born in cameroon, vicky began banging the drums at the age of 9. by 13 he had moved onto bass and within a couple of years he was playing every night from 10pm to 5am in the castel douala cabaret. at the age of 19 vicky moved to paris to study banking and commerce and cram in even more music. he took classes at Épinay-sur-seine conservatoire music school and it was here that he met bandmates of his dikalo project. word spreads and he soon becomes one of the most sought after bass players in the afro arena. his session work features on many scenes stars, manu dibango, eko tala am, kemayo, sammy massamba, toto guillaume and many more. a chance meeting with the gibson brothers also see him play on two of their hit albums. in the 80s vicky moved to the us for spell and excels as a session bassist and touring musician. we pick up the story in 1981. with his stature as a musician and bass player riding high he takes a detour to nigeria to record with the afrodisia label in lagos. the thank u mamma album is the result. it is repressed for the first time, here in 2018 on the revitalised afrodisia label. musical proceedings open up with the heartfelt ode to his mother thank u mamma, smooth pop meets afrobeat boogie. marina driv slows things down with its smoldering jazz. side two opens with its not serious a catchy vocal number underpinned with funky guitars and striding basslines. stormy rain is lazy guitar jazz swansong. we close off the album with the ever so funky you. slick funk grooves powered along with a dose of slap bass. as a side note vicky actually plays left handed but with a upside down right handed bass. this upside-down precursor making his effortless slap playing even more impressive. vicky went on to record a two other albums and still tours and plays as an ever-in-demand session musician.

independently released album of 80s influenced / new era boogie, disco and jazz fusion performed and recorded by skymark. great songwriting and drum programming skills are on display throughout while he deftly works an array of synths (arp, prophet, moog, roland and korgs). big tip!

the 2000black collective return to bring their very own brand of boogie,funk & jazz. production from kaidi tatham, mr mensah & dego evolves into the driving theme sunday avuncular the dance vibes of bauxite,gypsum & limestone and the steady pacing mononymous persons . always forward thinking whilst tipping a hat to that past 2000black keeps on keeping on.

out 2 is a project from jeremy campbell and r. zanzibar, who have previously worked together on albums for l.i.e.s. and lectric sands under different aliases. they sound right at home on emotional response, channeling the influence of 1980s new york dancefloor hybridization into six original tracks and their counterpart dub versions. its an impeccable tribute to the forefathers of new / no / minimal wave with the right kind of funk rubbed in the groove and ample space in the mix for all the live dubbing the style demands. moving is a surefire death disco party starter, dancing hovers in a beyond the grave island boogie reverie and some airs red there heads out into exotically enhanced territory without losing that nyc grit. it s a marvelous record, with the dub versions adding new dimensions to the music rather than simply repeating the same tricks sans vocals.

get in the car, we re goin to the cirque du freque, starring normal ones, deepchord, and lost lake. a journey from the murky depths to the boogie caves, from your pals at make mistakes. on the a side, deepchord crafts a driving, shifting, wall of noise. melodic stabs and resonant fuzz coat a pulsing beat and bass. hypnotic and divine, deepchord s take on the original is a potent, psychedelic tool for the late night warehouse dance floor. the original shines bright, a playful groove with an undercurrent of menace. with that sweet, sweet growling bass, and tip-a-tap percs, skittering all about, cirque du freque brings the dirty heat. cirque du freque carries an old school vibe, with modern sensibilities, a memorable jam for sweaty frantic, nights. every time the label features lost lake, he delivers an original, compelling dance floor jam, while retaining a warm, familial vibe. you ll know it when you hear it, as lost lake s pure electro funk works its way through your soul. one of those tracks you drop down into to relieve some pressure in the room, a deep sigh of release in preparation for the next round. as always, make mistakes brings high quality and varied content to the table. cirque du freque is another versatile, high quality record, that any dj can stick in their crate knowing it ll find a way to fill a special moment in any nigh

times of innocence etire en avant is a track by i:cube from 1996 recorded straight to tape, when he was still doing music in his bedroom at his parents house. this slow jam contains french hypnotizing aerobic lyrics combined with a funk filtered sample, perfect for a tantalising disco sleaze late night set. on the flip side, abel from the infamous red light records amsterdam offers us a surprising re-jam based on the original xxxx track released last year on the oeil cube ep speeding it up from 33 to 45 rpm, and then extending it for maximum effect. from cinematic slow boogie to proper boogie monster.

manchester based dansu discs are back with their second vinyl release of the series! dsd010 - club culture vol.1 is a 4 track various artist compilation infused with dance floor ready cuts filtered across the spectrum of electronic music. from disco to chicago house, breakbeat to 303 acid lines, you can be sure that every taste is tailored to throughout this ep.

rocco universal, based in tokyo, arrives on when i met you records third release with a slick disco work out. fresh from his release on leng, rocco brings in the boogie. previous releases on on when i met you from label owner ten ven have generated multiple radio 1 plays across the dance specialist shows as well as a global club support.

tim (aka jean marie tiam) and the sadly departed maurice foty who died in 2011. the musical cousins hails from bafoussam in cameroon. their signature vocal harmony sound may be the first thing you hear, however they also have produced a host of funkiest african funk around. they sing in their native language ngomâlah, as well as duala and english.

vinyl-only ep with tracks taken from debut album, discovery in the atomic garden - previously releasing as community corporation on argot and crisis urbana recordings. like changing the channel, changes in one’s life can suddenly bring about a new perspective. after moving from detroit to seattle, producer taylor hawkins suddenly found himself on flora fm. previously recording as community corporation, this fresh beginning in emerald city brought new sounds into hawkins’ repertoire. where he was once surrounded by cheap boogie and disco records in detroit, seattle’s used bins were full of uk imports, early 90s ambient techno records and the idm that followed. these new influences injected judicious breakbeats and top notch electro sensibilities into his already adventurous midwest techno aesthetic. it’s as if his music has come alive, each song a new sound world abuzz with fluttering synths, nimble percussion, and soaring melodies. recorded as single live takes using an mpc to control his drum machines and synthesizers, the flora fm music flowed quickly from hawkins and needed only gentle edits. the eight tracks on his digital debut album, discovery in the atomic garden, document his experience finding his way in seattle and in life, all through the lens of a fantastic and somehow futuristic musical viewpoint. the vinyl-only ep atomic garden includes four of the album’s most danceable tracks, all wrapped in gorgeous artwork by patrick savile

nyra continues to shine on his own canoe label, making the most of the creative freedom to show every side of his musicality. -take my hand- deserves to be huge, displaying a devilish instinct for a simple disco loop, a powerful vocal and a whiff of fist shaking new york house pressure that will leave its mark long after the club kicks out. -life is trippy- switches stance entirely with a snappy boogie-indebted jam for lighter moments. -on & on- meanwhile summons a rowdy detroit techno backbone that, paired with the bold disco licks, calls to mind the kind of fare dj bone can so expertly drop. -falling for love- maintains the fusion of rough and smooth with equally brilliant, party-starting results.

initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, future four returns after a hiatus of several years, pushing into new eras, machines and ideals with connection. initially a solo project of andy meecham, the brains behind emperor machine, chicken lips, and bizarre inc., connection is the first future four release to feature the contribution of erol alkan as a permanent member, and is a coupled with a remix from i:cube. a veritable powerhouse of synths, vintage drum machines and all man-ner of effects, connection unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of fm synthesis and psy-chedelia. on the remix, i:cube takes the unpredictable rhythm of connection and coaxes its versatile, multiple elements into a timeless slice of boogie house. nurturing the outsider casio feel of the track under a musical heat-lamp, the always forward-thinking frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

manchester producer andy hanley has had one previous outing on ruf kutz but now hes adopted the haners alias to kick off the misadventures label with an assured grip of warm, discoid funk shot through with a healthy dose of 80s production finish. heaven is definitely the most dancefloor ready track a shimmering slice of laid back disco house with plenty of hooks and a dreamy, slightly dubbed out atmosphere. girl is more audacious, slowing the tempo right down and riding on a brittle beat and a heavily reverbed dose of island boogie. you keeps things slow and easy for the gentle part of the night a consummate smooth groover.

official remastered limited edition of a huge italo boogie from 1983. the plus on this release is represented by the b-side filled up with an unreleased instrumental dub version to give you even more options for dropping this essential classic !

ltd repress 2019 - for record store day 2018 rnt ushers in the springtime sunshine with ferias 77 reworks, a collection of brasilian revisions from label co-head jkriv. a longtime lover of brasilian sounds, this 8 song double 12inch compiles reworks he created over nearly a decade, drawing from some of his most revered and respected sources. from the upfront boogie of relaxa, to the stomping babaluae, the tropical funk of rainha do mar, the downtempo sway of era um era, to the almost balearic-leaning doto and more, this mini-album contains a wide swath of brasilian styles and flavors.

sb editz returns! jad & the open up proceedings with a dubbed out balearic boogie bomb, with tender games taking the a2 intertwining infectious guitar licks and synth lines into a supercharged groover. on the b side swales incorporates a funked out bass and plucked riffs over the top of some sizzling percussion. finally label founders slothboogie close out the ep laying a tasty 303 line & weighty kick over floaty pads and a choice vocal snippet. 4 cuts, 4 artists, 4 winners!

the happiness is back! after his debut in future times, repetentes 2008 checks the third 40% foda/maneirissimo 12 release as -os maneiros-, an ep showcasing the sound that only the fail experiences of gabriel guerra s school years could bring. with his trademark sound of sped-up boogie and happy-as-hamtaro fusion, repetentes 2008 packs it up four crazy tracks that are perfect for bringing up your mood. -lucas freire birthday- it s that crazy instant hit accompanied by a chit-chat between two friends (lufreire and timidozinho) who doesn t seem to get along but love each other. supervagabundo is flute-filled fusionness with conventions and solos that could make even casiopea get jealous. in the b-side, -nova berserker- gives you the chill in a ymo-esque fashion by showing how things works when it get s the glassy and digital synth fever and -fofo shuffle- closes with the cute triplet groove and a beautiful and bubbly melody. are you suffering from po-faced music in the dance floor? no problem, repetentes 2008 s -os maneiros- is the cure, the sugar that you gives you the rush without losing the joy! get it now!

broken district is a new label launched by the creative minds of jus jam, momla and antwan. the project is born with the idea of exploring alternative music styles that blend the influences of the label s creators, including jazz, house-music, hip-hop, funk, soul, and experimental music. in order to give a global overview of the label s territory, broken district is kicked-off with a series of va eps. momla inaugurates the label s first release with an instrumental funk ballad. he is using soul samples, synths and an electronic piano to create a smooth vibe, led by a catchy bassline. up next, hip-hop producers yepes & plae casi are stepping out of their favourite field to incorporate house-music rhythmic elements over an old-school r&b flavour. berlin-based producer marian tone is closing the first side with a laidback, jazzy hip-hop instrumental. the other side opens with the copenhagen-based talent jeppe wolmer. -normal position- is a modern take on disco & boogie, with a rhythmic bassline and reverbing rhodes, ending with acid infused synths. concluding this first release, label s co-founder jus jam gives us another glimpse of his musical talent through a dreamy journey that blends house-music, hip-hop and jazz together. welcome to the broken district.

smbd aka simbad is back with his third seasonal ep on gamm. after a long and dark winter smbd thought we all could need some uplifting and soulful spring music...church style! these three gospel boogie/disco jams have been his personal dj weapons over recent years but now they re given a sweet edit twist for your dancing pleasure. it doesn t really get more uplifting than this!

a compilation of classic elvis presley songs on 180 gram vinyl.

washington based better listen records drop their first va ep. housing four disco influenced dancefloor workouts bringing a slice of sunshine to our shores. folamour kicks things off with an uptempo disco stomper, complete with driving bass, infectious string hooks and energetic piano stabs. the a2 sees ethyene slows things down combining choice vocal snippets, shuffling rhythms and sleezy synthwork to create a sunset groove ready made for the summer. on the flip ari bald draws on all the elements from a classic disco anthem, with brass stabs, slap bass and an uplifting guitar riff driving things forward, before dorsi plantar closes things out with a blissful boogie simmerdown perfect for any sunrise set.

double-gatefold lp with detailed liner notes, label scans & unseen photographs. all but one song appear on vinyl-lp for the very first time.

good things come in threes and that’s the case for shapes of rhythm: new year, new artist and a new release! announcing d. lynnwood’s connect ep. four tracks of dancefloor-friendly music blurring the lines between house, disco and the 80s boogie sound.
additional dj support from: danny krivit, glenn astro, mad mats, kon, glove love, dom servini, scrimshire, matthew schreyer (kcrw los angeles)

official discogs baiting re-issue of this classic boogie jam from circle city band ...
written, arranged and produced by paul s. thomas published by sizzlin hot music bmi licensed courtesy of paul s. thomas c/o umeg media, management and productions originally released in 1983 official reissue groovin recordings 2018

organic analogue broadens its remit on this killer boogie inflected diversion from italian producer croza. where the label has been often associated with deeper techno and electro, it sounds right at home exploring the moog bass licks and snappy drum programming that pours like a fine wine out of every track. night heat is the perfect lead track, all steamy synth throb and funky guitar licks, while feel turns up the pressure with a proto house burner that would have set the paradise garage alight. also look out for a rare appearance from ad bourke, who cruises on to the record to deliver a blissed out version of night heat for the smokiest of sundown situations.

paradise palms presents a brand new 7inch from rising producer tom blip, who heads up the globetrotting record label blip discs and has found his own productions in hot demand, showing up in sets from the likes of four tet, gerd jansen & pearson sound. rez / crazy arps is a bold 7inch of crunchy drum machine-driven boogie, tracked hot to tape and peppered with toms wormy sh101 riffs. rez / crazy arps is available on 7inch

by day he guides lasers into position using precision equipment, at night he crafts raw house music. welcome to the unusual world of reflection port assembly. we got to know one another through a few brief, slurred encounters in the smoking area during the fabled forza italo night or at the aptly named gary’s gang. pretty soon it was clear that he had impeccable taste, like that record that featured coil and ice t. one sunny friday afternoon in june, he tore himself away from guiding the lasers and we met up in the city centre. the light breeze did nothing to dissuade the office workers from gathering outside the pub for sneaky post-work pints. surrounded a sea of grey and blue business attire, we agreed to make ‘retribution’ the second release on first cut. featuring three cuts, it spans house, electro, boogie and even some detroit techno influences. but ’retribution’ is more than the sum of these parts. unlike his precision-based day job it’s rough and imperfect, flawed but warm, messy and charming - like a snapshot of every day life in dublin.

finnish band jesse makes unsentimental and innovative music. what you hear on “fluids”, released as a 12 inch picture disc album on hoga nord rekords, is the sounds of four creative brains’ journey into the music universe of the future. their music is influenced by earth and space - jesse’s astral and cosmic disco is prospective, totally boundless, and vibrant of life and blood. the production sounds luxurious and helps the psychedelic qualities to shine through the sound.

twice aka patrick gibin established himself as a selector to be reckoned with through his black aroma re-edit series, and now he brings his penchant for deep cuts and dusty reworks to the rnt catalog. stretching over the a-side is sunrise, a bouncy sunny synthy affair, seemingly made for summer rooftops and pool parties. on the flip, searching updates a woke soulful 70s anthem, and take flights loops a boogie instrumental with hypnotic simplicity. re-edits done proper.

star creature continues to break new artists, this time debuting “love’s high” a collaborative european effort featuring israel’s soul supreme and the always fresh kids crew. a side is modern funk dancefloor primed with classic boogie formatted verses & hooks. b side is an uptempo instrumental.

a timely repress of a true underground club classic and rarity, disco / boogie / funk heads take note. larry wu wedgeworth dropped this sublime piece of boogie in 1984 on the atlantic label and both sides have long been firm favourites with serious soul aficionados for many years. let me show you was one of numerous major label dance records from that golden mid 80s post-disco era that caused a storm in the underground clubs of the day. this one s long been sought after on 12inch and has been bootlegged numerous times, often with inferior sound quality and no care taken, not this time though, this high quality, official, 100% legit reissue has been lovingly remastered by above board distribution in conjunction with atlantic records from the master tapes. beat that. both the original vocal mix and dub version are included here with og atlantic label artwork. dont waste your time on the fakes! this one s the real deal!

after a monumental 2017 including the release of his first full length lp “virtual love” on star creature, adam chini returns with a “creature feature” hosting collaborative efforts with some of the current stars of the modern boogie scene including saucy lady & liquid pegasus.

tartelet records is 10. to celebrate a decade in the cut, they re out a home run of new material from label mainstays & fresh signings in 2018. to kick things off, the label is enormously proud to set free endless light –– a new record from oakland newcomer space ghost.
coming on like a brainchild to dam funk & mutant beat dance, ghost s sound falls off the shelf between a number of distinct reference points: lone s early tropical synaesthetics, the modern funk of funkosphere, the intimate tapes out of ppu. in a sea of soundcloud copycats, he s a revelation.
endless light is a record with an open hand: an instantly appealing sound from a new producer with a highly-tuned ear. born of his collection of antique synths & drum machines, the space ghost experience channels a deep heritage of 1980s funk minimalism & analogue boogie. velvet pads, hood-rat sleaze & heaped spoonfuls of soul.

klasse co-boss mr. ho steps up to the plate and knocks it out of the park with a new ep of brand new and original material. inspired by listening to various library music and funk records found whilst digging in asia, the hong kong based artist lays down three tracks of boogie-disco and funk inspired house music. funky walking basslines, eerie 1980 s synthetics and spacey snares make for a total tip!

in a much anticipated return, one of the scene’s most esteemed producers davide squillace is back with a ten track album. to be released on crosstown rebels. once upon a time in napoli provides an eclectic range of both hard-hitting and introspective productions. this release paves the way for an exciting year ahead with several more releases in the pipeline.

nebraska fires up his own friends & relations label once again to take a trip into the strain of lilting, summery deep house that has previously fitted in so well on rush hour, mister saturday night and more. this time around nebraska is getting the remix treatment from an all star cast, leading in with the woozy, soul-soaked shuffle of session victim s treatment of -pintxos.- mr beatnick keeps things suitably deep when tackling -rat boogie,- all laid back disco patter and filtered funk, before marcel vogel goes one step further on -keep what ya got- and rolls out slow and juicy funk of the raunchiest kind.

first release of label la casa tropical, two south african nuggets. especially smile is a sought after tune by satari. the flip might even be better. tip! synth heavy south african disco boogie from the mid 80s. first issued near the end of the synth-pop era that gave boom to the local record industry, this release takes the b-sides off the mysterious groups first 2 singles recorded at johannesburgs legendary satbel and ovation studio. combining live instruments and an embrace of the electronic gear that was already standard in all studios city wide, the newly formed supergroup was able to create a unique sound at a time the word disco was starting to be associated with a different emerging movement.

wicked compilation. holds only rare top notch zouk tracks that have never been compiled before. superb for your tropical dancefloor. winners only! big tip! according to the label: after the success of koute jazz, heavenly sweetness comes back with a dancefloor but not jazz compilation, enough to move your feet at through the whole summer! 13 disco, boogie and zouk tracks recorded in the 80s in the west indies.

sha d underground trax comes forward with his first private pressed release, hailing from birmingham with a passion for basslines and vocals, the scalpel ep aims to deliver just that with a mix of electro, freestyle & boogie cut up, chopped and reworked focusing on the drums and raw basslines while bringing the silky vocals to the fore and removing all the cheese, for those of you who buy records looking for the dub versions or step pettibone remixes this is the perfect record for you, built by the dance floor for the dance floor, late night low slung sleaze business.

aroop roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. by fusing elements of jazz, afro, latin, funk and soul with the deeper end of house and disco, aroop has forged his own style with eps on revered labels including g.a.m.m, basic fingers, freestyle and lazy days. for his delusions of grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor. things kick off with save our love, a track that’s absolutely brimming with energy thanks to punchy wurlitzer chops, tension-building philly strings, and a rock-solid disco groove. next up we have what i love which sees aroop take an altogether more freaky approach flipping an uptempo rolling break, distorted synth line, cross-rhythm stabs and rasping vocal cuts into an edgy dance floor workout. closing this brilliant ep is the low-slung bump of walk that walk featuring original vocals from oakland, ca based blacktroniks who delivers his flow on top of a bass-heavy slice of deep electro boogie.

a fully legit 2018 repress of a jazz-funk & boogie classic! nard is bernard wright s bonafide funk masterclass, boasting some truly amazing and heavily sampled cuts including - spinning (used by skee-lo on i wish ) haboglabotribin (used by snoop dogg on g s & hustlers ) as well as some heavy-duty boogie workouts like just chilling out , the master rocker and many more. a truly solid record and one that features boundless flashes of genius writing and playing from bernard and his killer outfit including luminaries such as dave grusin, marcus miller, weldon irvine, patti austin, luther vandross and many more! this one s a keeper and will have you locked in from start to finish, a total groove-fest. originally released on the mighty arista sub-label grp label in 1981 nard has it all, the beats, the wigged out oberheim solos and most importantly - the funk! remastered and repressed with the full involvement of arista / sony bmg by above board distribution for all you boogie freaks. a truly essential album!

2018 repress, standard lp jacket rather than the old school stoughton jacket as on the first edition, no dl card cultures of soul record brings to you an anthology of the music of evans pyramid. this album features all of the officially released singles plus four previously unreleased tracks. 1000 ltd pressing. delux gatefold stoughton paste-on jacket and download card to 4 previously unreleased bonus cuts. huge tip! andre evans was the mastermind behind evans pyramid, a seasoned performer and session player in boston throughout the 70s. full of unique disco and boogie stylings, this release includes all of the rare singles such as never gonna leave you, dip drop, no i wont and i want your body, as well as a recently discovered 45 that features two top-notch disco tracks - dance a thon and rubber band. the album also includes four unissued tracks taken from the original demo tapes. thanks to praise and adulation from gilles peterson, dj kon, the noble brothers and joey negro, as well as other respected djs and collectors around the world, evans pyramid is the undisputed king of boston boogie.

cultures of soul records has teamedup with local boston disco queen saucy lady to put together a 12inch, released in conjunction with their tokyo nights female j-pop boogie funk compilation. this 12inch features a cover of the sublime song town, originally recorded by minako yoshida. the b-side is a cover of honey b, originally written and recorded by toshinobu kubota. both tracks are recreated and produced by saucy lady and yuki u-key kanesaka.

nu york groove sessions drops another hot lp of rare boogie, disco dub & holy grail cuts! followers of larry levans paradise garage, crate diggin fanatics & trainspotters alike should jump for joy when they hear this

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due records have saved the day yet again by reissuing for the first time the west coast inspired funk full length le gamby - double oo too sweet from 1985, truly a rarity and another glimpse of the unheralded genius of lee moore. yet again, this rare lp is virtually a ghost, known only to the hardcore record collectors and boogie funk aficionados. now is the time!

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 digitally and on vinyl. australias reigning champion of tasteful electronic music, cc:disco! has procured exclusive tracks from emerging and undiscovered artists across genres such as boogie, balearic, funk, disco and house with each sound piquing her interest, culminating in a finished product that would undeniably slot into a cc:disco! set. her mission statement? less chin stroking, more dancing. it captures what cc:disco! is all about: the dancefloor. the very first taste of first light comes in the form of a salty and sweet track called really want that by jace xl. premiered via resident advisor, cc:disco! explains: i remember the first time i heard jace sing in a bar, at first i thought a dj was playing then i looked up see jace singing his guts out. he blew me away! jaces voice is amazing and to me, a huge part of whats going on in australian music, so its with open arms we welcome him to first light. staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

soundtrack of the german cult erotic movie by lisa-film from 1979. starring playboy playmate bea fiedler. pressing on translucent pink vinyl, including poster, sticker, vampire fake teeth and download code.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur