man make musics second release is a collaboration between two talented londoners, jack dixon and rick grant. having already made waves with individual releases on labels such as brownswood, hypercolour and take, these two good friends now offer up a pair of brilliantly off-kilter house tracks. >running man< is a heady mix of skipping percussion and caressing juno synth-lines, whilst, on the flip, >muted< takes a more understated, melancholic turn, counterbalancing the ecstatic nature of the a-side. jack and ricks contributions are also offset by kevin mcphees weird and wonderful slow-mo interpretation of >running man<. the remix blends vocals drenched in reverb with creeping piano riffs and shows yet another musical side of a man garnering plaudits from all corners for his unique style.

sex tags mania presents reson - a zealous session of accented tr-808 and live synth solos balancing between the emotive and ecstatic, but not irrational. this live electro jam, recorded in pyramide studios frankfurt, grasps the sentience of techno music - a rare occation in our decade. the countering side appends two parts - first purely consisting of beats and reverb - latter a deep stripped exothermic continuation of the main theme.

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

introducing the jab jab of grenada. adrian lenz & sandman deliver exceptional hypnotic dancefloor inflictions. for j ouvert, the jab jab covered in oil take to the streets drinking rum from 2 in the morning. >cover me< is a call to arms. pulsating horns and rampant drums drive adrian lenz s ecstatic vocal cries, causing a riot of impassioned urgency. bells reverberate the dread march of >no prisoners<, sandmans stone-faced premonition commands the percussive undulations of this cavernous riddim.

daniel dexter is the latest new talent to emerge as part of the poker flat crew. after some success with his strong, futuristic productions on exploited records, the berlin based producer has found a new home in steve bugs modern house magnate. the moody, storming >no house for old men< is a superb example of daniels talents. synth-heavy, dramatic and restrained, this slow burning houser lifts and climbs into spacey, ecstatic moments as its detroit influenced keys and carl craig-esque peaks bring it home. the groovy >who knows motorcity< works a simple yet addictive theme in a powerful pop-house moment, especially designed for summertime evening action. clean, bright percussion and rubbery synths flavour this delightful second course! the deeper, hypnotic tones of >the other day< have an almost soundtrack quality as subtle key changes and detailed sound design take this track into more subterranean realms. melancholic yet positive in its resolution, this is future house music in its prime!

walls alessio natalizia and sam willis dont deal in perfect wholes. the kompakt duo return swiftly on the back of 2010 s critically lauded self titled debut, an album that picked up mojos coveted electronic album of the year, featured in nmes end-of-year lists, not to mention winning fans such as of jamie xx, caribou, james holden and impressing us trio battles so much that they have invited the pair on tour around the us this coming october. yet it isnt these admittedly impressive accolades that make the announcement of second lp >coracle< such an anticipated one, what makes walls so alluring is the fully immersive experience of their mellifluous electronica – reaching out far and wide to pull influences sonic, emotional and theoretical together into patterns of blissful phantasmagoria. taking their debut as the prototype, willis and natalizia have taken those initial early-sunrise evocations and pushed them to even more grandiose expanse.<br /including cd version of this album.

after only just recently raising our glasses to our 50th upon you release, heres number 51 just waiting in the bleachers…so basically we are on our way to number 100. our italian friends re-up have rustled up this very promising release called >the new mood ep<. why the name ? i hear you ask. well these two tech-house experts have dug deep to give us a1 with its ecstatic drum rolls in >darkness< , a2 gives us the title track with its dubby-chordy kind of sound, like magically pulling the reins on an indian horse. >what else< they ask themselves on b1 while they gallop over the uy parcour to end this little journey with >so good< on b2.

walls are once again getting set to frazzle minds and make hearts swoon with the release of their second album >coracle< (26th september) - set to once again capture the shimmering layers of guitar and synths, ecstatic melodies and emotive vocals that made their debut an instant classic. their first single >sunporch< reinforces the ground they explored with last years >gaberdine<, a towering arpeggiated bass line surrounded by a swirling web of guitars and percussion. alongside an exclusive edit of >sunporch< and an unreleased ambient crooner, >tight spots< this is an essential followup that will leave you starved for what awaits within >coracle<.

for alec koone, the 20 year old, pennsylvania resident, who was 19 and based in new york at the time of his first release, >wander / wonder< is a coming of age album that sees him expand upon the unique sound that attracted him so much attention to begin with. in koone s own words: it s an open ended album, and i think individuals should make their own meaning of it so that it is something actually real to them. it s not classical music, but in the tradition of a classical work like a bach cello suite, i see it as more of a whole musical piece with themes/motifs/ideas reoccurring throughout, connecting the tracks together as opposed to simply being a collection of songs that sit next to each other in isolation. it s also an album that should be listened to loudly. wander / wonder is a mysterious and genuinely haunting record that seems to exist in a world all of it s own making, balanced between the ecstatic wonder referenced in the title and something altogether more indefinable and uncertain of itself, like shards of light flickering through a blanket of fog, and even though wander / wonder is undeniably an electronic album, it feels strangely organic, rooted in nature, synthetic textures and distorted voices harmonizing with an ever present oceanic shimmer. wander / wonder was written and produced by alec koone in new york and pennsylvania. mixed by alec koone and sam haar (member of blondes) in new york city.

following the radio and chart smash >bounce< feat. kelis, calvin harris releases his storming new single >feel so close<. whilst >bounce< featured vocals from superstar kelis, >feel so close< features vocals by calvin himself. the single is indie meets dance and whilst having the usual catchy hit factor of a calvin harris single, it has an anthemic euphoria in its feel good chorus and echoing guitars and drums. already premiered on pete tongs radio1 show last week, it is most definitely set to make crowds ecstatic from the dancefloors of ibiza to the festival crowds of creamfields and big chill and is sure to be one of the anthems of the summer.

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

just in time for the beginning of a vivacious summer, foliage records are ecstatic to present the long awaited full package of the already globally revered and anticipated summer breeze. the remixes from raw artistic soul encapsulated the euphoria of summer within south africa. undeniably bold yet gently assertive, summer breeze was a phenomenon, an unquestionable statement of the nations love for pure and deep house, a statement which foliage records joyfully respond to with the full release of summer breeze.

behind nomaton hides one of uppsalas true techno veterans. erik möller made himself a global name in the beginning of 2000 as the stripped down house musics champion with releases on labels including force tracks and sub static. he has played all over the world - from ibiza to tbilisi, and the audience at the legendary berlin clubs ostgut and watergate has been able to dance to his live sets. as unai his subtle technopop was hailed by all sorts of camps: from new york times to the wire, from house-djs to to pop connoisseurs. as he now comes forward with a new name, it is very much a return to roots. with nomaton he takes us on a trip to the dark heart of techno. a heavy-bass thumping heart full of dirty basslines, grinding rhythms and ecstatic minimalism.

for all the wonderfully subtle shell-breaking he did on his full-length, mark e falls back on old, slow habits for his new single, >the day<. and welcomely, we might add. pitching things down to a basement lounge floor crawl, the midlands dj/producer wraps his always chugging kicks and snares in serpentine synth-bass, jazzy, tripleted hi-hats, and moaning, wordless soul vocals. its grasp is tantric—hinting coyly at ecstatic release, but never fully delivering. for the vinyl junkies that bought stone breaker and missed out on it the first time around (it was absent from that version), this release should be a no brainer. but >the day< isnt carrying all the weight here. a new track called >special fx< will have sample hounds—particularly those with a thing for classic electro-pop—salivating. and the oft imitated, never replicated prins thomas shows up on the flip for a (naturally) eleven- minute revamp of >the day<, livening up the bass and drum patterns, adding in strings, piano, guitar, organ, and ending up with something that totally could have emanated from a camaro at some point in the early seventies. (albeit, one owned by someone with interest in eleven-minute instrumentals.) it even has a fade out!

heavy duty remix ep (accompanying the first sic! release on meakusma) features reworks by errorsmith, lowlow and quarion. errorsmith remodels orange sky, in his inimitable style, into a bouncing bomb, solely focused on making the dancefloor explode in delirious delight. lowlows version explores the darker side of the track, conjuring up a syncopated nu disco rhythm that sounds claustrophobic and ecstatic at the same time. quarion takes orange sky to the beach and gives it a balearic house feel.

>smile around the face< represents the ecstatic return of kieran hebden, aka four tet. following the worldwide success of his groundbreaking album >rounds<, hebden has re-engaged with the dancing in his head, and made a monumental rhythm-based explosion of sound and joy.

oslo records welcomes the extraordinary artist reboot with his first ep >into oblivion< . after he caused a sensation in 2009 with his split- ep >hello sweden< on the sub-label >love letter from oslo<, he shows us again an incredible ep. >macchina< on the a side is a rolling track that builds up more and more so that the audience goes slowly to ecstatic explosions on the dancefloor. >en place< on the b side is a typical tool à la frank reboot - very percussive and groovy, making them ideally suited to shake up the more advanced hours.

suckafish p. jones, the self-proclaimed ringmaster of voodoo electronics, returns to evil up your soundsystem with his second ep for disboot records, >mr midnight<. released on 12 inch vinyl for disboot records, suckafish summons up four tracks of jagged robot funk from the depths of the swamp. perverting the tropes and conventions of uk garage, grime and hip hop, ?mr midnight? combines pulsing low end rhythms with possessive melodies to create a soundtrack to that full moon night that never ends. sleazy, emotional, violent and ecstatic at the same time, suckafishs latest offering maintains his reputation for productions that ignite the dance with raw, infectious energy and humour.

the esteemed mr. nick chacona, he of moodmusic, hector works, and 2020 vision fame, makes his stunning solo debut on wurst. we reckon >slice of life< is the mans finest work to date, the culmination of the past decadeÆs worth of his most excellent musical output. taking in elements from both disco and house, the song fits quite neatly beween the two genres, with its slow burning groove, rich synth textures, and a soaring, ecstatic synth solo to end all synth solos.

stroboscopic artefacts rip into autumn with a masterful split vinyl. sa006 sees jonas kopp taking to the a-side with the punishingly good >alkitran< and the flip side picks up where the monad series left off with markus suckuts >vary<. >alkitran< writhes hissing and spitting into existence. snares lash across the opening, to be replaced by subaqueous grumbles and whirling from above. the title >alkitran> begs no translation, the tracks sticky, black palette and viscous textures effortlessly communicate the notion of tar. markus suckuts >vary> takes the opposite tact, his dark tones are built amid structures that are suffused with light and dappled with the grindingly ecstatic. this is superbly elegant techno that has refused to sacrifice any of its hardness in order to achieve elegance.

flanked by new mixes to screw with your head, monosurround - masters of maximalism - are back on vinyl for the second time on ms records. grab onto your heart, your eyes, and your ears and get ready for a new ecstatic experience in september 2010. a diamond in the rough, >all night long< - the original track from the album >hello world< - is a rare treat to have in such a vinyl collection, but a great source of inspiration, as you will see.

following the massive summer release by the revenge, disco deviance returns with number 15 in the series and the debut release from the uk based nocturnal music posse. both edits have been championed by greg wilson in his dj sets over the last year to fantastic response and are seriously fresh, dj-friendly versions that are ready to ignite the dance floor. first up is ælove explosionÆ a cracking version of æsweet thingÆ by convertion. packed full of dance floor joy, it drops like a bomb and is a seriously good slice of ecstatic disco reworked for todayÆs dance floors. while over on the flip, the vincent montana produced goody goody classic æit looks like loveÆ gets cut up, extended and dubbed out to produce a truly stunning new take on this amazing track. both are respectfully edited, lovingly re-mastered and cut loud at 45 rpm for maximum dance floor pleasure and dj delight.

after his last storming ep on figure spc, young italian talent roberto bosco comes to figure with a new four track masterclass in rumbling, earth-shaking and proudly contemporary techno. berlin music city features the mysterious vocals of coppa, who leads us into the break of this heavyweight track with his deep dub-step flavoured drawl. funky, ecstatic and characterised by bosco s raw and crisp sound.more bass pressure awaits with sci-fi . a tough, sub-diven punch greets us from the outset, allowing a freaky array of static fx, tripping synths and meandering chimes to lead us on through a strange, imaginary city. suitably tough, crunching and close to the bone, no time combines bosco s clear love of tectonic beats with uplifting, dj-friendly arrangements. a devilish hook emerges from the smoke and steam, leading to a dramatic conclusionà. finally the industrial clatter of >after berlin< stirs up a rich dub-techno display in this surging, lively and essential addition to the package!

hoola is the new single taken from archie bronson outfits recent album, coconut. hoola will be available on two remix 12inchs with exclusive mixes from moscow, house of david, motor city drum ensemble, and 6th borough projects two versions of the album track chunk. coconut, archie bronson outfits third album, is a record full of deep riffs, spaced loops and the sound of a band revelling in both their individuality and intensity. coconut is a record of barely contained ambition and ecstatic overload. the album was produced by tim goldsworthy (lcd soundsystem, the rapture, hercules & love affair) and the result is a wildness of musical vision, given the freedom to be let absolutely loose.

>nausicaä< the female hero fights for survival through ecological desaster. with undeviating force she struggles to revitalize nature. the japanese manga art movie inspired blome to his new release on sender after the 10th anniversary compilation. track one on the a-site >nausicaä< opens with an instrumental amplitude which creates a soulful width. swinging bass weave a well constructed atmosphere of a sensitive play. circulating, flexible sequences combined with sensible used vocals of a guy called gerald creating an impulsive, drifty sound aesthetic. a synchronization of body and motion, of moment and expansion. on the >calamaris street< we travel moreaccelerated through the universe sender. with tentacular sense calamaris street spins strings of sound and voice to a hypnotic bustle. sender 087 is concatenating >nausicaä< and >calamaris street< in an ecstatic synthesis of sound and vision to an new euphoric synthesis.

naming your first release after your band is an auspicious way to introduce oneself, to say the least, but birds & souls have done just that-and the results more than live up to their sensational packaging. birds & souls lead single >birds & souls< (from the debut birds & souls ep on spectral sound) is an exuberant track built more for rock shows than dancefloors, charting a journey from giddy, congas-and-claves house to synth-drenched space disco to ecstatic arpeggiated bliss and back again.

for their 3rd release well rounded bring you the imaginative and playful funky-influenced house sound of hackman. this ep is packed with punchy & polished productions and adventurous arrangements. we have curated 3 tracks that we feel demonstrate the breadth and potential of this exciting young producer based in leeds, england. on the a bodies is an ecstatic piano-driven belter with immediate appeal. the 4/4 drums drive hard, funked up with supple bass flexations, then punctuated with classic chords and catchy vocal cut-ups. what sounds simple here is carefully considered. a brilliantly constructed, exciting and peak-time melodic banger! on the flip surround leads the listener into more tropical terrain

nice price deal !!! idiot is already something of a hit with those whove heard it being played out, combining hard soca drums with lush ecstatic melodic synth harmonies and a driving bass with a strange 8-bit melody that stumbles and trips around the rhythm. its completely alien at first, but potent enough to stick in your ears until you might catch yourself humming the refrain when you least expect it. a unique and fantastic combination of compelling contemporary sounds! altered natives, aka north london producer danny native, whose track >rass out< was one of 2009s best, takes over the b-side with a remix that seems to reflect 20 years of british house music back on itself. just using the bleeps from the original tune, he echoes and morphs his own melody over stepping dubby kicks and snares and a dark, driving bassline

ladies and gentlemen, bpitch aficionados and disco fans in particular - please give a warm welcome to dance disorder! dance disorder, commonly known as georgina fenandes (and also as baby g), gets her first release on bpitch - and for good reason: having already notched up a hit with >my time< on eskimo recordings, she has been right at the top of ellen alliens personal wishlist.
dance disorders bpitch debut >zusammen< is a 10-minute marvel of epic breath, and yet remains admirably unpretetious, falling neatly into the mould of the best minimal-ethereal techno classics of the early 90s. the vocals are contributed by berlin ostgut resident dj boris. the original and instrumental versions of this 12 inch vinyl are bound to create moments of ecstatic pleasure on every after-hour dancefloor.

after recent successes on his other label, donnacha costello returns to his look long imprint with the storming one sided monster that is ten thousand hours. to begin, an ominous, growling, analog siren calls out from costellos roland sh-101, alerting us that our presence is required on the dancefloor before rattling, shuffling hi-hats mark out the groove and we head out on an ecstatic 7 minute analogue journey through a universe inhabited by wispy shadows of s-express, 808 state, mathew jonson and costellos own classic colorseries sound. words dont do justice to this one. simply drop the needle on the record and escape to an alternate universe on a magic carpet of analog synths and drum machines. ten thousand hours appears as a very limited one sided vinyl edition and wont be re-pressed. dont sleep

prepare for something different… french label minimum syndicat is back again with its mad retro-futuristic sound, after two eps playlisted by dr motte (founder of the love parade), dave clarke, max durante or boris divider… special guest on this third release: jim bones aka kenny kramp, figure of the london illegal parties underworld since the early nineties, known for his productions on cult labels like acardipane records (pcp), last tomorrow, rave frontier... he is here for a blissful cut of euro-rave sound driven by ecstatic dark piano, delivering a vibe which is both euphoric and menacing. the 3 other tracks see minimum syndicat...

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

stealing thunder so you move that ass, the duo dubbed thunderheist unleashes serious electrocrunk boom bap. ribcage-rattling bass breaks laced with proper rhyming are flipped with digital booty bass, 80s-inspired electronic pop and slowed down southern bounce, all fresh-dipped in serious swagger. mc and singer isis and producer grahmzilla know how to bring it. and once they ve brought it, it stays brung. >torontos shit-hot electro duo< (nme.com) are already a huge online phenomenon, but this first full taste of their forthcoming album comes courtesy of nasty mix records in canada. catchy, propulsive, ecstatic and uncompromising, it s party music of the highest order, utterly unique but sounding like its been in your head all along.

before you dive in the regular sales fodder i would like you to ask yourself this question: what if humans arent the only living creatures who can create & enjoy art...? well, meet a true & genuine artist at heart and take a minute for michaels story. totally moved and inspired by the life & work of michael, the silverback gorilla who talked sign language who unfortunately passed away in 2000 after a fatal heart failure, ronny & renzo produced this incredible song me, myself, good after the same titled painting by the hand of the late and great michael... may he rest in peace. ronny & renzo their original version is a 9 minute+ moving epic that not only looks back in sadness at the pain & horror michaels life started with when poachers killed his mother in front of his eyes. it equally celebrates the love & comfort, the guidance & protection he enjoyed while he and koko were adopted and lovingly raised by dr. penny patterson and dr. ron cohn. because of the serious and delicate nature of this tribute release we couldnt think of anyone more appropriate than dance exotica pioneers quiet village to perform the remix. these two extraordinary gentlemen lead you by the hand into the heart of darkness, to a meditative place somewhere deep in the jungle only they know of... after more than a year of silence, a new king kung foo release sees the light of day throwing the label right back in the leftfield disco game. these amazing recordings will not only have their impact on an ecstatic dancefloor but will also be the ideal soundtrack to a lazy sunday. enjoy! pressed on a limited quantity of 1000 copies and no chance for a repress, this desirable twelve inch with powerful cover art will be sold out in no time. but the most important thing here is that koko needs your help! so for each copy sold a part of your money goes to the gorilla foundation.

system of survival are back on their consistent ianus71 with courtneys dawn ep: >dharla< is modern driving tech-house, evolving thrillingly to an ecstatic pace. >courtneys dawn< builds up a muscular tension pushing to the dance and arresting the senses in emotional bliss. >chicken clucks< ranges freely through grooves revealing once for all the funkiest of the birds! solid and flawless ... physical and hypnotic ... the sound of now and the vision of then ... this is a miracle of an ep!

cesare is on most of our favorite labels and now he flaunts his dark, bouncy, fun mode of techno for this debut us release on thema. these tracks are for djs who play a variety of styles - something we encourage through all of our thema releases. so were ecstatic to put these out for those veteran djss who know how to change it up and keep it sexy, funky and bangin

limited one sided blue vinyl!! it s a masterpiece of electronic music. it s techno, dark and ecstatic. this kind of track that everyone loves. a hymn around which all clubbers can meet. >la nuit< is the new track of timid boy. supported by gabriel ananda, miss jools, kolombo , dave ellesmere, okain, maxime dangles, peter kruder, nhar

support by: andre galuzzi, paco osuna, jpls, jeremy p. caultfield, afrilounge, yapacc, channel x, lunatik, kaufmann & ferdinand, niko schwind, berlin mitte institut, skoozboot, the sixth release from berlins kassette records is ready to rock! this vinyl features two techno smashers from the label heads click click and m_ferri. both are known for their ecstatic and highly energetic dj-sets, which is reflected in these two powerful peak time tracks. nothing left to say, then play! play! play!

after several months of underground pressure the orbital classic kinetic by golden girls (paul & phil hartnoll along with mike hazell) is finally getting a full release. one of the most ecstatic rave stabs ever is at the heart of this record and has now been reworked for 09 dancefloors by floorplay music - the label run by hot brighton production duo prok & fitch. the story began a year ago with prok & fitchs golden shower remix. instead of going down the bootleg or cover route they paid their dues and licensed the original track for their new label floorplay and set about getting some hot names to remix it. top of the pile is atfc who takes the original and gives it a tough house makeover. this man has been responsible for a few classic records of his own over the years so this combination is unstoppable. with the original orbital mix included this is an all time classic tastefully revisited.

dortmunds very own ‚diskobär, the inimitable ante perry prepares for new double cd long-player extravaganza , flashing disco sounds, with two cuts exclusively produced with close studio comrades tube & berger. these hot co-productions between the long-time buddies simply cannot fail to get the party going. the overwhelming anthemic stir of human you is evident for the very start, but its true dancefloor potential can only be understood after the full ecstatic wonder of the breakdown pours out over a large crowd. super-constructed tech-discohouse is where its at in this high intensity, high drama, big room flashing disco monster. the curiously titled walthervondervogelweide on the other hand is a more brooding beast altogether. working the underlying tension and keeping the pressure tightly locked to the floor its a dangerous late night dancefloor workout... left in the wrong hands this could seriously damage your ability to leave the dancefloor! finally fellow dortmund heavy-calibre producer peter jürgens works his remixing magic and twists human you into a housed up, long building affair that operates on a more stripped, subterranean level to begin with but bursts out above ground with carefully timed energy. warm driving beats and pads layer to reveal the identifying melody of the original.

a1: wasserhahn this ones a dirty little fucker, featuring ecstatic, animalistic outbursts of joy over a rigorous bassline and some heavy distorted percussions. its roaring, its loudmouthed and its certainly funny. b1: house kaoss on the a-side, a spacey tripster finds us rolling on the floor, bringing up an especially funky bass glued to some spooky chord stabs. an isomorphic stomper not only for those who know..

gebrueder teichmann are back and bring us two analoge, hypnotic, ecstatic, rough, subtile, pushing, deep and sexy clubtracks

songs from the source is a lost and found 1973 recording of the source family. these twelve songs were recorded live in the hollywood hills as a rehearsal for a concert date that spirit of 76 - aka yahowah 13, the savage sons of yahowa, yodship, and firewaterair, now known as children of the sixth root race - had at the whisky. a 1/4 tape copy of the recording was found in chicago in 2006, though no one is really sure how it got there. djin aquarian, rhythm guitarist and songwriter for spirit of 76, recalls being sent on a mission to chicago later in 1973, where he believes he left the tape with an old friend. djin wrote most of the songs in the year before he joined with the source, as part of his solo mystical quest to help enlighten the world before it might annihilate itself, adding, im glad both the album and the world are still here.though this rehearsal wasnt meant to be released at the time, there are probably no other recordings as complete of the band doing these songs. the spirit of 76 had a different sound than the one yahowah 13 made with yahowa. songs from the source has more r n b grooved energy, with splashes of synth and organ, a female vocal chorus and streamlined fusion rhythms backing the uniquely yahowan lyrical populism of songs like godmen and lost dead but hoping. songs from the source is a miraculous missing piece of the sources positive musical movement. the members of yahowah 13 (djin, sunflower on bass, octavius on drums) were joined by family members ahom, aquariana, cinderella, rhythm, vibration, and zoroaster on lead guitar, to create the ecstatic sound of spirit of 76.

ricardo villalobos said >this record is a real bomb, i play both sides to an ecstatic reaction! every dj needs it in the bag<

dj stefano amaldi in cooperation with ny odyze present this electronic house project, with dark grooves mixed to ecstatic voice!!

newest release from fools gold (kid sister, a trak). huge club rework of a rap classic, includes remixes from flosstradamus and nacho lovers and b side party smasher juggle it!! after five years running their wildly successful club night disorganised which has hosted the realiest canadian appearances of such party favorites as mstrkrft, css, diplo, crystal castles and girl talk longtime selectors dj booth and chameleonic decided to dive headfirst into producing tracks of their own, and jokers of the scene was born. jots take the best and most mind meltingly intense parts of dance music through history the ecstatic buildups of big room euro house music, the hyper distorted basslines of electro rock, and the lighthearted samples of 1990s rave and throw them all in a blender at 130 bpm. its loud, its fun, and its lighting up dancefloors worldwide.

originally from columbus, ohio and now residing in new york city, myungho choi issues four new tracks on a touch of class. on these four dizzying tracks, choi again powers his stampeding funk grooves, ecstatic voices, and somersaulting rhodes melodies with classic soul bass lines. his stoked mix of soul, jazz, and house proves exhilarating in the steaming strutter lovin you today and high velocity disco anthem shakin bricks. less aerodynamic and earthier by comparison, the low slung party funk groove in how long till dawn would sound perfectly at home in a parliament funkadelic set, especially when voices chant shake and havin fun and horns blaze over a steaming stomp. the closer we aint leaving revisits the benson funk style of moment by moment by looping a guitar vocal fragment over a relentless minimal disco pulse. this ep. is without a doubt a true disco house infection and a definite one for the dance floor, which is not to be missed.

biggest release on oslo so far!! big with ricardo villalobos, zip & tobi neumann & others. after making a statement with his gualia ep, johnny d continues his story of feel for groove and ecstatic party with his orbitalife ep, giving us another proof of his extraordinary talent. absolutely funky and without any compromises, that’s orbatilife.

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture