for the second release on his young label, code is law, moerbeck has brought together four producers who all in different ways converge on the idea of >wolves<. eomac demonstrates his exquisite sense for harmonies, sawf spirals into the convolutions of your brain with his vocal track on >system< and the newcomers janzon and hound scales slip in their take on industrial sounds. four tracks with emotional depth that create a powerful pressure on your chest that you cant evade. … the wolves are coming

fresh new uk label with two killer tracks that will turn some heads. amazing piece of house music that is working like madd without using the standard cliches. a accomplishment by this young producer neinzer in these days of looking back! opening with a funked up track that goes somewhere between things we know from shake and recloose but comparing it to others isnt doing the track any justice. flip side cranks the tempo up and gives a mad techno piece with some sample trickery. best start a label could wish!

following on from the release of david ks well-received sneakers & playground ep, the unnerving pairing of nico & pherox (aka tim querengaesser) return with a record that is veiled by in a dark and mysterious shroud. nico (previously known as verena) is a young and fresh female artist, influenced from an early age by the classical work of her father (who worked as a music composer), whilst pherox is a more familiar presence in todays deep clubbing landscape, having released on mupa, catenaccio, dumb unit, stock5 and his very own label, slash. on this ep, the pair explore a broad palette of sounds, taking in italian horror film-esque chords, chopped and screwed vocal samples, rolling basslines, soothsaying vocals, drawn out fog horn stabs. this is deep music, flavoured by the nocturnal, tinted by the eighties, and ultimately full of originality.

russian ol and scottish ¥oin are two young producers with something to say. on the ascent as emergent artists and off the back of excited feedback from their respective solo releases on error broadcast & tuff wax, ol & oin are in collaboration mode for the sink ep on fine grains.

wheel & deal records presents the long awaited first album from the young, eclectic and talented dj / producer benton. following a stirling release catalog with wheel & deal, benton gives us his deep, dark dose of uk bass. benton brings dubstep, dnb, jungle, garage, acid house, dub & grime in to the mix, showing a knowledge of underground dance music but with a fresh, unique take on genre. reflections is a innovative and deep musical journey.

limited edition of 500, housed in debossed sleeve, individually hand numbered.
the first in a series of limited edition 12 inches aimed at the dancefloor. ivvvo, a young producer from portugal with previous form on opal tapes and is closely affiliated with the photonz crew - the future ep presents his most exciting work yet. six transmissions long - vinyl scarred, abrasive and heartbroken, ivvvo reaches into early uk rave music for inspiration, but twists the end-game.

off053 - marlon hoffstadt & dansson - hot stringsoff recordings jumps back to its headquarters and brings on the young talented production duo of berlin-based marlon hoffstadt and dansson. sounding promising with releases already scheduled on play it down and stil von talent

some serious tracks on the new dogmatik! produced by kuba sojka, a young producer and musician from mystowice, poland. with releases already on matrix records and mathematics, demonstrating his techno and house inspired sound, he continues the theme here with the you cant take it ep. delivering three tracks of chicago and detroit inspired grooves to round off another quality release on the dogmatik label... recommended!

i m going to spoil everyones fun here and now and tell you (if you hadnt already worked it out) that it is luke, spelled backwards. simple. why luke? again, simple - the young gentleman who penned these glorious ditties goes by the name of luke campion. a name to remember.
you may remember campions debut release - apparitions this time last year. lukes sound has matured and developed since then, and aprwax004 is his latest statement piece.

for its 15 years old, qalomota rec. brings fresh blood into the family. fab_o is the new young producer who produced this excellent ep where you could taste his skills. old school house with groovy bass and voice on a side, you will be surprised on b side with these 2 others beautiful tracks. no need to speak or write about music just listen and feel it. house music for body and soul as usually on qalomota records!

teona will lead the third and penultimate stallions gallop along with home bosconi records. starting from dry scream by alex picone, a forest full of warm sounds and rough that only analogue instruments and a tape recording can give. follows, always on side a, quanto tempo ci rimane a track of the mysterious matrix nightdrivers edited in terms of house by label boss fabio corcos. the vinyl rotates, thoroughbred gallop in the b side, where they find themselves in a syncopated bassline with dirty vibes of i.f.ms, aka marcello napoletano and fran mela, and a broken rhythm and essential characterized by a hypnotic groove that aims at creating an atmosphere featuring in dark clouds, produced by young people from home bosconi, herva and marco daquino aka lifes track.

2nd remix single from latest eddie c album country city country. our favorite three producers bring us epic remixes. already supported from dj harvey, todd terje and many others ... enjoy!

for its 2nd 4 track v/a ep foto welcomes more new artists to the roster in the form of andy hart & max graef (au), mermaids (uk), and riff clichard (outer space). label boss ooft! also contributes a track on the a-side, with the wallowing jareths revenge blending strings, samples, bass and more into a 110bpm roller. next up the aussie dudes andy hart & max graef craft a funking slow house jam in the shape of dem young jabronis, all warm chords and bumping beats. over on the flip mermaids show why theyre some serious contenders for a big breakthrough this year run with the night shifts through the gears for 5 minutes before breaking into downright euphoric territory. rounding things off the mysterious riff clichard takes some time out from polishing his intergalactic jensen interceptor to chop up some 80s beats to give us through with love.

andres zaccos very own greener imprint is back with a brand new 12 inch release. as you can already tell from the labels frequency in output (the last 12 inch, andres zacco & franco cinellis the secret mission ep came out in may 2011), greener places its primary focus on quality, not quantity. for this fourth outing, greener is glad to welcome j.c. – a young, up-andcoming producer from madrid, who presents here his personal take on techno. both titles on the m-theory ep put forward a fine mixture of unyielding, grounding rhythmic structures and mesmerizing synths, building into grand momentums.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

rounding up the finest of our rare breeds for a show-stopping steeplechase, bosconi is proud to invite the world into our stables to demonstrate the sound we have been rearing for the past five years.leaping from the stocks in a flurry of high-pedigree house and techno, our stallions bring forth the values we hold dear in electronic music, from young foals such as herva and nicholas to seasoned steeds like a guy called gerald and nick anthony simoncino.
the first of the four records of the saga bosconi stallions is here: in honor to apacz between house and disco, he will be the first thoroughbred that will guide us through the first stage of this historic project that will revolutionize bosconi records. in his adventure will come accompanied by herva foal to race, with its powerful stay, followed by rondenion with the dawning output sunrize that bridges the solar put the man out of riccio until the darkest voices of san proper & the clover. it is the beginning of a long ride but absolutely pleasure.

honing his craft from his live-in studio above a south london public house, william arcane weaves striking vocal leads through impeccable electronic production and sound design.having experimented for years, permanence represents a young producer reaching maturity. william arcane has created something incredible incorporating sounds found in londons clubs, streets and his own beautifully considered vocals.

having spent more than seventeen cross-genre years featuring on some of dance musics most prestigious imprints, blu mar ten have opened the doors of their own label to a host of fresh young talent emerging from the leftfield of drum & bass and beyond. blu mar ten music (bmtm) is a home for the beautiful and the ugly, the elegant and the awkward, the euphoric and the melancholy. the seventh release in this new chapter is brought to us by upcoming estonian producer, thing who joins bmtm with his trademark tribal, dubbed out audio. the sound of the frozen north.

on our never ending search to provide you with uplifting, energetic and soulful tracks, we stumbled upon a young dj duo from the netherlands that have only just begun their story and yet have their sound locked down. new jack city seem to understand exactly what it is we re looking for and have crafted three splendid tracks purely for the enjoyment of others. to top it all off we ve enlisted signor gianni siravo a.k.a. washerman for a remix which captures the spirit of tomorrow is now, kid!we hope you enjoy this ep as much as we have creating it

comeme, ever appealing to dancefloor conmen and always a haven for young, gifted & shady strangers.

vampire weekend veröffentlichen mit modern vampires of the city den höhepunkt einer trilogie, die 2008 mit dem selbst betitelten debüt begann und die zwei jahre später mit dem hitalbum contra oben in den charts landete (nummer eins in den usa, platz 15 in deutschland). die tracks auf dem album erzählen von einer belebten city aus stimmen und visionen, vom tod henry hudsons bis zu dem orthodoxen mädchen, das sich in einem falafel-shop verliebt, von hannah hunt, die die new york times an einem entfernten strand zerreißt bis zu dem tödlichen kronleuchter in everlasting arms.
inklusive cd-version des albums.

hes such an old romantic...more reflections from the tropics courtesy of king kivits. 1990 says it all - lushed out strings, diva vocal snippets and rave stirring sine wave set the scene while varck lets the beats roll.. in trademark fashion. the b side is absolutely nuts and really smacks - truly something else! art again from the brilliant young cosmo knex (who must have been about 4 yrs old in 1990)..tip! scntst &#8207,at scntst aardvarck you are a genius!

frole records presents the second vinyl release, this time a producer from the netherlands. detache is a young producer influenced by detroit, deep house and modern techno. u010011 is the typical detroit track with an undoubted feeling to it. featuring a dubby atmosphere, playfull synths & dreamy pads. the remixes are made by anonym (sushitech and francesco bonora (abstract theory) & mirko (etichetta nera) who are staying in this dreamy realm. the track is made at a lakeside which is portrait by the artwork. valley of shadows is a deep track that is characterized by the dub sound from berlin. a solid tune full of deep chords and pads that transcends the mind.

antigone is an artists coming from the depth paris producing and digging for several years now. the three tracks are a travel in to different style of techno with the intention to reach a certain emotion that is close from nostalgia and really deep feeling. the challenge of this work was to find a good balance between sound and colour, focusing on an old sci-­&#8208,,,fi landscape. with a really mature perception this young artist is developing his own sound, a detroit atmospheres, openly characterize this ep, but it remains antigone work at the end with all his sense of details and perception.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

more jacking beats from a young talent on robsoul.

paula temple joins the r&s fold as the first female solo artist to be signed in the labels 30 years history. her first release speck of the future was way back in 2002 and gained her the support of jeff mills, claude young, dave clarke and the late john peel amongst others. after co-developing one of the first midi controllers for dj/live performance and teaching kids in her neighbourhood how to dj, paula temple finally returns to her first love - techno music.

freakadelle, the vinyl and digital record label of salzburgs cultural association freaksound starts with four extended tracks and one remix of gerald peklars album freiflug, which has been released on lamb lane records in january 2013. the uncut vinyl versions of the tracks all have a melodic and spherical touch in common and stand somewhere in between tech-house and techno. in addition, juergen vonbank delivers a moody deep house remix of the track abflug. gerald peklar is founder and head of the non-commercial electronic music club freaksound, which serves to foster the local scene and especially young musicians. freakadelle embodies the club members subcultural understanding of innovative non-commercial club music.

antime a young berlin based label founded by martin steer (frittenbude / pandoras box / midimum) presents the v2 compilation, the first official vinyl release from a crew that has devoted itself to the different genres and varieties in electronic music for quite some time.

d.fine is a young house music producer from bordeaux, france. his house renditions of popular hip- hop songs like asap rockys *wassup*, mercy, and the weekns zone are what originally garnered him the attention that he is currently enjoying. foul & sunk is hosting the three-track ep from d.fine titled backyard slated for release next month. the melody he creates with synth over not-so-unusual house beat arrangements, his very own bass, the rap gimmicks hes still fond of, and the smooth atmosphere he is putting us into you will recognize for sure. foul & sunk label head shaddy is delivering the remix to elle..

shoot em up ep is the result of such a great collaboration between moan heads artslaves and the french young talent loquace, already known for his awesome releases on labels such as upon you, little helpers and the new one on be as one records.

release number eight on london house maven george fitzgeralds manmakemusic label, the laszlo dancehall ep, connects two of the uks most exciting young producers: leon vynehall and christian piers. the sample driven crunch of vynehalls earlier productions on manmakemusic can be heard loud and clear complementing the canny but irresistible percussive and vocal shimmies of piers. aside track gave up, championed by george fitzgerald on his recent bbc essential mix for radio one, sets the pace and aims straight at the dancefloor with its strange sonic palette, at once euphoric and gritty. on the flip we get aint no time on which vynehall and piers give us their interpretation of classic house. the final track, manley harrison, is the strangest and arguably most original of the bunch and leaves the listener in no doubt as to why there is such a buzz about these two producers at the moment.

diamond version craft music that is somehow simultaneously futuristic and archaic. on the surface, its static effervescence and mechanistic precision evoke the march of technology and the sinister detachment of late capitalist society. but it affects listeners on a more instinctive level, interfacing directly with the nervous system and rendering the polyphonic chatter of the bodys impulses crisp and cold. there is something oddly permanent about they rhythms they unearth, as though theyare simply tapping into a deeper pulse that has always been present within their circuitry. diamond version is a collaborative project between two of the most groundbreaking, experimental and forward thinking operators in modern music, olaf bender and carsten nicolai. as joint heads of the berlin-based label raster-noton and with solo projects alva noto (nicolai) and byetone (bender), for over a decade they have been releasing work that spectacularly blurs the lines between the visceral and the conceptual, bridging the gap between gallery and dancefloor. diamond version release the latest instalment in their series of eps leading up to an album in summer 2013.

following on from his long awaited album ku:palm in november of last year, we now see its lead track pyramid get a vinyl release on photeks own label, photek productions. the eastern instrumentation and spacey beats may not be apt for every dance floor, but for fans of modus operandi era photek, pyramid is an essential tune. on the flip we have oshun, another track from ku:palm this time remixed by beneath, a producer that began making waves last year with a series of 12 inches on his own label, no symbols and a cracking mix for fact mag. he has gone on to release the illusions ep on dusk & blackdowns keysound recordings, as well as a 12 inch on pinchs influential tectonic recordings. mixing the darkest elements of funky, dub and syncopated grime with a distinctly uk edge, beneaths complex layered beats result in a truly unique sound that is a perfect matched to remix fellow experimentalist photek. a young producer that clearly knows his shit, beneath is a breath of fresh air.

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

following the debut 12 inch from young blood happa, fledging london label church break into the year with their second official release from up and comer rumah. following his debut collaborative 12 inch on nineteen89, the double a-side release exhibits a maturing of the producers sound and cements his allegiance to affront, dance floor ready techno.

the latest offering from san franciscos icee hot label finds the young imprint officially welcoming another artist to its gradually expanding roster. that said, contakt isnt exactly a stranger. the michigan-reared, new york-based producer is one of the founders and resident djs at brooklyns turrbotax® party, which has long been a sort of sister party to icee hot. contakt has previously released music for respected outposts like local action, grizzly, and dutty artz, but nobody else and tessera 04 find him taking an important step forward as an artist, delivering tunes that are richer and more really realized than anything from his past. particularly on nobody else, contakts flair for big-room melody remains intact, but he takes notes from classic kms, filling out the songs cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. tessera 04 goes deeper, channeling maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. on the flipside, icee hot resident ghosts on tape continues his recent hot streak, infusing nobody else with punchy drumwork and a potent rave sensibility. detroit legend robert hood then rounds out the release, transforming tessera 04 into a pulsing and purring slice of heady analog techno.

incl. smash hit locked out of heaven !

dalhous is the latest collaborative incarnation of marc dall and alex ander, who have previously released on blackest ever black as young hunting. the change of name reflects a new clarity and conviction to their work, and while certain sonic signatures, not to mention certain extra-musical influences (particularly the films of jack bond and jane arden), have carried over from their last project, they are handled here with a newfound sophistication and restraint. mitchell heisman marks the beginning of a new chapter in the precocious duos development, and heralds dalhouss debut album on blackest ever black in 2013.

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

what did you do the year you turned 21? hip-hop prodigy fashawn earned a spot on the cover of xxl magazine, toured the world and built a rep as one of raps new rising stars. fashawns debut album, *boys meets world*, was heralded by critics and fans alike as one of the best albums of 2009 for its gritty, streetwise and intelligent rhymes. some even compared his introductory opus to nas brilliant *illmatic*. it was enough for xxl to name fashawn to its list of hip-hops best freshman.
fast forward to 2012 and over 200 shows and 2 mixtapes later fashawn is back in full effect with his latest release *champagne and styrofoamcups*. featuring taylor gangs wiz khalifa, mfn mr. exquire, kobe, k young, chevy woods and more champagne and styrofoam cups is considered a top release in 2012. working with boy meets world producer exile, fashawn also called upon hip hops next generation of producers in dj dahi (kendrick lamar, dom kennedy), rahki (eminem, 50 cent) and classic west coast producers jake one and hecktik.

nice price deal !!! hot on the heals of the retro010 – ajello which is continuing to get hype comes an e.p. from an artist we have been following for quite a while…heion! if you havent heard of the young talented romanian, which is pretty impossible, regarding his output over the past few months, you now have the chance to catch his vibe.

the first in midnight shifts vinyl-only remix series sees festival headliners deetron and secret cinema provide their dancefloor interpretation to the labels debut release. basic soul units cool a2 black ice, is re-edited by none other than deetron, the swiss native with a prolific and starry discography to his name. he turns black ice on its head, leading with its running bassline first while letting its crystal notes be polished to a bright, blinding shine.
already much supported by the likes of shackleton, josh wink, bleak and dixon, eddie niguels absolute, has been circling the circuit to great effect. here, netherlands secret cinema aka jeroen verheij pumps the mental factor up sideways with an infectious, relentless groove that holds back just enough to keep you wanting more. coming soon to a dancefloor near you: rmx001.
already supported by agoria, dubfire, ame, claude young, vince watson, chymera, andy baumecker, tensnake ...

through the fresh wind of young artists coupled with the experience of renowned remixers, embi music will continue the central theme and is going to the third vinyl round!

this four track ep is a wonderful addition to any deep house and minimalistic collection and showcases the skill of a young and coming producer as well as the experience of long time perfomers and producers

soulmusik ist zeitlos heißt es, sie schafft es die höhen und tiefen des menschlichen gefühlshaushalts auszuloten und abzubilden, wie es kein anderes musikalisches genre kann. sie hat sich in den über 50 jahren ihres bestehens nur durch den technischen fortschritt der produktionsmöglichkeiten verändert. ihr ewiges thema, die freuden und leiden des alltags, änderten sich hingegen nie. warum auch? wer also bei al & the teenagers mit dem lästigen retro-begriff kommt, verkennt das genre soulmusik. das sich al & the teenagers dabei an der blütezeit der musik orientieren, ist nur folgerichtig

innercity records is the new label from mark horsfall (horsey brothers/amenti music/kaluki) and danny stott (aka roland nights - amenti music/lost my dog). the label, based in manchester and launching in early april, will release a series of various artist eps. volume 1 features 6 artists that represent the very best of what the deep house scene has to offer right now - the well established giom features on the vinyl release with dale howard , leigh d oliver and roland nights, while young brazilian star gutto serta and welshman casey lee jones complete the digital release which will follow a month later. mark and danny state, innercity is born out of a raw passion for proper house music. remaining true to the spirit of house music is our primary aim, which does not involve trying to strictly emulate the music of days gone by but finding house music made out of love for the dance floor.

from noel jacksons hypertone label. this 12 inch from london young gun producer starts with a pounding bassline, eerie vocals and shuffling hats. the anthea 4 luv remix follows with a solid groove. on the flip, sats delivers a unique dark mutating synth & a killer bassline that also receives a remix from randall m.
limited to 250 copies and no repress

with *canyons* rivulet records releases another debut from a young artist. niklas krafts aka talski musical roots are basically jazz and freejazz and he is active as a saxophonist and keyboarder in some relevant combos like klinke auf chinch, eder or the niklas kraft quartett to mention only a few. as talski he presents his very own variation of deephouse. doleful chords, cheerful drums, sophisticated sample-work but mainly the sound of his analog hammonds and junos build up the charm of his tracks. it is hard to specify his sound but after all it ranges somewhere between electronica and deephouse. the danceable part of the ep is a classic deep-house remix produced by the leipzig based duo boytalk.