as we welcome another talented artist to our family we asked viken about the first part of a two part release and he told us it s really important to understand that this ep is a series of pictures telling a story. combining the names of all the tracks one gets this interesting and dreamy sentence, on a blue road a white shadow feels the winter. to translate these pictures into music, i needed a very particular sound. since i am a huge fan of jazz music i took one of my favorite records, used a lot of samples and reworked them in my own way. from the technical aspect, i decided to reconnect with my first love: analog machines. i love working with sound textures. i stayed away from my laptop and all my vst/plugins as i felt the need to compose these tracks in an unusual way: i wanted the sound to be really pure. that s the reason why this process was so essential for me. for me, this ep is the first one to sound like this. this is the first of two releases from a deeply talented soul. a patient collage of house, jazz, acid squiggles and deep emotion. played and loved all summer long by lee burridge at all day i dream, these tracks will stay with you through winter and into next summer.

turbo recordings is proud to present the definitive collection of remixes for planet e, tigas collaboration with hudson mohawke from this years no fantasy required lp. in fact, were so proud and excited that were going to jump straight into blow-by-blow trackdescriptions while the passions hot. 01 dense & pika remix hypercolour label boss alex jones and chris spero (aka glimpse) deliver what canresponsibly be called one of the years biggest chart-topping smash remixes. this wasalso released on counter records as part of tigas album deal, so at worst you have aspare copy for your bomb shelter. 02 danny daze polyester mix we have been trying to get this miami-based producer on the label for years, and thisremix is the closest weve gotten so far. sometimes life is about compromise, and if youget enough future-italo-electro hits like this one you may be lucky enough to forget whatyou wanted in the first place. 03 mele remix dont you ever dare say that turbo doesnt care about young uk producers. until youstop for good, well keep tapping talents like mele, whose love of brazilian beats, classichouse tracks, and trans-atlantic hip-hop shine through on this mix. but while genre checklists are great and vital and exciting and so much of the reason we do what we do, its the music thats the pudding youll find your proof in.

sting’s first rock / pop album in over a decade as black 180 gram vinyl edition in gatefold sleeve.

supported by oscar mulero, jonas kopp, the advent, zadig, blawan, pfirter. the fifth release on dimi angelis angls label is here, featuring four original tracks. opener eye of the storm v1 is all about its hook. powerful yet playful, its loopy nature masks raw, driving techno hiding underneath. a foundation that is also very much present in electric tree. the second banger on this side of the ep almost sounds like analog equipment in conversation with itself. trippy, moving and constantly changing. on the flipside, speed boarding is growling lead synth propels the track forward, opening up and showing a glimpse of its contained grit every now and then. closing down the four-tracker, eye of the storm v2 trades some of the raw feel of its a-side counterpart for a more introvert, subtle vibe, making it.

after releasing on george fitzgerald s manmakemusic label and hosting parties featuring djs such as avalon emerson, breach, christian loffler, dauwd, frits wentink, locked groove, tom demac and xxxy, asa 808 and his toys friends are dropping the first 12 inch on their own label. this young club collective is all about bringing friends of forward-thinking electronic music together and supporting young boundary-pushing electronic artists. on their first vinyl release, the classically trained musician and producer asa 808 (aka hasta la otra mexico!) delivers three heavy, melodic and ominous techno cuts.

having previously turned out some refined club tracks for friendly neighbourhood label banoffee pies, christian jay comes to idle hands for his debut solo 12inch. as revealed in our past support of artists such as i.a. bericochea and matt karmil, an appreciation of the finer end of the minimal house and techno spectrum weighs heavy at idle hands hq, and christian embodies everything good about the micro-genre. the stylistic approach on this single is consistent across both tracks, fusing shuffling, 2-step fuelled drum patterns with blissful atmospheric content in a most natural of ways. on 117 this manifests in a more flamboyant end result peppered with playful hi-hat tones and delicate melodic licks, while on contrail the mood is resolutely low-end focused with some choice bass touches in amongst the tightly wound funk of the beat. what makes jay s efforts stand out is their immersive finish, using dexterous doses of dub processing to create a quintessentially bristolian mood while retaining the razor-sharp edges of upfront european minimal. its a tone that speaks to limbering up at the start of the party, or shaking down deep into the morning. that said, we could listen to this all day and night.

barnaby carter ist ein musiker, pianist und maler aus bristol, der mit while it still blooms nach drei eps sein debütalbum für das berliner project mooncircle veröffentlicht. barnabys sound verzichtet weitestgehend auf aggressive beats und frequenzen und vermischt organische instrumentierung mit ätherischen, elektronischen soundlandschaften. die limitierte vinyledition erscheint in farbigem vinyl mit mp3-download coupon. stimmen: what an incredible musician! love that! sam bonham (bbc introducing, uk) very calming sounds but also very open sounding and very live at the same time and just another great track from the excellent label project mooncircle. nick luscombe (bbc radio 3, uk) barnaby carter set about nailing down his own, totally distinct, universe. robin murray (clash, uk)

theres already a huge buzz about this release, with the likes of gilles peterson, simbad and lay-far showing their love for these dance floor killers from aroop roy, whose recent work on gamm and basic fingers has been a runaway success in both mainstream and underground scenes.

the kloom surfaced one night in dusseldorf through members of autarkic, naduve, stabil elite and more. this is what they have to say about it: -kloom, in hebrew, nothing. the kloom were not a one-day-band. they did it because it was there, all around them. whether we like it or not, the kloom surrounds us, envelopes us, makes us confess that it really exists. and you, sitting now in front of this screen, you are literally touching the kloom, an illusion that in its exceptional complexity makes you feel like you have the option of joining the other 20.000 newcomers. who will be credited for future kloom productions? no one knows. is there even a point in that sort of thing? it just doesnt really matter, because its too fun to bath in kloom

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

rroxymore’s music is an intriguing, one-off blend of contrasting textures - organic and synthetic, icy and warm - a fresh step in dance music. real name hermione frank, the french musician and producer has a long history making music in various ways, with various people, before settling in berlin and concentrating on the solo project that refines it all.
as rroxymore, she released her epic 10-minute debut “wheel of fortune” in the summer of 2012 - half of split a 12” with planningtorock on the latter’s own human level label. human level also provided the outlet for rroxymore’s first ep, precarious/precious, the following year. the four tracks combined nervous grooves, bewitching cosmic synths, twisted snippets of acoustic instruments and other intriguing sounds. live, rroxymore creates rhythms and sounds with energetic rawness merging with a stirring psychedelia, taking you into a new world.

randomly few times a year rutherford and eargoggle team up for some monkey business in the studio. as often the result is -monkeyshop- a journey into the deepest, darkest forrests and landscapes of the north. scandinavia is not known for the monkeys but they exist there especially arround gothenburg in the mountains.. the music is a mix between electro and disco, might call it electrodisco and its all programmed and recorded in with the most easy and understandable equipment so its possible for monekys to use... also for you that dont know about gothenburg music scene themselves discribe it like this... - gothenburg is not a jungle, its a zoo-

comforting warm blanket of an idm 12” from nyc producer luis aka brian pineyro, with four new tunes about distance and separation that take shape as street-lit electro drifters and ruminative breaks. inspired by displaced persons and missing people to different degrees and building on his work as dj xanax, dj python and dj wey, luis drifts deeper into the emotional side of headphone electronica hinterlands with moods evenly split between warmth and isolation, submerged alongside deep bass and unfading melodies.

nonplus has been pushing the envelope for forward thinking music since its inception in 2009 and the next ep confirms this. there is little known about hexagon son but the raw and intricate sound of the spiral ep suggests this is no newcomer. from the hypnotic swirls of spiral17, the raw robot funk of opia to the deconstructed tape driven re-imaging of blipworx. the spiral ep covers all corners of the expansive world of techno.

“overview effect” heißt das debütalbum des londoner komponisten und multiinstrumentalisten roger goula. das ambiente und experimentelle album erscheint auf cognitive shift recordings, dem neu gegründeten label für zeitgenössische klassische musik, in zusammenarbeit mit one little indian und wurde durch erfahrung von astronauten und kosmonauten inspiriert, die vom orbit aus unsere erde betrachten. goula vereinigt darauf sowohl einflüsse von barock-, renaissance-musik (monteverdi, bach, vivaldi) mit minimalismus (reich, glass, part) als auch mit texturen und sounds der electronica (aphex twin, autechre).
die doppel-lp erscheint auf 180 gramm vinyl inklusive downloadcode.

dominik’s newest invention is all about the manifoldness of nature and the process of transformation when stones become jewels

vinyl 12 inch , incl dl code
following his last two ep releases on southern fried records, half-austrian/half-russian artist producer motsa (real name valerio dittrich) has announced his forthcoming fourth ep petricolour , due out 4th november on his own label imprint. petricolour ep is written about the decline of our western society, its beauty, wealth and our opportunities having reached a peak and the onset of gradual decay. this is reflected in the accompanying artwork (photograph by andreas peter wall) , the flowers symbolising deterioration but retaining some beauty and hope. throughout the ep, motsa incorporates organic textures and sounds recorded from nature and his surroundings.

for the first release on girasole records we introduce you to william caycedo from amsterdam. the first track dreamcatcher is a real deep but banging house track with a heavy bassline and it lets you fly away. return to free side has this slow vibes but there is always changing something untill the end. departure is all about that bassline and that sexy percussion. scapegoat is just a monster on the b-side.

sensory memory marks the second installment on echovolts brand new series of mini-albums that has opened them up to more experimental fare. the first tone of those series was set by messages from a better destiny from the up-start greek outfit templeyard studios and now australian producer kane ikin is about to follow.

deep techno that nods to mid 90s detroit techno, carl craigs more songs about food and revolutionary art, kenny larkin s dark comedy, reese. we obviously receive a lot of demos at crowdspacer, and we can t listen to them all, one detail has to catch our attention. it can be how you present yourself, a weird artwork, or like here, a name, aqua matrix. i wanted to check what aqua matrix was about. and what a surprise to hear such amazingly produced deep techno that brought me back to my love for mid 90s detroit techno, carl craigs more songs about food and revolutionary art, kenny larkin s dark comedy, reese. this is aqua matrix first ep. he s from portugal and i can t wait to hear what he comes up with next.

special edition re-issue of emeli sande’s 2012 debut album “our version of events”, featuring 5 bonus tracks. the double vinyl is housed in a gatefold sleeve with download code included.

the secretive mfr collective delivers the party goods on this one, with a magical release that has both the perfect opening and closing tracks of the night! feeling about as familiar as a well-worn pair of bell-bottoms, gettin down builds on instrumental loops towards an uplifting vocal climax, while your love is saved takes us straight to disco church! throw in a beats dj tool for good measure, and we re going straight from the sewer to the skies!

fresh off releases on bastard jazz, kat and lumberjacks in hell, phil gerus is about to blow up and these 4 tracks on tugboat edits demonstrate why. “let me love you” opens the a side, followed by the neu deutsche welle of “mistress uniform” while “get funky…” and “cyanide” keep the party going! hand stamped, limited edition of 400.

music for swimming pools proudly presents it s first release, and who better to get the ball rolling than reverso 68. pete herbert and long time musical partner phil mison come together with three new tracks and a rework of their first ever release piece together. originally released on specialist interest recordings and then promptly picked up by eskimo recordings who gave the part two version exposure to a wider audience, we thought it was about time part one was given a new mixdown and polish.. and the results were superb! .. a freshly served version of this seminal mid tempo afro/80 s inspired classic. and onto the new productions, first up red day heads straight down italo alley with chunky slo mo drums and some infectious synth action. buzara heads into typical reverso territory, and a nod to frontera del ensueno with grainy flamenco guitars, loose percussion and old school house synths for the dancefloor.. and finally orange sky rounds things off with a lush hypnotic afro percussive work out. . we recommend you test the water.

kapvt mvndi records is back in london with the new catalogue series, we moved from the first two chapter (the fourth vinyl retrospectively homage to war, kpt001 and kpt002, and to religion, the latest kpt003 and kpt004). the third chapter of our hidden tale is about “society”, with a single side ep, as usual, but with a new graphic scheme coming with pictured disk on the side with no music, one more time courtesy of new yorker photographer paolo di lucente.

phi is a music platform for mature artists with clear vision and distinct sound. our goal is to allow our artists to express themselves in their own way, therefore providing us with intimate, innovative and unconventional electronic music for different listening settings. the first release features evano – the artist we deeply appreciate for introducing us to a colorful yet untraditional spectrum of electronica and inspiring us with his keen observation of subtle details such music provides. his ability to combine contrasts, unexpected progressions and spot-on minimalistic aesthetic offers perfect insight into what phi is all about and strives for in the future.

golf channel label boss phil south interviews aaron coyes of peaking lights about his new project plsd

spell pets backwards to get step. spell step forwards and you get pets going back to basics. step is the new vinyl-only label from the founders of pets catz n dogz with a focus on the rawest forms and root functions of dance music. step searches for the fundamentals with under-theradar house and techno thats not afraid to be rough around the edges. its all about the music.

its all about diffused light! andre kronerts odd even is slowly but surely one of the most emerging and interesting labels right now. this 4 tracker proofs why. outstanding coverprint, shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering.

relax your eyelids focus on the darkness this is your time to relax you dont need to think about anything except being right here, right in this moment with me. dont think about tomorrow, or yesterday, just be here in your body. sportiv is a dexterous white label operation that brings you heavy-weight rhythmic performances from the world of techno athletics.

keys in the ignition, no turning back: dubfire and miss kitten are about to take us on another late night road trip. and this time there are two very special ways to ride, plotting new routes from where they last dropped us off in 2014 with exit, and presented in miss kittins own artwork, the two long term friends and musical kindred spirits cover a side each with two version journeys youll never forget. kittin jumps straight on the autobahn in a tank-shaped techno hummer. thumping the tarmac down with every gas-guzzling kickdrum, lights blur and trace and the mission gathers momentum as we cruise almost majestically into a brighter unknown. dubfire brings us back home via the trusty widescreen house plains. roads running parallel with the grand, emotional highways he once took as deep dish, the vanishing point is far on the horizon where a vast sky of twinkling stars opens up with a feeling you could ride for days on end. unhurried, restrained and timelessly crisp and futuristic: trips like this dont come about very often the keys are in the ignition, care to take a ride?

vaghe is a man of few words. he wanders, seemingly endlessly, through a lonely, gargantuan labyrinth of concrete and steel, fighting off ghosts and other futuristic nightmares, searching only for something called the full stream ahead. who is this quiet, determined man and what are these ghosts he seeks? the small communities he finds tucked into the crevices of this towering, dystopic ruin hardly give him leads on his treasure, driving him to find larger enclaves of civilization where people can reveal more about the world he lives in and the quarry he seeks. if vaghe is going to find the treasure he seeks, he will need more help and information than the inhabitants of these beleaguered outposts can offer. he needs to find a larger cluster of civilization, but he’ll have to survive the trip to get there, first… following his 2014 ‘sweet sixteen’, and his 2015 ‘abstract speed + sound’ other people is pleased to announce the full stream ahead: the prologue by turin’s daniele mana aka vaghe stelle. previously associated with italian label gang of ducks and a current member of production group one circle with fellow nationals lorenzo senni and a:ra, daniele’s roots in the emerging italian production scene run deep and place him at its center.

originally released in 2002, here reissued as a remastered version tony allen talks about the album: after black voices and psyco on da bus albums, i came back with homecooking which was an album filled with guests. i brought in ty, who had remixed some of my work previously, to rap on the record, and damon albarn, who had already sung about me on music is my radar. since the early days ive been trying to find things that everybody will want to listen to. ive always been pushing afrobeat in different directions. heres another one again, another style, almost clean but still rough, raggedy and radical.

it all began with a licensing inquiry for a sister funk cut which we wanted to include on our deep funk comp titled “feeling nice vol. 3”. after the deal was completed producer fred forsh mentioned that the backing band of nadine brown’s masterpiece “leave me alone” had released a 45 themselves under their name teakwood. after mr. forsh played us both sides we knew that this 45 would have to be re-issued. what was about to follow nobody of us ever expected. mr. forsh told us that teakwood recorded almost a dozen of songs which were supposed to be released on a full length album. for unspecified reasons the album was never released and it remained in the can for almost 40 years. finally, we are very proud to announce the release of teakwood’s debut album “a distant star” in early 2017. until then you have to be content with this 45 rpm single re-issue.

33 offers the most fine and rare form of sensitivity. nery blends electronic and acoustic patterns as if they grew up together, proving that having differentiated influences can result in something particular.

ladies and gentlemen, welcome back to the shimmy sham sham sessions. when people talk about summertime vibes its most often associated with the obvious: good weather, sweet drinks, waterside locales, and a much-needed departure from the daily grinds of work, school, and off-season doldrums. one thing most tend to overlook however are the smells. it’s the smell of the summer season that really infects the spirit being attacked by the olfactory seducing aromas of suntan lotions, watermelon, ck one summer spray overuse, piña colada mixes, bbq grill emanations, and perhaps most importantly of all, sweat. dripping, oozing, sticky buckets of lovely sweat everywhere. whether that is happening poolside, in the bedroom, or, as the case clearly is with this ridiculous three-tracker of party bombs, on the dance floor. the whole wide world of disc jockeys now have access from everything to dont stop the music a slick power wash of classic french disco, to a rollicking jazz piano-led jam by an operator hereby known as professor twirl-hair. in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required, just shake that ass!

narratives music presents a stunning remix package with three much anticipated reworkings of the labels very first release.
a welcome return to the label for blocks and escher, and an opportunity for them to pick two of their favourite artists to reinterpret their music.
paradox and om unit both deliver sublime remixes in their own individual inimitable styles while retaining the beauty and emotion of ‘broken’.
the long awaited blocks and escher vip of ‘sagan’ finishes off the release, sure to raise a smile on all those who have asked about it over the last two years.
record collectors will note that the om unit remix is presented on a one sided record with a laser etched narratives logo design on one side.

are there any aliens out there? (probably!) what would they think of the human race? do the people in power really care about us? what would they think of mass corruption from corporate companies and governments?..... but hold on a minute, are we decent to our own partners, families, neighbours, people in need of the essentials and those we work with? do the police, authorities, prisons, care homes and detention centres look after the vulnerable in the correct way? yo aliens!!!!!! you are probably more advanced than us as a race so you ve probably worked out ways of stopping inequalty, slavery, famine, war and other general shite. if so, get your self down here right now and show us the way!!!!!!

the turbo debut from gilmer galibard is a collection of four dark, visceral techno floor-destroyers from a young canary islands-based producer about whom we know relatively little. it also marks the labels first release to feature a swear in the title, offering a foreboding glimpse of the paranoid machine-driven warehouse terror contained within. by now you will have heard the demo in its entirety and are still dancing whether you want to or not. for my purposes, you will use the search engine optimization terms dark, visceral, techno, floor-destroyers and paranoid machine-driven warehouse terror to ensure that it finds its way to the 83 people who need to hear the release through this specific channel. you may tell people i am 26 years old and from the canary islands both facts are true and sound comforting enough but as you now know this does not matter. print this in its entirety and leave the release title unchanged. i would say ive said too much but that is impossible because as youve come to understand all of this has already happened.

support by: laurent garnier, pearson sound, noizar, umwelt, simo cell
following his stunning everything is nothing ep, which kicked off the hubble telescope series for solar one music in 2015, luxus varta (aka emeric di paolo) is back with a new four track ep for french label, intramuros. ‘rosenhan experiment’ (named after david rosenhan’s famous study to determine the validity of psychiatric diagnosis, published in 1973 under the title “on being sane in insane places”) takes us on another electro trip into the human mind with paris the black fu from detroit grand pubahs once again making an appearance, on the track ‘losquato’. the ep opens with the wonderfully shimmering ‘wenn’ before luxus varta makes striking use of his background as a drummer on ‘lizzy’. ‘losquato’ is a playful addition with stripped back rhythms under paris’ story telling that bemoans a man’s work frustrations and resulting mental state (“i gave up therapy about a month ago. my therapist jumped out of a window”), while closer ‘tempsun’ is almost melancholy in its measured minimalism. recommended for lovers of drexciya and dopplereffekt.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

while producing the viscera trilogy, fango has tried to understand something about himself. in order to do this, he had to enter into his own body, just like dante entered hell, studying and analysing himself from the inside, diving through organs, guts and grey matter. did it work? yes and no, depending how you look at it. for sure, it helped him in the creation of 3 devastating and introspective eps, but a lot of questions are still unsolved. viscera part 3 is the last leg of a journey that disrupted your 2016 and marks the beginning of a new absurd phase for fango, but this is another story. for the time being we leave you with amnios, metacarpo and metulla. this is viscera 3/3.

the second release of another earth is upon us and this time it s all about proper detroit techno combined with distorted left wing machine house. the label combines 2 acts together in a split ep series which compliment each others sound. for the a-side the highly talented producer, plural (separate skills, metroplex, u.s.), created 2 essential detroit techno tracks. the a1 is a warm uplifting peak time bomb and the a2 has a darker vibe concentrated on the groove. the b-side hosts 2 tracks from the intriguing mind of hakim murphy (machine dreams, chicago, u.s.). the b1 is a heavy distorted peak time house banger while the b2 is quite the opposite, deep and obscure.

kian t, a self-confessed analogue synth addict, steps up for the 6th secret reels release and with an ep on big bait already under his belt and one forthcoming on toy tonics, 2016 is looking like a vintage year for this italian producer. this ep is all about tough beats, warm & punchy synth lines and a few dusty vinyl samples thrown in for good measure. kian s production values are always on point, and these 3 tracks are no exception, instantly standing out from the crowd. on remix duties is man of the moment daniel leseman. his solo productions and remixes are firm favourites with a vast swathe of top djs. he is also one half of fouk, alongside junktion, who have absolutely taken over recently with releases on heist, razor-n-tape, house of disco and not to mention their own label outplay. daniel turns the tough syncopated beats of flughafen into a shimmering, funk-laden piece of house.

repress 2016
the still fresh label foul & sunk is about to release their fifth ep, and still not an year old! this time ist is the debut single from oldschool-house affictionado borrowed identity. though still young, you could easily believe that he was there since the beginning, producing a fusion of detroit- and chicago- style house with his own up-to-date flavour. and he got the fantastic mark e to finish the aside of this 4-track record with a remix

lars von licht’s -from arrows“ is exactly one of this sort: an almost 15min live jam, both simple and sophisticated. a track for special moments and for special people, perfect for reanimating supérieur. one of the frst persons whom i gave this tune last year s summer was lee burridge, who played it straight away at burning man. admittedly, this release took some time, but we wanted to fnd the right moment and the right remixer. we considered many options but came back to one of our own people in the end. dodi palese who released his connaisseur debut earlier this year, felt like the right person to challenge this track and we were right. he has transformed it into a tribalistic high energy bomb, with an unexpected, big synth theme, blowing you away. yes, we are more than happy about this release and it was well worth the wait.

two of australias most talented prospects have collaborated on a stand alone release.

growing more deeply into raars punk ethos, maelstrom and louisahhh s tracks on the labels fourth release are as much about process as end product. several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in hurry and listen. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.