active for over 25 years, max durante is a legendary figure in the italian techno scene. an early 90s innovator in combining the sounds of techno, acid and industrial with his old school project on the legendary italian label acv/hot trax. his project automatic sound unlimited with darchangelo of rephlex records fame was ahead of the game back then. so like glove fits hand. max fits perfectly on sonic groove with a cutting edge , menacing time bomb of an ep. sharp as a razor, hard as steel this is seriously powerful stuff for those that like there techno uncompromised.

it started with deep, raw and real, then it was thank you freaks, now its gentlemen cuts - all well rounded lovely compialtions bringing some hot tunes from all over the globe! with clang83, we have another up and coming italian artist whos into this kinda classic house and detroit sound.

acid, no wave and experimental house producer drvg cvltvre has been busy recently. after releasing with chris moss acid on shipwrec in 2014, vincent koreman then served up a full ep of his own, on dutch label cos_mos and is now back once again with a new four track affair on pinkman that comes two years after he offered up the label’s first ep in 2013. up first, * my houz* is a swampy house track with heavy drums, whirring machines and white noise textures all adding up to an intense affair that sounds like little else. then comes * tyranny of the gods* , a slow tempo but high impact track that builds and builds on a nerve lead synth line as frazzled bass props things up from below. dark and weird, occult and rave, its another unique proposition. on the flip, * sleepdealer* is an unbalanced house track with taught, tight bass and is shot through with laser like synths. serene and spaced out, it makes way for closer * crack spirit guide* which is a noisy, intense and brooding fusion of crisp percussion, big walls of synth and chattering drums that really have you on edge. once agin, then, drvg cvltvre has come up with the idiosyncratic goods.

as spring dawns, rhythm section international go from local artist to a pair of very * local* artists - peckham’s very own chris watson + chris coupe, otherwise known as fyi chris , who present the ‘back in the millennium’ ep as the labels 5th offering. the ep was born after a rather hazy late night listening session at rhythm section hq, where bossman bradley zero was instantly beguiled by the duos hypnotic and rhythmically complex arrangements. the record begins abrasively with the trance-inducing mechanical stutter of back in the millennium , before shuffling into downbeat number * jeru* and then picks things up with the peak time groove of * need i say more* before bringing us back down to earth with the melancholic acid bump of * dedication*. early support from osunlade, mr.g, ryan elliott & damiano von eckhert. ready for club use.

mystery man l.f.t. delivers the second ep for woodwork. his poignant debut wood002 includes three original tracks and a remix by benedikt frey. a1 is a dreamy rhodes journey roughened up by distorted 808 sounds. a2 is a melodic house track with a bubbly bassline juxtaposed against crunchy drums. on the flipside, b1 will take you into a laid-back acid house trip fueled by tons of escorial. benedikt frey then twists the track into a trippy techno journey on b2.

2nd release for kovyazin d on chiwax. we are more then happy about this great 4 trackes full of acid, jack & groove! pressing on transparent blue vinyl.

for the a-side, fuse london resident antony difrancesco joins forces with dutch born ferro and opens up with the aggressive and hypnotic -des-, with its tough drums and mesmerising pads. next up is tini and the gang- regular, crocodile soup, who brings his deeper side into action on these shoes are made for walking , a track that is elastic and seductive and expertly arranged. david gtronic s signature drums and trippy pads then mark a stunning opening to the b-side on down the burrow and last but not least, he did closes the vinyl with -algunas palabras , a track with a mixture of minimalistic and natural sounds that make for compelling listening and perfectly showcase the he did sound. this is a classy ep from a label that the world needs to get behind as they continue to grow.

4 tracks placed on vinyl and then a download card giving 3 more! first up is better than yours with leah hannah on vocals and spoken word. war time is next percussive banger, on the flip you find another banger dont look any further and kito jempere’s dub for pisces tune.

nearly two years ago we released mys/kela by a newish stockholm-based producer who had put out a couple tracks on a couple labels studio barnhus and local talk owned by friends from around town. that produce s name was hnny and a lot has happened since then, both to him and to us. hes gone on to crank out more l.t. 12inches as well as some hes dropped on his yummy and puss imprints, weve gone on to unleash a couple dozen more records and see the list of talent we ve hosted at our parties grow to astounding length. somehow, through it all, we managed to stay close with hnny, whos real name is johan cederberg, and even book him for a couple nyc gigs. the friendship that began so humbly and gently in 2013 has blossomed.

repress 2015 ! our friends from leipzig alex and dennis aka sevensol & bender (kann records) sent us some tracks for listening when fauxpas musik wasnt even founded. scuba was one of those and didnt disappear from our mind since then. klick, klack, bumm tschack - now weve got some remixes from oskar offermann (white) and aera (aleph music, goldwill) taking the track further and a perfect ep is done! this vinyl comes in hard plastic sleeve . try it, love it, or not - we do! vinyl tastes better…

stratford-raised denai moore signed to london independent label, because music (metronomy, little dragon, django django…) and then ben drew was in touch hed heard a couple of denais songs and wanted to work with her on production, eventually producing the lake ep in 2013 (hes since signed her to his publishing company)

finale select series is back to bring you one more from one of chicago s finest producer boo williams and finale sessions boss michael zucker and we start with boo williams song - reckless thought - with its magical keys and it thick pads it has chicage written all over it for sure and then last but not least we have michael zucker with his track good times- it has a jazz feel to it with it moving drums and its wicked bassline. this ep will sure to please the deep at heart.

british powerhouse alan fitzpatrick returns to figure with his second ep on the label after 2009 s weed killer / science . since then its clear that alan has continued on a dedicated, valiant quest to find his own sound, and the results are on show here, with a heavyweight, emotive and futuristic techno three-tracker. like a warm rush of endorphins on the summer breeze, alan s rich up-building sound is perfectly represented in tracks like a subtle change , with its jubilant stab-led melody, or the modern club-weapon vibes of trigger finger . harking back to late 90s uk idm and proper dub-techno atmospheres, fitzpatrick then gracefully crafts a down-tempo, space-out version of a subtle change for the b-side, providing the afterhours sessioners with a new buzz-track.

title track is a beautiful and epic journey in techno soul quite rare to hear these days, reminding a bit of early nineties detroit/uk techno and even some of the early speedy j works, all with nowadays production skills. stunning contemporary techno the classic way. then from heaven to hell with 60606, an evil distorted acidic drum track guaranteed to damage kids brains worldwide. but no time to think long anyway cause theres we only have, an autistic out-of the-box jack track providing a sneaky tool for the more adventurous dj. this will separate the gurners from the dancers. top-notch showcase by the unstoppable man-machine that is marco bernardi!

the last time these gentlemen linked up was for their release what you see on leftroom limited in december of 2013. since then, circle (rob paine + keith landis) produced another ep for worship while rise 8 has been recording their full length album. the universe let these artistic minds & souls meet in the studio once again to create gone too deep. the original mix is a deep and moody house builder that is really brought to life through the haunting vocals of rise 8 s gerhardt koerner.

back at it again, taking the true essence of the “jacking” sound of chicago house and putting it’s own stamp on it is what obsolete music technology has done with their new 12&#8243,, entitled, “volatile.” warbling, wobbling, distorting, sinisterly acidic basslines abound is the best way to describe this release! for dance floors only! you have been warned! “volatile” starts off with some 707 drums intro and then fading in, is this tripped out, bubbling bass sound that sends you off a cliff! just when you think that’s all to the track, dark, melancholic pads comes in for added atmos-fear! rounding out the a-side is “killin,” with it’s 2 acid style basslines, one sounding at a high octave and the other at a lower octave. riffs playing separately sounding great, but when played together, there is something slightly, mentally off. on the b-side, “broken siren” is high energy! 808 tom drums bringing the funky low end while a short, electronic piano lick drenched in warm, fuzzy, flange effect. setting it off is a decayed sine wave, mimicking an actual alarm sound. lastly, “electric current” best describe this distorted acid bassline and its tweaking filter and resonance controls over jacking 808 drums

ednic is the italian duo of nicola di gabbia and edoardo cortopassi, and by all intents and purposes, they’re an outfit that’s on to a good thing right now. the guys make quality, analog-enriched house and techno, the likes of which comes to the fore here on puas puas, a vinyl only label that’s already featured the likes of the mole, alex piccini and carola pisaturo amongst others. first up on the exceptionally refined strands of the auberste ep sis the sounds of the original, which is a barnstorming cacophony of acid flourishes and tension-filled motifs. a track that’ll keep you on the edge of your seat for some time, it features shades of old-school electro and techno, and is the sort of track that’ll definitely rescue any ailing dancefloor. the aforementioned carola pisaturo then perks up with the first of her two remixes courtesy of her brilliant ‘church’ mix. a bumping and grinding interpretation on the original, it too keeps the suspense high, most notably thanks to a dizzying array of melodies and a series of potent basslines. her ‘botta’ remix is a more stripped back affair, albeit one that still speaks to fans of discerning fare thanks to its relentless attitude. full of shiny percussion and the odd sultry vocal smidgen, it’s further indication of a producer who looks set to enjoy an excellent 2015. this is classy stuff indeed from the puas puas label.

guy andrews first appeared on pennyroyals parent label hemlock with shades / textures in 2011, two cinematic and reflective uk techno tracks that earned him a loyal student fanbase. he returned to the wavering imprint in 2013 with the pounding tribal thumper resistivity and has since released an ep on leeds based techno label fina because his ex-manager thought it would be good to keep things moving. since then guy has been busy developing a unique career portfolio including composing for film and television, launching a niche specialist winter sports fashion line and lifestyle channel curl goth and more recently founding a peer-to-peer lending co-operative and crypto-currency for exchanging controversial facts surrounding the national trust.

electronic music approximately 35 years after bands like kraftwerk opened the magic box. a lot happened since then and it seems all is said, done and invented. however it is almost surprising that new things still pop up here and there when it comes to electronic music production.

from the lands that time forgot birdie is proud to bring you an ep of the highest quality from the artist currently know as causa. hailing somewhere from up in the hills on the border between deepest darkest east lancashire and west yorkshire (thats up north to you lot) causa joe is a long time friend of trevino marcus. joe is underground and a lover of proper house music and has never been interested in music trends (he is a fisherman for christ sakes). he has been making music under various guises for 15 years with an apparent 6 year gap to go fishing. he has had releases with 202/20 vision tusk wax and paper recordings to name but a few. as marcus and joe still meet regularly for a pie and a pint its no real surprise then that this ep of some of marcuss favourite music of joes has come to pass. enjoy.

two dubbed techno wonders on a coloured 7 platter. lars fenin, born and raised in hamburg has been around the music scene in berlin since the mid 90ties as reggae guitarist/songwriter/live-act/artist/producer/dj. his first experiments in electronic music started in 1998 with some friends in hamburg, followed two years later by his first ep release called &#8243,,,,,herr pitzelberger dreht auf” for the berlin based label shitkatapult. since then fenin has released several eps and albums for his homies shitkatapult as well as 12&#8243,,,,,, s and remixes for labels like echocord, revolver, eintakt and mitek among others. along the years he could boast collaborations with artists such as deadbeat, mikael stavostrand, d-meteo, k.j. gibbs,horace andy, der dritte raum, eraldo bernocchi and jeff milligan. since 2008 he runs also his own label called dock-records. soundwise, fenins productions range from roots reggae/dub pieces to cordish/melodic techno sets and electronic alike soundscapes. the future is unwritten.

no need to present fumiya tanaka. by far japans most talented and knowledgeable electronic musician and dj. he founded torema records, the first independent dance track labels in japan in 1993. since then hes been constantly rocking the floors around the world. fumiya made us love electronic music. were thrilled to welcome a true pioneer. dont miss this record.

when we say live in the future it becomes a repudiation of living in the present, and then instantly we are in a state of denial denial has a hypnotic effect on the mind. gutsy 909 claps work with percussion and futurist vocal snippets that warp and chop, whilst haunting chords wrap themselves and sublimate over the body. denial wants you to live in the future, denying the present moment. yet the music speaks in the present. to close your eyes, find yourself lose yourself in the moment and groove.

i am very happy and excited to present the new ep by claudia anderson on singular rec., its her second release on the label and its a real pleasure. she cooked a really varied record once again, liquid forms takes place on a1 and its real voodoo here, the effect of this track is very unique, it’s space and deep, surrounded by many little effects that give such a special result, then comes neutral state, a timeless dub & house feeling, very loopy, that reminded me some stl cuts. be one opens the b… i ve been really sensible to its very sexy percussions play and delayed lead, it transports literally during all the length, its very high quality. to end properly this ep, claudia did a superb ambient cut, everybody knows i love ambient and so here i ve been charmed… its a deep, noisy atmospheric track that close the all perfectly, with simple little percussions that come and go, just what it takes… its a confirmation of all the good i thought about claudias talent, a very subtle, deep and charming record, and i hope you will like it as much as i do! marcelus.

almost a year after their best-selling second ep, the anonymous bandits crumbs return to the fray, with another perfectly planned and executed smash & grab although delivering a mysterious & scantily clad 12- is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand it s undercover time again, and we re sworn to secrecy, of course...but two of the regular collaborators have engaged in a serious bit of one upmanship having landed this diverse haul, let s take a look inside as we move from a completely overhauled musicbox classic, flipped and re-pitched for 21st century floors. followed up by a totally irresistible modern afro-disco workout with more than a few sonic surprises thrown in turn over for a lost, cosmic gem with no end of additional sparkle, coupled with a a twice-baked & loose jointed rhythm and bass workout that really slams. a dj s delight, then, to be mixed up or played raw this one will be gone in the blink of an eye, but treasured for much longer

since then thyladomid has been an inherent part of diynamic, with new release information regular appearances on international label showcases, its own festivals as well as with multiple successful releases on the label and its sub-imprint 2diy4, including highly acclaimed collaborations with adriatique.

lht 009 is here with the second installment of jamie blancos unknown reason as the a side, the original mix which creates a moment of late night drama for dancers, fx mchn makes a welcome return with his trademark dark eerie sound, rolling mutating crispy beats and weird vocal samples, then its a newcomer to lht, old friend of the label dan clark as in his late night audio production guise utilises the vocal skills of a local hackney girl and adds them to a proper shuffling beat and super deep bassline, and finally mainstay facade brings us one of his best pieces of work yet with a stunning slow analogue house workout that goes way deep with added dub delay fx warm chords and arpeggiating bassline

the japanese kin-ben label offering a fine blend of some powerful techno tracks from a range of up and coming producers and some established japanese names such as akaaki itoh who has been around for a while and played in more then 20 countries/200 cities. ninja power techno!

after their first big things i didnt mean ep on dirt crew back in 2013 the cali boys urulu & steve huerta teamed up again for another release full of bliss deep house cuts. both relocated to berlin last year and have since then been extremely busy with their solo output on labels like lets play house, needwant, shabby doll and urulus own imprint amadeus

if you like your music deep n dirty & laced with funk,tech & soul, then check this 4 track ep out from da sunlounge. these tracks have been tried and tested on dance floors around the world with some amazing reactions to say the least!

boola is no stranger at all to the vinyl club team. he was amongst the very first customers of the former ibiza record shop that gave birth to vinyl club, and even if this is his first release on the imprint he contributed from the beginning to inspire the crew with his early productions that enlightened the golden days of dc10, some of them being released on the then new born arpiar label a bit less than a decade ago. joining the vinyl club agency in 2013, he is since then sharing the dj booth too with the team for endless sessions at cdv / berlin.

longtime figure main-player markus suckut continues his artistic development with this killer seven track, wide-reaching ep. based on the concept of providing rich ambient textures for the start of the night or dj set, and then heavy, minimalist techno tracks to satisfy driving, percussive club needs, suckut gives us another masterclass in his art. alongside the dense textures of for start #1-3 and their varying moods - from echoing steam-filled passges to off-world strings reaching for the skies - we are also treated to four heavyweight dj tools stamped with markus trademark elegant sound.

vinyl only release
starting in 1990 recording for sheffield label ozone records under the name of panic with a release called voices of energy, which was then licensed to buzz in belgium, buzz 001, buzz then went on to release classics by carl craig and derrick may. he set up his own label in the same year solid groove records. the label had 30 vinyl releases over thirteen years and tracks were licensed by derrick may, terry francis, pete tong, adam x, and carl cox.as well as this he ran another four other label s, textures, dark, dot, and cheap knob gags.

as we move into a new year, again start the cogs of labels and artists around the world, this is certainly the case for disc over music as they bring us their first release of 2015. high off the back of exquisite releases in 2014 from luca lozano & mr. ho and nicson, disc over’s first installment of 2015 comes from label head tim green - a three track ep bursting with two classic tg productions and grooves which is then given another dimension with a remix from the talented german born producer borrowed identity. the ep kicks off with the aptly named ‘scar’ - a track which when heard, truly makes it mark. it sets the tone for the rest of the ep with it’s prominent bassline and haunting howls whilst dreamlike keys bounce and float above. track two, ‘we thought’ is taken down a gear but keeps all of the groove built from ‘scar’. it begins with a simple trademark tg bassline and is allied with light and free singular keys. the listener is then joined by vocals which along with the previous elements take you on a real trip. borrowed identity speeds things up right away with his remix of ‘we thought’. the track is morphed into a dancefloor groove with the comforting vocals darkened, cut and reworked on top of an unpredictable and fluctuating bassline. managing to keep the identity of tim’s original the track becomes something completely different and certainly makes you feel you want to take the trip

number four will be born to the floor. melomanic mastermind vernon felicty is the freshest residential of the harbour city and we had to trouble up faster then bonny & clydes motorbike. heres what happened... get ready for a fix of rotterdams danger!

another slamming rarity from the misty, heady days of the earliest 1990s, coming out of chicagos underground on steve poindexters cult chicago bad boys imprint power move pulls no punches! if you dig that demented, raw, about to come off the tracks chicago ghetto style house then ricky smith is your man! this is a truly rare ep & now it is back again, with a full re-issue complete with all original chicago bad boys artwork & a full re-master!

limited 2015 repress, marbled pink 180gr vinyl , just 200 copies , thats it.
part four in the series sees mosaic return to its signature sound of the late 90 s : deep techno-tinged house. first up is uk house legend nail , who was in hiding in london and suffolk for a while , but is now back in his bunker in nottingham making music once again. his offering, -pharoah,- was created on boxing day 2013 especially for mosaic and contains all the hallmarks of classic nail productions of the 90s whilst maintaining a foot firmly in the present. if you like your house deep and sample heavy this cut is definitely worth checking out...on the flip we have two tracks from newcomer annie errez. annie is a resident dj at the mint club in leeds and has been developing her production skills over the last few years with appearances on holic trax , saints & sonnets as well as a very fine release on strobewax which she co-runs with fellow mint club resident bobby o donnell. if deep techno- house is your cup of tea then put the kettle on and listen to the sublime -bell curve- and the dubbed out bass monster that is auguste.- we are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future

it was a hot summer day, no clouds in the big blue sky, as i suddenly got up to return my friends basketball after not returning it for more then 10 years

creme organization turn to the mysterious ivvvo and lisbon producer lake haze for a new single that comes backed with a remix from label regular legowelt. the single 1 is a hard hitting but fuzzy, misty and hugely spacious house track with deep jacking drums, haunting synths spiralling all around and freaky voices buried deep within. hugely atmospheric and lovably imperfect, it then gets remixed by legowelt. his version of the track flips it on its head, strips back some of the white noise fuzz and reimagines it as a driving techno cut with impish chords, retro arps and high pressure stabs. its a peak time bomb and ensures that this release is a high impact one indeed.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

amir alexander acid (aaacid) returns with his jack ingoff alias, a sub-alias of his smiley virus pseudonym to bring you an abstract acid dj tool ep. fully road tested from berlin, to nyc, to the ukraine, and beyond it s been leaving wrecked dance floors in its wake. as per usual, the tracks on this label always feature odd time synth patterns against 4x4 beats creating poly-rhythmic effect that first stupefies and then invigorates the crowd as they realize that these are not the average acid tracks. stripped raw bangers. just 909 and a 303 pure and simple. yet utilized in fresh, new, and complex ways.

chapter ii of the the untold stories, begins with the beat circle, a new project of denis kaznacheev and ol, an epic work of attitude, an anthem for a new beat generation, filling the whole aside with groovy sliding bases, crisp clean cut claps, eccentric electric interactions, rich moments of imagination: decaying tones come as if some great engine then arrives to take the dancers further on their journey.
first vinyl is translucent yellow, 2nd solid black.

after a series of prized splits and collaborations, m_rec ltd s own max_m returns with dissertation , his latest fully-fleshed solo effort. the kidnapper bell was his last ep for m_rec ltd. the avid vinyl lover and collector has since put his -maximalist- values to work sharing wax with the likes of fabrizio lapiana of attic music, as well as with newcomers wrong assessment. not one to rush things, dissertation then comes at a peak time for max_m and m_rec ltd, representing the culmination of a ceaseless dedication to the type of stolid, hypnotic brand of techno intrinsic to both chief and label.

what do you see when you look through a space telescope? scientists can peer into the universes past and see objects as they appeared millions of years ago. through methods undisclosed, croatian researcher teleskop has managed to reverse the timeline and peer into the future! he then synthesized the information into an ep of cutting-edge music with the help of fellow dutch and estonian researchers, magensii and kask. immerse yourselves in these 4 tracks of heavy legendary sound research!

paradise valleys debut deep probe ep could well be a case study on how to make an unforgettable electronic music record. take an incredible, psychedelic collection of ideas that have been drenched in emotional content and heart ache and then infused with optimism and inspirational, healing emotions, shake it with visions of outer space, and the production level 99, put that into a track that will be the defining moment of any dj set: you just got deep probe

having been a long-term admirer of arovanes work, it is with some excitement that touchin bass brings you its latest release. arovane is an internationally acclaimed composer and pioneer of electronic music who has already contributed so much to the electronic scene to date. the late 90s saw his first 2 eps atol scrap for din and tides for cco which gained him a degree of notoriety and acclaim mainly in germany and then throughout the world in the idm, ambient, and electronic music scene.

hailing from lisbon, portugal sabre are delivering their debut release from clone royal oak with a fresh take on house and techno. if you are looking for effective formular club tracks, then please skip through! four playful and emotive tracks without any of the modern club dogmas, however strongly rooted in the more then 30 year long tradition of our musical culture.

lily first appeared on spargel trax, contributing to two of the four releases in the series. since then the artist has appeared on idle hands with the excellent trumpets at dawn and on no corner with the critically acclaimed modern malaise tape.

kon reworks 2 quintessential rene & angela tracks in a pure analogue production: ssl board, warm tube compression, then hit to tape. a sure-shot for the dancefloor with all of the elements of a future classic and a nod from past.