seeking for the gentleness of subtle tones of feminine voices, i immerse myself in (tantara). the hum of a nameless track of extensive progression, from small changes i create an tmosphere based on a tacit kick snap.....that is appeased by a surrounding endless pad, elements that combine to create this work...

brian close and justin tripp, following up asemic club, for this promising, young berlin label, ‘founded for hedonistisch, free-spirited music lovers. the short run releases shall be dedicated to the underground and casually combine selected tunes from all kinds of music. don’t ride your horse backwards to the future!’. 10 inch in hand assembled screen printed sleeve with sticker.

nice price deal !!! ephemerals debut on helena treats us to three deep originals, offset by a characteristically storming xdb remix on the flip. molecular and cirrus combine gritty textures, half-heard phrases, pulsing bass and cyclical synth and acid lines into the kind of meditative sound experience familiar to fans of plan b or underground quality – but here, and especially on ammonia, overlaid by the distinctly dubby feel of drizzly afternoons spent at ephemeral s home in the midlands. xdb, true to form, grabs the latter track and sticks on some serious afterburners, setting controls for a revved-up voyage across the surface of some distant planet.

lumieux is from bucharest, ro and got in contact with electronic music at an early age (14 years) when he decided to continue with this style of music. for four years he experienced several genres of electronic music: techno, dnb, deep house, tech house and something uncommon genres: experimental, house, industrial etc. finally he decided to combine two genres of electronic music: house and techno.

watch your step and follow up closely: jascha hagen is ahead to take us back on the railroad tracks to a different time. from beam to beam and foot by foot this soundtrack of long gone adventures paints vivid memories in modern colors. jascha knows his craft and how to combine past and present like few others. the result is a lovely luettje two-track ep with a distinct atmosphere driven by lush beats.
since every treasure needs its chest they ship on a limited 7 inch with a special laser-carved sleeve. the sirens would be pleased.

after the success of the henry wu & chaos in the cbd releases, rhythm section international present their 9th offering from mancunian newcomer contours. technician is a percussion led rhythmic exploration, spanning 6 tracks which take in down-tempo grooves to up-beat workouts, all held together by a smooth, lucid sonic palette and arresting, unorthodox live percussive elements. already an accomplished drummer and percussionist, contours manages to combine driving rhythm, lush textures and hypnotic melodies to create a sound that feels very much at home as part of the rhythm section imprint, while simultaneously pushing it forward into new, undiscovered territory. one for the heads, one for the dancers, one for the warm up, one for the afterparty.

essential repress action from the monkey bar records, hinode & patrice scotts the hustlers ep from 2013 will get a limited transparent red vinyl repress, dont snooze... the first release of the label will be provided by hinode & patrice scott. mario and matteo are a talented italian duo based in berlin since a year. lovers of everything analog, their productions combine both the old and todays sounds but with the dancefloor as a common denominator. ranging between detroit and chicago, the release remains true to the monkey bars identity whos been highlighted in barcelona by being faithful to these roots. patrice scott doesn t need presentation, the detroit-based producer closes the ep with a beautiful track that reminds of early sistrum. smooth and deep detroit house for the lovers of ps. limited to 250 copies, vinyl only

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

after their contribution to far & beyond compilation, owen jay & melchior sultana get back to deep explorer finally with a full ep, where they combine different styles in just 4 tracks. deep instrumental, vocals and even electro vibes.everything under the smooth shield of the batti batti team. the circle is completed by the remix of make me feel (the track that opened the doors of deep explorer to the batti batti family) by the legendary mike grant (moods & grooves)

prime time action on resopal label. russian hottest export lord vakabular launches his new ogo ogo ep with four smokin tracks. grooves, structure and beats combine with a high club-factor. all tunes exalt the floor, so be careful with this 12

long-serving brit in san diego james clements dons his familiar asc guise once more, for a typically atmospheric trip into deep, ambient-influenced abstract techno for canada s silent season imprint. as usual, there s much to admire, from the sparse percussion, glacial electronics and icy melodies of deep freeze, to the minimalist, modular sounding hum of closer raging seas. arguably best of all, though, is immersion, which sees clements expertly combine early 90s style dreamy ambient chords, textures and melodies think pete namlook or early irresistible force with scraped metal textures and impeccable idm beats

crimes of the future are proud to present the first recorings from bulb. bulb are willie burns, scott fraser and timothy j. faiplay two live jams recorded in new york in the spring of 2014. side a combines gehtto techno breaks with something from wayward kosmiche studio experiments in deepest germany. on side two dark ambient synthesis and stabbing drums combine to drop you somewhere in a world of psychedelia and cavernous cave dwellings.

limited edition of 200 copies on black vinyl.
in this most recent phase, the intercontinental duo progress into new territory on four tracks that dwell in minimalism. atmospheric white noise and resonant synthesizer sequences combine together with spatial awareness and repetitions that build structures progressively. primal, slow and pulsing sounds give way to dynamic peaks. these tracks were recorded in the same session as the recent “el temps no passa” release on the philadelphia imprint white denim making it a perfect follow-up.

mina records head honcho masaya returns to her ever-impressive imprint this june with a blistering three track ep *la nuit*, featuring a remix from agaric.
ep opener *la nuit* shimmers into life over buttery synths and shifting percussion while ghostly intonations and warm resonations combine to deliver a deep and affecting cut that immediately leaves you wanting more.
for the b-side claudia teams up with fellow vocalist anders ilar to deliver *stars*, a sumptuous affair with delicate percussive arrangements and long-drawn-out synths. drumcode and ovum recordings affiliate agaric steps up for remix duty and utilizes dynamic hooksand hypnotic rhythms to dish up an infectious version of *stars*.

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that’s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with ‘payback’. a dubbed out affair that’s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent.“tunnel’ continues where ‘payback’ left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that’s clearly evident within all of stojche’s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, ‘sinister alley’ should be further proof of the macedonian born producer’s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. ‘sinister alley’ opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche’s musical journey and much more than just another release on his label. it’s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he’s been exploring for quite some time, catalyzing imagination and furtherance that’s beyond tangible.

the titanic trio are lead by buzzers. the rise and fall of the metallic droplets oil this mighty techno machine as the march of its kick drum rolls like the constant throb of a diesel engine. dark and deadly. erector pili sees joel delivering a relentless tribal pattern wrapped in dreamy atmospheric and moving waves of synth. final cut pulhapanzak seems to combine elements of both the previous tracks. the ferocity of the lead track and the sweeping, ghostly atmosphere of the second, to create an excellent finale.

prodigious underground nyc producer larry josephs sparque project turned in a handful of classic 12inchs for west end records & lets go dancing is probably the most well known of all of them. all the hallmarks of classic west end are here, the futuristic production (1981!) soulful vocals & killer arrangements all combine with francois kevorkian & larry levans legendary mixing desk skills to give us this bonafide garage classic that rocked dance floors from nyc to chicago on its release & still packs a punch today! this record is all about having fun, partying & losing yourself in the music, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2015 in conjunction with west end records, nyc.

courtesy of just listen records and cpr (caxton press) emcee killa and grim reaperz combine to bring you their brand new project zapatista. dervied from the zapatista movement in chiapas, mexico during the 1990s both artists have adopted a philosphy of mind and music through the movements of the zapatistas with an aim to enlighten people of their existence.

manchester producer hidden spheres blends the interesting elements he finds within recordings into soulful dance music suited for clubs and the living room. those influences combine jazz artists like sun ra, john coltrane, the art ensemble of chicago, and miles davis along with the modern sounds of detroit and german producers. having released individual tracks on dirt crew his first solo ep appropriately finds its way to moods & grooves, a label known its eclectic output. the bloos connects the musical dots of his influences while expressing a love for house music.

repitch recordings is pleased to present three new tracks from chicagos stave (j. krohn). *after the social* follows an ep on the irish imprint rensmat and lp on chicago based fss. the new ep continues exercises in foundsound, distortion, and repetition, *after the social* introduces a new challenge to the growing stave catalogue. in the same vein as his work with downwards recording duo talker, krohn continues with the drenched dark tones and distorted drums with this repitch release. influences of punk, metal, noise, detroit techno and ambient all combine to form an uneasy mix of melody and rhythm. the legendary downwards boss karl o connor offers a brilliant mix of *hardened chord* — using the original to create a 4/4 path of destruction.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

2014 repress!
soulphiction and the missing linkx combine forces again on this split 12inch on philpot. the missing linkx are kickin it off with a classic tool, bringin some jack moves to the table while soulphiction on the flip dug out some reels and found this little diamond of fuzzy psych-disco-dub. one for the club two for the heart and soul! “thanks for purchasing a real copy!

repress - mannequin records is proud to present a full length by the philly minimal-synth princess void vision. void vision is a philadelphia-based electronic project helmed by shari vari. it began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. in a rare instance, void vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. the songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own

greek producer laces up 4 tracks that combine textures, pads, rhythms, & arrangements that to feel deep within your belly button. the term house has undergone many changes, but always music that resonates with a listeners soul.

limited nice price action
inspired by the grotesque glamour of the créme de la créme, the opulent lives of hollywood wives and the hairstyles of the rich and famous, brooklyn-based duo ladycrème has been producing and dj ing in new york city for 5 years. ladycrème uses vintage production methods to combine their diverse influences, ranging from classic acid-house to italo-disco, with a modern electro sound that burns and bristles your scalp like hydrogen peroxide. this record has been mastered by the one of the all-time greats, herb powers. the man responsible for cutting a respectable share of classic prelude and west end pressings, as well as tons of other disco, house, funk and hip-hop classics over the years and cut by one of the hardest working techno dj/producers tim xavier

after a two year gap clio is back on metroline limited after producing two of the most successful releases from the labels extensive catalogue: for sure baby (2010) and do it ep (2012). in the opening track, the beautiful forces, blade runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station.

colman buckley & ray taff, known collectively as dog days make a long awaited return to assembly records, following up woofer (their much lauded 2012 outing) with a new 3 tracker, stand down. a rich tapestry that wears its 4/4 rhythms and its detroit influences with immense pride, this ep features 3 tracks that combine sensuous vocals, tight percussion and melodic hooks that will be lodged in your brain for days to come.

marco shuttle and fellow italian techno legend donato dozzy team up for a duo project under the name anxur, a collaboration that combine two artits that certainly have a wide common ground when it comes to vision and musical aesthetics. the anxur takes vol.1 is the first instalment of the duos output, the release is a 2 tracker that have a strong esoteric feel as you could expect both from the label and from the artists involved but still maintaining quite a straight 4/4 dancefloor vibe

king champion sounds deliver a blistering 10 inch album with free cd (incl. 2 bonus tracks) inside that combines a hypnotic krautedelic / dub / minimalist / electronica tunes with a sugarshit sharp wordsmith in his element. g.w.sok (former lyricist / singer for the ex) has never been in better form. the band, led by ajay saggar, close ranks hard to deliver the tightest and most exciting palette of music you will hear all year. they combine the grit and grind of the best of post rock underground with the swinging horns of africa in an astonishing whole.

hailing from toronto is newcomer drala. with a background of trinidad and canada alike, this ep brings cool breezes to the scene while claiming a stake in this musical playground. already a staple in osunlades dj sets, datfreaky has already become a much desired floor banger. with demanding stabs, smooth and subtle deeply combine a signature sound yet to be compared. dralas theme takes us deeper into his world as syncopated bass lines dance with pulsating rhythms. spirits and smiles continues the movement with brigade like drums, airy chords & industrial tones while never losing ground. the gods made me funky take you on a heightened journey within yourself, transcending mind and soul with haunting vocals by spiritual sage astarius this has been a labor of love from seed to flower, we proudly present the latest addition to the yoruba family. welcome drala!

john tejada does not really need any introduction - he is simply a phenomenon. starting with his first releases in the mid nineties, he has been constantly expanding on his massive catalogue of singles, remixes and albums released on well known us and european techno, house and electronic music labels and there seems to be no end in sight. in addition to his output on prestigious labels such as playhouse, plug research, defocus, moods and grooves, 7th city, kompakt, and others he has also been running his own palette recordings imprint since 1996. john tejada s ep for slices of life make reference to his earlier releases that were beloved by dj s for their driving energy and an occasional wink of humor. the three tracks on -times like this- combine a musical glance back to earlier times, while showcasing tejada s high level production skills of today: a slice from the past without being nostalgic

taken from the forth coming compilation album of the late 70s early 80s south african 7inch. these funk fuelled workouts combine the rhythmic passion of africa and drive of the us funk from that era. all tracks given a remastered touch up by mr chop

mindshift celebrates, with decade, the from founder, murdoc, featuring remixes by area and jon mcmillion. decade begins with bullseye-s deep kicks, classic synth pads, and solid basslines, which combine to create a euphoric experience for both listeners and dancers

solid deep cuts from anonymous label l.b. produce. cosmic synths and crisp shuffled drums combine on a raw but classy debut release from phrased.. sweaty basement live jams recorded direct to tape, a solid tip!!

three formidable names from the electronic deep/techno scene combine on this sumptuous new ep for the burgeoning jesus was black imprint. in various combinations, maris, egal 3 and philipp ort have previously collaborated on labels like kdmusic, cadenza, wrongstate, affin, flappers, baccara, edec.. their first joint effort in some time yields some superb results.

breathtaking contemporary spiritual jazz from south africa ... when tumi mogorosi composed this suite for jazz musicians and opera vocalists he had never heard the previous successful attempts by donald byrd, max roach or mary lou williams to combine these seemingly unfriendly aesthetics. tumi, born in 1987 and already an accomplished drummer on the joburg scene, was at the time studying music at the tshwane university of pretoria where he became close friends with opera singers working on the same campus. so unlike some of his us peers tumis beliefs are not religious.

picture this: cris cassaras sizzling hot french disco house bomb *la vela* all looped to perfection and topped off with a to die for lead melody that sounds as if it came straight out of a classic ingrid bergman movie filmed at the french riviera. now take a deep breath as monsoon season enlists the fantastic vocal talents of evelyn joyce to create the beautiful, melancholic pearl *you*. all this before pole jam vinyl all-stars deep sound express & raha combine once again to reveal another deep vocal house smasher. finally, hailing from the magical city of izhevsk is eclectic sounds *forever young*, a deep, synth-laden floor filler that rounds off pole jam vinyl’s third release in mighty fine style. thank you for travelling with us on this, our third instalment.

• shifted resurrects his relay project for our circula sound
• full picture jacket
• full support from both the ocs and avian camps...
shifted resurrects his relay project for our circula sound. textural experimentation and pushed sonics combine with a stark approach to rhythm, delivering an ep that balances his floor focused and more experimental work. full support from both the ocs and avian camps...

dj support from rich medina, kev beadle, dj cash money, eavesdrop radio and kcrw. fatnice is multi talented to say the least. the avant garde mc, producer, singer, and writer grew up listening to tons of records and tapes from his aunts collections which were comprised primarily of soul and funk gems. a prolific house head, fatnice became entrenched in the boombap sounds of hiphop via the roar of melle melle rhyming the message in 1982. an avid writer of poetry fatnice found it addicting being able to combine rhymes with beats to create music.

last magpie makes his electric minds debut with the *influences* ep in april. the eps three original tracks combine the producers knack for punchy uk club tracks with elements of the pioneering electronic music that have informed his music tastes. inspirations from classic hardcore, jungle and garage loom large on ep opener *mirdad*, while *pledge* takes things on an electro tip with nods to the sounds leading mid-2000s exponents. *i love me* juxtaposes light and moody elements for a heavier take on disco and chicago house, while the ep is completed by a sublime trevino remix, as the soulr boss reshapes *pledge* into the kind of tough, hypnotic house he has made his forte.

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

here it is, the tenth and final chapter in the seaghdha story, as lo shea wraps up a monumental series with a special, limited 12 inch & cd compilation package. first up we get four more new tracks on the wax, its on is an atmospheric, driving house jam complete with melodic guitar effects, which ride the groove and combine with the devilishly deep low end to startling effect. got swagger strips things right back to the bone, a skeletal rhythm framework, those trademark atmospherics and rock solid low end. buchsheff sees us back in familiar lo shea territory, with a powerful warehouse rattler. finally to be sure brings it all home with a cinematic ambient piece. as if that wasnt enough we also have a hand-stamped cd comp, featuring those classic cuts from the earlier part of the series, which are now fetching serious change on the second hand market it is a great package, and a serious send off for what has been a hugely successful & widely supported musical endeavour.

great reissue of the hugely in-demand rota enterprises 12 inch release of panaches massive jazz-funk tune *sweet music*. unstoppable and fiercely funky, this brilliant cut never lets up the energy for a second - frenetic guitars and bass combine with grooving keys and sweet vocals in a highly-charged dancefloor bomb. backed with the equally wonderful instrumental jazzy version which ramps up the drums and keys, a big favourite of kenny dope amongst others. unbelievably good and ultra hard-to-find in the original, you wont want to miss this!

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

santorini comes back on out-er with a superb release! this ep is deeply oriented to house with broken beats patterns and techno infuences. the tracks are truly inspired from uk sounds, always preserving a dancefloor attitude thanks to their grooves and arrangements. they come from santorinis solid dance attitude. his renowned ability to combine concrete and abstract together brings this ep to be on the top of santorinis productions.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

put simply, alexi delano and butane share a devotion to pure artistry that few in this industry are able to claim. both, over the breadth of expansive careers, have consistently chosen to forgo more commercial paths for wholesome, timeless, underground projects . after a chance meeting at an impromptu after-hours in brooklyn where they rocked a packed warehouse together well into sunday evening, the two decided to combine their talents in the recording studio, where they found an undeniable synergy. alexi, born in chile, raised in sweden and later adopted by new york, has been producing music for nearly 20 years. butane, born in the usa, dues paid in berlin, and currently calling new york home, has been djing professionally for 12 years and producing for almost 10. when 30+ years of experience comes together, one should take notice. here, the results are electric.

positive centre follows up last years highly acclaimed debut with another superb release for sighas our circula sound stable. doom laden electronics and warped techno sensibilities combine to marry weight, depth and immersive atmospherics, a winner