over the past two decades, french producer and live performer, terence fixmer, has continued to evolve as an artist while maintaining his influential stance in international techno culture. with his last solo album, comedy of menace, already five years behind us, his continuous evolution has led him to produce his most introspective album yet. with this 10-piece composition fixmer is able to tell a story from start to finish, with powerful, deep, dark, pulsating tones that are essential to his musical approach.
first record pressed on black, second on white vinyl.

this third release on fracture features uvb, the alias of talented french artist sébastien michel, who released two acclaimed 12� in 2014 on mord.
the past years have seen sébastien exploring different directions in electronic music, but it is on his techno project that he has decided to focus his attention in 2014. &#8232, meteorit and dwarf see him managing to develop a raw and functional sound which combines energetic tones and intricate rhythms. be ready for a trippy and muscular excursion.

tensal is the first guest artist of the ownlife imprint and opens the year 2015 with a piece of authentic techno in all its forms. four initiatic cuts that re-define the sonorous shades of this label. ritual i is a return to the rough sound of the late 90s, no concessions, pure effectivity for the beginning of the record. the a side is completed with the more hypnotic part of the ep. a deep track, dry and minimalist with the elements needed to create the mystical atmosphere which floods this reference. ritual iii is absolute energy. a constant and atmospheric progression is perfect to create an impact on the dancefloor, maintaining tension to the end. the last track opens the door of the emotional side of the artist and represents a contribution of light to ownlife. a cut of dusty textures and delay tones. a landscape of stabs with a flawless structure for smoky clubs with low light.

operating from the heart of brooklyn, ny, the latest artist to sign up to ornate is jordan, whose plush deep house sound has already surfaced via a collaboration with fred p on the deep explorer compilation far & beyond. living on the border of the bushwick and ridgewood neighbourhoods, the title of the ep is a nod to the difference jordan sees between his own spiritual, detailed work and the trend for rougher analogue sounds that have been sweeping the city he calls home. with a focus on expressive, richly melodic synths and delicately balanced rhythms, his music stands apart from the wave of guttural lo-fi sonics, and yet this is still house music with that east coast punch where it counts. with an imminent release for the noted finale sounds imprint establishing jordan well within the remit of high-end house and techno, it gives us great pleasure to present these exercises in soulful immersion, from the three 4/4 driven pieces to the ambient vignette -visage-. with the door open for more experimental interpretations, it made perfect sense to invite former ornate guest leif back to turn out a remix of the track, his own hushed tones having recently graced a critically-acclaimed debut album for fear of flying. it s the ideal complement to an ep of highly developed musicianship that spells another exciting step forward for both jordan and ornate.

the �meet us at the loft� e.p. is a various artists project marking the third release from new york born and now berlin based label l.a.g. it�s an eclectic record featuring rising producers dj richard, hinode, jon hester as well as label head arthur kimskii�s first solo release. various cuts featuring dub techno tones with house inflections are offered from arthur kimskii and jon hester. left field leaning expressions steeped with soul, dynamic percussive rhythms and driving toms anchors the offering from dj richard. analog warmth in the form of electro from hinode rounds out the release.

informa records 7th instalment *depth surroundings ep* exhibits four original works from deepbass (informa records, dynamic reflection) & nax_acid (aconito records, phorma). both artists have provided stripped back hypnotic productions immersed in deep tones and intense evolving atmospheres. informa007 stays true to the labels distinctive sound while it delves even deeper into the depths of the abyss.

australian newcomer jad & the ladyboy starts off proceedings for retrofit in 2014 along with the help of the talented singer stee downes (crosstown rebels, get physical). on - no turning back - instantly catchy vocals fit right in with the bright, sparkling melodies and an easy two-step groove...

odd socks 006 comes in the form of a collection of remixes. max graef gets the ball rolling with his sophisticated take on glenn astro & imyrminds >kdim<. a hypnotic patchwork of original themes and maxs refined style. rounding off the a-side, imyrmind weaves a psychedelic web of saines fragile tones. schizophrenic, squiggly, and finally jersey jackin. on the b-side, james creed presents a shuffling housed-up version of josh t & arkists slow jam, >fleabag<. re-appropriating its faux-vintage stabs into a dreamy central motif matched with warm portamento-laced basslines. finally, josh t closes the record with an ultra deep workout in his interpretation of james creeds >undone<. sustained strings and ice cold hi-hats meet muted percussion in this classicly fashioned revision.

underground quality artist and fear of flying owner blm drops *easy knocking* this spring for huxleys saints & sonnets imprint.
blm, or ben micklewright, has been increasingly on the radar of quality house heads in recent years with output for underground quality and secretsundaze nudging his profile slowly but surely. his stewardship of fear of flying alongside jay massive has resulted in the label, in similarly steady fashion, becoming a mustcheck for fans of the deeper end of house techno who are seeking something that sidesteps trends.blm is at his best when turning in moody, hypnotic and robust house cuts imbued with a distinct uk stylings and that is exactly what he does on *easy knocking* while also turning in electroid tones on opening cut, *paris beatdown*. the result is a classic sounding 4-track ep that has picked up support from efdemin, hackman, djulz, citizen and mosca.

having released on some of the most influential labels, it is with great honor that audio culture welcomes the montreal based artist, nautiluss, to the family. the solstice ep consists of three tracks and finds nautiluss exploring warmer, more euphoric territories, and he does it right whilst still retaining the boldness and toughness of his past work. the ep flows effortlessly from the big string euphoria on solstice to the darker tones on corvus passing the slightly off kilter shuffle on neptune. without a doubt these will heat up any dancefloor in the cold winter months ahead.

a brand new label split between stockholm and york, homes of the two artists on this first release. despite the label name, this is far from being the final chapter, simply the beginning of a new collaboration to push raw club tracks and machine tones inspired by chicago house and detroit techno. full force, full quality electronic music, plain and simple.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

rebirth records is proud to present one of the most important italian clubs: moxa. born in mantova in 2006/2007, moxa experienced an amazing artistic grow in the last few years, becoming a true staple of the worldwide clubbing scene, having played host to world renowned djs, from frankie knuckles to soul clap and everyone thats anyone in between. this sampler, taken from the moxa vol.1 compilation, includes unreleased material from art of tones / joaquin claussell & alix alverez.

2012 has been a fantastic year for the label with an acclaimed serie of releases by marlow, matt flores, nowakowski & label guru dairmount. we chosed to close the year with a very special project and we are very excited to share it with you.
played & supported by axel boman, dam swindle, iron galaxy, the revenge, will saul, jimpster, osunlade, laurent garnier, rainer trüby, atjazz, mad mats, alex kid, charles webster, tiefschwarz, alland byallo, lovebirds, deetron, art of tones, master h, mike clark, recloose, jazzanova, lars behrenroth, dubfire, fred everything, slam, trickski, milton jackson, dj deep, marlow, matt masters, gerd, roberto rodriguez, sasse and more ...

this is the last teaser before the release of the kruse & nuernberg album >lets call it a day<, featuring, yet again, the beautiful vocals of stee downes. on remix duties, we have lazy days regular shur-i-kan with two completely different flavors. his 80s vocal mix is a beautiful update of the original, speeding up the tempo for peak time play, while his 90s dub is a straight up stripped down classic house re-work. first time on the label, we welcome nathan g with another fine remix that can be played at just about any time of the night. lastly, we have the original in all its beauty, at its slower original tempo.
support by matthias vogt (motorcitysoul), charles webster, jimpster, giom, lee curtiss, johnny fiasco, quentin harris, lovebirds, laurent garnier, roberto rodriguez, llorca (art of tones), funk d void/françois dubois, agoria�, ...

after an acclaimed serie of remixes on labels like freerange, fresh meat, composite & komplex de deep in 2011, dairmount is back on his own imprint with dust devil. recorded this summer between gothenburg & berlin with nowakowski, the swedish hotshot of the label, dust devil emphasized strongly dairmount s love for house music infused of hip hop attitude. the motto is clear: reduced number of elements, samples only, maximum impact. dairmount, who has always been strongly influenced by hip hop production techniques, had lots of fun to collaborate with nowakowski, another strong hip hop influenced tweaker. following a busy dj schedule that brought him in the last 18 months across scandinavia, us, turkey, france, holland & latvia between others, dairmount is the true soul & ambassador of the label that he created in 2009.
already support by kink, jimpster, deetron, franklin de costa, roberto rodriguez, simbad, charles webster, axel boman, alland byallo, master h, jamie anderson, atjazz, art of tones �,

the 100 best harstyle tracks of 2012!

limited nice price action !!! situated by the river spree, known for its fist-rate lineups of international talent and of course its famous wall to wall led dance floor installation, the watergate club in berlin has quickly become one of the worlds leading dance music clubs!

nice price deal !!! already support by jimpster, gerd, recloose, mike clark, simbad, shur-i-kan, master h, sasse, sei a, chopstick, fred everything, art of tones, charles webster, joel alter....

popcorn records is proud to present the collaboration between mirco violi and hooved, for his seventh release. these two talented italians artists from milan offers us a rich la sorbonne ep with atmospheric beats as well as deep sounds and mysterious vocals. with the main track la sorbonne, the italian duo drops an original deep house theme. synth tones and groovy aerial sounds will transport you into an intersiderealspace

a welcome,fresh and high-quality collection of obscencely rare and desirable 45s including bonus 7 single

for the first release of 2012, old friends of lazy days, lawnchair generals make a rare appearance on the label with their new single >dont stop<. the duo made of peter christianson and carlos mendoza were featured separately on the feel ep last year. this song was written for their exclusive live performance at the decibel festival in seattle last year. this classic lcg tracks also comes with a superb dub for the late nights.
rob mello was an easy choice for the remix as we have been long time friends and fans of his. he took the track apart and gave us his unique no ears approach to the remix, a twisted deep afterhours biz. we hope you enjoy the release.
supported by: jimpster, karizma, motorcitysoul, fred everything, kruse & nuernberg, shur-i-kan, doc martin, marques wyatt, aaron ross, raoul belmans, mark farina, jask, iz & diz, blakkat, giom, art of tones �

die defqon 1 ist mittlerweile eins der angesagttesten hardstyle events europas und das zu recht. die location der defqon 1 ist einfach ein traum, denn sie findet jedes jahr direkt am almere strand in den niederlanden statt. natuerlich gibt es bei der defqon 1 wie auch bei fast allen anderen gro§en dance events eine compilation dazu.

already supported & played by deetron, joris voorn, ripperton, slam, nick holder, will saul, trevor jackson, milton jackson, anthony collins, art of tones, vidis....

collaboration between pascal blanche, wojtek kutschke and lukas poloczek. who wants to make music coming deeply from their feelings, simply emotions. include in this ep we will find out two finest tracks titled money and reflecting love, both track comes on like the perfect theme to the arrival of autumn. the tones are intospective, the groove is solid and stablished. money ep will surprise listeners with careful arrangements, specific groove and atmosphere. they will attracting your mind, and push your body to the dancefloor! they definitely would give reasons to be curious about their current career. this time the remixing artists is our buddy tom ellis, who continues his search for the beauty on music. with this remix he delivers a highly hooking track, a beautiful piece of music we have heard in a while. sort of deep mix that plays the contrast between a great ryhtmique and melodic vocals.

the wave of love & applause surrounding art of tones this year has been phenomenal & well deserved. long running stalwart of the global house scene for nearly 20 years, ludovic llorca has brought his work at the forefront with labels such as f communications & 2020 vision.
already supported & played by steve bug, jimpster, shur-i-kan, axel boman, andre lodemann, the revenge, charles webster, dj deep ...

marcel fengler launches his own label � imf (index marcel fengler) with a rich, experimental and varied 3 track ep. through his numerous releases for ostgut ton and mote- evolver, or remixes for artists like skudge or perc, fengler has built his own distinct modern techno sound. introducing the ep , setting the tone and announcing its intentions, >knavish< is a thick, textural and spacious piece of sound design that careers across the audio spectrum with stunning fluidity. like a seductive opening chapter, it draws us in, yet leaves much for our burning curiosity to discover. moving on further off-centre, the churning ten minute adventure of >hidden empire< begins its rumbling ascent in the paranoid depths of fenglers more subversive electronic language. fusing the attitude of punk with the metallic ring of industry, its lively synth play and heavy forward stomp make this a challenging and indeed rewarding find. featured on his new >berghain 05< mix, >sphinx< takes a straighter path into the kind of sensory techno that marcel is well known for presenting on the berghain floor. funky, playfully aggressive, heavily defined and certainly cosmic, a concerto of outer-space tones, static and filtered waves join the racing percussion in tense unison

following 2009s sizzler >caribbean girl< man of the moment mario basanov returns to under the shade for more heat! utilizing the sticky sweet vocal talents of miss bee >just think about< is a summer scorcher thatll have you reaching for the speedos! remixes come courtesy of art of tones, social disco club & mirror people and marios own dub mix

two adventurous artists in their own right, platter001 sees the first meeting of minds for appleblim and october, with two wildly different results. >ny fizzzzz< is a peak-time belter in the truest sense of the word, launching to life with a rigid 4/4 drum machine stomp. appleblims dub tendencies pepper octobers knack for the jack with spacious delays and reverbs before a muted piano hook gets filtered into the mix. melting away to let the chords shine through, the drop encapsulates the pinnacle of any late night jam, bright, bold and brassy, and irresistibly catchy. >fountains of paradise< trickles in on a bed of rippling fx, guided by haunting, melodic synth flourishes that only vintage gear can conjure up. the rhythm section ticks away faithfully as the distinctly psychedelic tones and drones shape the definitive 21st century dub track. blissful in its execution, >fountains�< will stand the test of time as a magically unique slice of delectable ambience.

support from : rob mello, danny tennaglia, roberto rodriguez, johnny fiasco, giom, manuel tur, phil weeks, lawnchair generals, charles webster, luke solomon, pezzner, dj heather, colette, nacho marco, art of tones, funkdvoid,olivier desmet, mazi, mr v, andre lodemann, joshua iz, grant nelson, ashley beedle, quentin harris, miguel migs, shur-i-kan, lovebirds

support from rob mello, danny tennaglia, roberto rodriguez, johnny fiasco, giom, manuel tur, phil weeks, lawnchair generals, charles webster, luke solomon, pezzner, dj heather, colette, nacho marco, art of tones, funkdvoid,olivier desmet, mazi, mr v, andre lodemann, joshua iz, grant nelson, ashley beedle, quentin harris, miguel migs, shur-i-kan, lovebirds...

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

pressed as a limited edition of only 300 copies on 10 inch white vinyl, featuring unique artwork by up and coming artist, 181. inneractive music brings you the second in its highly limited vinyl-only series from spirit. >disconnected< goes on a deep journey through revolving synths and striding subs before reaching its nervous climax, while >clak< goes a stage further through glitching rhythms and cavernous tones, riding underneath an echoing dubbed-out soundscape. this is music to listen as well as groove to.

well rounded are extremely excited to announce the imminent unleashing of the 2nd instalment in our r&b refix special series. ladies and gents - cash antics vol 2. this time round we bring you 4 separate artists take on remaking r&b in their own inimitable ways. first up deadboys >fireworks< edit has elicited a massive response already on forums and blogs, its simple house framework lending extra soul, gravity and impact to the beautiful vocals and piano. incredibly effective and affecting stuff. on track 2 gongon & bad autopsy (ptn / ramp) showcase their stripped back luminous garage informed sound on >mag (remix)<. the contrast between the bare bones beat, warm sub tones, hovering chords and earnest vocal make this a highly addictive tune. watch for future releases from these guys. flip the plate for skinnz and his steamy half-step selection >turn u on<. already a regular feature in deadboy dj sets, this wastes no time in seducing the listener with a breathless panting vocal riding a bumping beat, bouncing bass and sweaty synth work. this tune is hot and heavy! finally gatto viola & doc daneekas >backstabbin angie< wraps things up with nakedly emotional vocals riding a uk funky updated take on a classic 70s philly soul groove. a natural closer for a fantastically varied ep united with a common purpose - to drop honey-dipped r&b voices and vibes into the epicentre of new uk bass music fusions.

evans above � its the mysterious mr evans with some uptempo feelgood fun-stuff. remixes in the shape of john dalys epic solar excursion and art of tones tightened up funk dub of dr. evans >final< track.

projections a.k.a. simon james and dan hastie have been getting busy in their la studio re-tweaking and redefining their future funk formula. the title track >southern girls< (a1) is a blinding distorted disco odyssey that comes off sounding like a righteous metro area remix of tom browns >funky for jamaica<! simon and dan keep the quality level at a premium on the b side selection >late nite< a slick, soul drenched electo boogie anthem that harks back to the classic 80s productions of artists like atlantic star or michael jackson circa >off the wall<. dynamic fender rhodes vibes, poppin percussion, and subsonic bass tones provide set the proper interplanetary funk agenda for new vocalists wades powerful falsetto soul stylings which are guaranteed to warm up any late night steppers set.

stroboscopic artefacts rip into autumn with a masterful split vinyl. sa006 sees jonas kopp taking to the a-side with the punishingly good >alkitran< and the flip side picks up where the monad series left off with markus suckuts >vary<. >alkitran< writhes hissing and spitting into existence. snares lash across the opening, to be replaced by subaqueous grumbles and whirling from above. the title >alkitran> begs no translation, the tracks sticky, black palette and viscous textures effortlessly communicate the notion of tar. markus suckuts >vary> takes the opposite tact, his dark tones are built amid structures that are suffused with light and dappled with the grindingly ecstatic. this is superbly elegant techno that has refused to sacrifice any of its hardness in order to achieve elegance.

the hype is certainly to be believed for this amazing lp. the lineup is stunning. deathmachine, the speed freak, drokz, tripped, mystification, al twisted & sadistic, tones, and many more besides all contribute amazing tracks to this 3x12 inch lp. limited to only 250 copies this is one that will be highly sought after in the future.

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on �vibra� the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james� �spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it�s that vibe! . �flexa� starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today�s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there�s plenty of soul and sol, just in time for summer.

mikael the skull stavöstrand is one of the better known artists in the swedish techno scene. deconstructed sounds, experimental tones and minimal changes are the base of his comprehensive works

the >murmur ep<, limited edition of 500 units in coloured vinyl, the sight belows followup to 2008s full-length glider, is a bracing step forward for the reclusive seattle-based artist, comprising two new songs and a notable remix. the sight below uses the murmur ep as an opportunity for expansion, turning up the contrast on his silky tones to expose an even more deeply textured sound with a powerful emotional effect. on the >murmur ep<, the textures are denser, courser�closer to kevin shields jagged oceans of guitar than gliders wisps of reverb � and the beats are meatier, funkier even. the sight below comes close to recording a real dance track with >murmur<, slipping a skipping syncopation and an honest-to-god bass line into a roiling cloud of distortion. >wishing me asleep< incorporates bits of strings into the mix for a touch of cinematic melancholy.

huuuuuuuuuge anthem here!! llorca with magic hands on it!!

french artist, lee van dowski of num and cadenza lowers eyes and draws lips to partial smirks with his charming and witty release. �the variable man,� based on the title of a science fiction story series from the 50�s, is brilliantly transmitted through a tunnel of sound engineering and audio design by lee van dowski. lee�s electronic rendering of �the variable man,� distinguishes several dominant male voices accumulating a rhythmic momentum to the peak of the track, a peak where an orgasmic flow just stops short of the central explosion, fundamentally, fading the instrumentals before revamping again. the b-side of the track, �thomas coles lives,� co-produced by agnès, comes alive with a fascinating mix of symbols and keyboards. �the variable man� is lee�s second release on leena music, after his first 12�, �louder elvis,� in collaboration with agnès appeared on leena in 2008. both tracks express very minimalistic tones yet are characterized by rather divergent

new jakbeat tracks from chicago on the always limited and vinyl exclusive nation records. villan x/naughty wood/jonny quest - sikk truth is a heat of the moment track. created with pulsating novation tones and an early 80s keyboard with step style sequencing. naughty wood enters the dimension of neo futurism by reflecting the emotional state of the mind body continuum. james t cotton feat. rodger devine - the monolith immediately asserts its colossal melody and takes the listener through a multitude of polyphonic phases without departing from its underlying dark groove. not unlike the eerie monolith in 2001: a space odyssey, the voice of monolith is pervasive and urgent with its sharp articulation, pentatonic motifs and moto perpetuo arpeggios.

venezuelan producer argenis brito graces us with his sophomore cadenza release, the imminent ep. renowned for his role as lead vocalist for senor coconut as well as his collaborative projects with artists as decorated as luciano, pier bucci, jay haze and samim, the multi-talented argenis solo work comes with some pedigree. resident in berlin since 2004, his distinctly latin interpretation of house is a step ahead of the game, with prior releases on junion and cadenza animating floors with that inimitable south american fervour. title track >imminent< is a playful affair,with bouncing bass and a shimmering synth melody dancing around the kick. intoxicating and funked up, the melodies call and respond in a fragmented conversation while pulsing echoed tones add depth to the mix. >mind body soul< stutters into a complex percussive pattern, coloured by warm keys and blocks of bass tone. funky is the word, as a distorted vocal directs bodies to the floor. deep and immersive, dark melodic synth movements plunge us into a sweaty and cathartic house hole. on the flip, >lolipop< combines electro and house elements into one cheeky dance with the devil. bubbling bass flows under cascading melodic synth, as fat percussion crunches around sharp vocal bursts. slick and futuristic, this is for that time of the night where looking backwards is not an option.closing the ep, >unreality< is as deep as they come. warm and uncompromising key stabs pulsate over a no-nonsense bass drive, accented by harmonising clav tones. living up to its moniker, the resonant melodies and hypnotic pace conspire to transcendental effect.

supported by: tom stephan, jerome sydenham, noir, atle, djuma soundsystem, patrick bateman.. we wanted to try something new. to let an outside artist provide the main track. the choice was pretty easy � it could only be danish sensation jack rock. he has been killing the big stages all over northern europe with his technically demanding live-sets. a university background in sound theory and interactive sound design means that his productions of post-minimal techno are brimming with interlacing tones and harmonic elements.

includes original studio mix and 2 remixes by art of tones - the tougher and the sweet one.

show must go on !! one can really regard supdub as a kind of artnow, tones and illustrations will permanently harmonize in the future through artistic innovations from our drawer >odin<. a lovely but chopped girls voice approaches the listener on the a side >silvertune< in a checkless way, and you know who took his hands in that tune even before the beat starts and sends you in the direction of the dance floor

ralph lawsons 2020 vision starts a new run of releases entitled >world series< - set up to showcase up and coming artists from around the globe and expertly a & rd by the label head himself. theres no messing around with b sides, weve given you a double hitter which cuts straight to the chase. julian is a well-known producer as part of silver city and 2020 soundsystem. kriece has worked with many established producers such as james zabiela, nic fancuilli and jeff bennett, recently remixing aphex twins >windowlicker<. snow on hachiko is a superb rolling, solid house groover that kicks the dancefloor into life for fans of spirit catcher & jimpster.everything sees the silver city man drop a brilliant, hypnotic, deep number influenced by good old fashioned locked on house music - a great summery track for fans of ame, art of tones & dixon