pumping saturday night house

shaded music is a fresh techno label, which has emerged from vilnius underground scene and is allied with heavyweight promoters techstylism.
an award-winning lithuanian dj, pagalve shows up for the first vinyl record of shaded music. with more than 15 years behind as a dj, pagalve started to produce his own music back in 2002. his release *frozen tears* has got best traditions of groovy and dancefloor friendly techno tracks, highly influenced by evolution of modern dub techno sound. after admiring the original track of the record - *frozen tears, vidab and falkplatz label boss oliver deutschmann joined the forces with two fantastic remixes. raw basslines, firing percussion and the madness of dubby chords - that s a trademark of this record. it will hook you on right away!

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

vinyl only. 180 gramm vinyl. shrinked. its ten years since both tom ellis and leif released their first ever vinyl record mindtours 06, which also featured label boss steevio. this marked the beginning of tom and leifs steadily growing reputation on the international underground house and techno scene, with both artists releasing countless records and tracks on many important labels, and as founders and residents of the much respected freerotation festival, all three friends now enjoy worldwide exposure.

3 classic cuts from one of detroits finest house producer of all time mr terrence parker. this ep features two brand new 2013 versions, dont miss out!

statt einer kollektion ungleicher kuenstler erscheint after dark 2 wie eine produktion >johnny jewel & friends present<..die den idib sound auf heutigen stand bringt, ohne dabei den energischen neon-charme einzubuessen, der weiterhin ein immens attraktiver modus dieses labels bleibt

das junge duo aus wolverhampton gewann die herzen und füße der dance/electronic-community mit nur vier eps, irren remixes von machinedrum und bibio und ausartenden live-shows. mit after dawn erscheint einer der stärksten tracks aus dem album in hervorragenden remixen von jimmy edgar, bibio (warp) und dem berghain dj- und produzenten-team barker & baumecker.

darlyns second appearance on mos ferry meanders between techno, house and a little bit of funk. the morning after is a minimalistic techno weapon, straight forward with no frills. with stag party the frenchman switches to a bouncing house groove, that feels powerful and self-confident.and finally, my command creates a warm and deep mood, just perfect for the morning hours and you never go wrong with a funky guitar lick.

limited vinyl ep with 3 tracks taken from stims japan-only album plus remix by numb.

superb debut release on piktogram, a label founded by polish artist ra. highly influenced by the naples, berlin, montreal and detroit techno scenes, his vision is to release fresh music with an old school flavour. this first two-tracker of bass-heavy dancefloor ammo of the highest calibre

introducing joakim from marseille, after originally producing techno and going to free partys with mates, he then moved to mexico where he started going to underground nights and was introduced the the sounds of sabre, alix perez, calibre, zero t and alike.from this he quickly switched from producing techno to dnb. he then moved to london to understand this new sound he had discovered a whole lot better and link up with the local people in the scene. tears and 4th floor are 2 slices of contemporary drum and bass at its finest, gathering heavy dj support.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

after all, the successful song produced by franck roger and mandel turner originally released in october 2011, is back this year with a number of remixes. flying the french flag are remixes from d’jjulz and seuil. joining the french team is burnski, the young english berlin-based dj/producer who recently rocked real tone records with his latest collaboration with manik you know what its like. each coming with their own flavour, d julz, seuil and burnski all add their individual style to after all.early feedback and support from ian pooley, robert dietz, steve lawler, manik, okain, ame, ritchie hawtin, dj harvey, laura bones, dj t, efdemin, kate simko, alex from tokyo, sebo k, agoria, quentin harris, josh wink, dj deep, the martinez brothers, luciano, dan ghenacia, shonky, reboot, monika kruse, willie graff, clive henry, boris werner, dubfire

after their first successful >youre mine< release on 8bit in 2011 mannheim based bunte bummler come up with the next sure shot. timeless deephouse paired with modern electronic basslines and catchy vocals make this release a massive package. perfect tunes for the upcoming open air season!

submerse is 23 year old rob orme who splits his time between north west england and tokyo. he has already had a guardian new band of the day feature, which claimed him to be making some of the most heartbreakingly beautiful (dance) music anywhere on the planet. this came after just a handful of eps and a free download album that blend his love of j-pop and 2 step. his debut ep for apollo showcases how his productions have moved on in complexity and accomplishment moving between the digital hip hop of 8bit romance and the glitchy electronica of cluster to the recognizable garage mutations of give it up and they always come back.

from north yorkshire, england, more classic 88 uk dark acid house from mantra, a full-length on full white vinyl without labels.

after two splendid releases of industrial house for amsterdams rush hour, the elusive b.d.i. graces running back with his presence. trading the factory for the holy see, he delivers a triptych that goes across countries, continents, time and space. paper tears is some serious vatican house and the deepest track that the paradise loft never played. coveted with the devoutness that is the tribal tears dub and a new wave whip subtitled same victories, same mistakes, there is a prayer here for every matter. comes in limited super sleeves and unlimited niceness.

nice price deal !!! single-sided whitelabel vinyl.

seahawks >invisible sunrise< album was a great closer for 2011 and featured in many of the choice end of year charts. to celebrate seahawks are releasing 2 remixes by 2 of their favourite musical magicians - dr dunk and gatto fritto.

a no-nonsense straight for the floor release, the much anticipated after dark ep from mario aureo just dropped! remix action from two of the hottest producers in the game right now, re.you and moodymanc sets this ep up for heavy rotation. first release on colourful for the up’n coming berlin producer sees two beautifully crafted tracks, each with its own intricate personality.>inside the dark< is a beat driven affair with a dirty piano lead, huge drops and a touch of native american spirit to add twist. >but tonight< shares the energy but the groove is more laden for the after hours game (that we all love so much). great disco tom action and a beautifully crafted vox hook is the spinal cord to this one. on remix duties re.you takes >inside the dark< into technoid territory with a sluggish lead, deep dark bass figures and dancing hi-hat patterns. huge one! on the flip moodymanc steps up and treat “but tonight” to a total percussive workout. an irresistible latin infused groover full of sunshine - just in time for miami!

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

receiving plays and major support from annie mac, also naming tyson as one to watch for next year. dj support so far coming from plump djs, mark ronson, switch, luke walker, light year, jagz kooner ...

akira kiteshi has carved a special place for himself in the hearts of many by skewing the instant gratification of dubstep bangers to preserve his roots in the wonky and broken. in the run up to his forthcoming album akira kiteshi throws yet another curve ball into the face of those who seek to label and limit the electronic music pioneer.
>transmission< is a slice of hands in the air euphoric anthemia in the key of joy o or jamie xx.
>give it up< in yet another massive turn left ak twists the beats into uk funkee mode to produce yet more dancefloor detonation.
support: huw stephens radio 1, mary anne hobbs xfm, jackmaster, fantastic mr fox ...

ultraphat two track house anthems

the >after you re gone< 12 inch features remixes from hot chips joe goddard, solo and legowelt. heavy weight virgin vinyl housed in a special edition neon wallet - this pressing has future collectible written all over it!

second part of the >after parties< ep by dntel. includes code for free digital download of this release.

the next coup by sirion records is from none other than one of the founding fathers, fedja haueter aka feodor and his fellows alex torriglia aka mo-tek and beni dossenbach aka balance. the trio, better known as vol-tek, has played a key role since the very beginnings of sirion s musical outpours and was represented in sr001 with a remix. numerous remixes and their own release sr005 - vol-tek - male & female are further to be mentioned. a part from sirion records the trio was represented at friends labels such as cristian paduraru or samy freshs augenringe records. but their next big thing is yet to come, as the threesome has been finishing tracks throughout the past year and surely need to be reckoned with in the future. the tracks after dark and conciliator are both rather deep, playful tech-house gimmicks, enriched with a bit of progressive.

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

there. is. nothing. better. than. a. clear. blue. sky. after the storm. taken literally, the track listing for barems debut lp represents that fleeting moment when nature puts its house in order, when calm and clarity triumph over chaos. of course it also works perfectly as a metaphor for those fuzzy moments of self-reflection while sprawled on a hotel bed after another mind-blowing night at the controls, or while taking stock of a musical journey thats about to culminate in a debut album for the internationally renowned label that motivated you to start making music in the first place. this is the vinyl version of barems debut album, with five specially edited tracks for all vinyl-lovers

craft spells are back with their 2nd single. >after the moment< shows more of their penchant for hooks, sparkling production and whimsical melodies.

another modern classic from be as one is generating consensus from two of the main producers of recent times. after his latest releases on r&s and objektivity and his acclaimed artist album on ovum, shlomi aber returns on be as one with an original work after a long absence on his own label, since the times of the magnificent groundbreaking >sketches< alongsie detroit piooneer kenny larkin. now he does it again with a bang, involving in the project the legendary house stalwart dj sneak, whose been quite busy in the latest years unceedingly preaching the house gospel. abers original version of after touch bares the man own techno trademark, heavy dark funk bass and snares, all looped up with a consinstent drive and shaky groove. dj sneak does his thing on the b side, stomping his trademark sound all along the 10 minutes of the track, bringing the perfect balance to this release with a hoursier version of chunky, raw and old school groove.

you are part of the living history of electronic music in this country. over 25 years we have been offering our unique philosophy club, on two premises:techno and innovation.vanvas race can be distinguished into two stages: vanvas club and vanvas outlimits.

taking a break from compiling his latest masterpiece while simultaneously remixing and re-editing for various labels, al kent delivers another trio of peak time disco movers.. on the a side “feel it baby” is a classic everyone should know, twisted and tweaked for today’s loop-hungry dancers. the phrase “bassline to die for” was coined to describe this song. then there’s the strings… oof! flip it for you got it, an edit that’s been in al’s armoury a while, one that people always ask for.. so here it is. “drums to die for”? built around one serious serious disco break. lastly, theres loving living feeling. a super funky clav, rhodes and string groove that really packs a punch! million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

light sounds dark combine forces with fellow marshmallows psychemagik on a ride to the other side and as one would expect from these two a variable treasure trove of a selection plucked from all corners of the known galaxy and far beyond.

yes! bad ass after midnight in the rewind! i like it! seriously.

low volume, the alias of a well known producer who wishes to remain anonymous for the time being, produces 3 tracks aimed squarely at those afterhours sessions. the ep kicks off with the appropriately titled afterhour , a slowly evolving hypnotic groove with tripped out noises a plenty to give a serious feeling of heady depth.

farplane - remixes of the first ever farplane release from the main man himself. dj support axwell / mr v / stonebridge / dimitri from paris etc

the new ep of the birds from hannover. again an awesome club vinyl to hate or to love. supported by aki bergen, nico schwind, chris lattner, franco bianco, david pher, mieka du franx and many more

another wicked production from spanish mastermind reeko. brilliant sounds so deep, but soo funky. creepy sounds that will seriously affect your brain. another high quality release!

congrats! suol has just become a proud parent to yet another great artist ... trickski! please to meet you.. i m sure you will love our playground! trickskis last release on jimpsters imprint delusions of grandeur has left an impeccable impression on many floors ... and we are happy to welcome daniel & yannick aka trickski to our suol family with an outstanding release by the name of >before & after ep<!

nice price deal !!! lissabons finest jackspot teams up with fausto messina & mighty ceaser for this big lovley and harmonic swinging 2 tracker. jazz & disco influenced bombs

manche sagen, the count & sinden gingen mit tanzmusik um wie jongleure im zirkus. alle denkbaren sounds und platten finden ihren weg in den mix der englõnder, und das ergebnis ist ein unverzerrtes spiegelbild ihrer einfl³sse: house, techno, dancehall, hip hop, electro, ragga, garage, afrobeat, boot...

debut for berlin based dj / producer shane watcha and his zombie soundsystem label, backed up by a great remix from bloody mary.

big with: m.in, partysan, silicon soul, arnaud le texier, slam, wally lopez, mihalis safras, zombie disco squad, renaissance man, johnny fiasco, axwell, micro violi, kiko martinez (docepulgadas radio show), jussi pekka, alexi delano, luke solomon,.. it seems like jaxson and david keno have always the round numbers on our imprint , after yt 30 now yt 40 :) the 50s is already reserved for this guys .this berlin guys s deliver an intense piece of deep and harmonic techhouse which makes this promo a pretty cool package for the upcoming festival season..

groove magazine has compared him to frankfurts funkyness, his magic cauldron is filled with a perfect concoction of rolling bass lines, sneaky vocal snippets simmering in a sauce of percussive beats.