resurgam bedeutet ich werde wiederauferstehen- und ist das heiß ersehnte, sechste studioalbum von fink. die band besteht aus dem in england geborenen und in berlin lebenden singer/songwriter und bandgründer fin greenall und seinen langjährigen mitstreitern tim thornton (drums, gitarre) und guy whittaker (bass). das album erscheint mitte september 2017 bei r coup d / ninja tune. der titel -resurgam- entstammt einer lateinischen inschrift aus einer 900 jahre alten kirche in greenalls heimat cornwall. diese haltung pulsiert durch das ganze album, das vom wegweisenden produzenten flood (pj harvey, u2, foals, warpaint, the killers) in seinen assault & battery studios in nord-london aufgenommen wurde. die zehn neuen tracks wurden innerhalb von zwei monaten geschrieben einer luxuriösen zeitspanne im vergleich zu vorherigen fink-alben und bilden einen songzyklus, der zugleich selbstbewusst und umfassend ist. resurgam ist ein mutiges neues kapitel, aber auch unverkennbar fink: mit ganzem herzen, gefühlvoll, unbändig, aufregend. ein klares highlight!
180 gramm doppelvinyl im klappcover, downloadcode und booklet inklusive.

volume.3 of the black traxx series with finest disco house tunes

jamie jones, reboot, jc fousdelamer remixes + original ...
the latest instalment on christian burkhardt s retrospective/future-focussed c&b sessions projects sees him returning to one of the pivotal tracks of his career: doubledub released in 2009 but still slapping with finesse almost ten years later with its low-swung bassline, latent funk and evocative vocal, its elements resonate perfectly with everything going on in house and techno right now. these remixes couldn t have landed at a better time... jamie jones rolls in with a timeless rolling gem that gradually builds into an impeccable late night jack-out laced with surprise acid tendrils. jc fousdelamer brings the feels with a much slower, cosmic trip that lingers softly with spellbinding dubbed-out magic while reboot unearths the techno beast that was always lurking beneath christian s funk. stripped back machine funk at its finest, reboot never disappoints. naturally christian has also provided the original source material for those who want to kick it 2000s-style and for those who weren t old enough to catch it the last time around. join in if you know the chorus, doobie doobie...

kai hugo eulogizes our dear cindy through new palmbomen ii music and a surreal, neo-noir lens, chronicled over a series of four 12inch eps and public access television transmissions. crack open a refreshing apple shorle tm, and direct your remotes to channel bis to experience an initial offering and explanation. the first three palmbomen 12inches, memories of cindy pt. 1–3, will be available exclusively on vinyl. memories of cindy pt. 4 will be available exclusively as a box set including the first three 12inches. each set includes a unique, pre-tragedy polaroid portrait of cindy taken by kai hugo. edition of 350.

nyc’s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it’s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
the west end story vol. 4 is an essential overview of this most iconic of labels and some of it’s more under the radar output, following on it’s from it’s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from sparque, debbie trusty, barbara mason, ednah holt and more make up 4 joyous sides of essential forward looking post disco classics - we’re talking late 70’s, early 80’s, synths, mega overdubs, left-field arrangements and anything and everything in-between.
a truly golden era of dance music history, names like tom moulton, tom savarese and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12” versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

having returned from a three year hiatus with inner lakes s ep earlier in 2017, vae victis records - the italian label that has previously been home to music from blawan & analogue cops, chevel and tessela - returns with a debut ep of post-internet electro/techno of the highest possible fidelity from mysterious collective hype killers.

durchsichtiges doppel-vinyl im gatefold inklusive downloadcode
das grammy-nominierte produzentenduo odesza (harrison mills und clayton knight) gelten zurecht als eine der populärsten gruppen im bereich der elektronischen musik und haben den ruf, ihre fans auf ihren regelmäßig ausverkauften live-konzerten besonders glücklich zu machen. anfang september 2017 veröffentlichen sie ihr neues, 16 stücke langes album „a moment apart“ welches über das ninja tune-sublabel counter records erscheint. anschließend präsentieren sie ihrem publikum das neue material auf einer ausgedehnten welttournee. „a moment apart“ präsentiert sich gereift, ein sound, der insbesondere auf atmosphäre setzt, auf funkelnde synth-lines – und auf gefühle wie nostalgie, zuversicht und hoffnung. die namhaften gäste auf dem album sind u.a. leon bridges, regina sektor und ry x.

continuously reimagining his sound and style, the grammy-winning artist sharam digs deep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the new material that he has been field testing with incredible response. dj support: eats everything dusky hector romero montel mat.joe noir

after the long awaited and acclaimed return of the notorious manie sans de&#769,lire on june records, one-half of the group, trenton chase, returns on the label with a bold solo lp marking his departure from the sound of his previous releases on the imprint. for his first album attempt, trenton embarks on the search for everything and manages to encapsulate the whole essence of the june records ethos within 43 minutes of music. although initially not planned as an album, deadlock was conceived organically as it only took a few months for its completion during the artist’s most abundant 2017 studio spring sessions. this body of work transcends formulaic attempts to showcase a very refreshing and uncompromising take on synth music. chase followed a crude approach to songwriting, rehearsing and improvising live until the best take would eventually become the final track. artwork by florent mazzocchetti.

the must have status of joey negros -remixed with love series has been firmly cemented with both dj and home listening disco lovers since the release of the first two volumes. since the last release jn has been working hard on sourcing more disco multitrack tapes and producing new remixes while the zr team have been equally dedicated to clearing and licensing these new versions. the enduringly popular mtume/lucas produced phyllis hyman soul classic you know how to love me gets a new makeover that reworks the original elements into a more dramatic version with many peaks and troughs, stretching it out to over 10 minutes. even for those love the original this new mix gives a favourite song a fresh new perspective and reason to be played again. motown sounds philly style instrumental bad mouthin was an underground hit on dance floors in new york, london and chicago from the late 70s onwards. it was also famously sampled in bob sinclar s no 1 gym tonic. the original is a pretty dense, everything in all the way through style production, whereas the jn mix opens things up in a bit with more room for the individual parts to be heard. the end result is an extremely energetic bassline driven disco cut that works super well on the dancefloor.

for the 6th release fabe goes solo again with a four tracker that includes all his musical facets starting with an a side which actually transports his most club characterized work. on the b side everything gets more melodic and hypnotizing chord pads are telling the story further...

for those who know, bambooman&#8203,,,, is one of the most sought after, probing, and distinctive voices in uk electronic music right now. the yorkshire born producers catalogue builds into an aural mosaic, comprising everything from scrunched up hip-hop to techno deviance, all delivered with an impish sense of individuality.

announcing meridian, the newest vinyl release from pjotr g and dubiosity! it all begins with meridian, filled to the brim with distorted kicks, acid sounds and uplifting synths that take you out of your day to day life. if meridian is the booster that launches you into the stratosphere, circle in a world of squares is the engine that pushes you that bit further away from reality: elevating, haunting sounds entrance you and pull you further into fantasy. buried alive, with its echoes and shattering kick, remind you that you are very far away from home, and invite you to take comfort in your new surroundings. finally, apex gives you a sense of calm. you may be floating off into space or re-entering the atmosphere, but it doesn’t matter: you’re surrounded by hypnotizing synths and high hats, and everything seems alright.

another very fine release in asthmatic kitty s library catalog music series, this album comes from william ryan fritch, a prolific film composer, sound recordist and multi-instrumentalist from oakland, ca. fittingly, music for honey and bile takes on the character of a cinematic score, collecting a number of varied instrumentals that show an incredible range to fritch s diverse talents. in addition to the composition and production, fritch performs virtually everything on the album, playing piano, guitars, violin, viola, cello, flute, clarinet, sax, trumpet, marimba, vibraphone and dulcimer to name but a relative few. this is seriously impressive stuff, and chamber pieces such as too anxious to dream , shadows like despondent ghosts and tongues that chatter like pigeons sound like the work of a large ensemble rather than just one man. the variety exhibited on the album is breathtaking too, switching between large-scale productions complete with multilayered strings and percussion to more intimate pieces like eggshells and the manipulated piano drone minimalism of chewed their nails to caustic red pads .

top tip for boards of canada fans! gorgeous isolation wrapped in electric memories. 8-track electronica for homesick time travelers. nothing left to abandon is a slow rendering of brooding introspections and imaginary spaces. memories, visions, eroded philosophies, tragedies in a few words. a childhood of livid skies, barren escarpments, homeless wastes. an absorbing contemplation of unlikely beauty and dusty melancholy that intersects with the creative territories of vangelis, boards of canada, klaus schulze, and ulrich schnauss, and the musings of joe frank and robert ashley. clocolan is south african-born composer emlyn ellis addison. a long formal training in music, his work centers on original writings and the found sounds of abandoned ideologies--generations of radicals and skeptics searching for meaning. from his childhood in south africa--a landscape of neglected hinterlands, eroded topology, unconquered vastness--emerged clocolan s homesick, lo-fidelity electronica, expansive themes lost in the background noise of human affairs.

joe armon-jones & maxwell owinare forces to be reckoned with. both integral parts of the burgeoning south london jazz scene, these young musicians contribute to numerous outfits including ata kak, jamie isaac, mc pinty, moses boyd exodusand ezra collective, as well as pushing their own solo projects.this is their first combined effort. idiom is the result of multiple collaborations under the direction of joe and maxwell. featuring nubya garcia, oscar jeromeand jake long, it is heavily influenced by the hardcore continuum and covers everything from 2-step, broken-beat and house to jazz and dub.having been compared to artists like 4hero, floating points, harvey sutherlandand moodymannall in the same breath, joe & maxwell arealready garnering support from radio 6 musics gillespeterson, jazz fm/musica macondas tim garciaand jazz fms chris philips.this is an accomplished body of work by some of the most exciting young talent in london right now.

reissue of the 1989 bob dylan album on 180 gram vinyl

resopal is proud to present modernian ep by japanese producer do shock booze. it is the aka of music project by dj yoichi hayashi who has built the career as rock band singer and guitarist since the late 90’s in japan. his tracks which have the scent of creative melody and ethnic taste are attributed by modern psychedelic tech house. he has been the talk of the scene from in and out of japan with his active international gigs and releases from highly renowned labels such as honorable german label traum or baroque records to name a few. in addition to his dj style with high selection method and “trance dance” conscious style where floor control is everything, live style which he only selects his own original remix tracks, freestyle play centering on ethnic rock, electronic, new disco etc. has called him a great reputation. on modernian ep he presents three tracks for modern dancefloors. berlin – tokyo – the world.

parallels is the fourth full album released under jason chung’s distinctive moniker, nosaj thing. masterfully dimensional, parallels represents the acclaimed los angeles-based electronic producer/composer/performer’s most diverse, vital work yet. as such, chung sees parallels represents a kind of redemptive rebirth. the album’s compellingly elusive, uncategorizable sonics developed out of what he terms a personal & musical “identity crisis.” according to chung, working with a group of collaborators on parallels that combined both longtime friends and new creative partners added “new energy which pushed me not to limit myself. everything felt fresh and alive.” chung is known specifically for his innovative, unexpected musical pairings: kid cudi hit up on nosaj thing via his myspace page in 2006, resulting in chung producing cudi’s autobiographical classic “the man on the moon.” kendrick lamar flowed over nosaj’s ethereal boom bap to create the youtube gem “cloud 10”, chance the rapper, meanwhile, freaked a nosaj beat for his 2013 breakout masterpiece “paranoia” and appeared on nosaj thing’s previous lp, 2015’s fated. chung and blonde redhead vocalist kazu makino are also longtime creative partners on each other’s work, her voice appears on parallels as an otherworldly spirit animating the icily ‘80s-synthetic “how we do.”

limitiertes grünes doppel-vinyl im gatefold inklusive downloadcode
das grammy-nominierte produzentenduo odesza (harrison mills und clayton knight) gelten zurecht als eine der populärsten gruppen im bereich der elektronischen musik und haben den ruf, ihre fans auf ihren regelmäßig ausverkauften live-konzerten besonders glücklich zu machen. anfang september 2017 veröffentlichen sie ihr neues, 16 stücke langes album -a moment apart- welches über das ninja tune-sublabel counter records erscheint. anschließend präsentieren sie ihrem publikum das neue material auf einer ausgedehnten welttournee. -a moment apart- präsentiert sich gereift, ein sound, der insbesondere auf atmosphäre setzt, auf funkelnde synth-lines - und auf gefühle wie nostalgie, zuversicht und hoffnung. die namhaften gäste auf dem album sind u.a. leon bridges, regina sektor und ry x.

odd breakbeat-influenced crazy rework by locked groove and a dope psychohouse remix by simon haydo on the already odd outcast oddity…game changer!

one of the more unsung talents that came out of the gang starr foundation was the brooklyn-based duo group home, consisting of mcs lil dap and melachi the nutcracker. dap was first showcased on the gang starr posse cut “i’m the man,” on 1992’s daily operation, melachi appeared on “words from the nutcracker” from 1993’s hard to earn. the early group home song “so called friends” was also featured on 1993’s now-legendary gangstarr foundation sampler, which also gave the world jeru’s “come clean.” by 1995, dap and melachi had paid their dues and finally got their own full-length: livin’ proof. and it was everything that gang starr and any true school hip-hop fans could have wanted, produced almost entirely by dj premier (with two exceptions: “serious rap shit” helmed by guru himself, and “4 give my sins,” produced by jay-z mentor jaz-o (aka big jazz). beyond the album’s classic singles – “supa star,” “livin’ proof” and “suspended in time” – there are premier-overseen classics all over, including “the realness,” “inna citi life,” and “sacrifice.” in fact, many gang starr scholars agree that the beats on living proof are in the top 5 of all premier-produced albums – no small boast, but certainly hard to disprove.

producer and dj from cantabria pablo bolívar signs the new release in his very own seven villas, in which he takes the chance to interpret --remixwise-- the tracks on the album traverse -by sensual physics which was originally released in 7v in 2016.

we are facing a very special project for pablo bolívar this time. his admiration for the veteran german producer joerg schuster -one of pablo s musical heroes- gets highly reflected in each one of the eight revisions which form this traverse (reprise) . what pablo exactly does is to respect the original escapist, dubby and ambient spirit of the original trip proposed by traverse , by means of adding a soft, deep and sophisticated club aura. he turn that the album sensual physics takes into the most characteristic bolívar style is tasteful and subtle, therefore it seems a sequel of the original one. no crashes, no harshness. here everything flows simply in a natural way, especially that ambient-deep and tech fog which just adds a punch in any case. tunes as mondragon , málaga or miracle -among others- acquire a new dimension when touched by pablo bolívar s hands: always looking to their origin with respect to the original producer and the delicacy of a revised piece of work.

in what might be something of an unexpected reissue move, early rave belter -sweetness & light- from australian duo itch-e & scratch-e gets a fresh airing for the 21st century no less than 25 years after it first landed in a hailstorm of bright melodic lines and raucous tempo. in its original form -sweetness & light- is everything you could possibly want from an early trance stormer, all plush layers of harmony reaching an emotional crescendo over an irrepressibly bouncy beat. the -for life- remix meanwhile flips the script with a blissed out, chord-heavy version that slows the pace right down, possibly for the original fans of the tune who need things a little slower now.

international reggae star alborosie returns with the dub version of his celebrated “freedom & fyah” album from last year titled “freedom in dub”. the distinctive production of these ten newly recorded dub mixes underscore alborosie’s skill and credibility as a master of dub. all tracks are produced and (mostly) played by alborosie and recorded at his shengen studios in kingston, jamaica.

the release of the elements ep marks the return of antonio de angelis to dynamic reflection. after the initial success of his hyper ep on the nursery series, the london based producer is back to deliver his first full 12” for the mother label. displaying great versatility, de angelis demonstrates his unique talent to catch different sounds and vibes within a clearly coherent style. giving his own unique twist to everything from powerful dance floor killers to deep mind trippers and all that is in between, antonio de angelis delivers a timeless ep that is as versatile as the elements it is named after.

this is the second 12inch from taken, the duo effort of elias landberg and nihad tule.this is the second 12inch from taken, the duo effort of elias landberg and nihad tule. the duo has done a local show at under bron in stockholm as well as herrensauna in berlin, this new ep sounds inspired and fresh as their live sets, setting the course straight away. the reminiscent sounds of techno s adolescence goes everything but unnoticed as the reduced and powerful cluster on the a-side showcases taken s ambitions. going into deeper territories, the b-side elysia almost smells of strobes and smoke machines for the eye-opening moments of a proper party. with this new ep from taken, the sounds have really developed and show their excitement for things to come, from their almost three year debut on skudge records. this is a keeper!

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

the third and final part of the jacob f. desvarieux anthology on endless flight brings two more hot productions of the fabled french zouk veteran with roots in guadeloupe. the tune “rifyx” is taken from desvarieux’s 1985 album “oh madiana” and delivers arresting jazz-funk and zouk-suspense enlarged with touching horns, synth-enthusiasm and longing female vocals. the second song comes from the paris based, west cameroon born singer tala, produced by desvarieux for tala’s album “mother africa” in 1982. also here desvarieux tuned the synthesizers odd and edgy to let them dance with an afro styled rhythm. above all tala sings sexy with a chorus of girls while percussions go crazy and the sounds of horns are longing for the sky. on top of everything endless flight asked again the japanese producer kuniyuik to edit a desvarieux track. he chose “rifyx” and tuned it into an epic soulful eight minutes long dream house anthem that funks all dancers crazy. hotter than hot stuff here!

was bisher geschah: die ersten 5 folgen der king kong kicks serie fanden sich immer in der nähe der tanzfläche, *ready for the floor* war die Überschrift, kompromisse eher die ausnahme. nun erscheint die magische 6. dieses mal steht in großen lettern *the slo-mo diary* darüber. das steht für einen veränderten blickwinkel und dafür, ab und an auch mal einen gang zurückzuschalten. *the slo-mo diary* lässt die wellen aus kontemporären stilen in leichten wogen schlagen und zaubert die richtige stimmung. ganz egal ob früh morgens, am schreibtisch oder zum start in die nacht. king kong kicks vol. 6 spielt auch mal was ruhiges, versammelt die next-generation-lieblingssongs von künstlern wie jamie xx, bilderbuch und honne und ist der richtige begleiter, wenn liebe im spiel ist.

double vinyl release with download code included. attention: b-ware | b-stock. cover is slightly damaged.

double vinyl release

magie noch da, emanzipation geglückt! valerie trebeljahr sympathisiert mit dem dancefloor.
welcome back! sieben jahre sind seit -our inventions- von 2010 vergangen. entsprechend ruhig war es um lali puna geworden. doch nachdem der notwist-frontmann, multiinstrumentalist und bandmitbegründer (1998) markus acher die formation verlassen hat, ließ sich sängerin valerie trebeljahr alle zeit der welt, um nach drücken des reset-knopfs dem indietronic-projekt emanzipatorisches leben einzuhauchen.

after two years of colaborations and remixes, secret cinema is finally back with a solo ep. we think it has been worth the wait. artwork in charcoal and paint by everything is visible. after two years of releasing collaborations and remixes, jeroen secret cinema verheij returns with a solo ep. the amsterdam based techno producer has never been one to copy others with many timeless classics to his name. he pushes himself to write music that sounds different while at the same time appealing to the often large crowds he plays for. after two years of searching, the peaces fell into place. with sÚance ep verheij has ushered in a new creative era for himself. sÚance ep is trippy, complex, strange and powerful. secret cinema proves once again that he is one of those artists who really knows how to bring machines to life.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

austin-based musician eliot lipp delivers “skywave”, an album lipp has been working on for the past several months. with influences from sci-fi soundtracks and 70s and 80s funk, he channels a collection of weird, high-definition, melodic beats. in these nine songs lipp feels he “might have everything i want to say in one moment.” recreating key musical moments in a current and relatable way was the goal in producing skywave and giving himself permission to take some risks as well. with a versatile approach, lipp has created opportunities to connect with some of the artists he first looked up to, playing in cities across america and abroad always returning to his hometown in the pacific northwest. collaboration plays a role in all his albums. he’s been a fan of emancipator for a years now and was beyond excited to get his “not quite awake” remix. he asked dmc champ chris karns to scratch on ‘joyride’. in addition to doing cuts, chris ended up playing live drums and layering unique vocal samples. ‘reflection’ came from a jam session with gibbz and cherub in their nashville studio. one of lipp’s biggest musical influences last year came from a group of producers from seattle that call themselves fish tank friends. most of them had a hand in the early stages of ‘spiders’. with monthly trips planned from texas back to washington, he anticipates more evenings surrounded by friends, fans, and new listeners where he brings everyone together through the touch of a button.

brian eno’s 1975 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

we’re delighted to report that black grape are back on the road, and with new album pop voodoo that really does rock the fuck out of the discotheque. it’s a rewind to over twenty years ago and the glory days.
shaun’s word play has never been deployed to such devastating effect, and he scores a bullseye whether he hits the obvious targets (trump), and the more obscure ones… well, find out for yourself. the world is in a bit of a state right now, and bullshit reigns more than ever, and perversely disguised as candour. we need manc street sass, intelligence and wit more than ever right now. this new pop voodoo album has that in spades.
180 gram vinyl in gatefold sleeve with download code included.

luckyme records are proud to present our first release with acclaimed young producer suicideyear. six fresh tracks recorded in his new home of new orleans that showcase his continued development at the forefront of futurist hip hop production. each track glistens and evolves in its own way from the warmth of ‘summer hate’ through to the more club oriented ‘mosh mosh’ and ‘spent days watching horses die’, everything remains within his unique outsider viewpoint on the city. in his own words “meant for listening to on the i-55 to new orleans from hammond”.
the vinyl release includes a download code.

superstrong is the third single to be taken from max sedgleys supremely funky album >suddenly everything<. having won the accolade of having one of the remixes of 2010 on itunes – max steps up his game with the release of superstrong. fusing funk, disco and house on the original version – max shows why he remains at the top of his game as an in demand producer and remixer.
superstrong remixes come courtesy of disco dons faze action who deliver a killer mid tempo nu-disco bomb with beautifully melancholic piano chords underpinned by a driving bassline. labelmates basement freaks turn in a raw funky breakbeat banger to complete the package. vocals come courtesy of live band member tasita d mour herself a widely recognised soul diva with releases on the worlds best house labels including defected, azuli and purple.

londoner house-duo räumt auf: 12 inch mit vier sortimentsperlen aus dem jahr 2014.

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

2017 repress -- amazing release from legowelt , three tracks full of house and techno vibes, you will not want to miss this one. big, big!riverettes first release sees legowelt delivering one of his best releases blending everything we have come to love from him, 90s vibes check!, house, check! techno, check! arpeggios, dreamy leads, chilling chords, no nonsense sequences check!expect big things from this new spanish label as can only be assume by their mind-blasting first release

my third week in amsterdam i found my way to a small speakeasy tucked away amongst a labyrinth of cobbled alleyways. a doorman waved me inside, a knowing smile twisted around the half-smoked blunt hanging from his lips. i made my way down crooked, narrow stairs into a dimly lit room full of patrons nodding in the haze, feet tapping in time as they smiled and sipped at green-tinged cocktails. the soft sound of glasses clinking amongst murmured conversation served to accentuate the flaw in the scene before me, there was no music. realising i d paused in the entrance long enough to draw a few amused looks from the tables nearest me, i regained my composure and headed towards the bar, pondering the mystery before me. i reached the counter as the barman was mixing a cocktail and waited, but before i could order the man turned and placed a glass in front of me, the same half smile on his lips the doorman had shown me as he nodded at a specials board listing a pistachio sour. it sounded good so i took it to an empty seat and returned to my examination of the bizarre room. as i sat down a grinning girl next to me offered a toke on her joint, and as the no indoor-smoking law was clearly being ignored here i gratefully took a careless draw. as my coughing subsided i took a deep gulp of my drink, and suddenly music flooded my ears. my jaw dropped as i raised my head to see a guy on stage mesmerising the crowd with chill beats, house music permeating the formerly silent bar. the girl with the joint smiled at my amazement. his name s sune she told me, welcome to 8 till late.

paul simon’s 2nd album, originally released in 1972, now back on 180g vinyl with download code included.

the quiet before the storm. the abyss before birth. the moments that came before everything else. this is episode zero, ben gibson s inaugural album on chronicle. it takes us soaring through a musical narrative, beaming down into vast acoustic valleys of sound. from the very rst notes the intent is apparent, lucidly slipping into a pool of full moon atmospherics. departing deeper he carefully calculates each and every step, building momentum and pace until the way back is completely forgotten. tracks like -foreclosure- reach peak potential with crushed, mangled percussion, while others such as -symptom- maintain a more seductive yet equally deadly pull. building upon pillars of 12-s, chronicle and ben gibson are now venturing into a new territory with episode zero marking the rst step. join us.

the new joey negro album produced with love is now available across all formats but as the double cd contained 20 tracks it wasnt possible to fit everything onto the 3lp version so the space time ep is a new vinyl ep containing some of these tracks that weren t ready in time to make it on to the vinyl lp. first up is distorting space time, a drawn out dubby, jazzy, spacey track that suggests a heavy arthur russell influence, one that is already a firm favourite of gilles peterson, louie vega and françois kevorkian i recognise is a jazzy boogie track with kaidi taitum on keys full of spacey effects and features sacha williamson on vocals. dancing into the stars features london s best disco party starters horse meat disco on co-production duties and angela johnson on vocals. this is the unreleased extended mix that comes in at over 10 minutes and is a full on dan hartman style modern disco production. completing the package is the black loops remix of wont let go who takes linda clifford s vocals and a killer bassline into deep house territory.

the album attains a unique harmony while drawing from a myriad of beliefs and practices. syncretism appears not only in the name but in the artwork and the music itself. the independent tonal passages draw on aspects of varied genres while creating a remarkably coherent yet homogeneous work. lvis mejía explores in his second album, topics of the christian religion and the history of man. deftly placed style and tempo contrasts express the various antagonisms found in this discourse. with the use of contemporary music in combination with hints of jazz, mejía designs spherical soundscapes, therefore allowing for musical deformations, hence the title aforma. the result is an experience that evokes abstract musical impressions. a reference to christianity is also embedded in the track order as the first piece patefactio opens the musical event much like a christian mass. the travel proceeds through the lurking clerical chants of aeternus-the final trial, whilst the bells are then calling us to mass with the track in dissonata apocalypse and continuing with the ontological concept of belief in in ghost we trust. everything comes full circle with the history of homo errata as a conglomerate of human errors. this final piece serves also as a link to the second part of the album anthropology of amnesia a musical description of repression and forgetting as a condition of life, which has emerged as a theme of human existence since the beginning of recorded history. with this opening piece artist and musician lvis mejía has created a magical musical experience, leaving us eager for its sequel.