across the ‘hidden paradise’ lp demuja showcases his powerful and emotive production style with dusty, jazz-tinged cuts like ‘still do’, ‘hang on’, ‘you smile feat. ainy’, ‘hear that bassplayer’ and ‘my jazzy wung’ employing the producer’s signature style via soft rhodes, hooky horn samples, organic bass grooves and soaring vocal samples. ‘still do’ and ‘keep doing’ also explore a more dropped- tempo disco aesthetic on the project with funk-infused bass, infectious guitar licks and shuffled, loose drums.

this eight-track double vinyl album collects the strongest disco mixes to appear on the label. five are by moulton and others are by issy sanchez and hippie torales. generally only originally available as promo 12”s or within commercially released albums, they are fine demonstrations of the skills of the mixers as well as the talents of the artists. the music stretches from the extended soul groove of the detroit emeralds’ “feel the need”, to the proto electro sounds behind the clark sisters’ “you brought the sunshine”, and includes cj & co’s “devil s gun” - the first record to be played at the iconic studio 54 - as well as obscurities by eramus hall and the crowd pleasers.

record store day 2018 release limited to 3000 copies. includes a 24 page justice league comic book and folded 24x36 inch justice league poster in a clear vinyl sleeve with rsd sticker.

2018 repress in plain white sleeve.
critical come extremely correct once more with what is bound to be an early summer smash as a certain dub phizix picks up where the almighty marka left off. teaming up with fellow manchester scene stalwart fox proves an inspired choice here which critical just couldnt ignore, so invited him back to drop these two more astonishingly fresh tracks for this, his second outing on the label. simply put, >never been< is baaaaaad man business. a lean, stripped back percussive intro leads us to a breakdown where fox greets us with the sickest of vocal hooks that you will be trying to decipher until the end. when the tribal half-time break drops its time to bounce as the undulating b-line rolls heavy throughout with dub phizix teasing with awesome drumedits and amen shakedowns. riddim! cinematic soundscapes and a solid beats combine on >codec<, a more bass-led slab of equally dance floor drum & bass that retains the dub phizix air of originality with an experimental break the kicks like a mule. another winner without doubt from a very exciting splinter cell coming out of the north of the uk right now.

having previously caused a sensation with his releases on labels such as enchufada and naafi, siete catorce delivers four supreme cuts for his hypermedium debut, packed with his futuristic rhythmic craft and his highly hybridised sonic language. agnosia finds the mexicali-based producer joining the dots between cumbia’s seductive syncopations, the entrancing club-driven beats of tribal guarachero and ruidoso&#769,,,,n’s spooky experimentation. merging mexican traditional rhythms and contemporary dance motifs, the ep’s playfulness is further highlighted by imposing basslines, airy synths and eclectic glitches - its occasional sparse atmosphere quickly escalating to reveal some intricate, compulsive drum work. exquisitely intense, agnosia is undoubtedly siete catorce’s tour de force, revealing in every detail the finest textures of an ever-expanding affective continuum.

left hand path is proud to present its fourth release - ice pick, a beautifully aggressive four track techno ep from bay area troublemaker michael claus. following acclaimed releases on jacktone and 100% silk and his unforgettable remix on our last record by nackt, ice pick plays with (and against) modern movements in underground techno to satisfying effect. while michael s previous releases featured a gorgeous dub-infused atmosphere, ice pick steps towards a more militant sound. its eponymous title track is described perfectly by its name - a lethal rhythmically compelling club track primed for the peak of a late-night dj set. for each has the listener ascending an endless staircase of arpeggios, chased by raw electro beats. hexes is introspective, reinforcing michael’s talent for writing sublime melodic hooks. the record’s closer acid 46 is a bonafide dance floor stomper built around an undulating, coruscating acid riff, giving it a kaleidoscopic bay area twist.

additional 12inch with exclusive tracks from svreca - arquitectura del sueno cd-mix. featuring michal wolski, alan backdrop, von grall and milena glowacka.

dutch artist and producer ian mono presents his first release on his new label. straight up, no nonsense techno but with a slightly oblique edge that takes us over into dub and experimental territories from time to time. in oceans is a three track ep which covers echobound’s statement and ideals right from the start.

belgian new beat and trance influenced tracks by betonkust, innershades, robert d and deris.

yagyas rigning album from 2009 is the icelandic producer s most acclaimed dub, techno and minimal masterpiece. due to popular demand, delsin are now re-issuing it across three slabs of vinyl. previously only available as a double pack with eight tracks, the new re-mastered version features all 10 of the tracks from the original cd. gumundsson has been making music for years both solo and as part of the thule musik collective. he is an album specialist who has worked as yagya since 2002 and has put out six albums since then. they come on labels like force inc and sending orbs where rigning was first released and manage to be both absorbing and detailed yet suitable for relaxing background listening. his last two albums, sleepygirls (2014) and stars & dust (2016) appeared on delsin records. rigning is essentially one long track split into movements. it depicts a city sleeping as gentle rain falls and dubbed out grooves zone you out. yagyas style is always patient and slow burning, his grooves are long and drawn out and his pads reach up into the heavens. this whole album in coated in a warm fuzz and is a real comfort on dark, long, cold nights. as insular and melancholic as it is, there is also plenty of beauty in the melodies and delicate keys. from dark and gloomy to more optimistic and meditative, there is a sophistication throughout this always cinematic album that continues to make it stand out nearly a decade after it was first released.

gothenburg based tora vinter brings a sonic journey of two genre defying tracks to bror06, coming from releases on her own my sonic mountain imprint and remix work for fever ray (rabid records). arriving from an impression inspired by female characters of one thousand and one nights, tora starts the ep with the emotive morgiana, presenting minimalist layers of classy percussion over an eight minute bassline workout together with veraluz’s impassioned vocals. following up the a-side is the lush and evocative sheherazade, bringing the listener from atmospheric soundscapes through suggestive drum patterns - featuring a spaced out, stepping remix by dj lily.

after an excellent 12inch on rosten label sstrom drops his first full length otider, which is by far the most diverse offering of the project encompassing elements of different genres and putting them in woolen and dense sonic textures. otider could be loosely translated as un-times or non-times. it positions the tracks out of specific context and rather represents them as some rediscovered artifacts relating to personal experiences of the artist. otider slightly distances sstrom from techno label as the compositions elegantly drift between lush transparency and thick grooves of outsider/lo-fi house as in kronofobi or svvaren or sensitive, yet subtly monolith and mellow techno on damm and i huvudet. in modernisten we can even trace echoes of coldwave/synth aesthetics with melancholic guitars sweeping over hypnotic rhythmic patterns, while closer sov nu introduces something which reminds a darker form of garage music with light synthpads constantly surfacing among raw mechanical beats. all the tracks were created over a relatively long period between 2010 and 2017 by employing the process where he let his hands work automatically without interference from his head. this freedom could be felt across the release, which juggles with different musical forms so lightly and organically, but at the same time maintains a coherent vision, which illustrates the vast scope and diversity of the artist.

steve pepes danza moderna takes cues of all manuel cascones musical experiences (from no wave to weird pop, from sound scores to abstract ethno music and even children music) and puts them inside the big container called dance music trying to demolish some of its automatisms. the result is seven tracks that feel too alive to enclose them in a genre. music thats playful and transcendental at the same time, with the kind of natural and effortless feel thats so hard to achieve

after releasing a brilliant and stomping three-tracker on kontra-musik white label last year, ex-durian brother harmonious thelonious returns to the kontra-musik family with an absolute gem of a record. this is everything we want dance music to be: characterful, playful and impossibly funky. harmonious thelonious is a master of crafting organic sounding rhythms but arranging them in a manner that reminds one of a 1970 s car factory. primal pulses running through modern assembly lines, gears and pistons covered in green lianas. the result is a perfect symbiosis between living tissue and mechanical parts - dance music for primitive cyborgs.

after a number of dance-floor’esque releases and live performances as a modern day acidhouse crooner, your planet is next stops the sequencer and takes a trip off the grid on the new label gröna stugans väg. 60 minutes of glittering lo-fi compositions, to accompany you perhaps while in the bathtub, meditating, painting, or swimming. the artwork folds out to a mini poster made by ypin himself. c60 cassette, limited to 140 copies.

debut 12inch for poperttelli on maturre, a 5 tracks ep jungling between electro and ambient pieces, with a bristolish bass remix made by grammar of movement. artwork by the talentuous maycec.

special packaging edition. uriah heep’s 1971 lp, which established the band as an international arena act. the original lp on 180g vinyl remastered by noted engineer andy pearce. presented for the first time in “mirror-board” packaging.

recorded in philadelphia in 1969, the deirdre wilson tabac’s sole album is a beautiful blend of funk, jazz and soulful pop. possessing the complex grooves, thrilling breaks and ethereal weirdness that the rotary connection pedalled so brilliantly, the lp failed to connect with audiences upon its original release.
in the decades since, it has deservedly attracted a considerable cult following. however, almost inevitably, it has become increasingly tricky to pick up a copy in good condition for anything less than eye-watering sums. as such, we’re delighted to present the first officially licensed vinyl reissue of this undoubted masterpiece of freaky funk-rock, limited to just 500 copies.

double vinyl in gatefold sleeve with 24 page lp-size booklet and download code for high quality wav / mp3 files.
a great compilation can open the gate to another world. who knew that some of the most exciting afro-funk records of all time were actually made in the small west african country of benin? once analog africa released the first african scream contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.
ten years on, intrepid crate-digger samy ben redjeb unveils a new treasuretrove of vodoun-inspired afrobeat heavy funk crossover greatness. right from the laceratingly raw guitar fanfare which kicks off les sympathics’ pile-driving opener, it’s clear that african scream contest ii is going to be every bit as joyous a voyage of discovery as its predecessor. and just as you’re trying to get off the canvas after this one-punch knock out, an irresistible afro-ska romp with a more than subliminal echo of the batman theme puts you right back there. ignace de souza and the melody aces’ “asaw fofor- would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-nat-king-cole-influenced lead vocal, it’s a total revelation.

the corner and this time we welcome aboard benny rodrigues which has been completely on fire and this project sees him with his own approach to deep house in vein of ny and chicago influences but in his own unique style and across the 4 tracker ep we hear benny rodrigues in a very deep driving & emotive way talking to us through his music!

2018 repress ... well. where do we start with deep inside ? originally released in the golden nyc house era of 1993, this 5 tracker literally smashed everything in sight. and still does now! the epitome of an evergreen, all-time classic release. masters at work louie vega and kenny dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. they are joined on this ep by a roll-call of names and collaborators, erick morillo engineering the title track? check. maurice joshua on co-production duties? you got it. vocals by ms. barbara tucker? they re there. killer, rock hard drums? stacks of soul? masterfully chopped up disco samples? all present. serious stuff. sometimes a record just manages to capture and distill the true essence of what this is all about and deep inside is one such record, it bears all the hallmarks of golden era maw, all the signposts of what was happening in nyc s clubs in the early to mid 90 s were there within it s grooves. you know a record is good when it s still being, quite literally, hammered nearly 25 years later! now, remastered, and reissued with the full involvement of strictly rhythm this seminal piece of nyc house history is made available again with all original, full sleeve artwork intact as per the 1993 original. this one s a straight up essential for any self-respecting dance aficionado. you know what to do!

there was only ever going to be one choice to launch first floor. not only is dubbyman the cover star of our debut publication of the same name, but he s also the face and sound of influential spanish label deep explorer, in-demand producer/remixer and long-time favourite with us. so the opportunity to collaborate on a special edition 7- vinyl release was one we couldn t miss. so far, featuring south african vocalist and musician ras vadah from the therapy collektive, is an extended version of the laidback, jazzy opening teaser from dubbyman s debut album deep is dead. deep explorer stalwart leo gunn, on remix duties for the first time, takes the same track and gives it a piano-driven, dance-floor focused spin. the accompanying fanzine not only includes interviews with both dubbyman and gunn, but also features articles on johannes albert, tommo & jonno, jesus gonsev, arnheim, sensible soccers and more.

norwegian duo ost & kjex make a welcome return to crosstown rebels. their private dancer ep is a masterclass in producing dance-floor ready rhythms. they welcome fellow norwegian whalesharkattacks to the mix to provide her dark yet dreamy vocals. we had a fascination with tinas private dancer since first being exposed to it by pat sharp on sky trax in the 80s. whalesharkattacks personifies everything thats cool about the 80s, so when we met her we knew we had to cut a version ost & kjex private dancer is as dark as it is melodic, with eerie drum pads and a medley of dreamt synths. norwegian vocalist whalesharkattacks, whose music has been described as 808 goth, lends a distorted vocal. on nightingale a burdenging bass adds a sense of urgency interlaced with vocals reminiscent of the 80s era. cosmic synths float side by side samples of beautiful bird song. a titillating work of art with a mesmerising beat.

mike huckaby, bergqvist, dj sports, raam and lns remix ‘deep soundscapes’, takecha’s album recently released on sweden’s love potion. released in march, the album incorporates takeshi fukushima’s work between 1990 to 2013 and affirms why the producer is such a respected figure within japan’s electronic music scene. now his compositions have been remixed by some of house music’s best, featuring renditions from detroit’s mike huckaby, aniara’s henrik bergqvist, the elusive raam, firecracker and regelbau’s dj sports, as well as wania and freakout cult’s lns. mike huckaby inaugurates the release with his sultry take on ‘low sentiment’, blending deep synths with murmuring vocals to forge a proper deep house cut. bergqvist then remixes ‘rhodes deep’ creating a bouncy minimal cut incorporating the original’s scintillating melody alongside meandering percussion and twisted effects, making way into dj sports’ remix of ‘gradual atmosphere’ with its intricate breakbeat drums and dreamlike atmospherics. raam then reinvents ‘calm imagination’ taking it into subterranean territories complete with infectious keys, until lns ties it all together with her mesmerising beatless reimagining of ‘factory 141’.

having pinned to perfection the sonics of the adriatic, croatias love international festival bottles up their blissed out rhythms and sunrise sessions for the inauguration of love international recordings, fittingly, with a first release from uk producer begin. bringing the love international feel to wax and digital, the label will encapsulate the range of music the festival’s secluded party paradise has become renowned for. all the way from the balearic tinges of this first release, to the meatier house, techno and electro selections on show at barbarellas. begin aka james holroyd has a long history with love international. dating back to the early 2000s, holroyd was one of the first guest djs at the old garden festival on the former festival site in petrcane. long serving chemical brothers tour dj, back to basics resident since the 90s and bugged out co founder, begin has long paid his paid his dues to the scene. in the words of dave harvey: hes been an absolute workhorse in dance music for time. love international 001s tracks seemingly fit the festivals own daily lifecycle. from the docile guitar picking of meditative ep opener wood trees to the slow daybreak funk of‘daypulse where synths pierce through the track like sun rays through the adriatic dusk, the ep is a holistic reflection of what one might hear at one of the festivals fabled sunrise sessions. garden interlude ushers in a fresh burst of energy, with the revitalizing sounds of piano house, paired with warming neo soul vocals. into the fun is a self fulfilling prophecy, closing the ep on a quintessentially balearic note.

minuendo keep things interesting on this latest various artists 12-, primarily focusing on owen jay and brian james on the a side for two tracks of adventurous experimentation on the wild frontier of minimal house music. the wobbly synth running through -niko s groove- is a real head turner, while -imagery- nudges the grand tradition of dub house into a new pocket of ambience that draws you in immediately. there s a lovely, classic deep house joint from untitled called -seafood-, and then blue vulva & the electronic crooner completely flip the script on the b2 with rowdy acid burner -vulbitch bazaar-.

sphonica’s white label series returns with a real deep house excursion by chilean producer massiande in the form of his ‘freedom ep’. massiande is an artist of multicultural roots. he was born in santiago, chile, yet he has lived most of his life alongside us american people and has dutch family roots, which has greatly affected the way he perceives and lives music. growing as a big fan of us soul, jazz and disco, he found his way into music production through house and his biggest influences have been artists such as larry heard, ron trent and chris brann (aka wamdue project).

danny mclewin (psychemagik) and jamie cruisey have a new label of original signed artists called spirits. the first release is from mexican hotness lokier of she made monster and jason greer aka the machine, one of the californian undergrounds best kept secrets. they met in 2015 at a festival in london and after spending a few days together, became musically obsessed with each other. that summer, as jason bounced around europe, he stayed with lokier in barcelona for some weeks and after long night walks, some tapas and absinthe bars they came up with their first ep together.

personally endorsed and officially licensed remix of ned doheny. a first for anyone, we were granted full access to the separate tracks of a ned doheny masterpiece. accordingly, claremont 56 maestro paul -mudd- murphy was selected to preside over the full stems for ned’s classic -think like a lover- and asked to deliver one of his famed remixes. his gentle disco rework blew us all away. an extended triumph of strung out balearic bliss, it is presented here on vinyl as a limited edition of 500 copies, complete with the dub on the flip. with mastering handled by the wonderful simon francis - engineer for both claremont 56 and be with - you know this sounds every bit as good as it feels. housed in a beautifully produced disco sleeve, designed by mudd himself, these will not be around for long. just in time for spring/summer parties and festivals, ensure your set is flavoured with this slow-motion, string-drenched gift.

today róisín murphy announces a series of four 12” singles produced by maurice fulton and released across consecutive months this summer through the vinyl factory, and shares the first pair of songs “all my dreams / innocence”.

limited tour edition of 2500 individually numbered copies on transparent audiophile 180 gram vinyl.
the soundtrack was composed by the german ramin djawadi, best known for his grammy-nominated score for iron man, pacific rim, clash of the titans and for the tv series prison break. the fourth season soundtrack also features a single “the rains of castamere” by icelandic post-rock band sigur rós.

first pressing of 1.000 numbered copies on different shades of grey swirled audiophile 180 gram vinyl. contains an exclusive 8-page booklet with pictures and liner notes.
fifty shades darker is a 2018 erotic romantic drama film directed by james foley and written by niall leonard, based on the novel of the same name by e. l. james. danny elfman wrote and composed the score for the movie.

mod21s chapter 1 carefully revisited by refracted, plant43, neel and marco shuttle.

** 2018 repress ** - a classic science fiction soundtrack album - outstanding & masterfully executed ** incl dl card & sticker**

(180 gr vinyl, pearl-stripe label artwork!) the eps lead track dalmatina kicks things off, taking the listener on a 9-minute melodic trance-esque journey that boasts a sublime evolving arrangement encompassing, a solid four-to-the-floor rhythm, intriguing percussive elements and a distinctive arpeggiated synth melody that takes centre stage.

this electro release from the umx label brings you this time a variation of tracks a1 is a powerfull electro release with some oldskool hardcore sounds a2 is a more intelligent electro mix on the b side the b1 version is a great track wich leans more to the techno site but with electro influence and the b2 track is a more traditional electro track like you expect from ocitin .

fullcover version! bold - the new born techno and techhouse label from berlin - is proud to present the first record from minigram, mastered by martin eyerer (riverside studios berlin). in 2016 minigram started to launch his own productions which allowed him to show his varied repertoire of music which also includes remixes of known and not yet known artists. over the past 20 years minigram has already carved out a career in electronic music as a dj. to create this sophisticated and immersive record that easily flows between techno and house, minigram is constantly playing with the expectation of the audience on the dancefloor.

2lp + download code to the full mix of balance 030 mixed by max cooper. this double vinyl. package contains a handpicked selection of cooper’s favourite tracks from the balance 030 compilation.

for the next installation of the wolfskuil records series, the dutch producer cadans aka jeroen snik returns to darko essers imprint and presents three dancefloor monsters.for the next installation of the wolfskuil records series, the dutch producer cadans aka jeroen snik returns to darko essers imprint and presents three dancefloor monsters. the ep opens with slit, kicking off with shaky rhythms and pounding drum patterns while entrancing vocals play in the background. on the flip side, dof serves up big room techno with a perfect tunneling frenetic groove and the eps final track plinky is yet again a heavyweight tool, with clever percussion, deep vocals and funky hi-hats.

lithuanian based label sodai started its journey in 2016, making it a label still in its infancy but making a big impression. owned by artist gardens of god, who started the label to create his own no limits platform for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and alex krell under their belt, they can announce the exciting debut from uk producer third son this april. ive been an admirer of gardens of gods music for a long time, when he asked me if i could do something for his imprint, i was more than thrilled! adds joseph. syncopes synths spread far and wide, making this a journey of a track, modulating and panning in and out, pushing and pulling along a percussive drive. his broad musical range can be felt in this mix, with its slightly hypnotic tones. irony has a punctuated low end, which creates a deep and dark groove. the synthetic elements in this track gain in attitude, on top of ambient pads, leading nicely into bach to close out the release. its driving and determined bass makes the backbone of the track, with a modulating hook line, along building and expanding frequency ranges. the whole package makes for a very strong first release from third son, and sodai are excited to be welcoming him to the family.

apollo proudly presents the return of sw, joined by partner svn for a sublime 6 track ep. sws lush sound design and hypnotic arrangements of 2017s the album had hearts and minds swooning following its license from sued to apollo. its balmy glory won over pitchfork (deeply expressive debut album 8/10), rolling stone (best electronic albums 2017) and xlr8r (best releases 2017) amongst many others. one year later, sw and svn have gone into the studio, together to make some original music specifically for apollo. the results are the 6 tracks on this ep, they share in a typically taciturn statement. taking inspiration from the iconic house and techno of the mid / late 90s - sw and svn combine dreamy melodies and mesmeric grooves with unfussy, focussed minimalism, their beguiling, modern take on classic sounds and rhythms remains thrillingly unique and elusive. while sw and svn are more comfortable out of the limelight, this 6 track ep for apollo once again proves that they are rightly worthy of the hype that swirls around them.

this ep is inspired by the idea behind a clothing shop in london, in the 60ies. it was a place that became a cult institution for artists and creatives of all kinds at that time, based on sharing ideas and imagination, and here the circle closes to this record. we want to take you on a musical trip, with this record full of branches and secret paths. the well-known remixers andreas henneberg, agaric and normen weber used their imagination to show the main track in completely different shades. straightforward and for the big dancefloor, as well as deep and warm for the secret festival floor in the grove. let us take you on the trip, here and now and forever.

it was vladimir ivkovic who introduced me to the world of rex ilusivii. a world where the spirit of a genius holds sway. i remember spending an entire night at vladimir s house in germany, listening to all those recovered pieces, and feeling like i had entered another space-time. mitar tragically left us, one november night in 1999 in brazil, leaving behind an extensive body of work consisting of more than 500 pieces, for the most part never released. being submerged in such a unique universe, so singular, brought me happiness. it also filled me with hope, because i tell myself that today there must be many other outstanding musicians who produce in the shadow of the traditional circuit, just for the pleasure of making music. listening to the music of mitar suboti&#263,, makes you part of his world. he did not stop producing from 1983 to 1999, in different styles, but with an instantly recognizable touch.his music also marries the evolution of recording techniques with new instruments that have appeared over this time, from the tr808 to the digital samplers. it took me more than two years to select the music for this record, as each time i listened to the material it revealed other details and other possibilities. i am extremely happy and honored to present this record to you, in which i try to do justice to the different, versatile- facets of suba.

written during the homecoming journey from amsterdam to detroit, the world is detroit marks the second full release from anonym under his dls moniker, a gloomy yet driving opus of more than 12 minutes. remixes on the flip from klakson co-boss and electro icon dexter and us-to-berlin associate kenneth scott.

limited coloured double vinyl in gatefold sleeve with dvd and download code included.

repress 2018 !!
runs so deep it puts your butt to sleep, to paraphrase actor/musician ice cube in his seminal hit it was a good day. and it is a good day for lovers ofhigh-grade house music.

rsf is a continously forward moving mesmerizing electronic/technoid trip through space and time. it is truely the most fascinating piece of 1970’s / 1980’s inspired music for decades. a new favorite album for fans of italo disco, 1980’s synth pop, berlin school, krautrock, techno,... released by berlin’s private records label which is spinning it’s circles already with a lot in demand musical pieces like black devil disco club, italo disco legacy, sex fever, captain future, starcluster & marc almond,... the musician behind rsf is roland sebastian faber. professional artist from london and producer of boy george, george michael, marc almond (soft cell) and a lot more dope stuff. album artwork by emil schult (former member of german cult electronic band kraftwerk). he was not only working as musican with the band but is also responsible for some of the most iconic artworks in history of music as for example autobahn, ralf&florian, radio-aktivität, trans europa express,... limited edition. this record looks awesome in your vinyl collection but will kill also all dancefloors around the globe. download code included!

for ‘disco club’ (1978) i worked with a drummer making loops that were adjusted, to create the hypnotic groove that is so special. despite the fact that it was all recorded in a professional studio (in a suburb of paris) i find this a very ‘artisan’ disk because it was all done using equipment that we now consider “home studio”. my producer, jacky giordano and i chose to use nicknames for the credits: he would be ‘joachim sherylee’ and i would be ‘junior claristidge’. as for black devil, that was the end result of this change: an extension of me, a new character. - bernard fevre, 2015