zero71 offshoot moving rhythms with its first limited vinyl release.

mono han sind die brüder alessandro und davide, die gemeinsam ein tiefes und langjähriges verständnis für elektronische musik haben. davide ist mitbegründer von n.o.i.a, einem der ersten elektronischen live-acts italiens, der bereits 1978 mit drum machines und synthesizern auftrat und aufnahm.

black vinyl lp in gatefold sleeve with cd-copy of the album included.

limited edition of 2000 numbered copies on flaming coloured (yellow & orange marbled) 180 gram vinyl, housed in a gatefold sleeve.

all tracks produced by lee scratch perry. limited pressing on transparent green vinyl.

vinyl 1 from the 5 years of granulart compilation.

previously released bethween 1960-1970

the best of bob marley on premium picture vinyl.

sold out on distribution side - max 1 per customer - the second longplayer from belgian dj & producer lost frequencies on limited vinyl.

pantha du prince translates the sound of forest into music.

limited repress on ivory coloured double vinyl, housed in a gatefold sleeve.. remastered re-issue of the 2007 album by chromatics, including 5 never before released tracks. produced by johnny jewel, vocals by ruth radelet.

remastered!

great reggie dokes output on we play house!

the collection include amazing reworks from motor city drum ensemble, max loderbauer & ricardo villalobos, folamour, gerd janson, khidja, danny krivit, lexx and s.a.m.

pink clouds. black slacks. shoes shined. purple hazed eyes remind. evening mist. bodies primed. dance floor.
candy curtains mirror eyes. shining deep beyond the lines. dance floor.
frequencies through my thighs. peeling layers of my minds. dance floor.
all we know nothing is time. dance floor.
purple clouds relax my mind. pillows tell me i’m at mine. purple hazed eyes remind. once more. dance floor.

transparent 12 inch vinyl with full cover

mad habitat returns with a serene full-length from eye nono. channeling the more progressive side of american new age and 80s public access soundtracks alongside the rich tradition of australian ambient music

the best of bob marley as limited edition vinyl with magnet sticker included.

incl. daniel maunick remix

a collection of hits from bob marley, that didn’t became mainstream - plus tributes on side b.

new deadbeat - please be fast to get your copy

jazz-funk/broken beat fusion, spacey ambient soundscapes

ltd 2019 repress ... after a string of well received releases on the likes of 22a and alexander nut’s hotep, henry wu steps forth with his most bold statement to date with ‘good morning peckham’ on the rhythm section international imprint. arguably one of the most hotly-tipped producers in the uk right now, wu’s broken compositions and deep jazzy keys have earned him plaudits from scene veterans as well as peers, all keen to see what henry will do next. with a refreshing take on rhythm and a virtuosic musicality born out of years of recording and touring as a session player, henry wu represents a brightly shining light in the already glowing london community. equally adept on the keyboard as he is on the mpc, on good morning peckham, we are also given a further insight into the mind of wu as he takes to the mic - toasting along to the soon-to-be-classic ‘ croydon depot’ and spitting on the intro to the broken beat inspired ‘neezy’. a south east londoner born and bred, henry’s debut on rhythm section has been a long time coming and it seems that it was worth the wait as henry presents 6 tracks of white hot intention. henry wu is a name that we are going to hear a lot more of in the future….

when the sun rose on sun ra in the mid-20th century, his innovative style cast a shining light that spurred the development of modern jazz and other forms of popular music. just listen to the captivating sound of india on this album. crashing cymbals herald a haunting theme established by the composer, playing an electric piano, which draws the listener into a mysterious soundscape that haunts the imagination. such exotic use of percussion and instrumental effects was way ahead of its time when the album super-sonic jazz was first released in 1957.

already supported by dam swindle, soul clap, j renault, ron basejam...

deephouse album by jay daniel

login access to the galaxies has been lost and some encrypted sonic relics managed to escape in time before the tragedy. shining yet obscure bits from another space-time continuum

remastered reissue on 180 gram heavyweight vinyl.

celebreting 15 years of armada music with 4x 180 gram vinyl in a classy collectors slipcase.

alex is a dark, haunting and brooding synthwave record that sets the night on fire, taking you from darkness all the way to the shining lights of broadway. with hints of cyberpunk, outrun and other 80s inspired retrowave influences, alex has developed a true signature sound that is funky, groovy and totally rocking. x takes you on a futuristic, electronic music trip thats filled with nostalgia and suspense.

as summer sets into fall, we deliver an ep that functions like one of those lights-on hand-clappers you get when the djs been asked to kill the music at the end of a long, sweaty night but for the season. its a last-ditch effort to keep the sun shining and the temperature high, a final bid to keep the days starting early and ending late. we know the inevitable is around the corner, but for a moment more we can pretend its not.

m/n is a wide range of colorful electronic music taking their influences from uk 90s ambient/electronica period. in shadows of labels like gpr, new electronica (italia), irdial discs. find old and less known artists like derek carr, carl finlow, simon crab. united in a 2x12inch compilation ltd to 200 copies.

tommy rawson releases are sporadic but always high quality. as a former member of the souled duo who ran the excellent fresh minute label hes been around the more tropical end of uk house and broken beat for many years and this, his first full release for bergerac ushers forth a new level in his sound. this whole record is a masterclass in post bruk, forward thinking, shining, bright uk dance music. unmatched in emotion and vibes. deep blue is quite simply the sound of the summer. sun drenched, euphoric and soaring. broken but not broken, 4/4 but not quite housey. jazzy, soulful yeah. it was the highlight of red rack ems olive grove closing set at love international last year when it provided the most halcyon of moments. live trumpet from vicky flint and a whole bag of vibes from tommy rawson. this is a classic. trust. past tense is a super tropical african tinged house stomper which shows tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of jungle roller bass. the final track into the future takes us into almost blade runner-esque orchestral emotion but with a kind of balearic feel tucked in there too. beautiful, lilting, emotional memories. you can feel so much love in this track. such a special record. buy it. love it. treasure it.

e-missions co-founder p.leone returns to radio slaves rekids this september with the my lita project backed with remixes from mark broom. originally hailing from new york, p.leone now resides in berlin where he helms his e-missions imprint with releases from himself and co-founder caiazzo, exciting new artists like rush plus and tred, not to mention remixes from young male, spencer parker and lawrence lee. leone has also dropped a variety of releases on rekids and work them records, when not making regular appearances at clubs like tresor. he now returns to radio slaves respected imprint with ‘the my lita project, following up his highly lauded el dorado ep that garnered support from ben sims, jackmaster and spencer parker. my lita kicks things off with classic synths, piercing strings and choppy vocals slices whilst robust drums march forward. meanwhile, tight in the pocket is more dark and menacing in comparison with its syncopated percussion, echoing claps and ethereal atmospherics. on the flip, mark broom drops two different remixes of my lita the first is a robust cut complete with disco elements like funky guitar licks and soulful voice, with the originals stabs shining throughout, whilst the second remix takes a different route with its crunchy snares, moaning murmurs and fuzzy effects.

ltd repress !! contrary to the songs name, this interpretation of a traditional afro-brasilian candomble song, appears to be forged from mythical lost amazonian gold. recorded in sao paulo with an allstar cast of arteria fm (on vocal duties), salvador araguaya (caressing the viola caipira) & spaniol (stroking the baixo), steered by nicola s production prowess, this quartet delivers a melodic enhancement to the summer sun. as if the sun wasn t shining bright enough already, the single comes backed by a remarkable remixer ensemble procured from their duties as fellow sun-worshippers: xique-xique s dragonfruit mix is a wondrous journey full of surprising leaps and bounds, alternating between hypnotic electronics and organic song structure. saving the best til last he raises the energy whilst keep the beats low and the vibes ecstatic. hit ! crussen s creamy cocodub raises the energy whilst concentrating on a dubbed out groove, (that) classic crussen bassline and carefully sliced & re-appropriated vocals. finally in-house poster-boy carrot green s granola mix combines disco, deep grainy bassines, juicy bells and signature flourishes into a bowl of magical mind-whirling hip-spinning edible sex.

berlin based electronic mainstay marquis hawkes has announced details of his second lp the marquis of hawkes. the album will be the producers second lp for us, following his critically acclaimed debut social housing for the label, which was released in 2016. entitled the marquis of hawkes, the new album adheres to a specific sound palette whilst still displaying eclecticism across its eight tracks. opening with the beat-less droning ambience of beton theme, the album takes in a variety of themes from across the house music spectrum, from the deep and dubby meditation of instrument of thought to the body jerking rhythms and retro bass stabs of tough love, the introspective mood of the matrix, to the soulful new jersey styled house grooves with a contemporary twist of sunset building through the optimistic joyousness of ‘hope in our hearts before closing with lidells heartfelt and passionate emotional overload on we should be free. first emerging in 2012, after being sought out by glasgow label dixon avenue basement jams, and having previously been heavily involved with the free festival sound-system culture, the london born artists iconic sound has taken shape with the influence of music from cities like chicago, detroit and new york alongside the uks underground house scene. with both depth and clarity of vision, marquis hawkes second album for houndstooth expertly hones a shining hybrid of classic slamming house and grittily soulful optimism, making for a career-defining piece of work.

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. midnight drive are extremely proud to present this most beautiful and unique of records - makers don t challenge me - a truly idiosyncratic early 70 s electronic oddity that has long been a coveted and highly prized piece of music by obscure music lovers for many years

after shining a light on the garage’n’breaks of persian and the bump’n’house of brian bristol, the mysticisms’ crew return with another reissue, to a source of love and inspiration, the epicenter of the 90s nyc club music’s explosion and development, with an ep from the music production partnership of lee rodriguez and steven john craden.
better known as the team behind must-have the african dream double-header on eightball records, they were a feature, under numerous pseudonyms, on the early 90s nyc scene with appearances on a who’s who of labels including movin’, strictly rhythm, tribal and with elements of life, on oxygen music works.

40th anniversary double vinyl reissue of the iconic 1978 album from bob marley. contains the original lp plus the remastered “kaya 40” version, both housed in a gatefold sleeve.

since so many european labels have been reissuing lost and obscure 1980s japanese ambient albums of late, it was probably inevitable that at least one label would put together a compilation paying tribute to the sound. it turns out that jazzy couscous has won the race with kumo no moko, a superb double album that does a terrific job in putting japan s 80s ambient scene in context. as you d expect, the majority of the tracks feature either dreamy electronic sounds or a mixture of acoustic and electronic instrumentation, with nods to jazz coming thick and fast. there are naturally a couple of fairly well-known names on show, but for the most part the compilers have done a terrific job in highlight lesser-known tracks from unsung heroes.

tatu metsätähti and tatu peltonen formed their electro duo mr velcro fastener in the small town of turku, finland back in 1995. in 1999, after a couple of twelve inches, they released their first full length album ‘lucky bastards living up north’ on i220, which was well noted (not only for its hyper colourful cover art by the designers republic). the album took the duo touring in europe and overseas, and led to further releases on labels like stars-music, ali b’s air recordings, solina records, cyber dance and of course billy nasty’s electrix, as well as remixes for the likes of hardfloor, marco carola, dk8, transparent sound and aux88. returning to electrix with their third full ep for the label (and a gap of 13 years!) they have delivered their own unique and recognizable electro sound with two new cuts. ‘a monster in two worlds’ with its electro-funk sound, classic vocoded vocals and grinding groove is a perfect opener, while ‘bakteriofag’ (bacteriophage in english) like its name, creeps up like a virus, infecting the senses with its crisp and shining melody. additionally, there’s remixes of ‘a monster in two worlds’ from silicon scally (carl finlow in his electro guise) and m-twelve (the new moniker recently launched by billy nasty and surface’s nick dunton) to complete the line-up.

teatime dub encounters is the result of a few clandestine hotel room recording sessions, that began a few weeks after underworld and iggy pop had each released their last albums (barbara, barbara we face a shining future and post pop depression respectively) on the same day (march 18th2016). it is neither historical or a tribute to past work. it is the work of artists in motion, engaged in a process that both bring to all of their work – one that uses spontaneity as a spur for creativity.

remastered pink double vinyl re-issue of this 2007 album by chromatics, including 5 never before released tracks. produced by johnny jewel, vocals by ruth radelet.

14 classics by the reggae masters.

one of drum & bass shining lights and a huge personal favourite of ours at dispatch, we are proud to welcome spirit to the label with the fourth cycle ep. few can match spirit’s quality and consistency and this ep is no exception, the perfect balance between soul and grit, iridescently delivered with tantilising progression. effortlessly fusing techno, trance and electro influences, with deep, driving bass, spirit reflects drum & bass in its purest form, his music holding sublime longevity. instantly transporting us back into any number of nostalgic periods from this scene, spirit presents his superb debut dispatch ep.

techno, disco, italo, electronics, house, library, cosmic and ambient frequencies - these are the bedrocks of the midnight drive ethos and sound. a label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. a label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them.

way back then home taping dropped a release by an anonymous act called klic that turned out to be another moniker for a medlar production. now the imprint re-launch the original alongside a couple of mighty remixes by the tuff city kids in both acid and garage modes plus an extension and rework of the original vibes by dicky trisco that pushes the proper deep house meets disco button. all the remixes sit nice and proud alongside the still shining brilliance of the original cut