sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.

elgian in origin, igor vicente and dka join forces to create two monster tracks for their haus boo ep on hot creations. championed by jamie jones, lee foss and richy ahmed it arrives hot on the heels of hot creations’s paradise events series announcement for ibiza 2016, this is music made for those heady nights on the dc10 terrace. on the a-side is haus boo which the guys created after being inspired by the all time classic the house master boyz and the rude boy of house house nation . taking the release into a much darker realm is shady with a seriously addictive beat, endless high-hats and relentless snares. infatuated with music from a young age, igor vicente founded the belgian wildfamily parties in which jamie jones, seth troxler, dinky and matthew styles among others have all played. some years later he formed one half of ultrasone, and has released on get physical, mobilee and hot creations multiple times. these days you can catch him playing at one of his two residencies in belgium, cafe d anvers and fuse, and founding the label state of flow. dka has his roots firmly placed in the house music scene and has taken his sounds all over europe, whilst releasing on get physical music, mobilee records and play label records to name just a few.

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

repress 2016 , rudolfs new nervmusic release is a bass-bin destroyer that has enough strange psychedelic details hidden in the grooves to keep things lively. recorded in london >join the army with me ep< delivers a special selection of long playing minimal jacking dance floor hymns with style that makes us happy in techno today. this is bass-heavy nasty shit, at times almost bordering on a tribal vibe, while retaining a fucked up surrealist dance music vibe. experimental grooves and patterns will portal our consciousness in to the world of psychedelic and spontaneous vibes. not surprising that daze maxim should be involved in a project this dirty-funky yet sonically wild... daze turns in a remix of the adventurous b-side >join the army with me< that irons out some of the stumbles, brings his bouncy basslines, and injects some jack into the box.
a1. chapter 5 - experimental spasm of bass and percussion simply make you to want more of this mentally penetrating weapon. yeah, play it again!
b1. join the army with me - elaborate swinging patterns with live shuffling feel and glitched out sounds. secret voices somewhere out in the darkness slowly but surely urge us to rise on to hammering action dance floor.
b2. join the army with me (daze maxim remix) - this rhythmically dynamitic and melodic remix from daze maxim will definitely convince you to join army of intelligently wiggling house groves. timeless.

lemme kno = max d (aka your boy/-my dude-/future times crew) + dj isle o man (aka mb/morgan buckley/wino boys crew). breakbeat experiments, shplittin atoms and 90s jeep beats.
• debut ep collabo from max d & morgan buckley
• strictly limited vinyl
• silkscreened 2 colour artwork by house of traps
• clear 10 inch vinyl!

born in 2012 on the west side of buenos aires, agrupación ilegal los imparciales is a mix of traditional cumbia, peruvian chicha and instrumental psychedelia. a full live act and often transcendental experience, the group utilizes the classic instrumentation of electric bass, electric guitar, farfisa organ and percussion, an homage to older times, without the crutch of electronic sounds and samples. its a new generation of young and accomplished musicians bringing forward the sounds of a lost era and aesthetic, so relevant in todays modern music landscape. already with two studio albums under their belt and a third on its way, its high time the group is poised for a worldwide release sampler at the hands of names you can trust.

london based punk duo black volume are not easy to classify. their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. their b series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result. black rubber is james brown wearing black leather at 40ºc (in the shade) while suffering a mental breakdown. excentric melodies sliding down rhythmic dislexia. negative return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage with the future we enter a romantic dystopia. sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines. streetfight evoques a desolate landscape, devastated and radioactive. distant echoes from an extinguished human race that left behind only majestic rusty ruins.

killer old school analogue hardware jacking acid tracks by perseus traxx by this bunker artist. expect those raw bunker/acid planet vibes on this new barba release! recommended!

backyard captivates you from the very first second, a throbbing bassline sets the tone, entangled by a melody that manages to sound both warm and analogue as well as inapproachably cool and sexy, evoking memories of early eighties hip-hop and retro computer games while embodying progressiveness. guest singer david manning from the baalsaal / jeudi records camp, rounds up the whole affair by adding warm vocals about love in our emotionally cold times: stone cold love in the backyard.

bjarki is from iceland. born and raised. despite the fact that bjarki is known for making extremely powerful dancefloor tracks he doesnt seem to belong to any particular genre. something this triptych of lps demonstrate very well. his music is at times cinematic and theres a story behind each track. bjarkis music always has something to do with him personally, but hed rather the listener lose themselves in the music than pay much attention to the man behind them. either on a record or to one of his ever evolving live sets

following last summers acclaim ruede hagelsteins long player apophenia, we once again revisit the album, this time with a few stunning remixes from the drifter, can be love synth, and ruede himself of the hugely popular footprints feat. c.a.r.. up first is the drifter and he turns out what may be his best remix to date with a swelling, emotional ride that will most definitely be an anthem for the coming summer. taking a different approach, yet just as engaging, ruede reworks his original into a dark, looping psychedelic odyssey perfect for late nights or early mornings. can love be synth rounds out the remixes with a gorgeous pop-esque twist on the original choosing to focus on live instrumentation and retro synthesis resulting in a cross-over favorite. and finally, for all the times you want the vibe without the vocal, a dub version of the original gem.

vade mecum is the latin for a handbook that is intended to be carried at all times. the new bucharest based label aims for the same thing, putting together for the first release three tracks that trancend time and genres.

the third album from gold panda as 12 inch vinyl release with download code included.

his new ep on code is law features a great talent who has his roots based in the lithuania jungle & dubstep circles. this record contains heavy techno with concepts of modern times electronic beats and oldschool vibes. the whole sounddesign got a rough and raw aesthetic while all tracks are taking focus on the dancefloor with a massive bassdrum, evil vocals and rhythmic synthlines.

the returning lumigraph on full flex - romping across both sides with hood up techno and mesmerising, advanced electronics. happy holidays.

die r&b/soul-legende andre “mr rhythm” williams veröffentlicht mit “i wanna go back to detroit city” sein langerwartetes neues studioalbum. der 79-jährige amerikaner kann auf eine beachtliche karriere zurückblicken, williams, mittlerweile 79 jahre alt, ist seit den 50er jahren im musikgeschäft aktiv. er schrieb songs für u.a. parliament, funkadelic, stevie wonder, produzierte ike turner und managte soul-star edwin starr. er veröffentlichte alben und singles bei fortune records, epic, chess records und seit ende der 90er jahre auf bloodshot records. auf seinem fünften album für bloodshot liefert uns andre williams einen gelungenen potpourri aus psychedelic soul, r&b und blues. mit an bord sind u.a. dennis coffey (funk brothers), matthew smith (outrageous cherry, rodriguez), dan kroha (gories, demolition doll rods) und jim white (dirty three, cat power).
das album erscheint auf 180 gramm vinyl inklusive downloadcode.

faraway reach casts classixx’s young-but-nostalgic melodies and sublime chords in a more mature, restrained light, albeit no less lively and bright. establishing themselves as producers of note on their debut lp (pitchfork called them “great songwriters, too”), faraway reach delivers powerfully smooth and soulful jewels that are still decidedly their own - the classixx signature is one that can’t be traced. their love of plaintive voices and disco-inspired grooves is as evident as ever, but this time around everything is a bit bolder, the cast is bigger, the melodies distilled into a higher potency - it’s all just as good, but better. “on the first record, we wanted to include only people that were our friends, and have it be really personal…” david begins, a thought blake finishes: “this time we wanted to make a record with a lot of different kinds of vocals, to see if we could be the common thread.” the album traverses locales, vocalists and inspirations. it s a fitting movement for the duo, from venice beach to the mountains of south africa and everywhere in between - a faraway reach.
the double vinyl release includes a download code.

lone aka matt cutler presents his sixth album ‘levitate’ – which marks a point of departure from the inviting warmth of ‘reality testing’s blend of hip hop and house. the listener is taken on a rapid joy ride through breakbeats that at times will leave them gasping.
the vinyl release includes a download code.

‘convenanza’ is the sound of andrew weatherall looking back at the clutter of a life thoroughly lived and realising it’s too late to tidy it up in any meaningful way. many years of listening to music with a unique ear has resulted in the disordered cabinet of highlights, touchstones, revelations and half recalled good times that make up being lord sabre.
the double vinyl release includes a download code.

one of the most exciting up and coming artists of recent times, detlef makes his debut on the mighty hot creations with his kinky tail ep featuring three jacking bombs plotting a riot on the dancefloor. in a short space of time detlef shot into the limelight with releases and remixes for well-respected labels including knee deep in sound, moon harbour, and defected. equally at home behind the decks as he is in the studio, the unique party vibe that he brings to his live and dj sets quickly earned his place as a regular viva warriors resident. often billed on the same line-up with industry giants and with releases and remixes forthcoming on edible records, hot trax, emerald city and moon harbour, detlef is definitely one to keep an eye on.

“the earth was incessantly covered in ice, it’s landscape an immense, frozen desert. boulders and sand washed to the valley, crushed under the glaciers’ enormous weight, leaving nothing but the hardest rock behind.” neunau draws inspiration from natural phenomenons, sculpting his indelible and furious expression into materials: a ritual guided only by the rhythm of his own heartbeat. composed exclusively of sounds recorded at the ancient forge museum in bienno, in the middle of one of the largest valleys in the central alps, neunau presents an experience that goes beyond simple listening. his tools — water, iron and microphones — are used to transport the listener through time and place. a true voyage through forgotten ritualism and symbolism, these extracts aim to grind contemporary dance music to its barest essentials, making long-lost times ours again.

having debuted his first critical release “monolith” back in 2012 the emperor name has become synonymous with some of the most breathtaking drum & bass of recent times. since the begin ep” and his collaborative “hello world ep” with mejus took the scene by storm, emperor’s heavyweight approach culminated with the utterly outrageous “into black ep” which pushed all the levels to the max. now “dispostions” looks set to cement his status at the top of the leader board.
the white double vinyl release includes a download code.

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

trip 006 is an album constructed with the songs of a varied collection of artists- fast and furious rhythms at times exceeding 140 bpm, live cuts, tracks with a song structure.

ext returns with his follow up to the third installment of house shoes reputable “the gift” series with “arts & craft”. ext cleared off his desktop about a year ago and sent me everything he had been working on. all of the tracks were in various stages of development. some loops, some fully fleshed out, some sounded like sketches. it drew my attention because of the resounding innocence of the collection, an innocence that is more or less gone from the industry in 2015. listen and learn what it sounds like to just have the intention to create, not muddled with the star aspirations or big money dreams. just to create.

it’s time for another prruk sampler. prruk104 combines four of the names that have circulating through the label s discography in recent times. for the a side we have self reflektion label owner stranger with a peak time warehouse anthem called “thinner” which uses heavy syncopated percussion sounds which dominate the whole track. for the a2, hans boufffmyhre comes up with a distorted bit of techno action that will definitely turn some heads. london based jamie haus opens up the b side with a psychotic anthem whilst ear to ground head honcho gareth wild closes down with a more emotional rave cut.

pete herbert drops the second release on paradise row - the imprint he and dicky trisco set up to release their own output. mango moon is a very herbertesque number pumped full of musical influences from house to italo to disco, but with an eagle eye at all times on driving the dance floor really wild. pedro demonstrates his years of experience as both a producer and a dj in a track that captures so much of the territory he has covered in both guises over the years. with its pumping live disco underbelly, its melodic italo-style keys riding on top and its rock solid drums, it really is a very classy production by a dj/ producer who knows where he wants to go and how to get us all there at the same time. meanwhile on the flip, his label and dj compadre dicky trisco flips the track in a live disco direction with an epic take of his own that throws more than a few surprises into the mix. dicky teases the dancefloor with a long build up but just wait until those wicked keys by faze action s robin lee drop in! quality stuff, & more great dance floor tackle courtesy of paradise row.

riding high off his freshman release for the legendary dj sneak, destrada is back with his second release. a three track ep of edgy & at times out of control dance music that will remain in dj crates for many years to come. played by luke solomon, steve bug, sneak & mark farina.

the weeping tune was originally released (digitally) in september 2015 on pg tune and premiered in arma17, moscow. barnt: artist, friend, dj and one of the minds behind magazine label, created his own version of the weeping tune to fit into his dj sets, one of the first times being at amnesia, ibiza. these energies naturally formed this release which opens the vinyl catalogue on pg tune: a must have record packed into a pg tune trademark sleeve, created with a thermal camera during tigas first ever live show at berlin festival. limited to 500 copies worldwide, pressed on 180 gram vinyl.

electroacoustic experiments and filmic elements define the music that develops instinctively yet irrevocably, a sense of forward motion setting them apart. compositionally minimal, these tracks maximize their inherent potential all the way through to their logical and even illogical end. referencing electronica, ambient, shoegaze and at times modern classical harmonics, monochord builds and unbuilds in a slow heartbeat. introspective and filmic, its quiet and non-confrontational nature makes monochord move in the interzone between various spheres. their music escapes definition and that is its truest definition. its subtle pulse and evocative and drony feel invite and inspire.

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

hurry up : dj koze remix !!!
this mushroom house ep is the first release in a series of ep’s that will feature this new weirdo house sound that is influenced by ethno, afro, psychedelic music. on this first 4 track ep you get new music from alien alien aka italian producers rodion & hugo sanchez with a detroit techno kind of track with mushroomey space voices that drive a dancefloor crazy. (alien alien previously released on turbo, nein, slow motion, gomma). then australian surfer kid and house producer jad & the ladyboy doing a afro heavy old school mpc house jam. (jad released also records on exploited and toy tonics). gomma boss munk is featured with his surf smurf - collaboration with rebolledo (pachanga boys). as a bonus track you get the legendary dj koze remix of whomadewhos keep me in my plane. released some years ago, three times repressed and sold out. sounding now fresher then ever. the mushroom house series features mostly new tracks, produced exclusively for toy tonics.

we are happy to introduce you to the second ep from by dc salas on biologic records, the label that he co-founded and manages with the french producer abstraxion. they celebrated their 10 year anniversary at the end of 2015 and continue to release a string of eps to mark the occasion. ‘when you left’ is an ep that overcomes sadness. times can be rough, but it never lasts forever. this original material is complemented by two powerful remixes: one from the mysterious cliff lothar, who is supported by people as diverse as john talabot, delta funktionen and radiohead’s thom yorke. the second remix is done by the australian producer inkswel (bbe). this ep is an important step for the producer as he prepares his debut album ‘the unspoken’ which will be announced by biologic records in the coming months. pressing on transparent green vinyl.
early supporter: ivan smagghe, chloé, jennifer cardini, mugwump, manfredas, golden bug

four tracks of back-to-basics, no-nonsense techno from derek plaslaiko.

h-productions proudly presents >green light< by cari lekebusch. this is the fourth release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997. since the beginning of the 1990s, caris brainchild label platform h-productions has been changing and re-inventing itself numerous times. and at this moment it takes the shape of 3 different catalog numbers running at the same time. the hyb releases will be exclusive vinyl releases only, and the hpx numbers will be digital only. as a cherry ontop we have the special hybrid catalog that will only be found in our bandcamp online shop. -with warm regards from stockholm-

vinyl only release
fresh from the factory of dreams. the three times academy award winning team for lifetime achievement mioh and durrrred are presenting the hollywood boulevard ep. glamour and glitter for your soundsystem. love and happiness for your heart and soul. early suppoert by brangelina, frat-pack and marlene dietrich.

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

mute records presents the 4th longplayer from erasure, originally released in 1989, as limited edition reissue on 180 gram vinyl.

originally released via ascetic house in 2015, vereker’s grace tape owes much to the canon of vintage anti-music, exploring catharsis via a transgression of traditional compositional & technical values. working with the same thematic concerns of much of the more leftfield additions to the avian catalogue - in it’s more subdued moments, anxiety & dissafection, in it’s more high energy - pure hysteria - the recording pairs basic synthesis with warped vocals in the same manner as industrial progenitors throbbing gristle and steven stapleton (nurse with wound).
the reduced palette & crushed production aesthetic creates a powerful immediacy, with a twisted musicality being drawn - at times, kicking and screaming, out of the depths of the mix. like much of vereker’s best work on labels like lies & berceuse heroique, elements warp & twist uncomfortably within the tight confines of a reduced dynamic spectrum - creating a dark, heady energy. scetic house, the predominantly cassette only label, has seen appearances from la’s silent servant, northern electronics’ varg & avian’s own shifted - under his covered in sand alias.

following on from the underground success of florists debut ep, all caps first release of the year sees the label pluck from the ether 6 transmissions by debut artiste - neuroshima. cavernous breaks. fluid subs. 1992. 2016.my friend & i used to listen to this during the summer of 94, gazing out his bedroom window at sunset, watching the birds fly past the water tower on the horizon. one of the rare times when both of us would shut up for a few minutes and get lost for a bit, each record comes packaged in a mirrored silver-board sleeve + custom insert designed by florist.

this is idle033: the sound of an accomplished dancefloor producer stretching out. these aren t straight dance tracks, neither is this a ponderous ambient lp. this is vivid, vital electronic music for modern times. tracks to cut through the monotony of depressingly average house and techno releases. the music shimmers with warmth and humanity, a testament to karmil s personality as well as his skill as a producer. one can sense in the tracks that this a musician who has travelled and absorbed much along the way: long drawn out winter nights in sweden with the studio barnhus crew. years spent in cologne with its distinguished electronic sound, a city which has given so much to the world with kompakt and more. last but not least you can sense karmil s upbringing here in the uk, the roughness and rudeness all added to the mix. idle hands has never been a label to follow trends or to take the easy path. it has strived to keep people guessingand to remain in awe and wonder at new music being produced. inmatt karmil it has found a producer whoembodies this notion.

caldera’s first album »stuck in a dream of being awake« is the kind of soundtrack that you need to listen on your headphones during a walk through the streets of your city. it’s for the day – it’s for the night. a sketch of thoughts and feelings – of voices and sounds that drift away and return. about a blurred line between reality and dream. cassette c60, clear case, limited edition of 50, full printed 3-panel-j-card, mastered by manes @ salz, cologne

das neue album von david garrett als doppel-vinyl im klappcover.

release #40 in mr bongos brazil 45 series.

e present the first of three 12inches to celebrate our 10th anniversary. for the a side dam swindle radically rework sometimes into not another sometimes, a killer raw analogue jam that demonstrates a real development of the ds sound. for the b1 we re buzzing to finally release an original track from matthew styles, who s been on remix duties 3 times over the years, with the infectious house of jungle fever. last and by no means least the carter bros give us tempting disco fate, a rolling disco loop with the mother of all bassline changes at the end of the track. look out for part two dropping in april featuring a jimpster edit of galcher lustwerk, fort romeau remixing the first ever tsuba release from williams and a tsuba debut from roy comanchero.

cellar, the second solo ep from na (daniel pineda of nguzunguzu) on fade to mind, is a kinetic and brooding journey through the ominous side of club music, a personal vision of dystopia and angst. with 5 tracks that showcase nas wide-ranging musical influences, the record provides a personal manifesto for pineda’s vision of club music for darker times.

nicola ratti holds a rich history in the world of experimental and minimalist composition, having released music under his own name on labels such as kning disk, anticipate, preservation, holidays, and senufo editions and in recent times concentrating his energy into his collaborative project ‘bellows’, work which has seen the light thanks to entr’acte records and most recently boomkat editions. his latest solo work ‘pressure loss’ finds ratti at a potential turning point in his musical career, exploring rhythm and tonality with a new vigour, in a way which embraces the fluid and consistently evolving modern world of electronic music, yet still references a history of electronics, limiting his sound palette to work only using the serge and arp modular synthesizer.

standard edition black 180 gram vinyl plus download code.

limited edition purple vinyl plus download code.