beat a track that already is a hit? nearly impossible ? but not for noir music. they just took superfunk s lucky star and dropped it into a damn hot new edition for 2012. thanks again to solomun (diynamic, supernature) for another brilliant remix work. kolombo takes it back to the oldschool days with a deep work and a real 303 acid edit. overall a superb must-have package.

even while braid kept its name on the tip of peoples tongues, the prospect of hearing new music from the band remained elusive - until now. it took only a few practices to write three tracks and arrange a cover (of jeff hanson s -you are the reason-), all of which the band then recorded with engineer j. robbins (jawbreaker, the promise ring, jets to brazil, frame and canvas).

the singular threads of the musical fabric that is barrio weedwagon are too numerous and long to trace the beginnings. however, the story does indeed have a start. the spark first took flame on a dance floor deep in the heliopolis favela of são paulo, brazil. after this initial shared out of body experience about 2012, barrio weedwagon can best summed up in these words: emerging from a black hole in the center of the milky way galaxy, the beings who would claim the name barrio weedwagon were awakened. the steady stream of organized radio frequencies from earth became a soothing and yet tantalizing lullaby for our heroes.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

pulp disco & the outcasts - overnight to dusseldorf is the latest release on ashley beedles out hear audio imprint. put together in it s original sublime whoozy electronic form it was passed to mr. beedle who then took up the space baton with his studio partner darren morris to create the kommune mixes. with a nod to can, talking heads and some raucous psychedelic punk funk, the boys have whipped up two dancefloor killers that compliment the kosmische referencing original.

boom bip was one of the canniest underground beat producers around before he hooked up with gruff rhys of super furry animals to create the fascinating neon neon project, which took as its focus automaker john delorean and what his car (and charisma) meant to the 80s. bbs return to the solo realm finally came on 2011s zig zaj, which has more in common with neon neon than with his early solo joints. (features for cate le bon and franz ferdinands alex kapranos, among others, certainly fit in.) as always, its impeccably produced - hollon has only gained in proficiency and maturity as a producer. but compared to seed to sun or blue eyed in the red room, whose fascination with sound was positively contagious, zig zaj sounds like an overly safe record, the type that most producers would avoid if they wanted to keep innovating. heavily influenced by rock and 80s new wave, similar to neon neons stainless style, its impressions are largely textural, and as talented a producer as boom bip has become, zig zaj sounds more like a rehash than the entirely new recipe that music fans are undoubtedly looking for.

2 cuts of gorgeous house-music by benjamin brunn on 10 inch vinyl in an equally great cover. a true beauty!

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

with the visitors, abba took several steps away from the lighter pop music they had recorded previously and the album is often regarded as a more complex and mature effort. the opening track, the visitors , with its ominous synthesizer sounds and the distinctive lead vocal by frida, announced a change in musical style

shir khan presents his favourite edits in the form of a new sublabel of exploited entitled: black jukebox. the first edition features a great mix of deep house, disco, soul and hip hop. contributions by amsterdams homework and hamburgs adana twins. 4 infectiously catchy tracks that can be either explained as >true revision< or >the stick a kick drum on it!< philopsophy. already loved by the round table knights, soul clap, dj sneak, jesse rose, catzndogs, wareika, dj t, jazzanova, christian prommer&michael reinboth, nd baumecker and many more. homework and the adana twins took 4 classic tracks and turned them into something that is so lush that maybe even larry levan might have played it out. 90s sentiments were rearranged to be retrofitted in this era: pure revisionist nostalgia.

we met fred ventura in 2006 over emails sent to italians do it better headquarters. he was one of the first people from europe to start writing the label prior to after darks release. it took us a few months to realize that this was fred ventura, the cult italo legend from milan. like a true gentleman, he had never bothered to mention it. since the early 1980s fred ventura has released numerous singles in europe & toured the world extensively as a solo artist. last year, johnny was in bologna on tour with desire & fred came out to the show to drink champagne & bring us some copies of the reissued tapes of fred’s early post punk group state of art. the lightbulb lit up & we asked him if he had any home recordings of his solo work. months later, he sent us 83 tracks of cassette recordings between 1982 & 1987. they had been sitting upstairs in a dusty box at his parents house in italy for the last 25 years. these tracks have only been heard by a handful of his closest friends. we were completely floored & honored! finding a beautiful treasure completely untouched & preserved is so rare. the songs are raw & honest written by a romantic with a love for an anthemic chorus & a drum machine running through his veins. think early minimal depeche mode with an italian heart. ornew order covering madonna produced moroder. yes, its that good. here we have the first official italians do it better release of these songs on a 4 song 12inch ep. this vinyl only release is a teaser for the >dont give up< 18 track lp out in a couple of months. so in the meantime, slip on those gucci loafers, rev up the alfa romeo and head down to the discotheque because life is too short

it took a while but we finally got this great remix ep together from catz n dogz escape from zoo album. tanner ross flexes his e-funk biceps and shows us that just a little bit goes a long way with huge bass and sparse vox. this remix goes against the grain the right way, showing restraint and power at the same time. the main man of detroit, carl craig also delivers a sparse and beautiful mix, 1st giving us a lesson in how to properly tweak the space echo and then bringing it back with classic strings and subs. both mixes are getting major support from all across the globe from sebo k to troy pierce to ewan pearson to martyn to l-vis 1990 to james zabiela - overall probably the best feedback we had in a while on a record to be honest.. all great for our kids at the detroit youth foundation where the mothership label donates 100% of profits! also, special thanks to matt colton at air studios, london for donating a mastering session for free to cut this record and support our school.

backward engineering the musical evolution gin joints came from new york-esque hip hop beats on the mpc and finally took up singing, b-boying and electro funk at age 27. 3 tracks of pure throwback 80s funk and an electro remix by neon workout of girlfriend records

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

its been an interesting few years for the one called jakes. from being one of the highest-regarded mcs in the drum and bass world, he took his hand to producing. after creating some of bristols earliest and most seminal dubstep tracks, such as >modem< and >3kout<, his studio skills and style became further embossed. in early 2010 his tracks, >rhythm< and >skanners< spearheaded the productive assault that was the hench mixtape vol. 1. for the next installment of the hench mixture, jakes steps up with a double dose of his signature production style. fasten all loose furniture to the floor and turn up the sub…

come end of may, dancefloors will be overdosing on awesome music. legendary dirty man housemeister will blow out his third mother-l fucking-p >music is awesome< for the wicked, and rave will reign again. but you can’t just stick your face out into this kind of quality noize - it would mini-melt right off, see!? so housemeister took instant classic electro anthem title track >music is awesome< to some players and friends and said >look boys, i m putting out a smaller dose upfront so nobody will die on the dancefloor, now who s gonna help me save some lives?< everybody was in on this ep effort, of course.

hectic times require adequate measures. shorten the text message, shorten any url, filter a newsfeed to make a broadband broader - in any way, take a shortcut wherever you intend to go. while the world is struggling for convenience, those who chose the road less travelled will soon become - or already are? - outsiders. in many ways this is the case of jacek sienkiewicz - with over 30 releases behind, and over a decade of running his own label, he persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. and this story finally took shape - at the same time rock solid and otherworldly ethereal - in the form of “on the road , without any doubt one of the few rare records, this complex and challenging, to be derived in recent years from the music formerly known as techno. this album successfully attempts to embrace virtually all aspects of modern electronic music - from rave-like club bangers, through detroitish passion and deep house-like style, towards ambient soundscapes that are mariana trench deep

polskis and boston tea parties are never usually mentioned in the same sentence, this particular tea party took place in berlin in the summer of 2009, and instead of the traditional tea party antics, it involved devouring traditional polish pies and vodka. this became the recipe for an unprecedented collaboration. throw in a seth troxler inspired sample and that recipe becomes michelin starred! vodka sinkers catz & dogz get groovy with dope time travellers soul clap in a pairing which makes you think you dropped a tab, polished off a bottle and smashed the back out of some kosher delights.
*limited to 500 copies*. miss it and miss out.

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

desolat is happy to announce a new 12inch by giuseppe cennamo. born in naples, italy in 1980, giuseppe took to the turntables at age 13. following the legacy of fellow napolitanos like marco carola, danilo vigorito and davide squillace, he took the inspiration of classic house and melodic synths to build his own brand of tech. his tracks on several labels got a lot of peak time play and caught the ears of loco dice. fortuitously, after a break to clear his head, mr cennamo decided to take the inspiration of a loco dice dj set to create something specifically tailored for desolat, which resulted in this release.this particular slice of vinyl is aimed squarely at the djs - with the title track amanecer digging deep into the pads, a cantering kick and gentle swing that hints at detroit forefathers. cuando tu quieres stomps its heels and morphs into a very whimsical bouncing house burner: plenty of fun to be had with this one. dejame asi feels like a spaghetti western re-imagined with the help of a conical moving laser beam, a childrens choir and a bag full of kazoos while the rest of nothing is a reduced, pinocchio-like percussion-driven track with an insistent bassline

bachelorettes first record and the first time for >the end of things< on vinyl. in addition to vinyl, these songs have etched themselves into the granite of our consciousness, and it only took a single listen. take a fantastic voyage to the center of bachelorettes mechanical heart. inner space is deeper than outer.
originally released in 2005 on new zealand label arch hill.
comes with coupon for free digital download of this release.

hers is the most anticipated debut album of 2010 and her name is on everybodys lips. seldom before has a young artist so captivated the attention of a generation that she personifies. >the ultimate it girl<, >the new electro pop sensation<, >totally in tune with the spirit of the times<: these are just a few quotes from her reviewers. the delayed >sex dreams and denim jeans< is finally complete. uffie took her time, for after years of continuous whirlwind she needed to take a step back, put her bags down and concentrate on her writing.

coloured vinyl! i met dwight in the desert of nowhere. we somehow knew we would be there at the moment where it took place. no surprise, i mean the crash. 3 times for them to finally got out of nowhere back into nowhere. while i was playing the flute dwight held a ritual, spreading energy through his voice. after the reboot, they took off immediately (i can swear something happened to the power plant controlà). for us it was like a b-movie, like all never happenedàbut the communication, talking to the spirits from language to language planet to planetàand the wind dont forget the wind. after we came home we wrote this oneà. rjc philpot presents this debut 12inch of the reboot joy confession - our brothers from nowhere! the title track is a mindbending spiritual journey hosting the fabulous dwight trible on some next level beatdown xtravaganca while the flip features the massive disconodisco 1999 and the equally heavy <funkin facets<. àmore than a proper statement and the beginning of the rjc aera!! >thanks for listening and purchasing a real copy!<

inspired by the stripped back technical set-ups of yesteryear, mike monday and will saul present the sequence 1 ep, the product of the two artists limiting themselves to a roland 909, a korg kaos pad, a dave smith polyevolver and recording their jamming on the fly. >we wanted to inject some excitement, energy and randomness into this release, so decided to play the tracks live with mike on the 909 and keys and will on filters and effects. we had a broad idea of where we were going before we pressed record, and recorded a few takes of each track, then took the best moments from each. the big challenge was reining in the slightly chaotic recordings, but after some tweaking we found a balance between old school rawness and modern production values.<

shortstuff dribbled this ep out of his arse. it took him 12 months ? he worried about everything, accomplished nothing, and then called it something stupid. by the end of the process, everybody at ramp wanted to die. the end result is a 6 track ep, released on 3 separate 10 inches throughout august. dj support from scuba, roska, loefah, jackmaster, ben ufo, ramadanman, pangea, scratcha, lvis 1990, brackles, toddla t.

remember your first time at a rave? of course you don’t. and if you do, you either did it wrong or you’re a liar. with the latest installment of the 7777 onslaught, jared wilson aims to remind you of a time you dont remember. this ep is a souvenir back in time. beyond the zero and beyond the one and back into the analog bringing back memories you never had and experiences you never felt. paris massacre is reminiscent of a time when function mattered more than form and fashion, when sound systems and no lighting took precedence over state of the art fashion shows and laptop djs. its not nostalgic by any stretch of the word, though. how can one be nostalgic for a time they cant recall? the flip of the record is the wonderful >scmocid<, a wonderful reexamination of what it means to work a 303 to near death.

allen saei aka aubrey has over 22 years hands on experience of the scene. his dj career took him from his first residency in portsmouths central park, to playing londons biggest raves and parties in the 90s. launching his own solid groove records in 1990, aubreys career went from strength to strength. releases and remixes followed for labels including sublime, the end, ferox, mosaic, reel, intec and leftfields label, offshoot. his material was licensed by derrick may, terry francis, pete tong and carl cox. today he steps up with high pass highway ep. a selection of sounds, all with that oldskool touch and feel.

their bio reads: >recognizing the growing trend in mass entertainment industries, the comtron group acquired two dutch producers and added them -provided with limitless financial resources and a clear set of instructions- to comtrons vast legions of employees. these fine men took all necessary actions to create content for comtron groupÕs comtron, the electronic dance music act, resulting in 18 tracks to be compiled on mass media carriers which will be marketed around the globe from now on under the comtron groups company motto: >follow the money<. tip!

roland appel started producing music and spinning records in the early nineties. he was a member of fauna flash (together with christian prommer) and the trüby trio (with rainer trüby + christian prommer). in 2002 he released an album with peter kruder and christian prommer as voom:voom . with every project he toured the world and played clubs and festivals from montreal jazz festival, sonar festival to fabric london, new york, berlin and tokyo. from 2004 to 2006 roland lived in paris. during this time he started to write music for his solo career which quickly gained an international following. in 2006 returning to his home town of munich he teamed up with engineer jan krause to start recording once again. whether roland incorporates an accomplice or is working solo, thereÆs hardly a dull moment in the studio or on stage, captivating his audience by combining the integral influences of detroit techno, folk, disco all the way to soul and house. one of the most in demand tracks from the all night long album, snow gets a full single release as a result of the huge response from disco heavyweights horse meat disco, who took the time to contact us to tell us how much they love it. old school disco in every way, certainly not space and nothing nu about ita.. dfa darlings runaway turn it in a slow burning house direction that builds the tension until every last drop is wrung out in a sweaty pool on the dancefloor. nice.

mystique can be important in music and last year fake blood took this to another level setting blogs alight as folk tried to work out who the mystery man behind club bomb mars was.

played by: ricardo villalobos, sebo k, brothers vibe, loco dice, dj deep (deeply rooted), karotte, nick curly and more... !!after the last fantastic release on fumalab we now make a stop in southern america – to be precise: in santiago de chile. there is a lot going on in chiles electronic music scene and dj felipe valenzuela is one of the agitators of the night in santiago de chile with one foot in latin america and the other one in the old continent. he is a fresh, young, and talented producer. we will hear a lot from him in the future … he took piano lessons for a long time and his first producer steps started in 1995. felipe is a dj since 2002. he organized small underground parties in santiago de chile shortly after he travelled to europe, especially spain. from this experience, great alliances have been created with bookings and excellent agencies. >alicante< is a spherical and hypnotic track which takes you on a journey through chile. there are spoken words in combination with a dreamy chorus and typical sounds from latin america. alicante evolved from a team work as rockit-f. this is felipe valenzuela together with fernanda diaz. >dive< is a percussive, mental track with sound snatches ranked together with a very special feeling. its a long trip – call it a lesson into rhythm and drums. the music kicks you discreet the whole time. >dive< emerged from collaborating with felipe venegas. hes also known from releases on immigrant

nice price deal !!! hailing from japan free disco moved to london two years ago and brought with him an ear for deep music. already an accomplished composer, record collector and disco selector when he sent out a demo of his new recordings it wasnt just electric minds that took note but also new yorks rong music where he will release later this year.. the a side >psychedelic symmetry< is a fast paced track made for the dance floor. heavy bass through out which is bound to find favor with the house heads as well as the lovers of the nu disco sound. the b side >hippe can dance with boogie< leans towards the cosmic with a spacey sound accompanied by live bass and keys.for this project we have commissioned our first remix with stevie kotey. kotey chose to remix >hippe can dance with boogie< creating a spacey disco excursion. he has added live percussion, new drums and replayed the synths so the full treatment from one of todays finest remixers

a big remake-version of lenny kravitz all-time-classic: rock & pop meets perfect vocals meets finest elektro house sounds. this single already took the top 10 in the danish sales charts without a problem! the vinyl also includes the long-awaited and exclusive remix by ph (remixed mondotecks alive with massive worldwide results).

its house but not as we know it! young david, aka dave young, chose his artist name as a reminder of what it said on his office door before he took some time out in the summer of 2006. swapping the office for what an estate agent might describe as a cosy basement studio in stockholm, he now sits around making beats all day the fuji ep is musical adventure. bridging the gap between soulful and minimal and blending crunchy mid-tempo party beats with intoxicating two-tone, jazz and dub flavours. equally at home on the dance floor, ipod or lounge stereo, the tracks have a sense of space and depth and, above all, a real musicality which comes not (only) from the pushing of a few buttons, but from a lifelong quest

big with dj hell, tomboy, shir khan (radio fritz). terranova recordings (tnt) would like to introduce rampa (from the house of beatgees) - our youngest signing. >grill royal e.p.< - his debut on vinyl is a fine example of what he calls >berlin booty rave<! we first took notice of rampa while pogodancing to his legendary dj sets at berlins number one underground club >picknick< - and when we heard the firing remix he did for jay-z it was decided we wanted him on board!

big follow up to porto hustle and sex girl . rousing vocals, an absorbing groove and phat tribal beats! for the 2nd release of his own label s2g chriss ortega, took the chance and packed this huge track - in usual manner - in a contemporary electronic habit that will cook every dance floor. as the 2nd remixer the boys of s2g have engaged nobody else than the french guy chris kaeser. he recently belongs to the most important french remixers and adapted acts like stonebridge, antoine clamaran, dons and dlg to his typical propulsive sound.

if this were an episode of the game show jeopardy and the following track titles represented an answer, the correct question would undoubtedly be what is a huge hephner ep?. after his highly successful debut (booty drop ep) on siteholder uncut, as well as various remix projects, the funk slut himself returns with his virgin vinyl effort for siteholder records. following what he calls a highly inspirational trip to the strip clubs and whorehouses of las vegas, hephner took his sexual adventures and turned them into an ep that couples ass-shaking funk with in-your-face bass. it seems that his pimpin escapades have finally found an outlet that wont land him in jail, but instead on some of the sickest sound systems our planets nightclubs have to offer

2007 marked an outstanding success in the world of swiss production duo ivan l and dan daniel. their blasting remake of one of the 90s biggest new wave hits enjoy the silence directly approved by depeche modes mastermind martin gore took the scene by storm with international recognition from all the key players such as david guetta, sander kleinenberg, james zabiela, roger sanchez, paul van dyk, hernan cataneo, victor simonelli, george acosta, paul oakenfold, jose amnesia, johan gielen and many many more...

!! vinyl exclusive till early march 2008 !!! incl rmxs by par grindvik & hardcell !! the idea for >dubfix< was already sketched out right after the production for the >waves< album. now, finally the song got his club-dress on. hardcell & grindvik took heiko >sharpened< to their board and designed it very modern from the scratch

an >old school 90s meets dirty rave< style. headman could not let this tune die without the glory it deserved. he decided to enroll revlover in his relish label and to release his track on a e.p. with 2 very special remixes, as relish needed at least 2 crazy minds for this slice of sickness. canadian dirty 30, who already remixed his buddy don cash on the disco wreck 12inch, took the bull by the horns and injected some nasty drops of acid in this steroid-fuelled monster. on the flipside wicked aussies of zzz came courtesy of bang gang 12 inches with an amazing piece of rework in a pure nu-rave symphonic style with rolling piano madness and ear-blowing basslines that wont miss its aim of getting those asses shaking on the dancefloor

cool percussive detroit club trax !! exclusive from the japan only cd

hot rmxs by mark broom & the subs !! played by laurent garnier, karotte, dlugosch, acquaviva, laidback luke, sebastien léger, spiller, alex gopher. dutch superstar mason is back as the 50. great stuff release with his official follow up to his superhit >exceeder<. and now we know why we had to wait for so long, as its another huge anthem. cool but quickly accessable the same time, its a great peak time sureshot with masons unique trademark sound. gabriel anandas labelmate mark broom (platzhirsch records) adds a fantastic minimal techno remix, while the belgian dj duo the subs took the ed banging way

the psychological poets drop some nasty beats here. it took a while for this record to finally arrive after we got the first demosent. not strange with this group of intellectuals from bulgaria who are constantly in group therapy for a hobby! the original mix of remix (whats in a name) is funked up techno flavoured infective beats, topped with a hard to resist melody.

wicked cheeky house rework of hip hop hit kryptonite that took stateside by storm! ace vocals, twinned with quality techy house beats & bass. big with westwood & zane lowe in its hip hop form who will pick the house mix up

mobilee is on >back to back< mission and presents the first release of a four-piece vinyl remix series including eight exclusive in-house remixes. a - sebo k reworks gummihz s >isolate<. he just took the essential >rave signal<, modified the groove and added some spezial effects. the most reduced sebo k production so far. aa - prosumer gets the upper hand on sebo k, recreating the latter s >moved (featuring prosumer)< in prosumer s own image. and you thought dude was just a singer - think again. >think again< might as well be mobilee s motto, for the way the label lays bare the skeleton of rave music—and the way it amplifies berlin minimal into something throbbing, overwhelming, all-consuming. watch your back: mobilee is coming up from behind, and back to back is the rearview image of the shape of rave to come

sasse and tuomas, 2 friends met up for lunch at the local supermarket ( keskisen kesäkauppa ) in tampere, finland ( were tuomas is living ), went straight to the airport, took the first flight to berlin and locked themselves up in the famous blackhead studios in the illfated chausseestr. are in berlin mitte. the result is a quirky, acidic remix of 'supreme' by phonogenic and a syrupy boogie take on 'air moves' by freestyleman

smith n hack rmx of hit easy lee. they took the catchy vocoder voice and twisted it around ontop of an italo disco meets new order type beat. plus soul capsule rmxs (megaphat minimal). jay hazes remix of easy lee: its a typical ricardo tool …

first time ever on vinyl for the bands fourth album, from 2007, released on cd by rca and here presented as a deluxe double lp!