absolute masterpiece ! aloe varu is the third chosen for this remix pack and indeed he was chosen wise. his stripped down remix spans for 13 minutes and completes the story of a:rpia:r 13.

oliver schories is back with his 3rd album with more musical variety than before...

>diggin disco deep< is a new, deep-disco orientated offshoot of the successful editors kutz label. the target is locked and its no other than the dusty but not forgotten vinyl chests.

coinciding with the one hundredth anniversary of one of the most surprising works by contemporary icon franz kafka, the metamorphosis (1915), reeko celebrates the novella or adult fairy tale with his own reinterpretation of kafkas controversial narration. the author offers a first person account of the protagonist gregor samsas transmutation, a human just like any other, with a grey, predictable and routine existence

man of mystery, a sagittariun, may not be the first, nor the last, in a long lineage of techno producers to go undercover and under a veil of anonymity, but the west country artist doesnt use this cloak to stir up any hype, quite simply the music does the talking, and since 2011, has released a breath taking selection of music on his own elastic dreams label. and so the archer lands on hypeltd after only one other foray onto labels other than his own (2014s lost cities ep for secretsundaze).

transit records kyotos 4th vinyl is here. it includes two different types of floor killer tunes from japan. the a side track is composed by well-known japanese producer hiroshi watanabe, also known as kaito. the track has very beautiful melody that was made by the artist live in tokyo, japan. the b side track is by ryoma sasaki who runs this label. also, he did djing at world-famous clubs such as tresor berlin, has excellent dj techniques. the track is an unique uplifting house, suitable for peak time.
supported by fabrice lig, julien chaptal, keith worthy, laurent n., lex, phil weeks, rennie foster, satoshi fumi, scotty a, slok, tagträumer²…

we are back with the third release, from labels boss p.e.a.r.l. and his four cardinal ep. two original tracks all together with an excellent remix from none other than the semanticas label boss, svreca.

nach einem fulminanten debütalbum, das sowohl dancefloors der welt als auch kritiker außer atem ließ, kehrt jeremy guindo aka bambounou nun mit *centrum* in albumlänge zurück. guindo benutzt verspielte electro-synths (echter electro, siehe detroit), die den hörer in einen trance-zustand versetzen, der durch die peitschenden percussions von tracks wie *each other* gestört wird. im gegensatz zu *orbiting* bewegt sich *centrum* eher weg von bass und footwork und hin zu ambient und techno. *centrum* ist keine reine clubplatte, die von vorn bis hinten mit brettern vollgestopft ist (obwohl fähige djs trotzdem viel stoff finden werden), dennoch werden auch die *orbiting* fans wieder begeistert sein. das doppel-vinyl erscheint im klappcover, inklusive poster und downloadcode.

jon hopkins begann seine musikalische laufbahn 1999 im zarten alter von 21 jahren. er arbeitete mit brian eno und david holmes zusammen, war an der produktion dreier coldplay-alben beteiligt und erhielt für sein album *immunity* 2013 eine mercury prize-nominierung. seine late night tales session klingt wie ein requiem für einen traumort, irgendwo zwischen himmel, hölle und dem überfluteten themse-delta. technobeats und verzerrungen mögen vorkommen, doch der blick des zuhörers wandert gefangen und verträumt über die weiten eines offenen ozeans bei nacht. wir begegnen den komponisten nils frahm und ben lukas boysen, den warp-acts bibio und darkstar, jonsi & alex von sigur ros, den grace jones-samplern holy other, sowie künstler wie four tet, alela diane, school of seven bells, health und david holmes. garniert wird diese außergewöhnliche zusammenstellung mit einem exklusiven jon hopkins pianocover des yeasayer-songs *i remember*, sowie mit einer spoken-word-erzählung des produzentenkollegen rick holland.
die doppel-lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inklusive bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12 inch größe.

a collaboration between elias landberg and nihad tule. they started this conceptual project in november 2014 with the goal of record and master a complete ep in one day. the resulting analog jams are pretty different from each other. the a-side terrorfish is reminiscent of simplistic acid rave tunes from the 90s while the b-side halcyon is a dreamy ambient trip

myth music, the label run by lando and baron castle (boiler room berlin) returns for their sophomore release, with another 4 track ep from lando himself sporting no title other than the catalogue number myth002.

missing home, you steer your rocket-ship through the infinity of space, heading firmly in the direction of the dance-floor, where other-worldly beings wave multiple limbs. the journey continues as coyote (is it balearic? recordings), offer a pulsating remix of galactic proportions. enjoy your voyage to the stars.

this is potion number two. wilma is a machine made lady designed to drive people nuts with a juicy body of driving bass and fat synths. wilma has a certain taste for the dusty and the raw and like any other girl she just wanna have fun. behind wilma are jeppe willumsen and dan madsen, expert ticklers of copenhagens bulging underbelly and for the first time working on production together. after murat tepelis *drop it like it s hot ep*, potion is proud to introduce 4 tracks by wilma. *fabio* has be featured in prosumers fabric mix and is now ready to be unleashed to the dancefloors, alongside three strong, brave and moving companions. enjoy.

2015 repress edition, finally back on the market! on the a side it s the massive pan pot remix of room 2 while the flip features two other famillar slam tracks.

limited available in a nice pack, oblack001 / oblack004 and oblack005 feat. los pastores, jetro & david gtronic and alex font. remixes by aldo cadiz, hermanez, mihai popoviciu, martinez and shall ocin.

bosq returns with none other than songstress extraordinaire nicole willis on the single *bad for me* with a killer house remix on the flip by the infamous soul clap crew. pressing on white vinyl.

highlife welcomes the return of alma negra! anyone who bothers paying attention to these press releases will note that we have recently been comparing tracks to other artists we admire, or go down the celebrity endorsement route. this time round well do neither. instead we will say, maloya is the first record we’ve listened to 3 times in a row upon receiving it. it has provoked id requests every time weve played it and our dear friend susie crome claims its one of the best records shes ever heard. that’s no mean feat, susie is well versed on the party front. see for yourself.

we create our future in each action and in each note. two connecting circles symbolize the infinity. two finite, different identities bumb into each other creating something indeterminate and limitless: a space for freedom.
a vinyl - side a, side b - two different polarizations: electronic and acustic, as connecting poles of a battery generating energy.

vinyl only! little hill goes dark! a mysterious artist on the hill for this release named vasco serving us, on roman label, an ep with deep and glacial techno sounds, the two original tracks take us to the universe of the artist, cold and dark. on other side the first remix is produced by agazzi and follow the musicline of the originals so pulling out a paranoid march, other remix on bside is made by valent and its a peaktime modern techno percussive device. mastered by rashad backer at dubplates&mastering

last few years have seen barac capturing the very soul of the romanian underground in a very productive yet very unreleased manner. few carefully selected tracks have been released while others are probably kept for the right moment. with his album on metereze running hot and a new label under his command barac is for sure the man of the hour. better yet, the man of the moment. for the first instalment of his new moment imprint he teams up with friend and fellow producer vincent iulian. these two go way back and they have a lot of history together. music wise they share the same passion for driving mysterious tech grooves and theory ep is all about that. in form is groovy and dark with a haunting synth accompanied by subtle xylophones. on the other side we take a dive in the atmospheric breaks grooves of in colour. uplifting and mysterious with the right amount of balls to keep you going.

bratha is the studio project of the analogue cops and no mad ronin. their first two eps on their own label bratha have disappeared from the shops in just a couple of week. for their first release on restoration they have been joined by the great jerome sydenham on the title track i cant stay an afterparty anthem smooth and intense, hypnotic and charming, an outstanding balance of hardware power and restrained expertise. the craziest come out, on the other side, has the trademark features of the bratha trio: entrailing, dark and spellbinding and with an heavy pace on the dancefloor

sze is a new london based label emanating from the secretsundaze camp. born from the age old adage of hearing music from friends and artists that didnt fit with the latter’s more refined sound, sze will serve as a more open platform for other forms of dance music be that techno, breakbeat, bass heavy or ambient sounds.

the super disco edit team have pulled out all the stops on this super un-issued 1979 disco dancer from the stable of world renowned musician stu gardner. here he teams up with the beautiful ms irene cathaway to bring you a unique slice of disco madness. pulling away from too much disco cheese and sleaze mr gardner kills it with some organ work like no other disco ‘12! a 6 minute party jam, with those lovely disco drum breaks towards the end. but hold on, flip it over to get another lovely un-issued feel good track called he can ring my bell, dropping like an emotions out take!. so two previously un-issued tracks, in a 350grm customized disco sleeve, with inner. this is limited once again,with a no repress policy.

this 10 inch contains 2 unreleased vinyl versions in extended mixes that can make your day. the merits of van bonns releases on telrae, trapez and on van bonn records you can find in his new release -unbound-. the attractiveness of repetition has made its way into this ep... and it was a good choice. we kick off with -king-, a track which is a cross breed of a stubborn beat and a dub techno feeling showcasing a melodic intermezzi that flies in and out with a mind of its own. more minimalistic than most of the tracks you know from him, it includes unexpected half baked sounds you would not expect from van bonn. on the other hand the epic 10 minute monster -distinct- is a real dub techno giant and a soundtrack at the same time... with beats that take you by the hand.

the first full length album on junk yard connections, an album created by your planet is next. in a limbo of being narrative and abstract this naiv music turns up side down of different values in the music biz. screenprinted cover by artist himself, all copies numbered. your planet is next is also the other half of laguna ladies.

es heißt schleunigst aufzuhorchen, sobald good guy mikesh neues material auf riotvan droppt. auch wenn es schon eine weile her ist, das letzte, seinerzeit noch an der seite von filburt auf riotvan aufgefahrene -no other- klingelt immer noch als eine der unwiderlegbarsten house-hymnen der letzten jahre in unseren ohren. die aktuelle ep triggert da zwar weniger den großen singalong-hunger, formuliert aber dafür in immer wieder neuen schattierungen den selbstbewussten entwurf eines ganz eigenen elektrifiziert-verwaschenen house-begriffes aus

are we all tired of the *artist returns after number years in obscurity* headline yet? because michna sure is. nearly seven years following the nyc dj/producers debut album for ghostly, magic monday, he has finished the official follow up to that record, but adrian yin michna doesnt want to overstate what happened in the interim. *life just moves,* he starts casually, *there has been a lot going on.* dj gigs, music production for video games and commercials, and film scoring have kept him busy, along with a healthy balance of painting, biking, and other non-musical endeavors. in light of michnas sophomore lp, thousand thursday, though, it all seems beside the point. simply put, his latest record is a celebration of the producers love for vibrant electronic music, bothering very little with conceptual or contextual baggage.
the vinyl lp includes a code for free download of the full album.

stories of prison sees timothy j fairplay returns to emotional response having helped shape the identity of the label in it s infancy with the release of somebody, somewhere back in 2012. a lot of music has come from both artist and label since then, with fairplay s reputation as a solo artist fully established thanks to releases on a myriad of labels. stories of prison is a mini lp rich in the musical intensity fairplay has instilled in all his music to date, yet there is a daring sense of diversity at play too. from the effervescent dubbed out house toughness of opening track -the quay-, fairplay veers into subaquatic breakbeat, deep synth love from outer space chuggers, and other late night sonic treats

undoubtedly & massive early 90s revival techno. both tracks spanning on their own full sides between several themes each - unlike much of todays poorly produced and reduced retro dance music. two other parts of this collaboration will be released on klasse wrecks and grafiti tapes respectively. blip!

200 copies pressed. the fifth instalment of madrids eleve label is here in the form of a new various artists. this new piece of wax brings together a mixture of talented artists, both internationally respected and also newcomers emerged from madrids underground scene. dutch dub techno figure mohlao, known for his releases on meanwhile, field or other heights labels, delivers a lo-fi deep techno number more dancefloor oriented than previous works. well known eleve artist, bule, contributes to this reference with a strong track in line of his previous releases on the label. deep and thick, rooted in 4×4 ambient electronics. spanish berlin resident, wil, sees his debut track on the label, schoenhauser 176. layered ambient techno with the feel of classic dub sound. lastly, co-owner of grounded in humanity label and eleve collective participant, gblanco, makes his debut on the label. his track is the fuzziest, dreamiest and deepest of the compilation, providing the perfect chilling experience.