the 2nd elma rivaga release comes from dj d.i.f.

file under garage / house / bass

tripped-out experimental jam , from breaks to bass and dub

following the success of their last release, xandrus >fading dreams ep<, which enjoyed notable support from (arpiar) stalwart rhadoo, nastia, anthea and yaya, to name but a few, vinyl only imprint ldn will return to the shelves in early december with their third 12inch installment. this time around label boss scott kemp will be providing the goods, in the form of a four track ep, aptly named >1988<, the year of scott s naissence. featuring three exquisite original tracks accompanied by a sublime remix from romanian producer nu zau, scott kemps years of experience honing his productions skills are laid bare from start to finish, as he continues to assert his affinity for stripped back, percussive driven techno with this pulsating composition. the ep debuts with >1988<, which feels evocative with its atmospheric vibe and slower pace, coupled with its deep bass, hypnotic synths and spacey sounds. in contrast, >konman< is more alert and its dynamic rhythm invariably encourages one to dance, as the latter part of the track welcomes warm and bouncy synths, complimentary to its percussive elements.

limited edition reissue of 500 copies on black vinyl.

post-breakcore ventures from ruby my dear on white vinyl.

limited vinyl reissue of the 1994 cassette album from abdallah ag oumbadougou.

limited , from garage to bass

serious broken beat business from davis galvin for vanity press.

two smooth slices of organ-bass goodness from pager resident, tiago walter, as 2x turns their colours from white to red.

cooked up by label head and bass player, chris lujan, specifically for austin, tx guitar hero, nick diaz, the bullies get right down to business with some hard-hitting, funky, soulful blues a la albert king on stax with a heavy shot of james brown. joined by lugnut brand stalwarts, joe baer magnant on rhythm guitar, michael reed on drums, and chris hazelton, out of kansas city, laying in some tasty hammond organ, bringing the whole thing home.

deep space electro by french producer franck kartell. known for his releases on labels such as bass agenda recordings, transient force or new flesh, just to name a few. this time he makes his debut on between places the sublabel of solaronemusic. enjoy his journey into dreamy electro and sience fiction worlds.

inspired by the early days of this era of jungle-bass music.

first release from the mysterious old 90’s drum n bass warrior

after two eps on knotweed records with his long time musical partner dying, barakat delivers his first e.p. for decision making theory under his new moniker: zreik. 3 tracks full of intricate drum patterns, boomy bass, deep pads and reverberating chords: stripped down no-nonsense techno, aimed directly at the dance floor!

five classic trance vinyls in a limited pizza box.

intense blend of jazz and dub from danish duo morten mccoy (keyboards & loops) and jonathan bremer (acoustic bass).

file under : percussive bass music / techno / electronica / techno-not-techno / leftfield dancefloor

louis sclavis (clarinets) together with benjamin moussay (piano), sarah murcia (double bass) and christophe lavergne (drums) presents “characters on a wall”, inspired by the street art of ernest pignon-ernest.

great house ep fromthe klasse wrecks gang

strong aux 88 - electrooooo one per customer!

the night can be started very minimalist and dreamy and we dive into this world

hand numbered edition of 275 copies!
standing ovation war ein kurzlebiges projekt aus clacton on sea, großbritannien, das 1982 von dem sehr jungen paul bramhall und glen redgen während ihres highschool-studiums ins leben gerufen wurde. bewaffnet mit einem casio mt40, einem korg polysix, einem korg m500 und einem boss dr55 drumcomputer sowie einer gitarre und einem bass buchten sie am 22. oktober 1983 ein lokales studio und nahmen zwei songs an einem tag auf. die beiden tracks wurden kurz darauf vom ebenfalls lokalen label falling a auf kassette veröffentlicht. sie machten weitere zwei jahre elektronische musik und suchten nach mitarbeitern in den zeitungen, in denen sie einen schlagzeuger und einen leadgitarristen unterhielten.

hi speed gabba electro bass

3 new tracks by eccentric japanese artist boys be kko. a1 oreinspotting is a floating track with a big bass line that keeps going - well produced as always. got type b is a track with a big intro and b1 home run bat, the title track, shines the way it’s arranged. all around, a great ep with a 100% signature sound from tokyo, japan.

3lp deluxe features: tri-gatefold, 3rd lp curated by questlove (bonus tracks & remixes). 20 page booklet w/essays by black thought & questlove , track by track liner notes by questlove

true oldskool electro with fat bass, space effects and smooth silk pads

2019 repress! scan 7 debuts on transmat with a sound you have never heard before. the ep features four cuts of jazzy gospel infused techno. sunday on a saturday perfectly captures the bounce of house and gospel, bound to be a dance floor classic. so b it is a groovy techno cut with a secy hypnotic bass line. he s able adds a riotous preacher to the mix to complete the sermon. here after revolves around an exuberant organ phrase burning on a slow beat. center leaf art by haqq of third earth visuals.

repress without 7 inch! five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. this studio project was compiled from a free-wheeling desire to just team up and play together, see what happens... the holy trinity of rhodes, clav and live bass, all wrapped up in a heavyweight rhythm section has provided the backbone to over 50 years of ground-breaking and floor-shaking black american music. the max graef band project channels this energy with the tight efficiency of the headhunters tag-teaming the new power generation, oh yeah - anyone expecting elbow patch, 6th form funk can think again, this is mosquito’s tweeter territory folks. from raw, p-funkin jams to punk-funk workouts & freestyle jazz flavours, dog pays homage and wears its influences proudly, while bringing a fresh take on the foundation funk that informs this collective’s own celebrated sample-house revival.

b-stock! cover with bent corner. ** vinyl onyl **5th release on the rawax aira series comes from pier bucci & oskar szafraniec. groovy business

a collection of through and through breaks, things kick off with the roll mix of the title track life signs, in what is an instant head turner as breaks grooves kick in dominated by rattling snares and deep pulsing bass. you must not be me follows suit, if not on a more melodic tip as the breakdowns are carried by echoing melodic patterns and billowing synth pads. on the flip, the tone is lowered as the lights go down for the bleep mix version of life signs, this time around a more eerie approach with clashing melodies and harder hitting drums. recollection acts as the perfect come down for what is an intense listen as ambience takes a hold for the final four minutes.

jungle / drum & bass on meditator music

the third 12- from the -forgotten art- cd. out in 2012 and gone since 2015. -shiloh- is house cut with heaven sent horn, big bass, and subtle filters. -we the party- on the flipside begins with an arpeggiated synth line and rolls in with sweeping pads and a vocoded vocal hook. repress scheduled!

four tracks of breaks warping and bass quakes. the duke of juke is known from his 10inch release on anus records and a 7inch on ameise.

navy cut welcome surreal to the label for his inaugural release! hailing from yorkshire, the no-nonsense producer and dj caught our attention with his production skill and attention to detail. somnipath driven by a dark 808 bass that progresses into an eastern melodic atmosphere. on the flip side dont fall asleep is intense bass pressure with thick drums and even thicker vibes.

experimental techno / drum & bass

2019 repress - first recorded in 1983 under the name visual, boyd jarvis s cut the music got me is one of the first true house records. a staple on the 80s new york club scene, the visionary instrumental dub was played everywhere from the paradise garage to zanzibar, dance-floors packing to it s mix of throbbing bass and wooshes of analogue synth magic. at ransom note we ve long been obsessed with the record, so when house hunting s aiden d araujo interviewed boyd - and found out that we could license it - we jumped at the chance. now, we present the music got you sounding bigger and better than ever before. remastered from boyd s original tapes by keith tenniswood at curved studios, the music got me is pressed on limited edition, heavyweight vinyl for clarity and bass pressure. complimenting the original release come 2 completely new mixes the first is a dubbed out masterpiece from edit-king nick the record alongside dan tyler of the idjut boys. between them they take the essence of jarvis s original and tease it out into a cavernous disco killer. next up comes bawrut man behind ransom notes debut release, the nu-acid anthem ciquita. bawrut does what he does best, throwing in latin percussion, layers of screwball 303 burbles, and a sense of joy, all whilst keeping boyd s original bass groove rolling.

leipzig-based bass music producer dranq released a 12” ep “serpentine” on beijing record label ran music’s bass sub-label ran rad.

incl s express - beat dis - people hold on ! 80s cult ! the alternative sound of a decade on double vinyl, housed in a gatefold sleeve.

great experimental wave album by the trio of todd sines, charles noel and vocalist alyssa barrera - in the vein of liasions dangereuses or cabaret voltaire tip!!! alyssa barrera vocals, pajaro tortuga todd sines clarinet, bass, guitar, electronics, engineering charles noel bass (a3, d1, d2), backing vocals (a2), drums + percussion, engineering amanda berkowitz bass (a1) written, produced + recorded to tape at helic.al 2016 - 2018

shadowaxs debut ep on trip nikolai reptile is a fun-filled package of effervescent techno and mutant bass jams.

cologne based producers and dj s stikdorn and mk braun team up for the second installment of their henk label. they created 4 tracks full of analogue hardware vibes ready for the dancefloor. the a1 (platform) is a breakbeat tribute with a haunting melody and some twisted turns. a2 (reval) is a straight looping techno stomper that could go on forever. b1 (atm) takes the floor apart with sharp and crispy noise and acid sounds on a heavy bass drum. b2 (loose it) slows things down bpm-wise but is surely also one to open or close a night in style.

limited black repress. greyscale gains momentum with its second vinyl chapter. two bass-heavy cuts by grad_u with amazing remix by resoe, beautiful black 180gr. vinyl.

fantastic kink remixes

georgia anne muldrow presents the sequel to her 2011 album “vweto”.

drawing from early metalheadz influences, sounds and ideas, black barrel has crafted his own unique take on it all ranging from the intricate edits and soulful ksr vocals on ‘elevate with me’ to the unparalleled funk and gnarly prominence of ‘hear the sound’. it’s further proof that black barrel is more than adept when it comes to producing full spectrum drum and bass.

2020 repress!!!bass electro vom allerfeinsten tip: b1

dmx krew + libertine, no introduction needed

the 1998 album from dub legend mad professor back on vinyl.