western australia s red ember records is back from another archive diving adventure. -embers only : swan songs- presents four previously-unreleased, deeply emotive cuts by ewan jansen written between 1999-2000. the lead track swan marks the dance-floor tone in the collection with a hypnotic pseudo-electro groove sky lined by cathedral-like chords. following on, sea for yourself reaches into deep minimal house territory with a powerfully gentle, piano topped, 4/4 approach. on the flipside, the earnest and leafy love machine is drawn down the proverbial path, dropping broken beats and inhibitions along the way. the collection is signed off with the ambient chordal wash of afterlude ... an introspective repeater equally on call for any early morning after party or your final few waking moments.

dubbed by igloo magazine as the -romanian detroit electro/techno pioneer- and by the late aaron carl as -the romanian underground resistance himself-, andrew red hand from romania s spiritual capital of lasi stands up as an unwavering militant of the underground, a true detroit spirit possessed as romanian humanoid! from his early gigs throwing parties as one of the first generation djs in lasi since 1997, arh continues to break boundaries as part of the romanian resistance scene and numerous time portals as they open around europe. his blistering, mind-bending sets such as at berlin s tresor and griessmuehle see the dj with the red hand fuse pure detroit electro and techno with the sounds of techno-bass, raw chicago acid house, classics and futuristic beats. his mixes for radio ur (underground resistance) and the grid (detroit techno militia) remain some of the best frequency transmissions to surface to air. armed with a soviet union reel to reel majak 203, his scorching raw analogue and searing acid productions have been picked up by foundational detroit labels such as twilight 76, matrix, detroit underground, databass, detroit techno militia, cratesavers intl, visillusion as well as around the world from holland s iconic m>o>s recordings to 1Ø pills mate (lobster theremin), bass agenda and land of dance. on his remix list includes work for scan 7, santonio echois, thomas barnett, sean deason, niko marks, six foe, t.linder and more while support from anthony shake shakir, dj bone, dave clarke, dj godfather has been garnered for our sonic warrior... beware of the red hand!

red brut is the moniker of marijn verbiesen (part of sweat tongue and jsca). as red brut she is isolated, displaying a highly talented ear for day-to-day sounds, musique concréte composition and spontaneous sound collage. this stand-out record is a sketchbook documenting a wide array of obscured emotions, unveiling the inner soul of a highly talented and unique voice in avant-garde tape music.

in einer limitierten neuauflage gibt es dieses gesuchte album von 1982 noch einmal zum erschwinglichen preis. aufgenommen im channel one studio mit der roots radics band, und im king tubby’s studio abgemischt, entstand hier vielleicht das beste dubalbum von prince jammy der frühen 80er. für das artwork war tony mcdermott verantwortlich, der u.a. die cover für die legendären scientist-alben kreierte.

cititrax is excited to present the third in a series of four song samplers showcasing the talents of some of the most innovative producers of the moment. cititrax: tracks volume three features the a powerful new collaboration between amato (aka the hacker) and mariana saldana (medio mutante, boan), the brutal industrial techno of barcelona based british producer the sixteen steps, a polish mastermind based in miami known as his dirty secrets, and the nyc underground duo further reductions (shawn o’sullivan and katie rose). the overall sound can be described as modern, uncompromising and guttural. each artist reinvents dance music by bringing their own unique vision to the floor. artwork designed by veronica vasicka and sourced from polaroids shot in nyc clubs in the 1980s, cititrax: tracks volume three is pressed on blood red clear vinyl – limited to 999 copies and housed in a matte printed sleeve.

foxy red recordings is proud to announce their first vinyl release consisting of four deep & funky house tunes by titlez! if you re up for the warmth, depth, and feel of the classic house sounds of chicago – look no further! titlez s new ep delivers the goods while going for a diverse, organic, and eclectic production approach. you can expect punchy drums combined with live(ly) percussion samples, jazzy piano chords, and spacey pads, among other studio trickery.

after numerous live performances around europe and the release of his a music for sound systems full length in 2017, infrasonics label boss spatial rejoins never ready with two productions originally aired during his 2016 mutek live set and lovingly mutated into nvr003. low frequency perturbations fusing spatials sound system culture references and trademark distortion, netz rooms broken techno in the key of grime defines our labels intent to release forward bass explorations. hut 6 follows with a ten minute warp drive across the known universe in search of a unifying field theory of techno. the b-side sees j. tijns first foray on never ready with a bruk & bass out genetic resequencing of netz room, while munstac returns with a sub heavy 4/4 interpretation of the title track. never ready records third release in our establishing tetralogy continues with cover artwork from nerog, 180g coloured vinyl and a limited pressing of 300 units.

having grown up with and on the internet, martin steer (1986) has transformed its pull into a concept album that is just as immediate and intangible as the digital world. bad stream is guitars and machines vanishing in the spaces between radiohead and nine inch nails only to reemerge amidst ambient, noise, and drone. bad stream, then, is his modus operandi - a hybrid soundtrack to the feelings of resignation, isolation, and cynicism within neoliberal cyberspace and to that strangely numbing comfort of bodies transmuting into zeros and ones in real time.

strictly confidential: we write to you with alarming news about the extra-terrestrial specimen discovered in the forbidden forest in july 2017. this lifeform, code-name darling, escaped from the top-secret safe trip organisation holding facility late last night. all that was left inside the subject’s enclosure was a pressed polyvinyl disc containing two pieces of electronic music. the first, which we have titled when she hates me, sounds like a call to a distant mate or partner, composed at sunrise and shot through with blissful positivity. the other, now known as isle of red, combines surging drums with poignant and melancholic sounds that are clearly unearthly in origin.

stunning new album from chicago’s finest electronic futurist hieroglyphic being, aka jamal moss, newly released on soul jazz records. this is his third album for the label, following on from the acid documents (2015), and african with mainframes (w/ noleian reusse) k.m.t. (2016). limited edition of 1000 copies on double 12 inch vinyl, housed in a gatefold sleeve with download code included.

5 juicy tracks from the french rhythm genious puzupuzu, produced in a pure house way. first vinyl release for this kid.

remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1979 album.

vinyl only - limited copies pressing second release of the flash forward unreleased series, still emanuele luzzi & man-d.a. flash forward is proud to release another beautiful gem from the italian producer emanuele luzzi, who shined in -stolen moments- and -a tone colour of onirico- as onirico and oneiric. for the first time after 26 years, flash forward is been issuing the alternate take version of a 1991 umm gem by onirico, -tribal echo-, a hypnotic-tribal-surreal tone recorded live into the dat tape, a new terrific version of one of onirico most exciting tracks. listening to it, you could enter some kind of trip through the darkness, a very emotional journey in which imagine the sunset rhythm fighting with flashing shadows, the neverending battle between good and evil. let s start the voyage! as in the first issue, the other side is produced by man-d.a. , -not a dream- was also conceived many years ago but only today is released after being revised, modified and remastered! past and furure classic !

the dark jazz masterpiece by piero piccioni written for the film directed by paolo heusch in 1962, played by franco citti and taken from the novel under the same title written by pier paolo pasolini. produced and made by cam on a rare and sophisticated lp, the music of piero piccioni for this film embraces the jazz big band’s frantic pulsations, directed by the master - who sits on the piano - with symphonism and the best popular italian melodic tradition brass, dart, bows and rhythm. available for the first time since it’s original release, this limited edition vinyl reissue is limited to 500 hand-numbered copies on red coloured & black splattered 180 gram vinyl, housed in a gatefold sleeve.

multi-platinum artist awolnation announced the release of their third studio album, here come the runts, on february 2, 2018. bruno spent 2016 crafting the album in his home studio nestled in the coastal mountain range separating the pacific ocean and the suburbs of los angeles where he grew up. the secluded location is reflected throughout the album. “the record definitely has a feel to it that seems parallel to the vibe of this mountain and the land,” bruno notes. “it’s like a non-gmo record. there’s no fake shit on there, none of the vocals are tuned. it’s all real playing.”

arttu is back on his own imprint cyblo! 4 club tool bangers with arttu s significant touch. worth to check!

jeff wayne’s musical version of the war of the worlds on double vinyl, housed in a gatefold sleeve.

white vinyl pressing , phreakin industrial techno

black vinyl pressing , phreakin industrial techno

pressing on red coloured 180 gram vinyl.

danny berman aka red rack em is back with 2 more burners on his much loved bergerac label. after slaying everyone last year with wonky bassline disco banger and this years hotly tipped self portrait lp he s got his sights set firmly on the dancefloor once more. 2017 has been a vintage year for the berlin based dj producer with radio 1 mixes, serious air miles, remixes for tensnake, tinie tempah, shows for rinse and after a hectic summer, it s time to focus on his own productions and get back to what he does best. making slamming house cuts designed for maximum floor damage. place for me (version) is a cut up, pumping, soulful disco house slammer. originally released in 2009, it s been updated and remastered and is another great example of red rack ems ability to chop up vocal samples and make something fresh from them. guaranteed club wrecker, which served as a pre-cursor to wbdb and thus needs to be out there once more. exhalt is a super deep, spiritual house number with vibes galore. deep pads and crisp beats combine with deep bass in an ecstacy tinged, euphoric disco number. one for the heads…

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at, if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

jimi hendrix’s legendary woodstock performance on triple vinyl, housed in a gatefold sleeve. all analog mastering by eddie kramer, jimi’s original engineer. includes a booklet filled with rare photos and hendrix’s handwritten notes.

the new nickelback album as limited edition red & black marvbled vinyl with download code included.

in the spirit of pioneering library music manufacturers and archives like de wolfe and kpm, red bull music academy presents a series of library music releases by academy alumni. new zealandís grayson gilmour helms the inaugural entry with his unique combination of baroque pop, electronics, and new wave sounds, accompanied by a remix from bristolian ambient and drone producer paul jebanasam. mastered at calyx and manufactured via handle with care.

million brazilians formed in portland, oregon in 2006. founding members grant corum and suzanne stone have been central to the band since its inception, while a rotating line-up backs them depending on the latest vision for the sound. tip! the band carry out their own interpretation of a genre bending ethos that has evolved throughout the american underground. drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence. their next installment red rose and obsidian was recorded in maine and engineered by big blood’s caleb mulkerin. both he and the band deliver a powerful yet fragile and personal release. the mythical and evocative recordings are inspired by maine s rugged coastlines, mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of suzanne stone who leads the listeners into the magical world of the million brazilians.

best of ... woowwww

andrew lysters (meandyou) youth label kicks into gear with this limited nailer from shamos <br> limited to 300 transparent red vinyl
the 2nd release on youth comes from london artist shamos. with lyster having met shamos through nts it wasn t long before they were dj ing together around parties in london and shamos began sharing music with him. shamos, who last released on funkinevens apron label, comes with a heavy 4 tracker bringing the punkier dregs of new wave, dreamy abstract house and tripped out hardware jams, on limited red vinyl.

kuzma palkin for the 4th release of gost’s instrument series. pressing on blue and red coloured 2x10 inch vinyl.

limitiertes farbiges heavyweight vinyl in gatefold sleeve mit vierseitigem booklet und mp3-donwloadkarte.
erstes album seit 20 jahren: der sänger der only ones überrascht mit einem neuen album voller pop-preziosen und einer stimme, die lou reed zum verwechseln ähnlich ist.
heutzutage suchen wir nach verlässlichen figuren in der welt. zum glück gibt es peter perrett. auf das britische musik-urgestein war schließlich schon in den späten 70ern verlass. damals bescherte er mit der band the only ones der londoner new wave bewegung den hit “another girl, another planet”, drei alben und ganz viel inspiration. nun meldet sich der heute 65-jährige mit dem neuen solo-album “how the west was won” zurück. wer the only ones kennt, wird wissen, dass perrett schon früh anleihen aus dem us-rock’n’roll mit new wave und britischer schnauze einzigartig vermischen konnte. durchflossen von neuem elan hat er gleich einen hit genau dieser couleur mitgebracht: den albumtiteltrack.

back at the counter... same faces, new stories. comberti opens up with a tale from a journey to some far away psyche truths. zk bucket butts in with a more rugged sound... tinny synths, shooting tambourines that cause you to hide under the ground. the faster b-side comes with mattlack and a closed arrangement for high fidelity freaks... layers on layers. sode closes with a track for the simple minds – like me and you... ready to spin?

das 4. album von kraftklub auf rotem 180 gramm doppel-vinyl im klappcover.

released for record store day uk 2017. remastered and limited to 500 handnumbered copies only. pressed onto 180 gram red & white split vinyl.

thundercat veröffentlicht sein lang erwartetes brandneues album -drunk- mit gastauftritten von kendrick lamar, pharrell, michael mcdonald (doobie brothers), kenny loggins, wiz khalifa & kamasi washington!

respected producer and dj red rack em is due to release his new album self portrait this february via his own label bergerac. formed over the course of four years during a transitional period after moving to berlin, self portrait, as the title suggests, is a true reflection of danny berman and his influences.

new album from canadian singer & producer the weeknd, featuring appearances by daft punk, lana del rey, kendrick lamar and future. translucent red double vinyl, housed in a gatefold sleeve.

comprised of elastic idm-inspired hardware vignettes, plastic marks the debut full-length from pascäal. each sketch captures a fleeting feeling, an ephemeral moment imprinted to the posthuman beyond.

red vinyl to support japan! we got only a handful of this beauties. limited to 100 pieces, handnumbered and only for japanese market. max 1 per customer.

night train serves both as a marvellous offering for james brown completists, and, on another level, as a brilliant on-record instrumental jukebox, full of booting saxes, guitar sounds that practically force you to get up and dance, and all propelled by a beat that’s spanned the years without ageing one little bit. so there you have it… a great album that proves what james brown and his friends were doing at the start of the ‘60s still sounds amazingly fresh.
pressing on translucent red 180 gram vinyl.

alborosie the on a mission reggae warrior licks back the dread at the controls rod taylor classic from 1978 his majesty (produced by mikey dread) to stunning effect. the latest production of mr. alberto d ascola aka puppa albo aka alborosie showcases established hit-makers gentleman (in combination with clay), mr. vegas, alborosie, etana, christopher martin, sizzla kalonji with all new exclusive tunes, alongside young lions like dann i, yung j.r., skygrass, sandy smith and martei corley, with all great voices and excellent performances. eleven superb tunes plus alborosies instrumental riddim version makes this a standout longplay release! run the rhythm!

180 gram audiophile vinyl audio sourced from the original masters gatefold sleeve including the bonus track -talihina sky-

a pivotal moment in 20th century politics, history and culture the november 22nd 1963 assassination of president john f. kennedy (in dallas, texas) produced a mountainous range of forgotten, discarded and ghostly vinyl artifacts. country songs, private-press lamentations, mournful poetry and violent political diatribes were rushed onto rough-hewn 45s and marginal lps that vied to be heard above the noise and confusion.

french producer hugo lx returns with a new ep called “ascent” out on menace, 8 beautiful beats made with an incredible precision. hugo lx has been working in past with elzhi, large professor, homeboy sandman, oddisse, sadat x, the funk league, he is also known as a really good house producer, he proved that again with his recent releases on faces records, jazzy couscous or my love is underground. this release represent our first collaboration with the legendary fatbeats.

deluxe reissue of the 2003 album by king geedorah aka mf doom. comes on red coloured double 12 inch vinyl with download code included.

unlucky 013? ha! this one’s a pearler. multi talented producer red rack’em climbs up the fertile n s y d e spirit tree for this glowing summer release in the form of the ‘nothing without you’ ep. a mutation from the same skunky-soul strain of n s y d e 005 by skymark / lady blacktronika. the title cut is a result of a red rack’em tour through the south pacific, connecting with inkswell and fam. what was meant to be a rack’em / inkswell track instead ended up with australian vocalist, now berlin diamond in the rough: misumami liberally sprinkling her magic throughout. with a proposed subject matter based around missing loved ones while apart, misumami weaves an enchanting story of longing, and matters of the heart, through signature sleek, clever, floor ready rack’em production. flip for ‘love beat’ and here we get red rack’em- the funky technician fanboy, dusty fingered native tongue devotee, and closet jazz dancer. the loose, bumping drum programming and sculpted, cubist jazz sampling (inna heavy mandalorian funk fashion) weld this nocturnal seduction dance together. this is a late night groover, an eyes closed on the dance floor vibration. both sides are modern, vital, considered house music, where the problems of the world dissolve in a heads down- vibes up situation. mastered by pole at scapemastering so you know it’s gonna bang...

remastered reissue of a 1968 jimi hendrix classic.

soothsayers are back with a double a side featuring two massive tunes from their forthcoming album. originally released on the strut records album collaboration with cornel campbell, soothsayers have reworked their tune nothing can stop us upping the tempo and showcasing the vocal recipe of singers idris rahman , robin hopcraft and julia biel take me high is a heavy, dark and spacious head-nodder. sublime tripped out vocals by soothsayers as cornel campbell floats high in the atmosphere above accompanied by earth-shaking trombone and analogue bleeps in a sumptuous dubbed up mix. warm analogue sound recorded at fishmarket studios, mixed by daniel boyle at rolling lion studios. soothsayers releases are always championed by dj david rodigan (bbc 1xtra), as well as gilles peterson (bbc6) and many others.