volta is one of the most sought after producers in russia. one of the newest members to the balance music groups family and he brings versatility like no other producer out there. his productions go in every direction from cosmic disco to deep techno. he is also known as isaev and his other alias common people under the bal-ance alliance anchor. this young producer has set the course for the next generation of future producers. not only is he a producer but his live sets are second to none, and we are glad to have him in the family. the first song is empire times which is a throwback to the early nineties classic new york signature four on the floor sound with fuel injected synths and a great dance floor peak time get down groove. the second song is curious dreams this song has so many different elements, it is by far one of my favorites of the ep, it has an 80&#8223,,,s sound that crosses many different genres of music from disco to classic electro with a splash of house. the third song is called purple train another fantastic take on his production skills with this massive deep techno heater that will get the crowd moving with its deep chords and its lush drum programming makes it dance floor friendly for sure..then last but not least we have song four called ruby nights this song brings a minimal broken beat sound that has the elements of house with a twist. we at fi-nale are happy to have volta cab as a member and we want to share his gifts with you. we would like to thank you for your loving support. stay true to the roots. love you

numbernin6 is no new comer to the dubstep scene, but this is his first record for london label smokin sessions. the recordings are blissful and floaty, as you would expect from smokin sessions and really shows off what numnernin6 can do when he goes deep. the whole ep is masterfully produced and you can really hear these tracks have been given a lot of attention. i cant pick a favourite, but all 3 are a great listen. sit back, relax and spark it up rude eye!

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

one to one records was born with a clear idea of creating a cutting edge label that would reflect the new trends in house, techno and deep not only with big names, but also discovering new talents thanks to the experience accumulated during the years by dj producer john stoongard.

norm talley tackles techno. yes, you heard that right… in spite of 3 tracks on the original transmissions that fell a little closer to what the heads would expect from a very reliable source, it was that first one that everyone begged for more of. we must agree that those 3 minutes were just a little of a tease, so here is the full 9-minute extended cut of “man on the moon” that all of you asked for, and what a trip it is! certainly funky broken-beat techno is a new look for norm, but it’s pretty obvious in all 9 of the minutes here that this is a man from detroit making the music he knows best. there’s a groove and a touch here that speaks of soul and experience… although you may find this one in the crates of some of the new school techno elite, it’s safe to say they couldn’t have made it the way norm talley did. even if you remember part one you may be surprised where he takes it, but we’re even more pleased to say that “earth 2 moon” beats it at its own game. this one made our necks snap and heads turn the very first time.

if im a cliche were a home, fit would be the guest room. im a cliché has some relatives - whether distant or close - who happen to produce isolated gems that just have to be released. the first volume of fit gathers four dance tracks made by different people based in various countries. fitting im a cliches artistic view is the only thing they have in common, and it means a lot to the label.

alex and bill met 16 years ago when bill signed one of alex s first productions (is this the rhythm? by rhythmnvibe) to a new york label he was running. alex, whose father lives in the us, was a regular visitor to the states and they sent many happy hours together hanging out at the sound factory bar and comparing maw dubs. when bill returned to the uk in 1996, they had a few sessions together making house music, though neither of them can remember why they never finished anything or, indeed, what became of the tracks. fast forward a few years and they finally got back into the studio to make sweet music together under the moniker hotel motel. since then they have created a rich seam of work that some have already described as, like salvador dali with his pants down being fellated by deirdre barlow. few would disagree.

welcome to the employee canteen at the offices of private gold, would you like to have a seat take a load off, you ve been working too hard. the kitchen has prepared some very special dishes for you this time around.

if you were to ask freedarich to state the artistic area he prefers working in, his shotgun answer would most probably be music with all its influences. what amuses and enthuses me most, is the subtly absurd introduction of different styles freedarich says about himself. generally, his main passion seems to lie in the unearthing of the concealed and unknown, and making these accessible to the listener.

the original horsemen concept was initially conceived by 4 minds coming together through one unifying vision. those minds were of: ink, loxy, keaton and dylan. carving out their own unique take on drum & bass. fusing together specific elements that would form the fundamental cornerstones of the horsemen sound: raw original sampled breaks, heavy sub bass and dub elements. this style and concept has since seeped into the consciousness of a new wave of producers across the globe and has influenced and evolved into the sonics presented here on this album. ink and loxy in conjunction with renegade hardware are proud to present: horsementality...
dj support: ink, loxy, cern, marky, alix perez, spy, btk, optiv, sabre, bailey (1xtra) , flight (rinse fm) + many more.

coloured vinyl: solid dark green and white mixed. after tokyo prose successful entrance onto the scene with their introducing series creativity began to flow. a series of collaborations with numerous producers began and it was inevitable some of these would bare great results. phil tangent had one of the singles of 2010 for marcus intalex soul:r label and was a perfect creative partner for the ideas charged tokyo prose. >parity< marries the pairs styles perfectly, with a euphoric vocal tempered by subtle gliding beats and bass. >rearview< is a sign of what drum and bass is missing in 2011. smooth, deep and soulful music that reminds us again how powerfully emotive the genre can be.
dj support from marcus intalex, dj marky, spectrasoul, presha and more to come..

collaboration between pascal blanche, wojtek kutschke and lukas poloczek. who wants to make music coming deeply from their feelings, simply emotions. include in this ep we will find out two finest tracks titled money and reflecting love, both track comes on like the perfect theme to the arrival of autumn. the tones are intospective, the groove is solid and stablished. money ep will surprise listeners with careful arrangements, specific groove and atmosphere. they will attracting your mind, and push your body to the dancefloor! they definitely would give reasons to be curious about their current career. this time the remixing artists is our buddy tom ellis, who continues his search for the beauty on music. with this remix he delivers a highly hooking track, a beautiful piece of music we have heard in a while. sort of deep mix that plays the contrast between a great ryhtmique and melodic vocals.

in the psychedelic late sixties there was a lively music scene in the canterbury area that revolved around the band the wilde flowers. they never recorded much themselves, however, but after they disbanded other influential bands were formed from their ashes: gong, soft machine, and, most importantly, caravan.
caravans eponymous debut was released in 1968. it was considered a groundbreaking album capturing the freakish and exploratory moods of the times. their sound went much further than the changing styles of the contemporary underground and that is what distinguished caravan from other bands in their genre.
pressing on 180 grams audiophile vinyl.

one of camel s bandmembers suggested doing an entire album based on a book. a number of books were eligible but the emotional appeal to the snow goose by paul gallico was so strong they started writing and recording a concept album that would portray their vision of the story. the result, the instrumental the snow goose, turned out to be their breakthrough.
pressing on 180 grams audiophile vinyl, including full colour insert.

wave turned out to be the last album the patti smith group would record, as it was also last album smith would record before a nine year hiatus. the godmother of punk decided to focus on her family life and moved to michigan, but not before leaving us with gems like the sexually mysterious >dancing barefoot< (dedicated to her husband to be fred sonic smith) and her amazing, biting version of >so you want to be (a rock n roll star)<. produced by todd rundgren, this is her most pop-oriented album, and many at the time could not appreciate her more accessible sound. nevertheless, wave, her spoken word tribute to pope john paul i (who reigned for only 33 days) is as touching and harrowing now as when it came out in 1979. available on vinyl for the first time since its original release!
pressing on 180 grams audiophile vinyl, includes 4 page insert.

*** limited vinyl copies*** comprised of former members of hercules and love affair, new york citys jessica 6 has been commanding dance floors for years, globetrotting from london to miami, san francisco to santiago, bergen to belgrade, seducing the dancing, sweaty masses with an electrifying blend of disco, soul and r&b.
see the light opens with a classic-in-waiting, the behemoth of a single, >white horse<, that forces you to move like a witch doctor would. >champagne bubbles< is the kind of gritty r&b that isnt afraid to be as angry as it is melancholic, its piano flourishes punctuated with a heavy kick and snare. >prisoner of love<, which bridges electro and freestyle, featuring a soaring vocal melody that finds nomi and guest vocalist antony weaving their voices around each other to a stunning effect.

ramona is pretty nervous to welcome a new name to her ever-growing happy family. in fact, its actually an old band member. christian beisswenger alias cb funk alias one half of arto mwambe is not exactly one you would call a stranger. for >77 reasons< he debuts as the citizens band with some novel sounds on risky grounds. in love with details, fragile sounds, little tricks and with a fine ear for the action, the band leader tiptoes into deep bleepy house just enough to call >west 42nd< exactly that. >77 reasons< however plays around with a memorable little melody, a skanking lead and some boom sonics. whatever you want to call it, ramona is fine with it. orson and kane would be proud.

cosmic cowboys are back on mgf. there would be no need to say anything else as the grooving armada from venice already left its trademark with releases like the > dusk ep< or the > piano africano ep< but of course theres more to say. nico and kaled, for their third release on > musik gewinnt freunde<, deliver a dancefloor monster that keep all of their quintessential romantic touch but reshaping it in a different way this time. fully oriented to the dancefloor the a-track >notre jour viendra< comes along the an amazing remix of the berlin duo youandme. signing a perfect reinterpreation that leaves the listener speachless

two dogs in a house is steve summers and ron morelli (l.i.e.s) meanest project to date. rising from the delay saturated muck, pushing the red, straight forward and to the point with no time to waste, these brooklyn dogs started with a simple modus operandi as to make effective, psychedelic tracks that they would want to hear on a proper club system. and you do want to hear dogs anthem in a proper soundsystem. a fat one. rather than a decent follow up to their l.i.e.s. ep, this 12? is an statement by itself, sounding more experimental and raw ?if that?s possible than its predecessor. it evokes chicago, detroit, and industrial records equally, but do not get mixed up: this is a weapon designed to tear dancefloors apart! limited copies , hand numbered.

no doubt, daniel herrmann alias flug 8 does polarize. the principle he follows through all releases during the past years is an atmospheric melancholy that has got to fascinate. tuning would not exist without detuning, and a mood is a mood. this may be understandable easily. however, those who get into his music can expect much more from it.

the singular threads of the musical fabric that is barrio weedwagon are too numerous and long to trace the beginnings. however, the story does indeed have a start. the spark first took flame on a dance floor deep in the heliopolis favela of são paulo, brazil. after this initial shared out of body experience about 2012, barrio weedwagon can best summed up in these words: emerging from a black hole in the center of the milky way galaxy, the beings who would claim the name barrio weedwagon were awakened. the steady stream of organized radio frequencies from earth became a soothing and yet tantalizing lullaby for our heroes.

beautiful, shimmering rhodes and pads pillow jazzy piano, french female vox and a vibe that should go down great with solu music, rogue element and franck roger fans. trent pumps up the beats keeping the dreamy vibe as you would expect him to do and delivering a deleriously, hypnotic trentastic journey that his fans will eat up.

originally recorded in less than a week, the fun and moxie will hit you with every beat of >better living through chemistry<.
released in 1996, this is the first full-length album norman cook was to release under his successful moniker fatboy slim. fuelled by his signature big beats that would come to dominate the 90s dance scene, sprinkled with acid house bleeps and squeaks and heavily sample-laced, >better living through chemistry< proved to be just the tip of cooks proverbial iceberg.
re-issue on audiophile 180 gram heavyweight vinyl.

raime return on blackest ever black with hennail, their first 12 inch release since 2010s >if anywhere was here we would know where we are<. a double-a-side comprised of >told and collapsed< and >you will lift your frame clear<, its the most potent and substantial document of their militant dysphoria yet

it is a great honor for us to welcome such a living legend, a pioneer from the chicago house scene: mr k alexi shelby ! at the age of 12 he was already moving in the right circles, befriending frankie knuckles and ron hardy whilst frequenting the famous warehouse. his upbringing in chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including stevie wonder, prince, curtis mayfield and david huff. these same names would prove to be the roots of his influences. for his first collaboration with syncrophone, k alexi delivers a sublime set of new unreleased tracks + a new edit of his classical my medusa previously released in 1989, here called my sweet mf. year 2011, mr k alexi shelby is definitely back for a future classix

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

supported by citizen kain, electric rescue, nicolas cuer, popof ...
here is the first outcome on junky robot wax. 3 angles of noisebuilders music is explored here. >music quest everyone< is a melodious techno anthem hard get off your mind once it goes on. >fat cat< would tend to be minimal and hard at the same time, its devastating kick wont leave the dancefloor without beeing noticed. and last >maison liquide< brings a gooffy minimal house atmosphear.

droid resident artists david flores (audio injection / truncate) and vangelis + vidal vargas (raiz) combine their production elements on the degrees of motion ep. david has been burning up the industry charts with his latest raw vibe alias truncate. the spring/summer season in europe would have been quite silent had it not been for the phrases concentrate and focus. with releases and remixes on enemy, modularz and his own truncate imprint, david has enjoyed strong support from renowned acts dettmann, klock, luke slater, chris liebing, speedy j, dvs1 and countless others. the members of raiz, vangelis and vidal vargas, have also been making waves with their work on historia y violencia, silent steps, gynoid, and droid. on this collaboration david and the vargas brothers combine the dry and groovy tool perfection of truncate with the concept and sense of depth raiz has been developing over the last year. the result is a series of 3 flawless tracks exemplifying the degrees of motion. inertia builds the ep with heavy drum programming and warm pad work. flux takes the energy up a notch with hard swing percussion, sharp analog noise and arctic synthesis. jude law leaves his seed. rhythm completes the cycle with a deeply grounded pulse, accented by an enigmatic call to consciousness and presence. degrees of motion is a solid showcase of this production teams potential.

asiko disko - jt uses classic drum machines, sneaky acid lines and a mike dunn-esqe vocal to create this underground gem.
gaia - this track is sure to be a dj favorite. pounding tribal rhythms, hypnotic chants and an arrangement demanding to stay in the mix. this is a dj weapon.
asiko disko (dave aju remix) - having been a fan of dave aju for a while we thought it would be a hoot to get a remix from him. the result is a slow burning, shimmering remix that takes the original and shoots into space.
gaia (lance desardi remix) - our main man lance desardi turns in a electric remix. taking the original and delving into darker territory. new sonic creatures rotate around deep bass tones, hypnotic chants and new directions.

produced by elektro guzzi and patrick pulsinger recorded directly to analog tape. no edits. no overdubs.
elektro guzzi redefined the meaning of performing techno live. with just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. if they had not performed live extensively, becoming audience favourites from mutek to sónar and from berghain to fabric, it would have been hard to believe this is really how the music is created. that said, it seemed impossible they could go even further in this direction. yet thats exactly what they did. parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. throughout the nine tracks the distinctions between instruments and roles are totally vaporized.

emanating from japan, and discovered by erid d (of rub n tug fame), these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience!
all the combis so far have sold out in a matter of days and are now exchanging hands for silly money. this release has another glorious duo of obscure but super high quality dancefloor friendly edits.

its another monster from survival and one thats featured as an untitled track in numerous sets recently. here we are pleased to announce its title as >the year 2133<. the intro on this one takes you on a short journey into space and back & returns you to land with a massive bump the mini-second the bass kicks in. its a futuristic slate of d&b that we are sure would sit quite well in the year 2133 however we are happy to be releasing this in 2011! the flip sees fathom audios superb >clear the mist< featuring codebreaker & sense. the track features the excellent and hugely talented vocals of codebreaker & mc sense throughout and represents an excursion away from the norm for dispatch.
support from the likes of: btk, rockwell, vicious circle, ant tc1, ulterior motive, fd, dlr, skeptical, cern, dbr uk, nymfo, marky, ant tc1, mindscape, chris su, youngsta, doc scott (future beats podcast), skeptical, xtrah & dose.

brand new label london label features superb karl o connor remix ! first edition limited to 350 copies with laser-cut sleeves folded, stamped and glued by hand. also features hand-numbered fluorescent card insert - see new pictures below . plain sleeved 2nd edition will swiftly follow . new from london based upstart diagonal comes a four tracker of tough, skeletal rhythms from label boss powell. revelling in mechanical hooks, cold, brittle percussion and unfamiliar time signatures, powell pursues new modes of dancefloor dread but is unashamedly indebted to the past to: (amongst others) the propulsive funk of suicide, the linear surge of nitzer ebb and the uncompromising force of mika vainio. no wave new york remains more of an inspiration than bass-heavy london, as does the vision and encouragement of friend and blackest ever black owner, kiran sande. diagonal would like to thank downwards boss karl o connor regis for his love and support and, of course, for the bleak and brilliant rework he has contributed to this first release. thank you karl...

if ever there were more committed and fervent neighbours within the house and disco community today, then house of disco records would be flying the flag loud and high in the front garden for all to see.

nice price deal !!! incl the mega track >in a blink of an eye< - pure euphoria! decks tipp.. it would be to easy to categorize satori as a techno producer. of course there were the clubhits with his partner in crime el mundo, there were long hot nights, exuberant dancefloors, pounding beats and pure ecstasy. but the person behind satori has another side, a side that also wants to pour his personal impressions into sound. meet in to void, a remarkable debut in every sense. forget about those dancefloors for a moment, the place where satori left his mark so clearly these last years. place yourself in the person djordje petrovic, born form a serbian father and south african mother, raised with balkan music, afrobeat, jazz and world music in all shapes and sizes. someone who educated himself in playing guitar and piano and also wants to showcase this other side of his music. produced in the moments in between his sessions with el mundo a series of tracks came about that characterize satori most accurately. deep, sensitive and worldly, but mostly compelling and utterly beautiful. in to void is a musical moodboard, an emotional blog if you like, where thoughts and impressions by djordje petrovic force themselves to you in a hypnotic trip, subtle but irresistible.

after the successful zenker brothers record, we continue with a solo record by dario zenker. it sounds like dario bought some healthy food, went to mcdonalds and i ate it there to provoke some marketing campaign against intensive livestock farming. we know for a fact that he has an unlimited love for good food, dirty old school hip hop, porn, broken beats and kung fu by the way. his flat on the 5th floor gets a lot of light during the summer and also heats up a lot. can you smellthe sweat? speaking of sweat, you should check out inner circles sweat. instead of a proper high 5, we would even give 6 for this one! oh what a bad way of trying to make some sense with the track title... but honestly give 6 is a hard one. well i guess its time to stop writing some weird shit and start listening...

ashley beedle returns to the kat records stable, this time on their 45 offshoot...
first up we have flora purim getting ashley beedles extended edit treatment with the sublime latin-jazz funker >angels<. great vocal hooks, guitar licks and a jazz-funk groove with added disco overtones to boot! if the mizell brothers had been born in rio then this is what it probably would have sounded like.
on the flip we have brian protheroes >pinball<. a lost psychedelic pop classic which got to number 22 in the charts in 1974. a staunch ashley beedle fave with his tripped reworking doing exactly what i says on the tin. dubbed, stretched, spaced out and arranged to perfection. great!

terry lee brown junior is back on plastic city with his new 3 track single >baltimore<. here we have two great remixes and one original dub version. on the a-side is the pumping bas amro remix. its a little bit techy and would rock every dancefloor at the maintime! the b1-track is the aki bergen remix and it sounds more minimal than the other ones. also we have here more elements from the original included! for the last is the b2-track. its the dub mix of the original with less vocals and a straighter beat programming. the productions are very accurate, the interplay of moods, sounds and emotions is functional and sexy, very concidered and perfectly restaged. terry lee brown junior make the next step right back into the clubs. perfect!

hot off the presses. we just got these in last nite from portland. this is our first real peak at body work, glass candys much anticipated third album. johnny & ida have been destroying clubs with both of these tracks for almost two years now. forever pushing forward into new ground from where b/e/a/t/b/o/x & 2010s feeling without touching left off, they candy coated this slice of analog glamour & sprinkled it with some stardust on top. lazer driven melodies bounce off electro primitive drums that would make moe tucker proud. idas crazy like a monkey & happy like a new year as she sings a call & response to the crowd. >warm in the winter< continues to unfold for seven plus minutes of shimmering percussive synth. the proto boogie b side >beautiful object< is so grimey it makes us think of bbbb s production on the first madonna album. the rhythms keep turning while future & past collide. johnny gives us the usual dosage of heavy bass & crisp handclaps. written & recorded in the icey montreal winter. mixed for all seasons.
entire first pressing on delicious rasperry colored vinyl !

east meets west on culprits seventeenth ep release, as three emerging producers from russia make their debut on the los angeles based label as special case. as culprit enters the next phase in its lifecycle, young producers are submitting music that is inspired by the culprit catalogue. championing fresh acts, as evidenced on the above the city compilation, is becoming a key aspect of the culprit ethos.
heralding from st petersburg and moscow, special case is part of a rising wave of eastern european artists, a region that holds tremendous importance for culprit s ukrainian born andrei osyka. having established reputations as individual djs in their native soil, the trio came together as special case specifically to create a release for culprit, and with the belief that the whole would be greater than the sum of their parts. aurum is dancefloor gold and proves they were right to do so.

the baalsaal family is so happy with this one. we would like to warmy welcome doctor dru and the adana twins, more hamburg power to our label. this will not be last imprint promised. although when we look out of the window, there might be leaves falling down and darkness to come soon. this is a late summer groove that will make you smile with a melancholic twist

2 tracks from ron trents dancefloor boogie delites cd. tell me is deep house groover with lots of spacey efx and the full rich voice of leroy burgess. would have been a staple back at the zanzibar. b/w work that body, a soulful house (mostly) instrumental for late nights.

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

south of croydon raised christian sibthorpe (aka a1 bassline) sent over a few things over the last 12 months that really had me paying attention. but it was jessica (j. phlip) ended up being the first one to drop falsehood at the spring dirtybird party in sf which pretty much sealed the deal. it just smashed the room to bits. later on i met christian in person when he helped me do a live radio show at rinse fm in london along with ben westbeech and we agreed there that dirtybird would put these two tracks out.a1 claims to have been heavily influenced by early metalheadz and you can really here it on these tunes. while buoyancy is a smooth pulsing affair that really shines in the deeper mixes, falsehood (which we are re-releasing from a1s tighten up label) really buries the hatched in your brain with bits and pieces of 808s, breaks and house hi-hats all forged together like hot iron.

we are very happy to welcome aboard pickpocket!
after releasing the incredible >abah dabah dis< on ppflimited last year, yse returns with a full ep of amazing tracks!
kicking off with slow joe, a beautfully crafted european disco number, which has made a big impact with the balearic contingent lucky enough to have gotten a promo.
on the flip harmonious discord marries a super catchy vocal refrain with some sumptuous mid-tempo house, a delightfully blissed out sunset track if ever we heard one!
finally alpha omega is a massive reggae rewire - the kind of seriously bumping party wrecker mr scruff would be proud of!
300 copies limited edition - vinyl only!

geno is pleased to present our second release from jonny cruz. jonny hails originally from san juan, puerto rico but currently splits his time between berlin and miami. you may already know him from his deep tech house releases on cocoon, vakant, dame, and my favorite robot.
the sugar lips ep is a sleek and sexy tech house record made for the dance floor. sugar lips simmers and pulses. these are lips you would not mind kissing. the flip side features lati for another functional yet sophisticated dance floor bomb, alfaguara. transparent and playful synths and a deep organic bass define alfaguara. we hope you enjoy it as much as we do.

blockhead has been bringing you releases featuring tech, deep-tech, jackin, soulful, and all around funky music lately and this ep is another stellar addition to the label. we would like to introduce you to our newest member of the blockhead family >4beat club< & >jem cooke.< jem is well established pop singer out of the uk who has the voice of an angel and the tour schedule to prove it! she normally doesnt sing over house tracks but has made an exception for this release and we are extremely grateful.

raimes 2nd release on blackest ever black comes backed up with a regis version of >this foundry<. / repress

***vinyl only***.
limited 2011 repress, coloured vinyl
the first release on sighas own our circula sound imprint sees the hotflush artist shrug off the dubstep tag altogether with a 12 inch of dark dubbed out techno. marcel dettmanns remix of sighas own >early morning lights< sits on the a side. taking things deeper than one would typically expect, dettmann marries his own sound palette with that of the original perfectly. clocking in around the 130bpm mark, its mutating broken rhythms and throbbing bottom end will appeal to more adventurous dubstep heads as well as the techno purists. sighas eyes down old school tinged >over the edge< sits on the b side. clicks, claps and 909 hats roll over a layer of shifting dubbed out soundscapes and booming square bass.