double 12inch of plush techno and house

italoconnection. italo legend federico di bonaventura aka fred ventura with sound specialist paolo gozzetti. after years of collaborations, remixes and productions comes the first real album from this duo. following voyage, this hit squad are linking up with a spread of extraordinary talent for an album that explores a cityscape of variety. from the avenues of synth pop and plazas of space disco, the boulevards of italo to new wave skyscrapers: metropoli. the beautiful tones of francesca gastaldi feature prominently on this brand new album, tones which marry perfectly with addictive synthlines. of course, mr ventura is at the lp s core, an artist who continues to define italo disco with his unmistakable presence, style and voice. lyrical partnerships are pivotal across the eleven tracks. old friends and new have come together, meeting against a backdrop of radiant keys, clean-shaven beats and deep pads. alessandra contini of il genio, martin blix of italove and italo godfather francesco rago (of lectric workers, decadance, expansives, and wanexa fame) all lend their unique attitudes, experiences and voices for some incredibly special music. italoconnection s most daring and dynamic release to date, metropoli is the summary of all fred ventura and paolo gozzetti experiences. it is their electronic music manifesto, a manifesto with an european vision, a sound journey with an unknown destination. an album that will open vistas and visions of italo past, present and future, music of vintage class with a modern and cosmopolitan allure: metropoli.

vinyl 1 of the interplanetary dust album from steve parker. pressing on white vinyl, housed in a black paper sleeve.

12 tracks with hi class timeless house music

a solo ep from bichord plus 2 collaborations with giorgio gigli bundled in this triple vinyl sales pack.

martyn returned to his deep, percussive roots, nimbly constructing webs of rhythm, space and inventive basslines

the best of 90s trance on limited edition 4x12 inch vinyl, housed in a gatefold sleeve.

hi class deep house, decks tipp

the arts gallery series continues with 4 cuts of deep space techno from lucid void.

derek carr and peter sweeney with a deep space journey across 4 tracks for the next 393 release.

the thibideau brothers were a big source of inspiration for us in the last two decades, so we feel deeply honoured that mark also accepted the invitation to join the label. his love and mastery for analogue and hardware synthesizers led to a feature in the famous documentary >i dream of wires<, alongside matt. however this is one of the most important reasons why his sound is so mature and deeply touching. on the first side we have a punchy deep house track that effortlessy blends the synth bass with melodious dream elements. flip the record and dive deep with the wonderfully spacey chords from blue rose dub.

ghent s muzi cartel crew step into the label game with this assured four tracker from promising emergent talents. viktor udvari is up first with -for our love-, a fired up but delicately executed techno jam with plenty of harmonic balance to make for the most satisfying trip skywards. mrsch takes things deeper and groovier on -pas cu pas-, leaning heavy on the bass and leaving a little more space in the mix for maximum meditation. kled baken s remix of lebawski gets into a minimal house roll with spaced out licks of vocal and hazy pads, and ray mono nudges barbosa s -quinoa- into murky depths for a proper underground roller.

today kimochi sound gets baltic sea sonar pinging techno deep, maybe something like bridging the gap between sleeparchive and mono junk. there are enough hypnotic spaces and hallucinatory frequencies in these loops to tide over the dark winter months, with enough funk packed into the riddims to inspire some heated early morning grooves.

outernational sales pack including outnl006 & outnl008.

jacks house makes its first move of 2019 with a third volume of various artist shenanigans pivoting around the crisp minimal house formula that has kept the label on track and in record bags thus far. rich nxt is feeling tracky and subtly spaced out on the heads down dubble, while politics of dancing comes correct with an insistent roller that finds its groove and stays there. julenns good company is a crafty, shuffling workout laden with deep chord pulses, and legit trips djedai- takes things in a freakier turn that should resonate perfectly with the after hours crowd.

“the final sickness”, originally released in 1993, is another the mover masterpiece and its ten tracks transmit a crunchy thick and cold tone. edging to a rather industrial side of the techno spectrum, the pcp-spirit is carried throughout the release. every piece plunges to the bottom of darkest depths without remorse, leaving no space for the mild-mannered music lover. an eerie blend of hefty, yet intellectual 909 beats and chewy analog synths unite this collection of gems. haunting sequences, spooky effects and tough drums create an extraordinary venture for your deepest senses! if you’ve been into productions by the mover and planet core productions, you may just experience the pinnacle of his intensity with the final sickness. it can’t get more pcp than that!

second official solo album by steve spacek

spaciousness is the first volume in a series of releases that seeks to explore the connections, the overlaps, the roots and the future of a music variously referred to as ambient, deep listening, new age and even post classical. the double vinyl release comes in a gatefold sleeve with download code included.

deep minimalistic and spaced out breaky three tracker

for the 5th release of deep minimal label adult only shape, sub division of adult only records, roumanian funk e and his germain conspirator ogeid bring us a fresh energy which is fusion of sequences and space sound.
on side a, a characteristic track of funk e and ogeid in search of the miraculous with synthesizer and piano in the shuffled house beat, we can also feel a funk in the bass, a magic pad leads them all.
b1 law of octave recalls us good old trax records accompanied by a simple rhythm which is effective..
the ep ends with road of purpose, which has massive techno influence with splash of synthesizer and endless modular sound. a long journey no trap. three sublimes cuts you can’t miss

the journey continues… deeper into the unknown universe, stretching the seams of time and space

generic white sleeve / no artwork. please welcome frankfurts very own einzelkind as the latest addition to our artist pool. his first single 12inch contribution for cocoon recordings seems to be endless and gets nicely spiced up with hypnotic vocal elements and discoide space sounds. free savioni already made the terrace floor on one of our cocoon ibiza nights move big time. it actually had such a strong impact that we immediately had to sign it after einzelkind played it! aya curanderito on the flip side sounds like a late night party deep in the forest witch trolls dancing around a fire, this is deep shamanic business with a slight villalobos touch (no wonder as the two joined forces before for some other releases already). cool and trippy, something for the long nighs at the infamous robert johnson club or berlins panoramabar. welcome se±or einzelkind!

in the seventh ep to come out on his own imprint, labelhead dimi angelis serves up four tracks, each distinctively angls: bare and unassuming music. opening track “live chat events” leaves little space for actual conversation and immediately hits home with some thorough techno that reminisces of a bygone rave era which refuses to be forgotten. follow-up “index” continues that feel but switches things up by delving off the deep, ever so slightly distorted synth end. on the flipside angelis allows subtle percussion movements to do the talking in “lotus”. proper and powerful on its own, equally useful as a tool. “cosmodrome” closes down #007 and is the most introvert of the four with a unique, submerged sounding pattern that gradually builds and falls. an ep that will fit and improve any collection.

reclaiming her original moniker of kittin, electroclash pioneer - formerly known as miss kittin - presents cosmos, a continuous twelve-track lp of organic, leftfield wave informed electronica..

after keeping an eye on shan as a desired candidate for a while now, we proudly announce to launch his latest release via footjob. his records on running back, beats in space & the healing company during the last 5 years were critically well received and put him on the musical map - a highly gifted producer who’s capable of going into many directions. his “filterjob ep” takes us back to the golden era of sample house. driving beats combined with filtered disco melodies never get out of style. if anyone it’s shan who’s able to play with this type of sound and manages to deliver three superb dance floor bangers in filterjob, on & on and serious. to rounds things up, the ep finishes with a raw and dusty deep house banger called ruff draft pt.2

this is a reissue of a short-lived and obscure uk dance music label. a compilation of tracks featured on releases across 3 ep’s between 1991 and 1993 incorporating recently emergent dub techno and progressive acid house sounds. nation of noise was conceived in the early 90 s, following a meeting of minds between the producer and ambient soho mainstay django, and vocalist jon martin (of pizzaman fame) at the legendary soho institution: the brain. plate 1 is a fully remastered reissue of the first nation of noise record - xes noiz, featuring 4 locked grooves. plate 2 takes two tracks off both the lockgroove and super bubble ep s. one side is smooth, after-hours deep house whilst the other reaches for two progressive, acid cuts. fully remastered.

2lp , full sleeve, as always with hell yeah, the next release comes from an artist label boss marco fell utterly in love with before forming a close musical relationship. his name is calm, and this summer he releases his eighth studio album, by your side. it is an effortlessly evocative long player and magical ten track trip into soothing sonic waters, glistening harmonies and horizontal rhythms. calm is legendary japanese artist fukagawa kiyotaka, someone who has been making deep house, ambient and downtempo grooves since the late nighties, and always teasing spine tingling emotions out of his machines. his last album—2015 s from my window—cast a real spell on marco and encouraged him to reach out. the pair eventually hooked up in tokyo and found real musical kinship while playing records together.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

falk records will be releasing ‘spaces’ from icelandic experimental producer aaiieenn this august. aaiieenn is the solo project of electronic musician hallmar gauti halldórsson. halldórsson first came to music though being a mover and shaker in iceland’s punk and hardcore scene where he was the “harsh noise guy” with local band distill the world. with aaiieenn however, halldórsson moved away from the guitars and screaming to a fully electronic world of experimental synth music and gorging on the mathematical possibilities and expanses of arpeggio/sequencer driven ambient music. ‘calab-yau’ and ‘continuous property 1’ drip shards of pure crystalline sound into deep crevasses as harmonic droplets ping of gleaming surfaces coated with spongiform bass. the light and effervescent ‘euclidean’ evokes classic ambient works aphex twin, while ‘manifold’ is more direct with a muscular and sturdy bassline. spaces closes with the fluttering and lush ambient sounds of ‘zariksi’ that are carried into the skies by a pulsing and gliding techno beat.

omni music returns with a brand new vinyl release, featuring 4 more choice cuts of deep music. the ep starts out with bad twin, whose members will be well known to any omni fans and any oldskool heads. they launch the ep with a classic summer-sounding breakbeat trip down memory lane with beautiful rhodes, delicious harmonics and crisp breakbeats. continuing the ep we feature the amazing talents of the drumkilla with an new edit of his omni classic event horizon a string-laden epic amen voyage to the stars. side b starts with the atmospheric kings pariah teaming up with label owner eschaton to produce a stripped down and hypnotic head-nodder swimming with celestial pads and space-age bliss. finishing the ep we have the always magnificent rainforest who also teams up with eschaton to continue the journey into deep space with an at times frenetic, but always intelligent, collage of amen rhythms, pounding basslines and otherworldly atmospherics.

rob belleville is a producer from the netherlands. his music can be found in the same space as producers such as arne weinberg, microworld, sean deason and drivetrain. he is know for moving between ambient electronica and atmospheric techno sounds, always warm and well produced. this release is no different, as here we have two very special tracks with the same integrity as anything rob has written in the past. on the a side we ve got implacable force which features a driving techno foundation and washy synths, interwoven for perfect headspace. the second track in is sungazing, which takes you into a more lazy groove with swirling, warm pads and more good drum programming. the b side features rise n shine and sands of time, both blurring the line between deep house and techno, with a fine balance between the melodic textures and tech house percussion. if you like atmospheric, melodic textures and quality music in general, this one is for you.

the amazing stories continue! the next release from riccardo takes you on a journey from soft and deep mood, to spacey and incisive dancefloor tracks. enjoy the travel!

following on from her stellar addition to monki’s & friends label - polish producer vonda7 continues her steady ascent and inaugurates a brand new project: art | werk with 4 deeply personal yet effective tracks.
the principle behind art | werk is to allow space for movement towards the left, to allow for full creative control and to provide a platform for the listener as well as the dancer with tracks that lend themselves as well to headphones as they do to the floor.
staying true to this, vonda7’s “pure intentions” ep is a genre-hopping collection that is hard to pin down as it spans breaks, techno and alternative pop whilst remaining suffused with a delicate balance of allaying melody and power.

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

sonnys plastic worlds ep illustrates the diversity of his production. he seamlessly mixes dream house sounds with moody vocal elements. the opener be 4 me is made for a grand space. on a2 the eponymous track plastic worlds is a journey into balearic sounds, perfectly arriving in time for warm summer days. kropssprog elegantly references the masters of italian dream house, with deep atmospheric soundscapes. desert days is a moody crossover into electronic pop music, featuring his own vocals.

silicone soul welcome the return of old friend justin robertson as he brings his much loved deadstock 33s project back to darkroom dubs. last spotted on the label only a matter of weeks ago with infinite interchange on the darkroom dubs presents summer love collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. whats more, they come covered with a print of one of justins very own hand-drawn pieces. dr. spectro on the frontier marks the start of this new deadstock trip. celebrating the lesser spotted dc super villain who could control people’s emotions with a brazen line or two of sinewy acid what starts off dark and gnarly gradually unfolds into a much more emotional narrative. watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions. the music is madness (to those who cannot hear it), meanwhile, is more than just a poetic title. already a summer anthem at a love from outer space, it s a roomy, cosmic affair that’s laced with layers of trippy textures and chugs at a cool 120. its one of justin’s classic signature smouldering sessions, what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. youd be mad not to hear it. youd be mad not to stay tuned too. for the first time in darkroom dubs history, this release and all this years vinyl dispatches will be released digitally as part of an end of year compilation, tales from underground vol. 1 and will also feature an exclusive silicone soul remix of rigopolar & cannibal inks thousand years before. and to round the year off? the long-awaited new single from silicone soul themselves.

computer controlled delves back into deep space with norwell’s interkosmos ep. five tracks of russian space race era influenced electro/techno. hotly tipped last year by helena hauff and with a string of releases under his belt from the likes of umwelt’s new flesh, dalmata daniel, pinkman and his own label with imre kiss, crisis, norwell is definitely one to keep an eye on.

support from ricardo villalobos - einzelkind - dorian paic...
slaplock is a space minimal techno monster , and casado is a huge deep house track ... killer release for sure

sublee from romania draws an inspiring sonic vision with this colorful debut on meander. he already released a well received longplayer on rareshs respected label metereze in 2016. now, the leading theme track irealis plays tender sound scapes with beautiful melodies reminiscent to john beltrans work on peacefrog from the golden 90s. continuum goes into a deep rhadoo-esque rhythmic mind-space, while electica takes you on an long, intelligent dancefloor journey to other dimensions. ***180 gram vinyl release, full cover artwork.***

boogie box launched in style last year with a release from the mighty stl, and now they re revisiting that strong first step with a clutch of smartly selected remixes from some deep cover operators. juniper drops two dubs of -haze & kraze- that press squashed synth pressure, found sounds and splattering fx into tight but funky grooves with a distinctly nocturnal feel. fold s dub of -hide & seek- spaces things out beautifully, taking a crooked, steppers approach that works wonderfully with the source material. jonas friedlich s own dub of -hide & seek- takes a dustier path through the undergrowth, completing a package of truly non-conformist techno that chimes with stl s own outsider spirit.

phace aka florian harres veröffentlicht sein fünftes album “between” auf neosignal recordings. zuvor veröffentlichte er vier alben: “shape the random” (2015), “raum und zeit” (als neosignal) (2013), “from deep space” (2010) und das legendäre “psycho” album (2007) auf teebees label subtitles.
phace, momentan wohl deutschlands bekanntester drum & bass-produzent, hat seit 2003 einen eigenen sound in der internationalen drum & bass-szene etabliert. neben future music awards und “album des monats”-auszeichnungen im britischen mixmag magazin, kamen unzählige signings von internationalen labels wie virus, renegade hardware, vison, subtitles und lifted, so dass phace international und über die genregrenzen hinweg ein echter star geworden ist. seine musik erscheint in sets von größen wie goldie, andy-c, pendulum, noisia, spor oder d bridge. neben all den weltweiten touren schaffte es phace in zusammenarbeit mit misanthrop ende 2008 sein eigenes label neosignal ins leben zu rufen.

two long-time friends juho kusti (deep space helsinki, parabel) and ville vähäsaari (rezonans) bring you their brand new label, no future but what we make. the label’s first release features two broken beat burners on the a-side from detroit-based uun (mord, ego death) coupled with a more straightforward remix from acid mammoths boston 168 (bpitch control, odd even, enemy records) on the b-side. make a difference. get involved. there’s no future but what we make.

a new adepth audio record featuring canadian rennie foster, including a remix of nomadico (dj dex/underground resistance). the title track witch hazel is a 9 minute long track with no breakdown and a minimal approach to arrangement, with organic elements cycling in and out subtly rather than obviously beginning and ending. a rolling half time, tribal groove drives the power of the track with a haunting vocal sample and layers of percussion creating a heady, polyrhythmic hypnosis on the dance floor. not since rennie s well known devil s water has he presented such an overtly occult offering as this extremely finely crafted ep, and this song represents the initial seduction of the record to the listener very effectively. the second track, navigator, is a drum machine driven workout, again with a polyrhythmic and tribal vibe, this time drenched in a rich, holographic pad that morphs and moves in unexpected ways. minimalistic in presentation, this track is bass heavy and functional for the dj, yet artistic and emotional. the nomadico remix by dj dex of underground resistance takes the elements of witch hazel and re-constructs them in a futuristic style with a more driving kick and molten detroit attitude. a heavier techno approach to the piece, but still intact is the melancholic atmosphere of the original and siren song of the vocal sample. this mix includes a dramatic breakdown and unique arrangement familiar to fans of nomadico s awesome yaxteq label. the last track on the ep is called crossing the boundary is possibly the only track in this style to sample distorted vocals usually associated with black metal, making this a very unique, perhaps polarizing, experiment in sound. evocative of the desolation of deep space and suggestive of sonic dark matter. this track combines rennie s singular approach to dub techno with ambient and drone music and the result is like nothing else currently in existence.

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

forgoing traditional melody and song-writing, eskers distinctive sound focuses on the interplay between noise, texture and rhythm. voitax is happy to present her stunning debut ep, which was assembled from various recording sessions over the past two years. formerly a drummer and guitarist in various bands in melbournes noise scene, the influence of her past is evident in this record - a combination of processed guitar, mangled samples and bizarre, ghostly synthesis form a deep and complex sonic space. the effect of almost a decade in berlin is just as clearly heard in the eps thumping techno pulse. wielded with a drummers feel for timing and meter, phasing rhythms, crunching lo-fi percussion and thundering kicks provide a solid backbone. having become absorbed in techno culture, this is her contribution.

first time on vinyl reissue (previously cd only) of mark van hoens 1998 masterpiece presented on a deluxe 2lp. playing with time perfectly showcases the lush and deep environments that can only arise from van hoen (locust, scala, seefeel). melody maker called it a mesh of loveliness. the sunday telegraph described it as the perfect, spacey chill-out album, and the sunday times had this to say: a sound that at its best has a positively spiritual quality about it. other accolades include sleazenation - at the cutting edge computer music a melange of jerky, cut-up sounds, stretched out ambience... that owes more to far-eastern music than to steve reich. and lastly, hifi world felt the sound scape is so deep and diverse that its accessible to anybody into laidback beats and soothing, beautiful noise. contains a side long bonus track best described as a modal eno-style classical ambient piece that was originally intended as a hidden track at the end of the original 1999 cd release.

26 minutes of divine techno. midnight cults, the eagerly awaited sequel to last years cyanure dance features two epic new tracks from i hate models with vocal contributions from zanias and a sleek wave remix from dj varsovie. on the solar side the odyssey begins. it will last forever discharges a barrage of devastating, tensile beats over a swell of ethereal synths recalling the sirens - muses of the underworld, luring sailors to their deaths in a flurry of aggravated arpeggios. on the lunar side walpurgis night opens with a pristine, glacial sonic field, punctuated by the ricochet of beaten metal and drenched in the supernal, disembodied voice of zanias, echoing across vast fissures, pummelling through deep ravines and back out into space. dj varsovie completes the journey with his sensual take on walpurgis night, tempering the original with an insistent pitch black funk and somnambulant new wave vocals.

verdant recordings continues its quest to provide a space for lesser-known artists exploring the deepest pockets of electronic music, not least around the 4/4 axis. next up on the label is the first public appearance from interjection, a london-based artist who has been cooking up an immersive sound for some time. her blissful solitude is a smoky deep house cut that drifts through heavy clouds of pads, while common places drops some brittle electro rhythms into the mix without lifting the veil of ambience. radiating soul has an equally intricate set of rhythms at work, with extra notes of 303 sprinkled over the top, and her nocturnal note finishes the ep off with a shimmering trip out to complement the a1.