after two years, boston 168 is back with the follow up to their breakthrough ep, >acid morning<. for this sophomore release on enemy, the returns with 3 tracks of their signature take on acid techno. carefully curated by dustin zahn, this moody and melancholic ep is a perfect fit for the twilight hours. this product was tested on humans. our research on mind control adheres to guidelines adopted by the council of representatives of the american psychological association on august 1, 2012. gf, v, df.

this man is obviously in love with his drumbox, and so are we. deadly davy kehoe s debut is a beauty, and yet another suprise thrown up from the wah wah wino camp. deft production and sonic understanding combined with a real rock n roller mind set. evokes a similar feeling on first listen like that morgan buckley 12- some years back now, unique. storm desmond is already getting props and radio plays all over. shexy ball control throughout. big tip!

amazing debut album by copenhagen based delayscape.

panorama bar regular bwana unites his dual loves of vintage 90s electro and classic progressive trance on this three track ep for duskys 17 steps label. achieving widespread critical acclaim with last years techno homage to the akira soundtrack - capsules pride - on luckyme, bwana has since released eps on his club ready home aus and fort romeaus cin cin, as well as appearing on 17 steps with a cult remix of duskys ingrid is a hybri - itself something of a panorama bar favourite. on this ep, the illustrious producer presents three contrasting but cohesive tracks in the dark acidic three way is the hard way, hypnotic dark trance builder hell is other robots and classic electro homage on patrol for their control. completing the package, the inimitable avalon emerson bends three way is the hard way’ into a glitchy, percussive groover that builds crunchy layers of dark drums around the original’s twisted sonics.

2017 edition- 2x12inch in replika gatefold with fabric on spine. the classic >let the children< techno compilation for the 1st time available as deluxe 2x12 inch lp edition! limited to 2000 units worldwide. 20 tracks gathering some of the best electronic music producer: skream, mr oizo, breakbot, flying lotus, sebastian, discodein, busy p, dj mehdi, duke dumont, gesafelstein, riton, para one + tacteel, l-vis 1990, siriusmo

after the first secret weapons release 10 years ago the series is about to continue with 12 more magnificent tracks coming on 3 lps.

neuauflage des grindcore-klassikers auf vinyl.
»scum« ist das debütalbum der britischen grindcore-band napalm death aus dem jahre 1987. es gilt als eines der bedeutendsten alben dieses genres und war einige jahre nicht mehr auf vinyl erhältlich. das album wurde im fdr (full dynamic range) verfahren komplett neu gemastert und erstrahlt damit in neuem glanz.

the new testament of funk is back to preach the new funk! it’s been a while but now is the time to get the groove again. after the success of the last ntof-samplers many believers were waiting for new stuff. there you go! henry storch and chrispop took their time to compile a sampler for all you funkers, groovers and hip cats. ntof vol. 6 delivers previously unreleased tracks such as „in control“ by sons of time or „where do we go from here“ by the mighty mocambos feat. lee fields and exclusive remixes of andy cooper’s „chasing the funk“ and „get up & get it“ by reiner witzel & datfunk. so just like the former ntof the new testament of funk vol. 6 contains the hottest tunes you can get. amen!

special double pack for all you friendly fire lovers out there - contains 2 classic releases:
- frf010: robert natus vs. brainshaker - schizophrenia ep
- arcussinus002: fl-x - aligozinosa

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

cabala returns with it s 2nd installment courtesy of rasna luji, he delivers two original tracks from his new alta ego, microhouse & house are the flavours of the ep and each track is accompanied by a remix , jamie lie a kwie & jamahr are in control for rasna on this release.

solid gold playaz hails from winsconsin usa. the duo, kenny gino & big mike are veterans of the midwest rave, techno and house scene and have released their incredible productions on moods & grooves, kanzerlamt, soulfuric trax, silver network, losonofo records. minds beneath atlantis was originally released in 2003 by jeff ks silver networks. jerome (of still music) immediately fell for this deep house 4 tracker and that record has been steadily in jeromes crates through the years. jerome remembers reaching out to kenny gino back then and they ve been friends since then. this reissue is a teaser for a larger project with solid gold playaz that will be released on still music later this year.

“fleischberg” is the 2nd vinyl iteration of berlin’s body focused fleisch collective, following hot on the heels of last year’s highly acclaimed release by schwefelgelb. this 12” starts with a relentless six and a half minute assault by australian native and berlin based halv drøm, a fitting vinyl debut for the talented producer. dsx follows up with a finely tuned ebm track tactfully layered with obscure vocal samples and paired with piercing, frenetic drum programming.
the b side starts with a slightly different approach, recalling a more classic techno and electro tone without losing sight of the release’s progressive focus, privacy’s catchy “work” recalls late 80s chicago masterpieces without becoming overly nostalgic. sekunde rounds out the compilation fully with a plodding and minimal piece that would be best appreciated while being blasted driving 300 km/h down a moonlit back road somewhere in the black forest.

this release journeys to mid-80s argentina and the highly sought after 2nd solo album of carlos cutaia. inspired by the new electronic sounds emanating from europe, this multi instrumentalist offers more than a pastiche, embedding his own melancholy in a unique and classic nueva wave-album. classically trained, carlos cutaia started as a composer for dance and theatre, before spending much of the 1970s as a member of a number heavy rock, prog rock and rock-fusion bands of some note, before finally going solo with the city of distant tones album in 1983. however, by the time of his 2nd solo album in 1985, as his country finally left behind a long period of military control and enjoyed greater freedoms, carlos was fully immersed in the new electronic pop sounds imported with hungry ears from europe. teaming up with fellow composer, keyboardist and producer, daniel melero and alejandro oucinde, the futurism of kraftwerk and gary numan s tubeway army was embraced, but also adapted to fit their native land, just as it was understand a new modernity. starting with the swagger of visiones incomunicadas, the template is set. sharp drum machines, semi-nonchalant, half spoken vocals set the scene, while chopped guitar and smart synth lines fit the over riding feeling of an intelligent nonchalance. things however, do go beyond the straightjacket of euro-pop as heard on the anthemic programacion and avant twist of the first of two piano-ambient pieces aproximacion dos and its companion piece uno found on the b side). eric satie and minimalism are clearly not far away. however, it is side b opener sensacion melancolica that captures the sound to perfection. a balearic masterpiece, capturing in it s title the over-riding atmospheric of a unexplained sadness, a loss. operativo and the poem humanos de america bring things to an end of a feeling melancolica.

after his successful ‘i’m made of stars’ lp last year, michele pinna brings his time traveler moniker back to his chronicles diary imprint with ‘chapter v: chronicles from 1957’. following the label’s concept ‘chapter v’ is dedicated to his mother anna maria and time is being stretched back to her birth, where past and future seem to collide through time traveler’s dystopian vision of techno. a1 opens the ep with an industrial killer groove and time traveler’s distorted vocals prompting to follow him in an out of control journey. a2 rushes in with a more mental and compulsive beat, where synths and percussions converge. on the flip side, we find b1 infused with hypnotic modular melodies and intense rolling analog grooves. b2 concludes time traveler’s journey with its finally crafted, hammering beats, ecstatic bass synths and drum patters.

you should already know who porter ray is (but you probably don’t.) the machines that seek to control your perception don’t want you to. he is too much of an anomaly. porter skews the modern experiment that is contemporary rap music wildly. he is in a word: authentic. porter ray is a natural… he sounds like east seattle feels.
from the same wet blocks that spawned quincy, jimi and ishmael, comes porter ray. having previously penned six projects showcasing dexterous wordplay, unflinching honesty and vulnerability, tempered with equal degrees of braggadocio and charm, porter is an old soul, a story teller par excellence, a griot possessing insight beyond his years.
double vinyl release with download code included.

chicago house legend mystic bill joins crimes of the future with two straight up jacking house tracks with bonus instrumental and a mind bending remix by scott fraser. bill torres needs little introduction to those fans of the original chicago movement in the late 1980 s and 1990 s, he produced a string of 12inches for the likes of trax and relief records whilst playing and holding down dj residences in some of the citties best loved venues. after remixing scott fraser s no word of truth release last year on his dx recordings label his first full solo release on crimes of the future has arrived.the a cut frequency 9 is a rolling jacker with rattling percussion and dark synth stabs to dement the warehouse dancefloor and very much in the line of bills trademark style. a2 sees fraser return the remix favour delivering a massive floor bumping remix adding all new drums, 303 and huge bassline giving a nod to the classic sound of those sex trax/ power music 12s from the 1990 s with his 11 minute mind control remix. the frequency cannot be controlled! side b has both the original and a bonus intrumental of the ship is sinking, a dark slice of jacking house complete with real tension and total mastery of the sampler for those able to spot it.

after last year’s massive “brainbox” album, de:tuned presents the 7th and final installment “unboxed brain” which contains 3 excellent re-interpretations by future/past (aka kirk degiorgio), mark broom and the black dog of selected tracks off the album and an exclusive new track by the future sound of london. yet again, mastered by matt colton (alchemy mastering) and related artwork by designer kevin foakes from openmind (aka strictly kev, dj food from ninja tune). both kirk degiorgio and mark broom rework b12’s “worlds end”. kirk degiorgio, who makes a rare appearance as future/past, increases the energy levels and turns the original into a dance floor bomb. broom’s version heals back to a more electro and breakbeat vibe by adding some deep ballsy and stretched out beats. on the flipside, scanner’s “eros” gets the black dog treatment. the illustrious uk outfit strips down the original into an eerie futuristic soundscape. lastly, the future sound of london brings us an intense piece of sound design: sit back and let the music take control, stay tuned!

aequilon records proudly present it’s superb first release! boyd goosman (who used to be part of the techno outfit noirdegout) was known for his powerfull releases on no fear records, and white noise (dave clake’s imprint) which have been played by some of the most recognised djs of the scene (laurent garnier, fabrice lig, dave clarke ...). he now works on his own, finding his niche in strong but deep and evocative techno. this new material on aequilon show his love for electro, detroit vibes, but also berlin’s modern techno. after spending so many hours in recent years dancing all other europe on the weirdest and wild dancefloors, boyd goosman felt that it was the right moment to express again his unique sonic trademarks. for this first release on aequilon, we asked to berlin’s resident cadency aka héctor oaks (reclaim your city, key vinyl, oaks records ...) to deliver an absolute killer remix of ‘lost control’ and he did it with an ultraphat bassheavy monster!

new label funky fungi preps its debut release for this march, featuring two original tracks from label boss georg stuby and his production trio the gravy underground. hailing from zurich switzerland, georg stuby is a longstanding house and techno dj, producer and teacher. his new creation, funky fungi is a vinyl based record label working as an outlet for georg and his friends to release their music. aside from the solo release, this ep also features the gravy underground, a collaborative project with georg’s friends christopher lawrenz & jonas, who already remixed one of georg’s tracks on his last formresonance ep. the opening track ‘metro bass’ has a dusty analog feel and delves into the depths with shuffling percussion and reverberated effects which spiral out of control, all saturated in white noise giving off the spatial aesthetic associated with an echo chamber. next up, the gravy underground production trio create a mystical journey in ‘keep it gravy’, as minimal kicks chug alongside off kilter hats and twisted vocal snippets that are delicately layered with field recordings.

consistently unearthing a hotbed of new talent, hot creations next release is back to the music from dj and producer sooney. the release features two original tracks and a stellar remix from one of the biggest names in dance music, route 94. title track back to the music is an exhilarating record shaped through melodic synths and keys alongside a sharp bassline. route 94 strips back his remix to the bare groove. while the chugging beats of afraid of the dark bring the release to an accomplished close. london based sooney fell in love with house, hardcore & jungle in the early 90 s. in 2015 he set up his own label, take control records, gaining support from the likes of shadow child, jamie jones and gorgon city to name a few. since being discovered by the hot creations family, sooney’s sights are firmly set on big things for 2017. fellow uk artist route 94 shot into the limelight in 2012 with chart success and has since gone on to appear on labels including virgin, defected and crosstown rebels, and work with major names like katy b and jess glynne.

a must have album for all dub techno / basic channel / sushitech fans! tikiman is back with an amazing album and the debut lp with rhauder! first press, be quick!

das werk etabliert shed endgültig als einen der interessantesten und substanziellsten elektronik-künstler unserer zeit. es ist von einer haltung beseelt, die shed in die tradition von stilistischen grenzgängern wie ryuichi sakamoto, brian eno und carsten nicolai stellt. stilistisch findet shed indes zu einer hochindividuellen sprache in der elektronischen musik, die ganz und gar für sich selbst steht. the last experiment ist ein überaus homogenes gesamtwerk, eine meditation, deren stilistische verortung weniger wichtig erscheint als die künstlerische gesamtaussage.

die berliner melodic-electro erfolgsgruppe solar fake legt mit another manic episode ihren vierten longplayer vor, der auch als deluxe-doppel-cd (inkl. bonus mini-album) und als limitierte fan-box erhältlich ist.

the third release on ascorbites own corseque records is not for the faint-hearted. advance the flight and inadequate demeanor are clearly twins, delivered from the darkest corners of ascorbite’s mind. the bold, pounding quality of the ep brings adam x or grovskopa to mind but ascorbite has a dystopian touch that’s entirely his own. advance the flight is like a battle track for an intergalactic armada being attacked by an infinite horde of swarming space ants. inadequate demeanor, on the other hand, is a grim steampunk fantasy of a black, shining locomotive plainly out of control, raging on red hot rails towards the end of the line. however, while both tracks are rough and unforgiving, ascorbite manages to invigorate them by the use of subtle melancholic atmospheres – like rainy skies over a concrete desert. a balance between brutalism and vitality. a trademark of ascorbite and corseque records.

it was in june of 1980. after a long and intense journey through time and space, rupert marnie met spiritual highness frater loannis and became his apprentice. the magus told him invaluable things, like controlling his precious bodily fluids and the holistic mastery of others’ endocrine glands. the greatest wisdom though reached him on his seventh day, when frater loannis professed him an an-cient ritual that would allow him to meet the titan ufohagen, also known as cdboy. it was the 4th, when he appeared, dressed in a long, slim silk cloak, a sprinkling wand in his right. rupert stood in awe, immediately losing his newly gained fluid control, and started crafting a piece of music, that would remind mankind that not all is lost, as long as there is almighty ufohagen.

sandhu reaches the third stage with an ep that includes three tracks: on side a -black hole- is a powerful hammer with strong chigago contamination that leaves little space for romanticism, while -hunt-em- moves like a wave, dark and sensual that brings us to the depths of techno. new in this third volume is the presence of the duo hinode on the side b, where we find a long hypnotic hike on futuristic scenarios: here the machines are in control and do the dance.

fourth ep on firescope records the new sub label of the legendary b12 records. this release is by b12, uk techno at its finest. established early 90’s with a multitude of releases appearing on warp records uk, b12 records, soma records, delsin records, firescope records, art , buzz, de:tuned the ep entitled mindbender is about mental torment / torture / unrest and control. the tracks are heavy and describe an environment of captivity and pain. external or internal - it is all the same.
12 inch marbled vinyk , full sleeve

banoffee pies records step into the realms of contemporary music with ishmael ensemble opening their release schedule for 2017 as the label drops their second lp and continues to investigate more musical landscapes. this time saxophonist and producer ishmael leads the six piece electronic jazz ensemble on their debut release and thought provoking journey. a tribute piece - with love from banoffee pies x artwork and text compiled by ellen pearson watercolours by chris cunningham artist: ishmael ensemble written & produced by pete cunningham additional writing on bembe by holly wellington additional writing on solace by chris hillier engineered by jake spurgeon mixed by caradog jones & pete cunningham @ secret sundaze studios mastered @ alchemy copyright control 2017 in loving memory of josh edward pearce x

ellum audio welcome a new name to their ranks for the label’s first ep of 2017. that man is barcelona based raxon and he serves up a brace of brilliant tracks that prove he is a fast rising star. before now, egyptian born raxon has been based in dubai, where he was resident at the audio tonic events. he has released on label including nm2 and tronic and has a release coming soon on diynamic.

informed by years spent building electronics and collecting records in chicago and honing crowd control skills in the foggy clubs of london, c powers output approaches multiple rhythmic configurations via the intent of generating human response expressed in dance. c powers is currently residing back in his home state of georgia and is holding resident dj posts at atlanta s hunger club night and his own cape fear in savannah ga. c is also the resident dj for savannah s own house of gunt performance group who through cross sensory stimulation experiences involving gender blasting action and choreography. chris s recent output includes 12 s on proper trax, cgi, niche-n-bump, as well as producing tracks for 18+ (houndstooth/fabric). all right is a sample-based late night banger with remixes from house music heavyweights parris mitchell (dance mania), kai alce (ndatl), and john barerra & will martin (dolly, argot). get on up! super limited us imports

three artreform releases bundled up for one special price:
- arr004 - io (mulen) - criminal stuff
- arr005: joss + d.lamar + a.harris &#8206,,– welcome
- arr006:

moonlit bat
on a silent wing
midsummer hunt
her face well turned away
from the memory of the one
who did her so great a wrong

paling trax’ tafkamp and tar hallow’s boss thanos hana. vinyl only. 180 gram. produced under minimum control.

raw raw 11 with stunning four track techno ep

the dub album any discerning house music lovers will enjoy! a playful mixture of modern beats with deep roots reggae influences, all heavily processed in an old-fashioned manner with a political and social messages expressed through.

sonderr embark on the first expedition into the exotic lands of palm trees and blue skies with their moody, synth heavy goin home ep. four dusty jams packed full of ambient textures, gritty drum sequences and scorching acid basslines.

the 3rd solo album from peter gabriel, originally released in 1980 - now back on 180 gram vinyl, half-speed remastered

nice price deal !!! taken from the lp strangest things

nice price deal !!! airhead continues to impress and confound with his run of releases on r&s. his last release >wait/south congress< found itself gaining praise right across the board. it showcased his atmospheric guitar styles as well as his deft programming skills, resulting in some trying to pigeon-hole his sound in a post rock/electronica direction. this ep proves it not that easy to pin him down with two new tracks of fresh club music. pyramid lake again showcases his expert manipulation of samples, but this time weaves them into a drunken dance groove, full of whirring percussion and heavy bass. black ink is a bubbling, percussive roller that in the hands of a lesser producer would sound like a traincrash. it bounces along almost out of control and sucks you into its charms until it hits you with some uplifting, haunted chords, at which point it is impossible to resist.

handgefertigt aus japan auch ideal für gebogene schallplatten wärmebeschichtete mitte und ecken für lange laufleistung auch für serato control vinyl und andere mit 12inch slipmats kombinierbar inhalt: 1 slipmat

handgefertigt aus japan auch ideal für gebogene schallplatten wärmebeschichtete mitte und ecken für lange laufleistung auch für serato control vinyl und andere mit 12inch slipmats kombinierbar inhalt: 1 slipmat

editions mego is proud to publish the third release by sendai. comprised of peter van hoesen and yves de mey, ground and figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. moving away from the twitchiness and anxiety of the earlier output ground and figure is a vast spacious journey from a duo in full control of their chosen path.
throughout ground and figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. a thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one.
this is machine music. this is hypnotic disorientation. this is an immense ambitious and refined world of sound and rhythm. this is the work of two producers who continuously try to top up their skills.
the double vinyl lp includes a download code.

varg marks the start of his expansive nordic flora series with four tracks of downcast euphoria, fitted with enough bump to make you mistake the smoke machine for a riot control agent.

hannah hollands iconic batty bass makes a welcome return back on wax with main man josh caffe joining forces with the belgian production dons the subs (lektroluv) delivering a slice of deep underground electro techno brilliance. an all out acid remix from posthuman (i love acid) flipped with a tripped out, driving, hypnotic remix from aerea negrot (bpitch control/rush hour/moshi moshi) make this an essential vinyl release.

manchester-born, berlin-based producer setaoc mass returns to his own sk_eleven imprint with his third outing on the cycles ep. here we see the artist’s propulsive brand of techno take on an extra dynamic, starting with the muscular, mind-warping drive of cyber taking control, kunfus reverts back to a highly purified, galvanising techno groove, coalescing crisp percussion and a perpetual stomp to devastating effect, whilst turning over the sci-fi indebted structured deceit adds to the strong release with its mesmerising melodies and ceaseless energy. finished of by the more downbeat, reverb-drenched, insulated mindset of escape from you.

vinyl only – one year anniversary and already the fourth release for the french label talman records. once again okain is at the control, this time with three new tracks ranging from the retro futurist * invaders* to the rocking disco beats of * ballroom*

from hudd trax and dessous through to one and karat, parisian producer andrade has graced many a fine label in his time. he lands on politics of dancing in fine fettle, jumping to the task with a-side cut -the bridge- like he s got something to prove. the beat is irrefutable, while the soulful chords and samples rubbed into the joints make it all the sweeter. -control- on the b-side is an airy affair that floats on plush layers of melody without losing its low-end impact. by way of variation, the remixes from dan ghenacia and art alfie simmer andrade s originals down into measured, tool-like constructions.

donna summer erlangte während der disko-Ära berühmtheit und trägt den titel »disco-queen« zu recht. sie war eine der erfolgreichsten musikerinnen der 1970er-jahre und eine der meistverkaufenden künstlerinnen. diese neue compilation enthält internationale hits, die donna summers beliebtheit jahrzehntelang vorangetrieben haben, während sie mit den legendären produzenten wie giorgio moroder, pete bellotte, harold faltermeyer, john barry, richard perry, stock aitken waterman und quincy jones an ihren zeitlosen alben arbeitete.