remastered und stark erweitert: jubilŠumsedition zum 20-jŠhrigen mit 23 songs.
ok computer wurde ursprŸnglich am 21. mai 1997 veršffentlicht, in deutschland kam das album mit etwas verspŠtung drei wochen spŠter auf den markt. das von nigel godrich produzierte werk beinhaltet songs wie -paranoid android-, -karma police-, -lucky- sowie -no surprises- und gilt damit als der gro§e klassiker der bandgeschichte. mit -ok computer- feierten radiohead nicht nur ihren endgŸltigen durchbruch, sondern auch ihre erste nummer 1 in den britischen albumcharts. zum zwanzigsten geburtstag veršffentlichen radiohead das gute stŸck erneut, allerdings in einer aufgebohrten jubilŠumsedition. auf -ok computer - oknotok 1997-2017- befinden sich neben den originalsongs acht b-seiten-stŸcke sowie drei tracks, die bei den damaligen sessions entstanden, aber bislang unberŸcksichtigt blieben. das komplette material wurde aufwŠndig aus den alten analogen aufnahmen remastered und dŸrfte fan-herzen im 3/8-takt schlagen lassen.

previously unreleased material from steves private recordings, remastered from the original masters

der argentinische dj/produzent hernan cattaneo, bekannt geworden vor allem mit seinen exzellenten renaissance-mix compilations, wird nun auch fŸr balance zum stammlieferanten fŸr bahnbrechende dj-mixes, die fast komplett wieder aus neuem, exklusivem und unveršffentlichtem material bestehen. balance presents sunsetstrip hei§t sein neuester streich, der als doppel-cd mit beiliegendem download-code erscheint. mit dem code bekommt der kŠufer zusŠtzlich beide mixsets plus sŠmtliche 33 ausgespielten tracks digital sowie weiteres bonusmaterial wie fotos und einen minifilm

oliver koletzki complied his personal favorite tracks with some previously unreleased, high-impact material on >remix tales<

floating points personal collection of global soul, ambient, jazz, folk treasures from the latest in the late night tales. includes exclusive material from sarah davahi, toshimaru nakamura and floationg points cover version of kenny wheeler. also features an exclusive spoken world piece by lauren laverne. included bonus download code to the unmixed track versions in flac, wav & mp3

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

infotext hamburg citys adana twins have made short work between their time joining the watergate camp to jumping into the spotlight helming the latest watergate mix compilation. the duo step up to deliver a thrilling and complex trek into the dramatic, emotionally-charged fields with their distinct brand of techno making it abundantly clear the two have a voice that needs to be heard. over the course of sixteen tracks adana twins weave a vivid musical tale having acquired an assortment of exclusive unreleased material from their crew of likeminded and extremely talented friends like acid pauli, sbth, upercent, lehar, daniel bortz & sascha sibler, aaaron, andrŽ hommen, and musumeci among others. besides their friends, adana twins contribute three originals to the mix including an absolute monster remix of patrice bŠumels decade old track Ôroar which has already received huge praise and tons of plays from heavyweights like tale of us and solomun receiving massive reactions every time its played. not only is the mix a stellar display of the duos mixing and storytelling prowess, but all tracks from the mix, minus adana twins Ôpavan which will see its release on their own imprint tau, are exclusive to watergate and will be released as separate eps following the mix release.

kink - live improvised outro as we reach the 19th year of cocoons residence on ibiza, the location may have changed from amnesia to pacha, but the enthusiasm for perhaps the most enduring party on the mediterranean island is guaranteed to continue. actually, only the sun, sea and wind are more reliable! the celebrated live sets of bulgarias life wire strahil velchev aka kink have been a vital ingredient for the ecstatic nights over the years. with unprecedented regularity, the man from sofia has been voted best live act by readers of groove magazine for the last three years, and in 2017 he was also crowned best electronic music producer. as kink, together with sven vŠth, celebrate one of the most popular evenings of this years season as well, what could be more logical than to repurpose the famed cocoon ibiza mix cd series into another live document of the event? no sooner said than done, and so here the bulgarian offers a 70-minute cross-section of his skills. well-known tracks, especially from last years playground lp (running back) meet exclusive, unreleased material in a spontaneous tour de force through the history of electronic dance music. there are distinctive nods to chicago and detroit, jazzy organs spiralling into string-drenched skies

luke viberts technicolor-schwenk durch die welt des modernen funk. kerrier district nennt sich das funkige acid-dance-projekt des englischen elektronikkŸnstlers luke vibert. nach einem debŸtalbum - erschienen 2004 auf dem label rephlex und zwei maxis erscheint mit 4 erneut ein longplayer. die 14 tracks sind eine gro§artige collage aus samples und beats, old-school-drum-loops, sehr viel acid-funk und intensiver elektronik-disco. inspirieren lie§ sich vibert zum teil von der legendŠren ep -black devil disco club- von bernard fevre aus dem jahr 1978, die seitdem viele musiker beeinflusst hat. schaut man sich die trackliste mit titeln wie treacle tits und -discuntek an, erkennt man zwar eine portion kauzigen humors, doch sollte das nicht zur fehlannahme verleiten, vibert wŸrde seinen job nicht ernst nehmen. im gegenteil: 4, das auf cd und als trippel-lp erscheint, ist ein technicolor-schwenk durch die welt des modernen wohlfŸhl-funk, basierend auf einer unmenge an material, lustvoller programmierung und fetten bŠssen. der sommer kann kommen.

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

following 2017Õs Ôpath of ruinÕ, dj richard returns to dial with his much-anticipated sophomore lp, Ôdies ir¾ xeroxÕ. undoubtedly one of the most distinctive and fully-formed electronic producers in recent memory, dj richard imprinted the sound of a bubbling us underground with his label, white material, founded in 2012 alongside young male.

nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterbšsen party girl von michelle gurevich, das den gleichnamigen franzšsischen film inspirierte. wehmŸtige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den dŠnischen song glemmer du, die vertonung von inger christensens poem for death, sowie den song bee dance. beide tontrŠger erscheinen wieder in topausstattung: cd als exklusives mixset, inkl. bonus-download-code mit allen ausgespielten tracks in wav/mp3-formaten, inkl. eines mehrseitigen booklets mit persšnlichen liner notes zu jedem track im pappschuber.

the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

with situational awareness, post-punk legends crash course in science deliver an album consisting entirely of brand new material. the songs on situational awareness sound crisp and ultra-fresh, while the band from philadelphia, usa, maintains their distinctive diy sound created by toys, kitchen appliances and self-built synths. far beyond new wave, the music is experimental and danceable at the same time - science and art, together hand in hand. the cd edition contains a remix of im here to tease as a bonus track, not available on the vinyl album.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

scuba continues his uncompromising scb moniker with caibu, a twelve track lp of cerebral techno, darkened disco and broken beats. paul roses career has enjoyed a unique trajectory that affords his reputation as one of the scenes most forward-thinking artists, label heads and promoters. always the risk taker, his hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at berghain opened up one of the worlds most revered venues to new sounds and musical possibility. today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material. caibu is his first album as scb and incorporates material from the below the line and Ôold media new society eps of last year. preceding the release, a third ep - engineered morality - continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. the title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. as such, caibu and its accompanying eps invite the listener to forge their own ideas on the development of society in the context of crisis. within this dystopic setting, caibu draws strength from introspection. at times trapped in a pressurized container, at others floating through vast spaces, scb merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre.

after more than three years of silence as a producer, efdemin a.k.a phillip sollmann returns with a striking hybrid concept that merges the album format with the -continuous dj mix- format, presenting completely new material in a seamless manner. this cd-mix, named na•f, officially reinstates his label of the same name and is a sprawling tour of inner space featuring 19 distinct tracks from fellow producers (e.g. margaret dygas, steve bicknell, jeroen search, pom pom, marco shuttle or gunnar haslam) along with an additional ten that feature efdemin himself (either as soloist or collaborator). the release condenses his decade-long dj-ing journey and evolution as a producer into a single potent elixir of contemporary techno. owing to his additional projects, such as collaborating with pan artist konrad sprenger on a modular organ system to be installed in museums, or scoring for a neue musik ensemble, the berlin-based efdemin is known as hiker between the worlds . his regular stints at berghain or panoramabar, his partnership with established labels (e.g. ostgut ton, dial, sushitech) and the leadership of his own na•f imprint all demonstrate that since more than a decade.

since his emergence in 2010, madben s melodic, detroit-inspired techno evolved, with various releases on caduceus, astropolis records, off recordings, inflyte and bedrock. nowadays, the paris-based artist remains a key figure in france s new generation of techno producers, with an upcoming debut lp on astropolis records. swinging from atmospheric sounds to techno, madben produces an alchemy of rave anthems, hardware material and groovy, emotional music. with support from france s favourite laurent garnier, manu le malin and rebekah warrior, frŽquence(s) unveils his skillfull, mature universe.

das in berlin lebende, italienische dj/produzenten-duo tale of us hat in den letzten jahren eine rasante karriere hingelegt, die 2017 mit ihrem debŸtalbum -endless- bei der deutschen grammophon ihren vorlŠufigen hšhepunkt erreichte. ihr -fabric 97- mix ist eine eklektische tour de force mit vielen unveršffentlichten und exklusiven tracks, frischem material ihres labels afterlife, sowie profilierten kollegen von adriatique Ÿber efdemin vs. dj koze bis recondite und patrick bŠumel, plus natŸrlich dem eigenen exklusivbeitrag -error error-.

suction records is proud to present the 2nd full-length release from rx-101, showcasing a selection of standout cuts from dutch producer erik jong s vast archive of previously-unreleased techno, idm, acid, and electro, recorded to cassette from 1997-1999. as with rx-101 s 2016 debut lp, like yesterday, which was compiled from his 1st two vinyl eps, transmission compiles material from his recent 12-s, ep 3 and ep 4, adding four bonus exclusive tracks. mixing the high-octane, fuzzed out 303 acid techno of ep 3 with the crunchy, melodic electro and idm of ep 4, transmission emerges as a fierce, yet surprisingly cohesive journey into late 90s electronix, and belongs in the collection of any discerning fan of warp records or aphex twin s celebrated 90s catalogs.

a remastered version of shenzhou on triple vinyl and double cd with the bonus album-the samphire tower. paul cooper, pitchfork: shenzhou, aside from being the name of the chinese manned-spaceflight vehicles, means magic vessel, and i cant imagine a more apt description for geir jenssen s latest excursion into ambient deep listening. after following an aphexian trajectory with his releases on apollo, the ambient sublabel of belgiums r&s records, jenssen veered from the padded sci-fi-inspired techno of microgravity and patashnik with 1997s substrata, a genre-defining exploration of drifting soundscapes. substrata remains for many the album that perfectly expresses the serenity and intensity of arctic wildernesses, a landscape jenssen knows intimately, having spent much of his life in the norwegian arctic circle. in 2000, jenssen nearly eclipsed the success of substrata with cirque, a frequently frosty submerging of excerpted conversations and found environmental sounds that rivals wolfgang voigts gas project in its rumbling, gauzy beauty. jenssen again relies on found sound as source material for shenzhou, but this time, the found sound is old vinyl recordings of the orchestral works of french impressionist composer and ambient precursor, claude debussy. jenssen lifts fragments of these scratched records in a similar manner as he did for cirques black lamb grey falcon and iberia eterea

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

dutch producer and live act conforce is back with autonomous , a fifth artist album and the latest in his long relationship with delsin records. conforce is boris bunnik, a producer who explores the deepest realms of dub, house, techno and electro under many different names. his conforce alias is where his most club orientated material comes from and this new nine track album finds the transcendent label boss producing dark syntheses inspired by his hometown and harbour city, rotterdam, and its automated industries. a masterfully conceptual album that really paints a vivid picture of a harbour as heard from deep down in the depths.

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausfŸhrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enthŠlt zudem dialoge aus dem film und lizensierte stŸcke von kŸnstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zusŠtzliche download card, die nicht nur die stŸcke des albums sondern auch zusŠtzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben

cd only, no digital! 2015 live recording from supersense festival melbourne, previously unreleased, featuring a supergroup around manuel gšttsching, ariel pink, oren ambarchi, shags chamberlain playing material from the classic ash ra tempel releases schwingungen and seven up! total time: 53:17

brainwaltzeras debut lp poly-ana follows quickly on the heels of the producers aescoba ep also released this year via film. across thirteen tracks of both previously released material and fresh excursions into the artists world, brainwaltzera explores sounds ranging from luscious, downtempo grooves and expertly reduced braindance cuts with nods to early 90Õs experimental idm to harder, more caustic outings all bound together by a recurring theme of otherworldly ambience. taking its name from a variety of sources dear to the artist, including polyphonic analogue synthesizers and the pol-lyanna principle itself a theory that suggests individuals recall pleasurable experience more acutely than displeasing ones the title represents a meeting point in the artistic process between creative method and conceptual choices. production techniques range from more traditional hardware synthesis to the incorporation of a modified dot matrix printer acting as a modulation source for midi parameters.

der mehrfach prŠmierte dan snaith veršffentlicht als caribou, daphni (und frŸher manitoba) auf label wie city slang, merge, leaf und domino. wŠhrend seine musik aus electronica, folk, shoegaze und neo-psychedelia mit dem oberbegriff dream-pop sehr gut beschrieben ist, legt er bei seinen dj-sets wert auf einen starken anteil an live-instrumentierung mit dichter, minimaler percussion und spielfreudigem, funk-infiltrierten bass und begibt sich damit in seelenverwandtschaft zu Šhnlich inspirierten kŸnstlern wie four tet oder floating points. dan snaith nutzt die gelegenheit, in der fabric-serie zu veršffentlichen und kreiert ein unikat aus vollstŠndig exklusivem und unveršffentlichten material, bestehend aus 23 eigenen tracks sowie 4 weiteren, exklusiven daphni-edits. - packaging: deluxe-packaging - dŸnne metallbox

a.r.c. soundtracks is the audio/visual project of k.craig and david armes. dereliction//mirror is the duoÕs third release, following on from a debut album, archive: volume one (little crackd rabbit) and a cassette release for sacred tapes, from a shattered beam. dereliction//mirror was created on-residency at salford s islington mill, home to gnod, sacred tapes and many other noise/experimental musicians and labels. it is an audio/visual piece that uses the semi-derelict attic spaces as both inspiration and source material. focussing on the notion of ruins and their potential for reappropriation, dereliction//mirror combines a dense, multi-layered sound-world with ritualistic visuals to create an immersive, hypnotic work. this new film and soundtrack takes us into a bleak auditory realm of post-industrial structures and traces the role of the body within these liminal spaces. strained harmonics and industrial, discordance mesh with veiled rhythms and spoken-word narrative to create a heavy, static energy to both sound and visuals.

der spanische dj, produzent und labelbetreiber henry saiz prŠsentiert seine zweite balance-mix-cd, die vollstŠndig aus unveršffentlichtem material seines labels natura sonoris besteht, das derzeit 10-jŠhriges jubilŠum feiert. aufgenommen u.a. von vinyl und kassette, wurden die beiden exklusiven sets mit zahlreichen field recordings angereichert und perfektioniert. feat. henry saiz, petar dundov, tuff city kids, eduardo de la calle, brassica, u.v.a.

mit fabric live 92 liefert preditah, dj/produzent aus birmingham, sein erstes mixalbum ab, auf dem er mit einer mixtur aus grime, uk house und garage den ultimativen rave startet. neben tracks und remixes von skepta, wiley, joker, swindle, flava d und shorty hšren wir exklusives neues material von ihm, dj q und bassboy. das komplette 32 track-set nahm preditah in einem take auf.

archived environmental views- vereint unveršffentlichtes material aus den future sound of london release-serien from the archives und environments, sowie aus ihrer piano-serie views, die hauptsŠchlich mit dem pianisten und mehrfachen grammy-nominierten filmkomponisten daniel pemperton (gold, steve jobs, king arthur) eingespielt wurde und 2 cover von brian eno (a place in the wilderness) und roger eno (late october) enthŠlt.

deluxe ist das erste album der detroiter funk-band will sessions mit eigenem material. zuvor arbeiteten sie mit kŸnstlern wie bad meets evil (eminem & royce da 5 9), elzhi, danny brown, mayer hawthorne, black milk und anderen zusammen. mit elzhi coverten sie nas klassiker illmatic und kreierten elmatic. auf ihrem mix takes 1-4 album befinden sich vier grandiose medleys fŸr fans von breakestra, el michels affair, menahan street band, golden era hip hop, detroit hip hop, j dilla, black milk, usw. auf ihrem deluxe album sind gŠste wie amp fiddler (funkadelic/parliamen), rickey calloway, coko und allan barnes (blackbyrds) vertreten.

suction records is thrilled to present the debut archival album release by rx-101, a bedroom techno producer from the netherlands, erik jong. -like yesterdays- compiles 10 tracks from rx-101 s first two vinyl-only 12- eps, together with three cd/digital album exclusives. this previously unreleased material dates from 1997-1999, recorded live to cassette in a feverish burst of creativity, utilizing a small arsenal of classic techno instruments. here s rx-101 in his own words: -from childhood i loved dance music. in the 80s one of my older brothers always recorded mixes from the radio and we always listened to that. my other brother and sister took music lessons in electronic organ and when i was about 9 years old i did the same. i quit when i was 14. from childhood i was fascinated by synthesizers. in the late 80s i started more and more listening to dance and house music and it was 1991 when i started listening to techno from labels like underground resistance, transmat, metroplex, +8 records and warp

over the last few years dexcell have been in high demand for their remixing talents. with official remixes under their belt for some seriously heavyweight acts such as ellie goulding and philip george through to the more underground acts like hybrid minds and bcee, an album of original material was long overdue. not content with just rolling out the beats, dexcell have drafted in some of the finest vocal talent around today. from the underground jungle influenced impulse to the peak time radio friendly running to the laid back melody ofÔover the influence, under the blue showcases just what the trio of dave, adam and sammie (aka dexcell) can do. support from beats 1, friction, high contrast, spectrasoul, camo & krooked, bryan g, s.p.y, nu:tone, zero t

brandneue mix-compilation des argentiniers hernan cattaneo auf balance mit komplett neuem und exklusivem material - ausnahmslos! bekannt und beliebt wurde der progressive-house dj/produzent vor allem durch seine exzellenten renaissance-sampler. auf der doppel-cd sudbeat liefert er zwei fabelhafte sets aus 30 exklusiven tracks ab, darunter neuproduktionen von nick warren, guy j, ben shaw, konvex und henry saiz.

hot creations startet neue dj mix-serie mit einem mexico-special von den paradise (ibiza) resident djs und label-stammgŠsten nathan barato und patrick topping. jeder mix ist fachmŠnnisch in handarbeit arrangiert und fusioniert die musikalischen einflŸsse mit neuem, exklusiven material und favoriten der stunde. die erste cd ist von torontos nathan barato, der bereits auf casual mood, relief, saved, circus records defected und natŸrlich hot creations veršffentlichte. die zweite kommt vom englŠnder patrick topping, der bereits 5 beatport tech-house nummer 1en veršffentlicht hat und auf allen gro§en festivals der welt unterwegs ist. diesen sommer verbrachte er seine dritte saison als resident im dc10 auf ibiza fŸr die berŸhmte paradise-reihe.

given the longevity of ron hardys residency at chicagos muzic box, not to mention his legendary status as trailblazing dj with an unquenchable lust for life, there s no shortage of material to fill the muzic box classics series

die ursprŸnglich aus sibirien stammende produzentin, sŠngerin und djane zŠhlt zu den umtriebigsten und interessantesten kŸnstlerinnen im elektronischen bereich. mit ihrem fesselnden mix aus house, techno und acid spielt nina kraviz mittlerweile in den angesagtesten clubs weltweit. nach ihrem mix fŸr die renommierte dj-kicks serie aus dem letzten jahr veršffentlicht sie nun einen exklusiven mix fŸr die fabric-serie. nina kravitz mixt sich gekonnt durch rare und unveršffentlichte tracks von u.a. bedouin ascent, frak, dj slip, woody mcbride, i-f, thomas p heckmann, aphex twin, air liquide und natŸrlich auch eigenem material.

jerome derradji prŠsentiert auf dem still music-sublabel past due eine umfangreiche kollektion mit der kompletten diskografie des enigmatischen soul-sŠngers larry dixon und seines labels lad productions inc aus chicago zwischen 1971-1987. enthalten sind dixons lp-raritŠten i am so in love(1980) und cant price love (1985), sowie unter dem titel larry dixon & friends rare singles, instrumentals & lost tapes. chicago 1971-1985 ultra rare 7inch tracks und unveršffentlichtes archivmaterial alles sorgfŠltig remastered, ergŠnzt mit neuen jerome derradji-mixes und umfangreichen sleeve notes. die inhalte 2cd und 4lp sind identisch. die 7inch box besteht aus dem larry dixon & friends-material. beide vinyl-boxsets sind limitiert auf 500 stŸck weltweit.

nach der neunteiligen 12--serie im sommer 2016 erscheint die -previously unreleased- kollektion aus Ÿberarbeiteten demos und unveršffentlichtem material nun als limitierte doppel-cd. aufgenommen fŸr das playgroup debŸtalbum zwischen 1997-2001, bleibt die hedonistische mixtur aus disco, dub, funk, electro, new wave und post-punk zeitlos. die 25 tracks wurden von trevor jackson unter mithilfe von sasha crnobrnja (in flagranti) aufgefrischt und featuren den produzenten ed dmx, mike z (crash course in science) on vocals und den jungen kieran hebden (four tet) an der gitarre

favorite recordings presents this official album reissue of the parker brothers s blue-eyed-soul/modern-soul private-press album ! produced in 1981 by george p grexa and released in a private-press version on his label crown vetch enterprises, this album is filled with memorable material from the first note to the last, mixing modern-soul, boogie, cross-over jazz and rock elements, for a result reminiscent of the westcoast music golden years, however being recorded in pittsburgh.

nach dem ŸberwŠltigenden erfolg der beiden solo alben fatty folders (2011) und happiness is happening (2014), kehrt roman flŸgel zurŸck mit seiner dritten full-length cd/lp auf dial records. all the right noises vereint house/techno adventures, feinste ambient works, und einzigartiges material rythmischer und auraler verspieltheit.

drei jahre nach der veršffentlichtung ihres selbstbetitelten debŸtalbums meldet sich factory floor nun mit einem neuen werk zurŸck. Ò25 25Ó hei§t das zweite album des elektro-duos und wird am 19.08.2016 via dfa erscheinen. nik void und gabriel gurnsey, die beiden kšpfe hinter factory floor, haben das neue material in eigenregie produziert, gemixt wurde Ò25 25Ó von david wrench (fka twigs, caribou)

a-ton is a new edition and platform of berghain s in-house imprint ostgut ton, focussing on ambient, archive and alternative music, differing from the club-focussed records on the main label. furthermore the first a-ton offering Ð chronicles | Ð marks the start of a series from luke slater s the 7th plain moniker, with remastered, previously released and unheard archive material.

weval beziehen ihre inspiration nicht aus einem einzelnen musikalischen genre, sondern eher aus einer akkumulation von musik, die sie inspiriert. die ergebnisse zeichnet eine beeindruckend kohŠrente vision aus aufnahmen wie das dramatische the battle, der bassknurrer i dont need it oder die trip-saga madness teilen diesselbe dna aus schwungvoller nostalgie, einer schwŠche fŸr immersive klangschnitzerei und einer gewissen delle im groove. sie nŠhren sich auch aus zutiefst persšnlichen erfahrungen und stimmungen, wie zum beispiel bei der eindringlichen elektronischen ballade you re mine, dem vorsichtig geschichteten, polaroid-gefŠrbten just in case oder dem wunderschšn gesungenen schlussakt years to build. und manchmal ist es nur ein altes, verstimmtes klavier, das im flur herumsteht: immer wenn ich dran vorbei lief, musste ich darauf herumklimpern, erklŠrt merijn, also wurde es ein zentraler bestandteil von you made it (part i). kein zweifel: dies ist wevals stŠrkstes und organischstes material bisher, was durchaus was bedeutet, wenn man das talent bedenkt welches bereits in schmalen, doch gewichtigen portfolio der band steckt.

very limited stock release on atom tm + material objects no. label. by garry bradbury, ex member of the 80s band severed heads. no. return with a new addition to the abstract 300 series by one time member of the influential australian electronic project severed heads: garry bradbury. sydney based bradbury is known for his boundary bending audio collage and analogue synthesis outbursts and has a career spanning three decades and is still blazing well into the 21st century. here he presents his 5th solo album for no. yakovlevian torque might be the most diverse no. release to date combining audio sources such as traditional found sound tv samples to analogue and digital synthesis. always on the verge of being slightly humourous, silly or deadly serious, bradbury balances moods and emotions, making this album not just a journey into his own mind. yakovlevian torque is a 13 track work out worthy of your attention deficit disorder

parisÕ prodigal son djebali returns with this bumper collection of music, curated and compiled to showcase some of his finest work in digital format for the very first time. ever since he launched his own label, ( djebali ), the young talent has focused solely on representing his sound through vinyl. with ideal juice, named after his popular residency at the legendary rex club, djebali gives his fans the chance to own specially edited digital versions of material from his back catalogue. each track is shorter than the vinyl original, so that both digital customers and the vinyl lovers both have exclusive versions of the tunes.
already support by ryan crosson, dubfire, seth troxler, subb-an, shaun reeves, laura jones, ekkohaus, guti, einzelkind, tobi neumann, christian burkhardt, phil weeks, sebo k, kate simko, seuil, julietta, le loup, robert dietz, dan ghenacia, jimpster john dimas, dÕjulz, varoslav, raresh, boris werner, yakine, doc martin, tristan da cunha, anthony collins, terence:terry:, michel de hey, alex arnoult, amnaye, andrei osyka (droog), anthea, javier carballo, okain, pete madigan, sishi rosch, tania vulcano, voitek (catnzdogz), tuccillo, chris carrierÉ

die neue -house lessons- ausgabe kommt von tech-house-pionier russ yallop, der bislang mit dancefloor-granaten auf hot creations, no 19 und crosstown rebels fŸr aufsehen sorgte. yallop macht diese mix-cd zu seinem debŸtalbum, indem er nur eigenes, zumeist unveršffentlichtes material verwendet, das er oftmals in kollabos mit namhaften kollegen produzierte, darunter jamie jones, art department, mihalis safras und house-veteran kenny glasgow.

der legendŠre baby ford, seit ende der 1980er schon 27 jahre lang im business, schŸttelt fŸr die neue fabric-cd locker ein ausgewogenes dancefloor-set aus kultigen house-grooves und feinstem, modernem techno aus dem €rmel. dabei lŠsst er auch sein eigenes hochqualitatives material einflie§en und beginnt das set mit seiner kollaboration mit dem ifach collective, um es mit dem noch unveršffentlichten tune * nyo15* ausklingen zu lassen.